gender: history

In 1919 the U.S. federal government passed the 18th Amendment, prohibiting the “manufacture, sale, or transportation of intoxicating liquors.”  Alcohol was banned. Well, kind of.  Two groups were still allowed to buy and disseminate alcohol: clergy and physicians (source).

Clergy were still allowed to purchase wine for sacrament (reportedly leading to many a falsely-devotional newly-certified minister, priest, or rabbi illegally selling bucket loads of liquor to the rest of us). And physicians were allowed to prescribe liquor for medicinal purposes. Alcohol, it was believed, was energizing and it was used to treat anemia, tuberculosis, typhoid, pneumonia, and high blood pressure. Pharmacies did a booming business in those years, as you might imagine.

According to the Rose Melnick Medical Museum:

This new law required physicians to obtain a special permit from the prohibition commissioner in order to write prescriptions for liquor.The patient could then legally buy liquor from the pharmacy or the physician. However, the law also regulated how much liquor could be prescribed to each patient.

Patients of all ages used alcohol. A common adult dose was about 1 ounce every 2-3 hours. Child doses ranged from 1/2 to 2 teaspoons every three hours.

Physicians prescribed their “medicine” with prescription pads doled out by the commissioner:

Unfortunately for some, you couldn’t prescribe beer.

Even after Prohibition was lifted in 1933, pharmacies sold plenty of liquor.  In many places women were banned from bars and saloons, so while men visited the bartender, women visited the doctor.  Visit our post on The Stormin’ of the Sazerac to see a great vintage picture of a group of women enjoying the famous cocktail on the first day they were allowed to drink at The Roosevelt Bar, New Orleans.

Lisa Wade, PhD is an Associate Professor at Tulane University. She is the author of American Hookup, a book about college sexual culture; a textbook about gender; and a forthcoming introductory text: Terrible Magnificent Sociology. You can follow her on Twitter and Instagram.

We have posted in the past about pre-World War II uses of the swastika as a symbol of good luck, a meaning that the Nazis’ appropriation of the swastika makes nearly inconceivable today. Matthieu S., who teaches anthropology at Vanier College in Montreal, sent in another example, a scan of a postcard he owns that was printed in the 1920s. The postcard, meant for a dad’s birthday, also includes pink-tinted flowers — evidence of a time when pink was considered a perfectly appropriate color for men and boys:

World War II and the atrocities of the Nazi party obviously significantly changed interpretations of both the formerly-benign swastika and the color pink. Pink wasn’t abandoned altogether, as the swastika was, but the Nazi’s use of pink to label gay and lesbian prisoners led pink to be stigmatized as effeminate and, thus, an inappropriate color for men…and over time it instead became the epitome of symbols of femininity.

We’ve posted previously about the ways in which World War II posters aimed at U.S. soldiers warned against “venereal disease” (what we now know as sexually transmitted infections) by personifying them as dangerous, diseased women.  Molly W. and Jessica H. have shown us to a new source of propaganda posters, so now seems as good a time to revisit the phenomenon.  In our previous post, I articulated the problem as follows:

Remember, venereal disease is NOT a woman. It’s bacteria or virus that passes between women and men. Women do not give it to men. Women and men pass it to each other. When venereal disease is personified as a woman, it makes women the diseased, guilty party and men the vulnerable, innocent party.

This first poster is an excellent example.  In it, the woman is synonymous with death:

In other posters, women are simply seen as the diseased party.  Concern that a soldier might pass disease to “pick ups” and “prostitutes” is unspoken.  This is funny, given that the reason for this propaganda was sky-high rates of VD among soldiers.




So “pick ups” and “prostitutes” were seen as vectors of disease.  They were the guilty party.  In contrast, wives are portrayed as innocent.  Another example of the dividing of women into virgins and whores:


Lisa Wade, PhD is an Associate Professor at Tulane University. She is the author of American Hookup, a book about college sexual culture; a textbook about gender; and a forthcoming introductory text: Terrible Magnificent Sociology. You can follow her on Twitter and Instagram.

Claude Fischer, at Made in America, argues that the biggest change of the last 50 years is the increase in the number of mothers in the workforce.  From the beginning of last century till now, that rate has accelerated precipitously:

While some women have always worked (at unpaid housework and childcare, selling goods made at home, or in paid jobs), most women now work outside of the home for pay.  So long “traditional” family.  Why the change?  Fischer explains:

First, work changed to offer more jobs to women. Farming declined sharply; industrial jobs peaked and then declined. Brawn became less important; precise skills, learning, and personal service became more important. The new economy generated millions of white-collar and “pink-collar” jobs that seemed “suited” to women. That cannot be the full story, of course; women also took over many jobs that had once been men’s, such as teaching and secretarial work.

Second, mothers responded to those job opportunities. Some took jobs because the extra income could help families buy cars, homes, furnishings, and so on. Some took jobs because the family needed their income to make up for husbands’ stagnating wages (a noteworthy trend after the 1970s). And some took jobs because they sought personal fulfillment in the world of work.

