Search results for racism

Abby Kinchy sent in a link to a story at Colorlines about where waste from BP’s Gulf oil leak is being disposed of. Nine landfills have been approved as disposal sites. Robert Bullard, who studies environmental racism (particular how toxic waste dumps are often located in neighborhoods where racial/ethnic minorities are over-represented), posted his calculations of the racial makeup of the areas surrounding these nine landfills over at Dissident Voices. This map from Colorlines shows the location of the landfills, the amount of waste (which includes “oily solids,” waste from the cleanup, and so on) sent there, and the percentage of people living within a 1-mile radius that are People of Color:

I looked up the % who aren’t non-Hispanic Whites for each state (as of 2008), just to provide some context:

• LA: 38.1
• MS: 41.3
• AL: 31.6
• FL: 39.7

So if we compare the neighborhoods simply to the % of POC in each state, there are 3 in LA, 1 in AL, and 1 in FL that have an over-representation of non-Whites and/or Hispanics. On the other hand, 3 landfills are in neighborhoods with racial/ethnic minority populations significantly below the state overall. This, of course, is a very rough measure, since different racial groups are not evenly spread across a state. I just wanted to provide at least some background info.

According to a story at the Miami Herald, operators of the landfills say there is no danger:

…operators of the landfills insist the BP garbage is not unprecedented and is suitable for the type of landfills they’ve selected: disposal sites that take household waste, as well as “special waste” like contaminated soil. They note much of the waste is generated by the cleanup operation itself: soiled cleanup coveralls, gloves, sandwich wrappers and drink containers.

They point out that the BP waste makes up a tiny amount of the material taken to these landfills each day.

However, residents are concerned because the landfills are regular municipal landfills, not designated for toxic waste (since the EPA has not categorized the waste as hazardous). The Associated Press discovered problems, including a truck that was leaking and left a trail of tar balls behind it, waste in containers that were not lined with the protective liners BP is supposed to use, and uncovered containers, including one in a state park that was leaking liquid from the previous night’s rain. The AP concluded, “…the handling and disposal of oily materials was haphazard at best.”

I’m not an environmental toxicologist, so whether or not the waste is hazardous or whether the landfills can keep it from seeping into groundwater is, obviously, beyond my ability to judge. I’m more interested in perceptions of risk and confidence in experts. There are distinct differences by gender and race, with women and non-Whites expressing higher concern about environmental pollution/dangers and higher perceptions of risk compared to men and Whites. In fact, White men stood out from all other groups, rating potential environmental risks significantly lower than every other group. In the U.S., the gender gap is not explained by differences in scientific knowledge.

Given these differences, discussions of environmental safety and risk are often very contentious. Experts in both the private and public sector are disproportionately White men. Regardless of scientific knowledge, they may underestimate the risks involved compared to how women with the same scientific knowledge would (I don’t have similar data on how scientific knowledge might affect the racial gap). Science doesn’t just provide us with objective facts; researchers and those applying their findings must interpret the data. Individuals with the exact same level of expertise may interpret the same data on the hazardousness (or lack thereof) of a particular type of waste very differently, without anyone being intentionally deceptive or more clearly biased.

And not all groups have equal faith in science or, more specifically, the people engaged in scientific research. Scientists in the 1800s used supposed objective measures to prove that Whites were superior to non-Whites (and, thus, to justify slavery) and conducted the Tuskegee Syphilis Experiment, in which they allowed Black men to suffer and die of syphilis just to see what happened despite having a cure available. And the hazards of materials or pollutants often aren’t immediately apparent and may become clear only later (or may differ for adults and children, or due to cumulative exposure over time, etc.), which scientific analyses may not predict.

I’m not arguing that scientists studying the toxicity of the BP oil waste don’t have any useful information about whether or not it poses any danger to human health, or that data doesn’t help us come to more accurate judgments than we would if we didn’t take such information into account. However, in situations such as these that may be framed, particularly by scientists themselves, as an example of uninformed public opinion vs. fact-based expertise, the differences in interpretations and the fears of local residents despite assurances by researchers may be based in a number of factors that make the story, and conflicts over perceptions of risk, much more complex than it might at first appear.

