When I teach gender I always talk about the ways in which societies actively construct ideas that men and women have very different bodies, capable of different things. In the U.S., our gender ideology includes the belief that female bodies are weaker than male ones, more fragile. Particularly in the Victorian Era, this belief led doctors to discourage physical activity by women. Among a range of other concerns, doctors argued that physical exertion in women might cause their organs (particularly the reproductive organs) to become dislodged and wander around the body, causing all types of problems. I know I’d certainly be distressed if my uterus migrated and I ended up pregnant and carrying a fetus in, say, my elbow.
A result of this, of course, is that (White) women were discouraged from being physically active and taking part in sports. This, combined with heavy clothing and corsets that actually did shove organs around, led to the condition that the medical community claimed already existed: women’s bodies were less capable of physical exertion than men’s and they were more likely to faint (corsets often making it difficult to breathe adequately). It’s a self-fulfilling prophecy: if you believe women’s bodies are weaker than men’s and thus discourage or even prohibit women from being physically active, you create differences in physical capability and fitness that you can then claim prove you were right all along.
James T. found this awesome ad for a product that, among other amazing things, ends “misplaced organs” and will even move them back where they belong (from Modern Mechanix). The ad (from 1934) says that satisfied users include both men and women, but concerns about misplaced organs were a concern applied predominantly to women:
Medical practitioners weren’t just worried about physical exertion. They believed mental activity could be harmful to women as well; perhaps all that thinking meant the brain would take blood away from the reproductive organs and lead to infertility. A common diagnosis for women was “hysteria,” a general term that could be applied to almost any woman. A common “cure” for hysteria was bed rest, preventing both physical and mental activity. The diagnosis of hysteria served as a justification for severely limiting women’s activities, drawing on the ideology of the fragile female body. Charlotte Perkins Gilman wrote the classic short story “The Yellow Wallpaper” after her own experience of being forced to stay in bed with no mental stimulation, not even books.
Hysteria was also often associated with sexual problems, including a lack of interest in sex. The cure for this was “vaginal massage,” which was exactly what you think it was. This was done manually in doctors’ offices, but eventually mechanical vibrators became widely available, allowing women to treat their hysteria more cheaply and at home, and reducing the time it took to produce a “paroxysm”.
I find it fascinating that the construction of (middle/upper class White) women as “hysterical” and often sexually repressed and frigid made it acceptable for them to purchase a product that allowed them to sexually satisfy themselves at a time when masturbation was still widely vilified, and excuse it on the grounds that it was medically prescribed.
Gwen Sharp is an associate professor of sociology at Nevada State College. You can follow her on Twitter at @gwensharpnv.
I featured the two-page ad below in one of the first posts I ever wrote for SocImages (it was October of 2007 and we’d written less than 100 posts; today we’re approaching 5,000, but I digress…). It’s still one of my very favorite images.
I use it in Sociology 101 when I argue that race, class, and gender are, among other things, performances. Activities, items, and behaviors carry class, race, and gender meanings. In order to tell stories about ourselves, we strategically combine these things with the meanings we carry on our bodies (a gendered shape, skin color and hair texture etc., and signs of economic wealth or deprivation).
The ad for PhatFarm deftly balances Blackness (the body), upper-class Whiteness (the sailboat), and femininity (the pink sweater). In strategically using culturally-resonant signifiers, he challenges popular representations of the Black body.
This happens in real life too. Journalist Brent Staples powerfully discusses how he adds a signifier of upper-class Whiteness to his large Black body in order to avoid the discomfort of frightening people on the streets of New York.
…I employ what has proved to be an excellent tension-reducing measure: I whistle melodies from Beethoven and Vivaldi and the more popular classical composers. Even steely New Yorkers hunching toward nighttime destinations seem to relax and occasionally they even join in the tune. Virtually everybody seems to sense that a mugger wouldn’t be warbling bright, sunny selections from Vivaldi’s Four Seasons.
