history

Cross-posted at Cyborgology.

As part of my research into the popularization of tattooing, I have accumulated quite a few interesting links on tattoo toys for children. I don’t mean those temporary tattoos we all used to get from the vending machines at popular chain restaurants. This toys I am talking about have drawn flack from parents as being “inappropriate” for kids, creating an example of a burgeoning “moral panic”. Some examples include: tattoo inspired toddler wear, tattoo machines for kids, and of course, tattooed Barbie dolls.

Tokidoki Barbie:

Toys like these have been released every few years since the 1990s, when tattooing was ranked as the 6^th fastest growing industry in the country (Vail 1999). But we are now seeing more children’s tattoo toys spring up, dovetailing with the increasing popular interest in the craft. We may very well be observing a second Tattoo Renaissance (Rubin 1988), especially given the expansion of the industry and the artistic flowering that has occurred since the tattoo reality TV shows first emerged in summer 2005. 

I believe we are we observing a cultural paradigm shift (Kuhn 1962) regarding tattooing.  Cultural trends are slowly reshaping popular conceptions of tattooing, turning them from “marks of mischief” (Sanders 1988) into an “ironic fad” (Kosut 2006) of consumer capitalism. Whereas tattooing was once largely reserved for working-class men, sailors, carnival performers, and exotic dancers, we have since seen the practice become widely popular amongst all races, genders, and classes.

G8 Tat2 Maker by Spin Master Toys:

Beginning with the Tattoo Renaissance of the 1960s (Rubin 1988) and more recently with the expansion into reality television (Lodder 2010), we have seen the cultural cache of tattooing shift in favor of middle-class notions of identity work (Atkinson 2003); that is, towards seeing the body as a vehicle for expressing oneself, towards actively controlling and crafting the body as a form of empowerment, and towards the development of “distinctive individualism” through appearance (Muggleton 2002). The highly narrative focus of tattooing contained in popular reality TV shows like “LA Ink” or “NY Ink” only bolster these trends, as new tattoo enthusiasts invest deeply-held meanings into each tattoo.

But these trends do not mean that tattoo toys aimed at children are any less offensive to some. Largely, it appears to be a generational divide: youth are much more supportive (in fact, largely celebratory) towards body art like tattoos and piercings, but the baby boomers continue to view tattoos through the lens of deviance.

For people of my parents generation, tattoos continue to be a symbol of deviant proclivities. Some have even called it a “disease” plaguing the youth of today. I have taken issue with such an interpretation of tattooing, especially by social scientists who continue to conceptualize the practice as an indicator of mental pathology or emotional instability, and have proposed a “pro-social” conception of contemporary body modifications like tattooing and piercing [you can read my work here]. In my opinion it is just a matter of time before prominent and visible tattoos become commonplace in professional and public settings, tattooed Barbie notwithstanding.

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David Paul Strohecker (@dpsFTW) is a PhD student at the University of Maryland, College Park. He studies issues of intersectionality, consumption, and popular culture. In addition to his work on the popularization of tattooing, a project on the revolutionary pedagogy of public sociology, and more theoretical work on zombie films as a vehicle for expressing social and cultural anxieties. He previously wrote for the blog Racism Review and currently blogs at Cyborgology.

For more from Strohecker, see his posts on facial tattoos, the origins of zombies, QR codes and the digital divide, and laughing at disability.

If you would like to write a post for Sociological Images, please see our Guidelines for Guest Bloggers.

Economist Michael Mandel, at Mandel on Innovation and Growth, posted these two figures showing that the real earnings of college graduates (full-time workers ages 25-34) have been declining since before the recession. According to Mandel:

• Real earnings for young male college grads are down 19% since their peak in 2000.
• Real earnings for young female college grads are down 16% since their peak in 2003.

Mandel poses the following questions:

…no one has given me a good explanation yet of why young American college grads should have been hit so hard. Is there increased competition with young college grads around the world?  Are new college grads lower quality than their predecessors? Has information technology reduced the need for young grads? I really would like to know.

For more depressing news about the earnings of college graduates, see these posts on how the economic recession will depress the earnings of college grads for their entire lifetime and a look at the trend in college graduate earnings since 1979.

Lisa Wade, PhD is an Associate Professor at Tulane University. She is the author of American Hookup, a book about college sexual culture; a textbook about gender; and a forthcoming introductory text: Terrible Magnificent Sociology. You can follow her on Twitter and Instagram.

I like this post. And it’s the two-year anniversary of Bruce Snowdon’s death. So, here’s my toast to the last sideshow fat man.