Sources:

• James Flynn, Paul Slovic, and C.K. Mertz. 1994. “Gender, Race, and Perception of Environmental Health Risks.” Risk Analysis 14(6): 1101-1107.
• Bernadette C. Hayes. 2001. “Gender, Scientific Knowledge, and Attitudes toward the Environment: A Cross-National Analysis.” Political Research Quarterly 54(3): 657-671.
• Paul Mohai. 1997. “Gender Differences in the Perception of Most Important Environmental Problems.” Race, Gender & Class 5(1): 153-169.

Cross posted at BlogHer.

Michaela M. alerted us to the news that Essence, the iconic fashion and lifestyle magazine for Black women, has hired an Australian-born, White woman, Elliana Placas, as its new Fashion Director.  Disappointed, former Essence fashion editor, Michaela Angela Davis, wrote:

If there were balance in the industry; if we didn’t have a history of being ignored and disrespected; if more mainstream fashion media included people of color before the ONE magazine dedicated to black women ‘diversified’, it would feel different.

In this 3-minute clip, Davis explains her position to Anderson Cooper:

The controversy over her hire is an example of a more widespread question about representation. Most agree that the presence of Black politicians, actors, models, teachers, professors, authors, and athletes (to name a few) is a good thing for Black people. It’s good, presumably, for two reasons. First, their presence in these roles normalizes Black achievement, beauty, intelligence, etc. The election of Barack Obama, for example, shows us that being Black and being the President of the United States are not mutually exclusive. The success of Tyra Banks and Alek Wek, similarly, upsets the notion that Black women aren’t beautiful.  It is good for all of us to be exposed to evidence that upsets negative stereotypes about Black people, stereotypes that all of us, no matter our color, unconsciously internalize to some degree (test your unconscious preferences here).

But there is a second reason why we often believe that representation is good. It is often presumed that people advocate for their own. Having a Black woman as Fashion Director, it is hoped, will mean that the content of the magazine will be empowering to Black women. That is, that the Director will be sensitive to the historic and ongoing racist idealization of white femininity that makes Black women’s bodies, hair, facial features, and skin color seem to need fixing.  Even if her racial politics are sound (and this is always a serious worry), she certainly does not have the experiences that Black woman in the U.S. often share nor, necessarily, the deep connection to the Black population that will make this a driving concern.

Essence‘s current Fashion and Beauty page with it’s August 2010 cover, featuring Janet Jackson, in the upper left corner:

The hiring of Placas is disappointing in the sense that it is a lost opportunity to put a Black woman in a position of power.  If, however, Placas is going to have this job, people concerned about the empowerment of Black women need to turn to evaluating her product.  The worry caused by her appointment is an opportunity to insist that Essence do right by Black women.  That is, Essence should be a refuge from racism.  One that, hopefully, does not subject Black women to the same sexism as White women in the name of equality.  Light skin does not preclude Placas from being able to do this, just as dark skin does not protect a person from internalizing and perpetuating colorism.

Ultimately, while having a darker-skinned, Black-identified person in the role of Fashion Director would be good, the production of a magazine that empowers Black women is also very important and this is something that Placas may be able to do.  It is up to us to insist that she does.

Lisa Wade, PhD is an Associate Professor at Tulane University. She is the author of American Hookup, a book about college sexual culture; a textbook about gender; and a forthcoming introductory text: Terrible Magnificent Sociology. You can follow her on Twitter and Instagram.

Chris Marshal and Captain Crab sent along this gem from The Second City Network:

Borrowed from Evolving Thoughts, via Pharyngula.

More on Disney: media consolidation and Tinkerbell, the real Johnny Appleseed, fallen princesses, modernizing the fairy tale, pickaninny slaves in Fantasia? yes, racist Disney characters, infantilizing adult women, gendered Disney t-shirts for kids, Deconstructing Disney princesses, are the new Disney princesses feminist?, race and gender in Princess and the Frog, socializing girls into marriage, and…

…did you know that the very first political tv commercial was made by Disney?  I like Ike!

