Search results for augmented

So I’ve been thinking a lot about curation and its role in contemporary social life. I’ve had such thoughts before, and have since expanded upon them. Here’s where I am…

Curation is the act of picking and choosing, marginalizing and highlighting, adding, deleting, lumping, and splitting. Social life in itself is highly curatorial, as social actors necessarily filter infinite masses of stimuli, selecting and preening in intricate ways while sculpting performances out of the broad slabs that constitute affect, body, and demeanor. In what follows, I argue that new technologies—and social media in particular—amplify curation, facilitating its operation as a key organizing principle of augmented sociality.

Specifically, I briefly outline a three-pronged theory of curation, in which social actors curate their own performances, curate what they see, and are always subject to curatorial practices of others—both human and machine. I refer to curated performance as outgoing curation, curated viewing as incoming curation, and curation at the hands of others as third-party curation. more...

On New Year’s Eve the biggest fireworks display ever was launched off of the biggest tower in the world. Dubai’s fireworks show was, in terms less vulgar than the display itself, an undulating orgasm of global capital. The 500,000 fireworks mounted to Burj Khalifa Tower and the surrounding skyscrapers, were reportedly viewed live by over a million people on the ground and livestreamed to millions more around the world. I can’t find a price tag for the display (too gauche?) but given that your typical municipal fireworks display for proles can easily top six figures, lets just assume that you could measure the cost of this display in national GDPs. It was profane in the way Donald Trump’s continued existence is profane. The fireworks display was so huge —such an utterly perfect metaphor for capitalism itself— that no single person standing on the ground could witness the entire thing. It was a spectacle meant for camera lenses. more...

Over on Vice Motherboard, Michael Byrne recently wrote about his desire for “an Instagram of sound.” He says

What I want is a place to hear things that people record in the spaces around them. This seems reasonable to me: An app with just one button to record and another to share. I’d have fewer “friends” than on Instagram, in the realm of sound, but there would surely be some. And some who use the app would be pushed to find better and more interesting sounds, and to appreciate those sounds in new and different ways.

There are already such apps–Audioboo is the one I use (there are plenty of others, as summarized here). Audioboo is a social network for sound-sharing; people follow me on Audioboo, but I’ve also linked my account to Twitter so I can also tweet sound clips and share with my twitter followers, just like I would with Instagram (if, that is, I used Instagram with any regularity). I wish it was as popular as Instagram, Snapchat, and Vine…but it’s not.

I don’t think this relative lack of popularity is primarily due to the fact that, as Byrne argues, we’re trained to use vision as our dominant sense. Certainly that’s part of it, but that’s not the only (and perhaps not even the primary) reason. I think sound recording is a different medium than both photography and even Vine’s short-attention-span videography, and that maybe this medium isn’t as well-suited as photography and videography are to the kinds of tasks we generally want to accomplish on social media. So, the controlling factor here is social media, not auditory or visual content–they’re just means to the end of social mediation.

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The year is 1959 and a very powerful modern art aficionado is sharing a limousine with Princess  Beatrix of the Netherlands. The man is supposed to be showing off the splendor of the capital of what was once —so optimistically— called New Amsterdam. His orchestrated car trip is not going quite as he had hoped and instead of zipping past “The Gut” and dwelling on the stately early 19th century mansions on Central and Clinton Avenues, Beatrix is devastated by the utter poverty that has come to define the very center of this capitol city now called Albany, New York. The art aficionado, unfortunately for him, cannot blame some far away disconnected bureaucrat or corrupt politician for what they are seeing because he is the governor of this powerful Empire State and he has done little to elevate the suffering of his subjects. He resolves, after that fateful car trip, to devote the same kind of passion he has for modern art to this seat of government. Governor Rockefeller will make this city into a piece of art worthy of his own collection. more...

One of the most interesting things to watch in the usage trajectory of any form of technology are the ways in which it’s used that no one really anticipated, but that seem perfectly sensible and obvious after the fact. One of those that I actually found out about only this week – really, I should have known about it before – is Ingress, a game played on mobile phones that sorta kinda comes from Google, and whose players are intense enough about it that one of them flew to a remote location in Alaska in arguably dangerous conditions in order to complete a game task.

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File this one under “what is at stake” when we talk about the digital dualist critique. Bitcoin, the Internet’s favorite way to buy pot and donate to Ron Paul, hit an all-time high this week of around $900 to one Bitcoin (BTC). The news coverage of Bitcoin and the burgeoning array of crypto-currencies (according to the Wall Street Journal there’s also litecoin, bbqcoin, peercoin, namecoin, and feathercoin) has largely focused on the unstable valuation of the currencies and all of the terrible things people could do with their untraceable Internet money. What hasn’t been investigated however, is the idea that crypto-currencies are somehow inherently more “virtual” and thereby less susceptible to centralized control the way US dollars, Euros, or Dave & Buster’s Powercards are. Both assumptions are wrong and are undergirded by the digital dualist fallacy.  more...

Alert to fanpeople: The film version of Ender’s Game is not the sprawling political epic Orson Scott Card created in the Ender series. Alert to those unfamiliar with the story: The film is, however, a lean and contemporary plunge into questions of morality mediated by technology, and in order to tease out various issues, I’m gonna spoil the heck out of both book and film.

If you’re watching hoping to have your heart yanked out and shaken, you’ll probably be disappointed. Asa Butterfield’s guileless face makes a plausible approximation of the story’s world-weary protagonist, Ender, but he struggles to bring emotion to an over-trimmed, manically paced story. Minor conflicts are presented in expository dialogue and resolved before we have a chance to parse Harrison Ford’s (aka Colonel Graff’s) cranky barks. Minor characters are sketched in a single phrase, and the world appears divided into cute children who drift inevitably into Ender’s circle, and less typically-bodied children whose essential malice leaves them beyond redemption. Hood does a decent job of not Hollywood-izing the story beyond recognition: Here is Ender, cerebral, tormented, pubescent strategic genius in a world where children’s minds are employed as the best military defense against an alien enemy. Ender is taken from his home to Battle School in space, subjected to increasingly grueling battle simulations, and, in his final moment of victory is devastated to learn that the simulations were actually the real war. Without realizing, he has annihilated the aliens’ home planet. more...

Today is Cyborgology’s third birthday (see the first post)! Each year we do a little reflecting. more...

“Raw video of the quadcopter drone flight and crash on the streets of Manhattan”

“you cannot take a picture without involving an act of selfishness”

“The anxiety some people feel over the mass advent of digital is not unreasonable but their response to it often is”

“the Bluetooth RoboRoach, the first cyborg to be commercially available to the general public”

“TV has gotten a lot more intimate, more entwined with our subconscious, closer”

“Facebook’s temporal orientation puts undue pressure on its users to conform to its system“ more...

The Time article that covers the Bexar County Bibliotech Library in San Antonio, Texas asks a basic question, and it asks it right in the byline. It’s not a unique question; it’s not anywhere close to the first time it’s been asked. It’s a question that captures a lot of anxiety around a particular kind of public space that is, even when it isn’t given a lot of direct attention, pretty firmly embedded in our cultural subconscious.

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