He’s so big and so fat it takes four girls to hug him and a box car to lug him.  When he dances you’ll swear he must be full of jelly, cause jam don’t shake that way.  And you know girls!  He is single and lookin’ for a wife, he’ll make some lucky girl a fine husband, why he’s so big and fat, he’ll provide you with a lot of shade in the summertime, keep you nice and warm in the winter time and give you lots of good heavy lovin’ all of the time!

— Carnival Spiel by Ward Hall

On Nov. 9th 2009, Harold Huge, a man billed as the very last sideshow fat man, died.  He weighed 607 pounds or so.

Harold’s real name was Bruce Snowdon.  He had degrees in paleontology, anthropology and chemistry. In 1977, he found himself bored with his work and stumbled across the idea of being a Fat Man:

I had put on a lot of weight between the time I was 20 and 25. I was up to about 450 in those days. I went to the local library, and I was poking through some old circus books and I see this one picture about a sideshow, maybe circa 1905, and I’m looking at this fat man and I’m saying to myself, “He can’t weigh more than 350 pounds.”

Now, I ask myself, how the hell would I go about getting into a sideshow? I’d never even seen a sideshow in my lifetime. In the late ’70s the industry was a very pale ghost of its former self. Instead of thousands, there were maybe dozens left then. So I figured, logically, there’s got to be some sort of trade journal for the carnival industry. It’s Amusement Business. And I’m looking through the AB. Taking a lucky stab, I wrote the editor, Tom Powell. And Tom Powell happens to be a very good friend of Ward Hall. Bingo. I had the job.

In an interview with James Taylor (from which the above quote is also taken), Snowden explained:

I don’t mind being enormously fat… I come from a long line of fat people. My old man tortured himself for 40 years going from 200 to 300 [pounds] and back again. He eventually lost the weight, but he also lost his mind.

Snowdon played Harold Huge for 26 years.  The year of his retirement, in 2003, he played himself in the movie, Big Fish:

So the sociological question I would like to pose is: Why is Snowdon the last fat man?

Marc Hartzman suggests that fat men and woman became less of a curiosity because “waistlines expanded and obesity became less of a laughing matter.  As the years went by, spotting a man who weighed more than quarter of a ton was not that unusual…”  So there’s two  hypotheses: (1) we see fat people everywhere and so it’s no longer a curiosity and (2) obesity has become a very serious matter, not to be played with at sideshows or elsewhere.

Another hypothesis might involve (3) a growing distaste for objectifying and dehumanizing those who are unusual.   As the human rights era evolves, we increasingly embrace difference and promote tolerance.

(4) Perhaps sideshows themselves are simply out-of-fashion, a drab alternative to Avatar in 3D or a Wii.  Or, (5) maybe the internet has made all curiosity easier to quench.  With a click of the button, we can see DD breasts, thalidomide babies, and cats playing the piano… who needs a sideshow?

I can think of reasons to endorse and reject all of these hypotheses.

So, in honor of Snowdon’s 26 years of service and delightful sense of humor (“If there’s a bitchy type of human being, it’s somebody on a diet”), let’s speculate.

Sources: Sideshow World, AOL News, Shocked and Amazed, Randall Levenson photography, and Shapely Prose.

Lisa Wade, PhD is an Associate Professor at Tulane University. She is the author of American Hookup, a book about college sexual culture; a textbook about gender; and a forthcoming introductory text: Terrible Magnificent Sociology. You can follow her on Twitter and Instagram.

My colleague and co-author, Lisa Wade (you’d know her better as one of the people behind SocImages), gave a seven-minute speech at an Occupy Teach-In at our shared institution, Occidental College.  She said I could post it for you.

In the video she says she’s optimistic about the movement because it’s deeply sociological, drawing our attention to the way we organize our society, not just the individuals in it.  She contrasts this ability to critique the system with the early years of the Great Depression, during which many of the unemployed felt like they had failed their families because of personal faults (leading to a rise in the suicide rate).  Then, using the truly inspirational story of the 1955 Montgomery bus boycott (in which people walked to work and rode carpools for over a year!), she warns students that the movement is about to stop being fun and require real commitment. She ends by asking the the audience whether they can rise to the occasion and make the sacrifices needed to move Occupy forward to achieve specific demands.

Also see the three-minute bit on hook up culture that she did for MTV Canada.

This is a re-post in response to a new submission by vmlojw.

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Toban B. sent us this photo he took in Cardiff, Wales, of Golliwog banks:

While the sign indicates these particular ones were for display only, Toban says there were others clearly for sale.

The golliwog (also spelled golliwogg) is an old racist caricature, clearly similar to blackface minstrel-type or mammy figures in the U.S. It emerged in the 1800s but was popularized when James Robertson and Sons adopted a golliwog named Golly as the logo for their jam around 1910:

Now, obviously you’ll often find these types of things for sale in antique stores, or on display at museums. They were very common in the U.S., Britain, and I’m sure many other countries, so it’s not surprising you’d come upon them.