Lisa Wade, PhD is an Associate Professor at Tulane University. She is the author of American Hookup, a book about college sexual culture; a textbook about gender; and a forthcoming introductory text: Terrible Magnificent Sociology. You can follow her on Twitter and Instagram.

This was originally posted at Jezebel by Lindsay Robertson. Thanks to Chloe A. at Feministing for drawing our attention to it as a possible cross-post!

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Last night, ABC used hidden cameras and actors to see what regular people would do if they saw an obviously abused woman being harassed by her boyfriend. A lot of regular people failed the test.

The highly-successful 20/20 spinoff What Would You Do? brings social experiments to television, using variables to test how ordinary people react to situations such as seeing someone steal a bike in a park, or witnessing a deli clerk give a blind man incorrect change. Lately, the show has been raising the stakes, and last night reporter John Quiñones showed us what restaurant diners do when they see a very obviously bruised woman getting picked on by her boyfriend at a nearby table.

As they often do, the producers used different variables to see if they changed the outcome, staging the scene with both white and African American actor “couples” to see if race affected bystanders’ willingness to step in. In both cases, the actresses were helped by fellow diners (though fewer men got involved with the African American couple):

But then they tried a different variable: the women’s clothing. When the same actresses dressed “provocatively,” and we’re talking clothing that’s pretty average for a Saturday night, not Julia Roberts’ blue-and-white monokini-thing in Pretty Woman, nobody came to their rescue. Diners complained to the staff that the couple were “upsetting customers” and one man told the abusive boyfriend actor that the two were “embarrassing themselves as a couple,” but nothing like what happened when the women were dressed conservatively occurred in this case, and in fact, two middle-aged female witnesses joked with each other about the beaten-up woman being a prostitute.

While obviously the show is highly unscientific (notice that in the second video, the white actor is inexplicably dressed up in a suit) and meant for entertainment, it can’t be a bad thing to force viewers to think about issues such as racism or domestic violence. Maybe the next time they see someone being abused, they’ll be more likely to step up. (After all, they might be on TV!)

What Would You Do? [ABC]

Send an email to Lindsay Robertson, the author of this post, at lindsay@lindsayism.com.

Mexican Independence Day May 5th commemorates the Battle of Pueblo in which Mexico defeated the French…  how better to celebrate than to animate offensive stereotypes and make fun of Spanish!

Maya sent us a link to publicity for a clothing swap schedule for May 5th called “Swappo de Mayo,” of course:

And Maddy B. sent us a screen shot from buycostumes.com.  This image was featured on the front page in mid-April:

See also our post featuring “celebrations” of Martin Luther King Day.

(Thanks to Ramona, Jess, Ryan, Kristen, CS, and Jorge for the correction on the significance of the date!)

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UPDATE: Several Readers who corrected my mistake have stated that it was offensive.  I’m really sorry.

Gwen and I have a policy of owning our mistakes.  I don’t know everything, even things that I really should know.  One of the best things about this blog, for me as an author, is that I learn all the time.  I don’t resent being corrected, I am grateful.

I apologize that my ignorance was offensive. My hope is that, by leaving the post up, with my ignorance laid bare, I am modeling the kind of humility that allows people to learn new ideas and accept correction from others.

Lisa Wade, PhD is an Associate Professor at Tulane University. She is the author of American Hookup, a book about college sexual culture; a textbook about gender; and a forthcoming introductory text: Terrible Magnificent Sociology. You can follow her on Twitter and Instagram.

A few days ago, a mini-controversy erupted when this vidcap from the sports network RDS started making the rounds. Here’s the Deadspin article. Two Montréal Canadiens fans {nicknamed Habitants or Habs} donned the jersey of a hot prospect, P. K. Subban, who happens to be Jamaican Canadian. They also painted their faces black and wore afro wigs.

Toronto Mike blogged about the incident and one of the Habs fans came on to comment. The words got pretty heated, but in the end, the fan apologized and Habs and Leafs fans once again could resume their hockey-based hatred of one another.

