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In the documentary Dreamworlds 3: Desire, Sex, and Power in Music Video, Sut Jhally investigates how images of sex and violence, and sexualized violence against women, are used in music videos, and how music videos help shape ideas of what is sexy. Here’s a clip:

The entire, unabridged version of the film is available here.

Elle sent in a link to the video for Lady Gaga’s song “Paparazzi,” which features one extended scene of sexualized violence (starting at about 1:45) and several other glimpses of women throughout the video who appear to be dead (it’s really worth watching the entire video–it’s something else):

Of course, Lady Gaga would probably argue that this video is in fact opposing violence against women, since in the end the evil paparazzi boyfriend gets killed. But there’s the same imagery Sut Jhally discusses: the mixture of sexuality with violence and hints of brutality, and of injured or dead women in glamorous, sexy clothing. Notice that in the opening sequence, the “normal” sex doesn’t look too much different than the violence that follows.

Other examples of sexualized or glamorized violence: strangling a woman with your necktie, suffering women as a turn-on, murder in a Wrangler’s ad, photo shoot with Rene Russo, t-shirts trivialize violence against women, is it a passionate embrace or an attack?, condom ads, ad for “The Tudors,” women’s discomfort is fashionable, Hunting for Bambi, the infamous Dolce & Gabbana ad, and “American’s Next Top Model.”

Toban B., Elisabeth, and Mark sent us a link to a post at jozjozjoz about the Nikon S630 digital camera. As Joz explains, “As I was taking pictures of my family, it kept asking ‘Did someone blink?’ even though our eyes were always open.”

Apparently the camera perceives “Asian” eyes as closed.

Does anyone know about how cameras are programmed to do things like recognize blinking? Does the program include specific measurements to look for to define an eye as open or closed and then prompt the user with a question about blinking? It would seem that the program doesn’t know how to deal with Asian features, which makes me wonder about the “typical” faces or facial features used to write the program–who was used as the “neutral” model?

Anybody know more about how these types of programs are written and how specifications are chosen to provide the camera a baseline for determining that the face in a photo requires “fixing” of some sort?

UPDATE: Commenter Elizabeth says,

I just got back from vacation with a friend who has this camera (we are three white women) and after every photo,  it asked us, “Did someone blink?”  It became a running joke because the sensor asked this question whether or not there was a person (or blinking person) in the shot.

Several of our other commenters had some info on how face-recognition programs work and what the problem might be, and that a) they generally suck and b) might suck slightly more for some groups than others, but still are overall pretty crappy at this point no matter what.

NEW! Racialicious posted about the Microsoft Natal game, which seems to have some problems recognizing the movements of people with dark skin (and maybe dreadlocks):

Research into the issue resulted in a study concluding that near-infra-red cameras did indeed struggle to read movements from those with darker skin. However, Microsoft has responded to these worries, telling Gamezine that all ethnicities will be able to use the technology.

The post has a really good discussion about race and “neutral” avatars in games, including some in which you have to pay extra to get a non-White character.

I’ve suggested that the fact that men do not feel compelled to wear make-up is a “triumph of gender ideology over capitalism” (see here).  Companies that sell make-up, after all, have halved their profits by giving up on selling to men.  We should expect, then, a tug-of-war between the profit motive and a gender ideology that suggests that men and women are opposite.   On the one hand, if men and women are opposites, then the requirement that women primp and preen (with the help of dozens of products) would imply that men do not.  On the other hand, if they accept this gender binary, companies lose half their customers.

Accordingly, Gwen and I were shocked to see an ad at Jezebel, sent in by Frank D., overtly marketing scrotum shaving.

We have seen this a bit with products aimed at men and their hair already (see here, here, and here), but I’m still surprised to see this.  I can’t imagine anything harder to shave on anyone’s body, male or female.

So how are they trying to convince men to do it?

They are using the same tactics that they use against women.  They are either (1) shaming men into thinking that they are disgusting and no woman (or man) will have them unless they alter their body (see here, here, and here) or (2) naturalizing shaving such that it is just a fun thing that all men inevitably participate in (see here, here, here, and here).

Check out the second paragraph in this screen shot of the Norelco-Phillips website:

Text:

Did you know that women like men who shave down there? Having silky smooth balls is a lot nicer than finding a huge bush or choking on your pubes!   Today’s trend is to have it clean or at least trimmed.  This helps both aesthetically and hygienic wise as well.

They are also using a gendered logic.  We’ve seen this with other examples of companies trying to sell self-maintenance to men.  They hyper-masculinizing the product.  For examples, see our posts on hair product for men (with “stand tough” hair gel), make-up for men ( with “blo-job bronzing powder”).  We see this with other feminized products and activities too (for example, ice skating and chocolate).  In this case, they don’t say, “If you don’t shave your balls, you won’t be pretty.”  They say, “When there’s no underbrush, the tree looks taller.”