The thing about the golliwogs Toban saw, though, is that they don’t appear to be antiques. The same ones can be found on ebay, and here’s the box they come in, which looks quite new (as do the dolls themselves):

The ebay listing for that one lists it as “brand new,” though theoretically that could refer to an antique that had never been taken out of the box, I suppose. But the listing doesn’t say anything about it being an antique. And Toban says,

…the items on the table around them — at Cardiff Market — generally weren’t antiques.  Since there were newly mass produced tourist/nationalism industry products around them, people passing by generally wouldn’t view the Golliwogg dolls as antiques.  The dolls weren’t somehow distinguished from the newer products.

vmlojw, who is in Sydney, Australia, emailed in to tell us that her 1-year-old daughter received one as a gift and she later “found a local charity stall full of knitted golliwogs.”  vmlojw figured this couldn’t happen in North America; I’m not so sure.

It’s one thing to find antique racist caricatures for sale. I still don’t know why you’d want to buy one, but I can certainly see why they’d be appropriate for museum displays. But I find it both bizarre and disturbing when new versions of such things are produced and put on sale as a “cutesy” souvenir. Do people think we’re so “post-racial” now that these are completely disconnected from their origins in a racist culture that viewed non-Whites as less human, less intelligent, and less civilized? Why would someone think this is an adorable reminder of their time in Cardiff? I really don’t get it.

Also see: vintage Jezebel products, mammy souvenirs for sale in Savannah, modern reproductions of old racist images, and patterns for making mammy-type dolls.

Cross-posted at Family Inequality.

Americans about my age and older all seem to have stories about how we survived our school playgrounds without today’s cushy soft surfaces, safety-oriented climbing structures, and running water.

Here is a picture of the playground at my elementary school. I myself survived a fall off one of those seesaws onto the broken-glass-strewn asphalt, with nothing but a scrape to show for it (attended to by the school secretary — there was no “school nurse” back then either).

In the safety craze in recent decades, sadly, real seesaws were one of the first things to go.

Go back another few generations, and you’ll find stories like this — about 200 children killed in the streets of New York in 1910 (from the NYT Jan. 1, 1911):

Most of those kids weren’t in cars or wagons; they were playing in the streets, doing work for their families, or just wandering around unattended — there were no public playgrounds. In contrast, in 2009 there were about 10 pedestrian or cycling children killed by vehicles in New York City. Ah, the good old days.*

Nowadays

As things have gotten safer for America’s children, of course, parents have become ever more concerned with their safety, as well as with their learning and development. Somewhere in America on a Sunday a few weeks ago, in an affluent community, a public playground was bubbling with activity. Every child seemed to be enjoying a rollicking good time on the latest safety-designed play equipment, cushioned by a luxuriously deep bed of mulch.

Also, each child seemed to be within a few feet of a parent or other adult caretaker — coaching, encouraging, spotting, supervising.

In recent years, concern about the physical fitness of children has increased, especially among poor children. Some researchers have asked whether the proximity of safe neighborhood playgrounds is one cause of the social class disparity in obesity rates. That would make sense because obesity rates are lower among children who play outdoors. But the relationship between social class and playing outdoors is not clear at all. Rich children have more access to some kinds of facilities, but poor children have more free time — and, where there is public housing, it usually includes playgrounds, like this one photographed in the 1960s:

In Annette Lareau’s analysis of family life and social class, Unequal Childhoods, children of middle class and richer parents spend more time in organized activities, and poorer kids spend more time in unstructured time (including play and TV). But as these pictures show, there’s play and there’s play. Are middle class parents hovering more than poorer parents do, and with what effect?

Consider a recent article by Myron Floyd and colleagues (covered here), which attempted to assess the level of physical activity among children in public parks by observing 2,700 children in 20 public parks in Durham, NC:

[The] presence of parental supervision was the strongest negative correlate of children’s activity… the presence of adults appears to inadvertently suppress park-based physical activity in the current study, particularly among younger children… This result should be used to encourage park designers to create play environments conducive to feelings of safety and security that would encourage rather than discourage active park use among children. For example, blending natural landscapes, manufactured play structures, and fencing in close intimate settings can be used to create comfortable environments for children and families. Such design strategies could encourage parents to allow their children to freely explore their surroundings, providing more opportunities for physical activity.

Interestingly, park in the pictured above has a fence around it so that parents can hang around at a distance with little fear for their children.

Under social pressure

In Under Pressure, one of many books bemoaning the excesses of over-parenting, Carl Honoré wrote:

Even when we poke fun at overzealous parenting… part of us wonders, What if they’re right? What if I’m letting my children down by not parenting harder? Racked by guilt and terrified of doing the wrong thing, we end up copying the alpha parent in the playground.