What struck me as interesting was how this drama played out. The French language cable network covering the 11 March game against the Edmonton Oilers chose to air 10 seconds of the two friends. Was the intent to be controversial? Was the intent to be a facepalm moment?  The back-and-forth on Toronto Mike’s blog was interesting, as the polarizing effect of race brought up assumptions about the Habs fan and his intent by commenters. In the end, I thought the Habs fan handled himself well, given how people were responding and what was being said. Toronto Mike did a good job of not divulging the fan’s name. This was one of those rare moments where Web 2.0 seemed to actually foster a dialogue and didn’t degenerate into a protracted flame war. That said, it wasn’t always pretty, but a lot prettier than what one typically sees on news article comments on issues of race, which are often tantamount to text equivalent strangers yelling at each other at the top of their lungs in an open hall.

Here on ThickCulture, we have examined race in the post-racial era. Racism isn’t dead, it’s just gotten to a late stage where there is a consciousness about what is offensive and debates of this now enter into the public discourse space. I get a sense that race gets so intertwined with speech and knowledge structures that it often becomes a confusing and convoluted morass for many. This impinging upon liberties of speech, in terms of what one can and cannot say or should and should not say, creates a tension, which may result in a backlash.

Where are the lines in the post-racial era? Here in Toronto, last fall there was a party where a group of guys dressed up as the Jamaican bobsled team, depicted in the film, Cool Runnings {1993}. This story caused a stir and points were argued through social media comments on whether or not this was racist.

Four guys darkened their skin and one guy lightened his. The Torontoist chronicles how the story unfolded and offers a tutorial on what blackface is and its cultural significance. The students offered their explanation for their choice of costume:

First and foremost we would like to apologize if anyone was offended…Throughout our childhood, Cool Runnings was something we reflected on with fond memories and therefore in the process [of] choosing Halloween costumes, seemed to be a promising candidate. With this idea in mind, we took notice of how the primary cast, consisting of four black characters and one white character, coincided with our group ratio of four white and one black member. This sparked the idea to add another comedic element to the costume, and have the black student go as John Candy and the white students going as the four bobsledders. At this point, several of us was already of aware of what blackfacing was and therefore took out various means of investigation to further our knowledge of the topic and ensure that what we were doing be doing may not be considered similar in anyway. The conclusion that we came to that simply painting our faces dark brown would not be a portrayal of blackface….understand that we did not act in a negative or stereotypical manner [at the party]. We acted ourselves the whole night, and did not internalize the characters.

Here’s the theatrical trailer for Cool Runnings:

University of Toronto Sociology professor Rinaldo Walcott offered a different take:

I think that in particular [Cool Runnings] became a part of the popular culture imagination of [white] Canadians in a way that [they] took responsibility for that film as though it was somehow an extension of them. And one of the reasons that I think Canadians identified with that film so deeply is because that film weathered something that many white Canadians come to believe strongly—that black people don’t actually belong here. That we are an insertion into a landscape that is not actually an landscape where we naturally fit.

For black people who understand this history [of blackface], Cool Runnings was never a funny film; it in fact replicated all of the techniques of blackface. It is in fact one of the ways that we have come to see that blackface does not require painting of blackface anymore. Just look at the work of Marlon Riggs. We know that in North America there is a deep resonance around producing images of black people that make black people look disgusting. Cool Runnings is a milder version of that. So we should ask… why do they remember Cool Runnings so fondly?

Post-racial means navigating these choppy waters where intent collides head-on with history and its interpretations. Not to get all postmodern here, but while the metanarrative is dead, social media is a site where clashing mini-narratives that structure perceptions of the world, culture, society, etc. battle it out. I think the fellow Contexts blog Sociological Images is a social media site where clashing mini-narratives are de rigueur. I’m wondering if we will ever “get over” issues of race. I’m beginning to think we won’t, given globalization, etc., but perhaps it’s due to the fact that what this is really all about is identity.

What troubles me more than this is when the “right” language is used by individuals doing so strategically. The talk is talked, but the walk isn’t walked. That’s a topic for another blog.

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Kenneth M. Kambara interests and expertise include social media, innovation strategy, environmental sustainability, business and marketing, sociology, urbanism, critical theory and economic sociology.  His insights (and unexpected pop culture segues) can be found on the fellow Contexts blog, ThickCulture, and on his own blog at rhizomicon. Like every good social media guru, he also tweets.