And married working mothers changed the economy as well.  Once it became commonplace for families to have two incomes, houses, cars, and other goods could be more expensive.  Things women had done for free — everything from making soap and clothes, to growing and preparing food, and cleaning one’s own home — could be commodified.  Commodification, the process of newly buying and selling something that had not previously been bought and sold, made for even more jobs, and more workers, and so the story continues…

Lisa Wade, PhD is an Associate Professor at Tulane University. She is the author of American Hookup, a book about college sexual culture; a textbook about gender; and a forthcoming introductory text: Terrible Magnificent Sociology. You can follow her on Twitter and Instagram.

The new “manned-up” VW Beetle is in the news again and J. Dawn Carlson, a PhD Candidate at UC Berkeley, asked us to write about it.  We covered it in July of 2010, but figured this was a good excuse to revisit the post.

The VW Bug was introduced in 1938 for economical, powerful, fast, and sustained driving on the German Autobahn.  Later it jumped shores and became an icon of the California surfer lifestyle:

The New Beetle, however, introduced in 1998, quickly became associated with women because of its bubbly body and pastel colors. Feminized products, however, don’t sell well with men (or some women) because femininity is stigmatizing.  Accordingly, the Beetle is re-vamping its image; it’s getting a “sex change” for 2011.  Brit S. pointed us to a story in the Anaheim Examiner detailing this surgery.  Jim Cherry writes:

New Beetle is about to get a testosterone injection. A mean-looking chopped top, 200 H.P. motor, widened stance, and a larger interior will transform the quintessential chick car into a rock-hard rock star.

So being mean-looking, wider, and larger (with a Porsche engine) are all equated with masculinity, a characteristic that will supposedly improve the cars appeal to men (and non-girly women).  Here’s what the new testosterone-injected Beetle will look like (in red, of course):

Lisa Wade, PhD is an Associate Professor at Tulane University. She is the author of American Hookup, a book about college sexual culture; a textbook about gender; and a forthcoming introductory text: Terrible Magnificent Sociology. You can follow her on Twitter and Instagram.

In the center of this picture is my Great Grandmother, Adalene. I was quite young when she died, but I do remember her, frail and white-haired, threatening to spank me. I didn’t believe her, and was duly surprised at what came next.


This picture pleases me.  It reminds me that women always had heart and spunk.  That we’re all young once.  That we’re not so “advanced” today; women were always awesome.

This is why the title of Buzzfeed‘s framing of a photographs of women basketball teams from the 1900s is so disappointing:

Liz Babiarz, who sent in the link, asks what’s so funny.  I have to agree.  They aren’t “strangely funny”; they’re awesomely awesome!

Many more at Buzzfeed.

Lisa Wade, PhD is an Associate Professor at Tulane University. She is the author of American Hookup, a book about college sexual culture; a textbook about gender; and a forthcoming introductory text: Terrible Magnificent Sociology. You can follow her on Twitter and Instagram.

The décor in my childhood home was unusual. Interspersed with photographs of my sister and me were vintage political posters, inherited from my late grandparents. The most startling of these were the posters promoting women’s right to vote: as I grew up, I realized that the viewpoints they depicted contrasted starkly with the narrative of women’s suffrage that I had learned in my history classes.

This poster supports women’s right to vote not by asserting their equality with men, but by appealing to their ability to bear children:

By contrast, this poster actively highlights woman’s ability to contribute to society beyond stereotypically female roles: women were not only nurses and mothers, but doctors and mayors. Yet at the same time, the image disparages the mentally and physically ill by painting men with these conditions as inherently lesser.

Lastly, a picture that speaks for itself.  Women should have suffrage, says the poster, but they must always remember where they truly belong.

Although the right to vote politically empowered the women of Western society, many of the proponents of the women’s suffrage movement espoused ideologies that would not be considered feminist or politically correct today. My history classes dwelt only briefly on these unpalatable schools of rhetoric, but the images in my home allowed me to glimpse a debate that was just as complex and fragmented as the political disputes we face today.

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Alison Marqusee is a high school senior from Massachusetts.  In addition to sociology, her interests include linguistics, psychology, and physics.  She looks forward to attending Haverford College.

If you would like to write a post for Sociological Images, please see our Guidelines for Guest Bloggers.


Many of us are familiar with the female blue-collar workers that took jobs in factories during World War II. It turns out, however, that women were also employed as mathematicians and computers (that’s “compute-ers”). In this photo, Jean Jennings Bartik and Frances Bilas Spence get ready to present an early computer to military officials in 1946:

Women operating a “differential analyzer,” often checking the machine’s work by doing the math by hand:

Jean Jennings Bartik in 1946 with an early computer and Arthur Burks:

Their work was top-secret and so they weren’t part of the “Rosie the Riveter”-style propaganda at the time. Post-World War II disinterest in women’s accomplishments allowed their stories to remain untold.

A new documentary, forwarded to us by Jordan G. and Dmitriy T.M., reveals these high-tech Rosies:

Via BoingBoing, photos from CNN.

See also our post on the feminist mythology surrounding the iconic “Rosie the Riveter” image (hint: it was about class, not gender).  And you can buy Jean Jennings Bartik book, Pioneer Programmer, here.

Lisa Wade, PhD is an Associate Professor at Tulane University. She is the author of American Hookup, a book about college sexual culture; a textbook about gender; and a forthcoming introductory text: Terrible Magnificent Sociology. You can follow her on Twitter and Instagram.