“It is my equivalent to the cowbell that hikers wear when they know they are in bear country,” Staples adds, referring to the fact that being perceived as dangerous can itself be dangerous, as we know from the example of Trayvon Martin and Rodrigo Diaz, who was shot in the head in January when he accidentally pulled into the wrong driveway thinking it belonged to a friend.
Thinking of class, race, and gender as performances gives us credit for being agents. We don’t have control over what the signifiers are, nor how people read our bodies, but we can actively try to manage those meanings. Of course, some people have to do more “damage control” than others.
Todd Schoepflin, @CreateSociology, thought we should remark on the photo Forbes used to illustrate their story on Yahoo’s new no-work-from-home policy. What do you think? Totally realistic right?
I still remember when the female characters on the sitcom Friends started the trend of visible nipples:
As long as I’d been alive and paying attention, hard nipples were embarrassing. Then, suddenly, they weren’t. I even remember hearing that women could get the all-hard-all-the-time look by buying those tiny rubber bands (that I only associate with the plastic bags aquarium fish come in) and fitting them tightly around your nipples. Nipples are still big, if measured by mannequins (Wicked Anomie noticed too).
It turns out this comes in fits and starts. This vintage ad (no date on the source), for example, features a bra with built-in hard nipples! (Apparently it had been a trend before I’d been alive and paying attention.)
In the comments, Dmitriy T.C. added a link to the patent for this device. I can’t resist adding this particular paragraph explaining why a bra with fake nipples is important:
…simulated nipples for a brassiere would offer an acceptable compromise for ladies who do not wish to go without a brassiere and a welcome release from the subconscious effects of the suppression brought on by wearing brassieres of the types variously available, which obliterate the nipple.
Didn’t anyone ever start to wonder why these women’s nipples were ALWAYS hard? And what if their real nipples (realistically probably located somewhere a bit lower than the bra’s) ever poked through, creating a quadruple effect?! Horrifying.
I find this whole thing especially funny, since, while shopping recently, Katie and I were making fun of these bras with built-in “modesty panels” that provide extra padding so that the nipple will never make an appearance. Times sure have changed.
Except times haven’t changed in the sense that women’s bodies still aren’t allowed to just be. Their nipples either must show, or must not show, or they should show in some contexts, or are allowed to show, but in other contexts they better not show. (Remember the outcry over Hilary Clinton’s “cleavage”? Can you imagine if she’d shown some nip!?)
So apparently we’re supposed to have nipple bras, bras with “modesty panels,” and a couple rubber bands in our pockets just in case. The one thing that is clearly less than ideal in all this: actual nipples doing what they do.
New data about the science aptitude of boys and girls around the world inspires me to re-post this discussion from 2010.
Math ability, in some societies, is gendered. That is, many people believe that boys and men are better at math than girls and women and, further, that this difference is biological (hormonal, neurological, or somehow encoded on the Y chromosome).
But actual data about gender differences in math ability tell a very different story. Natalie Angier and Kenneth Chang reviewed these differences in the New York Times. They report the following (based on the US unless otherwise noted):
• There is no difference in math aptitude before age 7. Starting in adolescence, some differences appear (boys score approximately 30-35 points higher than girls on the math portion of the SAT). But, scores on different subcategories of math vary tremendously (often with girls outperforming boys consistently).
• When boys do better, they are usually also doing worse. Boys are also more likely than girls to get nearly all the answers wrong. So they overpopulate both tails of the bell curve; boys are both better, and worse, than girls at math.
• That means that how we test for math ability is a political choice. If you report who is best at math, the answer is boys. If you report average math ability, it’s about the same.
• How you decide to test math ability is also political. Even though boys outperform girls on the SAT, it turns out those scores do not predict math performance in classes. Girls frequently outperform boys in the classroom.
• And, since girls often outperform boys in a practical setting, math aptitude (even measured at the levels of outstanding instead of average performance) doesn’t explain sex disparities in science careers (most of which, incidentally, only require you to be pretty good at math, as opposed to wildly genius at it). In any case, scoring high in math is only loosely related to who opts for a scientific career, especially for girls. Many high scoring girls don’t go into science, and many poor scoring boys do.