If you would like to write a post for Sociological Images, please see our Guidelines for Guest Bloggers.

Lisa Wade, PhD is an Associate Professor at Tulane University. She is the author of American Hookup, a book about college sexual culture; a textbook about gender; and a forthcoming introductory text: Terrible Magnificent Sociology. You can follow her on Twitter and Instagram.

db, Lindsey B., and ABC News asked us to talk about the recent scandal over Walmart pricing a darker-skinned version of the Ballerina Theresa doll less than its white counterpart.  The evidence (from FunnyJunk):

Walmart claimed that the doll was priced less because they were trying to move inventory (ABC News).  It’s possible that the doll wasn’t selling (low demand) or they had ordered more than they could sell (high supply) and so the doll went on sale.  In fact, we know that people of all colors tend to absorb a color hierarchy in which whiteness is nicer, more beautiful, and more valuable (test your unconscious preferences here), so maybe the white doll WAS outselling the non-white doll because both white and non-white people were buying it, but not the darker-skinned doll.  Walmart, in this case, would only be following the market so as to maximize profits.

Walmart, however, could have chosen, in this case, to opt out of profit maximization.  The market isn’t physics; a company doesn’t have to follow its laws.  Walmart could have said, “You know, putting the dark-skinned doll on sale symbolically values whiteness higher than blackness.  Perpetuating that stereotype isn’t worth the money.”  That is, they could have decided that anti-racism trumped profits.

But they didn’t.

It’s important to say that I know of no study showing that, as a rule, white dolls are priced higher or are less likely to go on sale than other dolls.  It may be true that, if we were paying attention, we’d see all kinds of disparate pricing and it wouldn’t pattern itself on race.  Even in this case, I still think that companies need to be cognizant of the context in which they price their products.  In fact, I will go so far as to say that I think it is perfectly fine to discount white dolls while other dolls are left undiscounted, but not vice versa.  Why?  Because we live in a world where discounting dark-skinned dolls resonates with a discourse the symbolically devalues dark-skinned human beings.  Discounting white dolls simply does not carry the same problematic message.

Costco faced this kind of problem when it’s black Lil’ Monkey doll was pulled from shelves.  It turned out that the Lil’ Monkey doll came in three different races, but the black doll carried connotations that the others did not because black people have been compared to primates for centuries in an effort to dehumanize them.  A black Lil’ Monkey is wholly inappropriate in a way that a white Lil’ Monkey is not.

Companies make and sell products in a context.  Following market demands is not opting out; often, it reproduces the status quo.

NEW (Mar. ’10)! Sarah G., after seeing a different post on a multicultural cast of Barbies, looked them up on Target only to discover that the light-skinned Barbies were all priced at $19.99 and the dark-skinned Barbies were all priced at $19.95.  Here are all of the Barbies:

I don’t know, people.  I just don’t know.

See another example here.

NEW! (July ’10): Christine B. sent in images from Target that show Black Baby Alive dolls (two different types) on clearance (down from $19.29 to $13.50) while the White versions aren’t; the Black dolls are clearly marked on the shelf and with individual stickers:

Lisa Wade, PhD is an Associate Professor at Tulane University. She is the author of American Hookup, a book about college sexual culture; a textbook about gender; and a forthcoming introductory text: Terrible Magnificent Sociology. You can follow her on Twitter and Instagram.

This vintage ad is a great example of the intersection of sexism and racism. She’s there for YOU because YOU, white family, are “important”:

Text:

It’s not just the fact that she’s a multilingual, knowledgeable, helpful girl who, among other things, knows how to handle a family on the move. It’s the fact that to your JAL Ground Hostess, anywhere in the world, you’re her passengers.

We never forget how important you are.

JAPAN AIR LINES

(Source: Vintage Ads.)

Lisa Wade, PhD is an Associate Professor at Tulane University. She is the author of American Hookup, a book about college sexual culture; a textbook about gender; and a forthcoming introductory text: Terrible Magnificent Sociology. You can follow her on Twitter and Instagram.