Yeah, no.  I’m not paraphrasing:

One thing we might discuss is whether this this represents a “female gaze” that matches the “male gaze” that requires women to always be a pleasurable object for others to view… or that, alternatively, this is just the male gaze being applied to men.  Some of the marketing for men’s body shaving appears to be clearly marketed towards gay men (see this website, especially here).

Another interesting thing to consider is the extent to which the social invisibility of the pubic area facilitates marketer manipulation.  If you’re straight, unless you’re willing to ask a partner, you have to trust the advertisers to tell you what “today’s trend” is.  What a great deal for the companies.

Oh, and, I’m wondering which you think is going to win this tug-of-war: the companies with their profit motive or gender ideology and a resistance to the feminization of men?

Lisa Wade, PhD is an Associate Professor at Tulane University. She is the author of American Hookup, a book about college sexual culture; a textbook about gender; and a forthcoming introductory text: Terrible Magnificent Sociology. You can follow her on Twitter and Instagram.

In response to Gwen’s post on butts, I offer you crotches.  We’re being super highbrow today.

The following not-safe-for-work ads place a product (or copy) at a woman’s crotch.  Are they promising sexual access?  Just trying to draw attention?  Using shock tactics?  I don’t know.

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Taylor D. (of Thanks for Participating) sent in a link to The Assimilated Negro’s post of ads that use women’s ass-cracks prominently. Not safe for work, so after the jump:

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“Pink is for Girls” (found at Vintage Ads):

Pink. Pink. Pink. Pink. Pink. Pink. Pink. Pink. Pink. Pink. Pink. Pink. Pink. Pink. Pink. Pink. Pink. Pink. Pink.

That is all.

Lisa Wade, PhD is an Associate Professor at Tulane University. She is the author of American Hookup, a book about college sexual culture; a textbook about gender; and a forthcoming introductory text: Terrible Magnificent Sociology. You can follow her on Twitter and Instagram.

American workers have lost power relative to their employers since the heyday of unionization during the industrial era. One way in which employees gained was through the extension of benefits to full-time workers: salary, relative job security, health insurance, sick pay, paid vacation, parental leave, etc.  Full-time jobs, however, are being replaced by part-time jobs, and with them have gone much of the power and most of the benefits that workers were able to gain through unionization.

You would think, though, that jobs that require a high level of education and training might be immune from these trends. Perhaps not.

The American Federation of Teachers released a report that included data on the percentage of employees at U.S. colleges and universities that are full-time tenure-track professors, full-time non-tenure track, adjunct (part-time) professors, and graduate students.  As you can see, the percentage of full-time tenure-track professors is decreasing and we are being replaced by other types of employees who cost the institution much less (graphs borrowed from MontClair SocioBlog).

This is a problem from a labor perspective in that it strips power away from employees, putting it squarely back into the hands of employers.  It may also be a problem in terms of the quality of education.  Adjunct professors are often terrific, but anyone who is overworked and underpaid is likely to invest less in their product.  I wonder, too, if this impacts the rate of scientific research (fewer full-time tenure- track professors= less research).  Any other thoughts on this trend?

Lisa Wade, PhD is an Associate Professor at Tulane University. She is the author of American Hookup, a book about college sexual culture; a textbook about gender; and a forthcoming introductory text: Terrible Magnificent Sociology. You can follow her on Twitter and Instagram.

Since I’m visiting my family in rural Oklahoma, I decided to post some pictures of dust storms during the 1930s. Almost everyone has seen some of the Dust Bowl-era photos of poor families, of houses covered in blown dirt, and so on, but fewer people have seen photos of actual storms blowing in. All of these are available from Kansas State University’s Wind Erosion Research Unit.

This one is from a storm that was widely considered the worst of all; April 14th, 1935 was referred to as “Black Sunday”:

Most people associate the Dust Bowl with Okies and The Grapes of Wrath. The Joads weren’t Dust Bowl refugees; most Okies were from eastern Oklahoma and lost their farms because they couldn’t pay the mortgages. Only a small part of the Dust Bowl was in Oklahoma, though my great-grandparents and their many children had the good luck to be living in it.

While a bad multi-year drought certainly set the stage for the Dust Bowl, it was really a social disaster, not a natural one. Semi-arid regions had been over-plowed, and no windbreaks were planted to help hold soil in place. And once the dust storms began, many farmers did about the worst thing they could have done: they went and plowed during it. My great-grandpa and his sons would go out with the horses and start plowing as a dust storm came in, hoping they could turn up moister soil from underneath that would be too heavy to blow away. But because of the drought there wasn’t any moist soil to turn up, so all they were doing was breaking up dry dirt, making it even more likely to blow away…and presumably so were thousands of other people. My great-grandma always told me the big joke was that if you had a bucket you could hold it up outside and catch yourself a farm.

Anyway, no huge sociological insight here, just some fascinating and creepy photos and a reminder that things we often refer to as “natural” disasters are either caused by human activity or greatly exacerbated by it.

And I have to drive 30 miles each way to get to the internet, so I’m not able to read comments or add commenter’s interesting links as much as I usually try to do, so be patient for the next couple of weeks.