Now, let’s look at some international comparisons:
• Boys do better in only about ½ of the OECD nations. For nearly all the other countries, there were no significant sex differences. In Iceland, girls outshine boys significantly.
• In Japan, though girls perform less well than the boys, they generally outperform U.S. boys considerably. So finding that boys outperform girls within a country does not mean that boys outperform girls across all countries.
• Still, even in Iceland, girls overwhelmingly express more negative attitudes towards math.
So what’s the real story here? Well, one study found that the gender gap in math ability and the level of gender inequality in a society were highly correlated. That is, “…the gender gap in math, although it historically favors boys, disappears in more gender-equal societies.”
Part of the problem, then, is simply that girls and boys internalize the idea that they will be bad and good at math respectively because of crap like the “Math class is tough!” Barbie (sold and then retracted in 1992):
However, girls’ insecurity regarding their own math ability isn’t just because they internalize cultural norm, their elementary school teachers, who are over 90% female, sometimes do to and they teach math anxiety by example. A recent study has shown that, when they do, girl students do worse at math. From the abstract (this is pretty amazing):
There was no relation between a teacher’s [level of] math anxiety and her students’ math achievement at the beginning of the school year. By the school year’s end, however, the more anxious teachers were about math, the more likely girls (but not boys) were to endorse the commonly held stereotype that “boys are good at math, and girls are good at reading” and the lower these girls’ math achievement. Indeed, by the end of the school year, girls who endorsed this stereotype had significantly worse math achievement than girls who did not and than boys overall.
So, with only the possible exception of genius-level math talent, men and women likely have equal potential to be good (or bad) at math. But, in societies in which women are told that they shouldn’t or can’t do math, they don’t. And, as Fatistician said, “math is a skill.” People who think practicing it is pointless won’t practice it. And those who don’t practice, won’t be any good at it… Y chromosome or no.
Following up on our recent posts on representations of “person”, I discovered a set of stick figures from around the world, collected by Steve Portigal. He has some observations on variations. From a gender perspective, however, they all look more or less like this one from Bali, Indonesia:
What is interesting for our purposes, though, is this Chinese language example from Bangkok, Thailand:
Do you see it? In case you doubted it, the fact that the fourth panel includes a stick figure in a skirt (1) proves that the non-skirted stick figures are implicitly men and, on an entirely different note, (2) reminds us that men do not take care of children.
Similarly, these two pictures of warning signs for moving sidewalks (snapped in the Dublin airport) feature “neutral” stick figures, unless a child is involved:
Prof. Shaun Huston sent in these photos from United Airlines. Everyone’s in pants… except the person changing a diaper:
Amanda C. sent in another example from a hotel in Sydney. When the stick figures are housekeepers, suddenly they sprout skirts!
Sophie pointed out that in Holland, bike traffic lights only include images of what most people would recognize as a “men’s” bike, with the bar across the top, thereby managing to gender the traffic signals without including any figures of people at all (images found here and here):
For what it’s worth, here’s a counter-example from Malmö, Sweden:
Emanuelle, who took the photo and submitted it, says it’s the only time she can remember that she’s seen a silhouette figure like this with a kid where the figure isn’t clearly marked as female. We’ve a fun collection of traffic lights featuring female stick figures.
I absolutely love this six-minute video by Karen B.K. Chan, tweeted to us by Alex Darasang. A professional sex educator, she tries to re-frame how we think about sex, and sexual consent, by offering a different metaphor. While we use metaphors to talk about sex all the time — weirdly, often related to carpentry: bang, nail, screw, etc. — she wants us to introduce an alternative metaphor: jam.
Jamming — shared musical improv — asks us to work together with others to spontaneously create a piece of art that has never quite existed before. It’s a lovely way to think about what sex should and could be. And, importantly, it utterly changes what consent looks like and its role in sexual pleasure.
Sociological Images encourages people to exercise and develop their sociological imaginations with discussions of compelling visuals that span the breadth of sociological inquiry. Read more…