The point is not just that some parents have overzealous supervisory ambitions, driven by unequal investments in children and a threateningly competitive future. I think there is a supervision ratchet that feeds on the interaction between parents. In an article called “Playground Panopticism,” Holly Blackford summarized her observations:

The mothers in the ring of park benches symbolize the suggestion of surveillance, which Foucault describes as the technology of disciplinary power under liberal ideals of governance. However, the panoptic force of the mothers around the suburban playground becomes a community that gazes at the children only to ultimately gaze at one another, seeing reflected in the children the parenting abilities of one another.

This plays out in everyday interaction, whether one wants to engage it or not. If everyone else’s kid is closely supervised while yours is running around bonkers on her own, what is a parent to do? If the other parents insist that their kids not go “up the slide” and yours just scrambles past them, you feel the pressure. (You also put the other parent in the position of violating another taboo — supervising someone else’s child.) So it’s not just fear of underparenting that drives parents to hover — it’s also the cross-parent interactions. These are the moments when contagious parenting behavior spreads.

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*I started looking at this after reading about it in Viviana Zelizer’s Pricing the Priceless Child, in which she writes, “The case of children’s accidental death provides empirical evidence of the new meanings of child life in twentieth-century America.”

Reminder: This blog post does not constitute research, but rather commentary, observation and recommendations for reading and discussion. The description of my childhood playground, and of one recent afternoon at one park, are anecdotes, something that stimulates reflection on wider issues, not empirical evidence or data.

Cross-posted from Family Inequality.

The Congressional Budget Office has a new report on trends in the income distribution. The big news is the 1%’s blitzkrieg assault on equality.*

The headline image will be this one, which shows the changing share of after-tax-and-transfer household income. Every group except the top 1% had a smaller share of income in 2007 than they did in 1979, or just an equal share in the case of the 81st-99th percentile group. That means the gains in the top quintile are all concentrated in the top 1%.

That is very important and a source of outrage for the hundreds of thousands of Facebook users posting, commenting, or “liking” Occupy Wall St. and its related pages.

But it would be misleading to view the chart as showing that incomes fell for the other groups, since it shows shares of the total income. Income growth has been very skewed toward the top, but it is by no means confined to the top 1%. Here is my graph showing the income cutoffs for each quintile, and for the top slices separately. These are the cutoffs in 1979 and 2007 (in inflation-adjusted dollars), with the percentage change in the backgrounded bars.

(Note there is no lower cutoff for the bottom quintile — the price of entry for that group is always $0).

Two thoughts about this.

• Even if there were no 1%, if the graph only included the green bars, there would be plenty of increasing inequality for what might then be called “the 80%” to protest. The 81st-99th folks may be lucky to have the popular anger directed at the grotesque opulence of the sliver above them. (I’m not diminishing the extremity of the gains for the top 1%, but, as Matt Taibbi describes, the object of opposition is not just their income, but their influence.

• If you look at the families and networks of the top 1%, how many of them have relatives, friends, and even co-“workers” who are only in the top 10%? Would a self-respecting 1% family be appalled if their son married someone from a stable 5%-er family?

What I’m wondering is whether the 1% folks are merely a statistical convenience rather than a socially cohesive group (dare I say, class?). That’s an empirical question that national income distributions can’t necessarily answer.

*I should mention that the report is not just another rehash of Census numbers, though. Two adjustments they made seem especially good. First, they used a tricky matching method to combine Current Population Survey numbers (which do better at benefits and low-income households) combined with Internal Revenue Service data (which is better for high-end data). Second, they adjusted for household size and composition, and calculated distributions before and after taxes and transfers, and among different kinds of income. The report is here, a summary is here, and the blog post version is here.

At the intersection of the trivializing of horrific violence aimed at ethnic/religious groups and the pornification of American culture, comes this “Anne Skank” costume:

[APOLOGIES: We were asked to remove the photograph and complied.]

Yes that is, indeed, a woman dressed up like Anne Frank, the Jewish child who hid from the Nazis for two years, only to be discovered and moved to a concentration camp where she died from Typhus.  Her companions are dressed up like Nazi soldiers.  The Halloween revelers who made the choice to sexualize and laugh at this 15-year-old victim of the holocaust are graduate students in a Creative Writing program.

UPDATE: Comments thread closed.

Lisa Wade, PhD is an Associate Professor at Tulane University. She is the author of American Hookup, a book about college sexual culture; a textbook about gender; and a forthcoming introductory text: Terrible Magnificent Sociology. You can follow her on Twitter and Instagram.