Following up on a previous post about gendered gift giving guides at Lego and Toys R Us, I discovered something interesting.

I was intrigued by the Toys R Us guide because it asked the buyer to specify the gender of the child, but then tended to have more or less the same “personality” and “interests” options.  For example, below are the choices for girls and boys.  You’ll see that they are very similar.

Girl personalities:

Boy personalities (same, sans “Glamour Girl”):

Girl interests:

Boy interests:

So, why even ask about gender, I wondered?  I did a test.  For both boys and girls ages 12-14, I checked “techie” and “building” to see what I would get.

What I got was rather fascinating.  I can’t remember where I originally heard it, but someone somewhere observed that when it came to technology, there was a stereotype that men were  the engineers and designers and women were the consumers and users.  That is, both men and women might like technology, but men were active in producing technology and women just got to benefit from men’s hard, brainy work.

Well, that’s essentially what Toys R Us told me.  Remember, for both boys and girls, I checked “techie” and “building.”  Here is the top 24 gift suggestions for boys:

So that’s 13 building/engineering games (like Lego and KNEX), 3 ipod accessories, 4 portable DVD players, 2 MP3 players, and a few other things.

What do girls get?  Seven ipod accessories, 5 portable DVD players, 4 MP3 players, 3 laptop computers, 3 cameras, and one building/engineering game.  One.

Sure enough, Toys R Us confirms that girls may like technology, but boys build it.

Lisa Wade, PhD is an Associate Professor at Tulane University. She is the author of American Hookup, a book about college sexual culture; a textbook about gender; and a forthcoming introductory text: Terrible Magnificent Sociology. You can follow her on Twitter and Instagram.

This 1959 ad for an airplane toy throws in girls as an afterthought in the final seconds (“Every boy wants a RemCo toy… and so do girls”). It’s easy to dismiss the ad as quaint and representative of a different time, but today’s advertising seems equally gendered, with girls thrown in as an afterthought (like in this dinosaur toy website) or neatly segregated (see here, here, and here).

Found at Vintage Ads.

Lisa Wade, PhD is an Associate Professor at Tulane University. She is the author of American Hookup, a book about college sexual culture; a textbook about gender; and a forthcoming introductory text: Terrible Magnificent Sociology. You can follow her on Twitter and Instagram.

The ad below, sent in by Corinne C., expresses nostalgia for “classic” beers and classic women:

(From TimeOut Chicago.)

Lisa Wade, PhD is an Associate Professor at Tulane University. She is the author of American Hookup, a book about college sexual culture; a textbook about gender; and a forthcoming introductory text: Terrible Magnificent Sociology. You can follow her on Twitter and Instagram.

Chris Uggen, fellow sociologist and editor of Contexts magazine, put together a graphic for Public Criminology comparing the current age of death row inmates in the US with their age at arrest (in the title, I assumed they were mostly men, but I don’t know):

So the median age at arrest is 27 and the median current age is 43.  This illustrates the lag time between arrest, conviction, sentencing, and  execution.  It also creates the conditions for what Uggen calls the “graying of prison populations.”   We are executing mostly middle-aged men and older, even as the young are disproportionately convicted for committing violent crimes.

I suppose whether or not we support executing a 50-year-old man for a crime he committed half a lifetime ago depends on what you think the death penalty is for.   Is it to satisfy the family of the victims?  Is it for revenge?  Is it for deterrence?  Is it to make the world outside the prison a safer place?

Executing people in their 40s, 50s, and beyond makes more sense if your goal is something like revenge, less sense if your goal is a safer world with less violent crime.  So, how we frame the death penalty (that is, how we answer the questions “what is it?” and “what is it for?”) shapes whether the graph above looks like social justice or social tragedy.

Lisa Wade, PhD is an Associate Professor at Tulane University. She is the author of American Hookup, a book about college sexual culture; a textbook about gender; and a forthcoming introductory text: Terrible Magnificent Sociology. You can follow her on Twitter and Instagram.

Kirsti McG. sent us her correspondence with the manufacturer of these:

Kirsti, who saw these on the grocery store shelves in Scotland, wrote to complain that the company mascot, Mr. Wasabi, “pack[s] together practically every stereotype about East Asians possible, from wooden toe sandals to buck teeth to samurai swords to kung fu…” (check out the website to see him animated).

Kirsti got a letter back castigating her for daring to be offended by the character.  They told her that hers was the only complaint they’d ever received (implying that she was crazy or over-sensitive) and that she was trying to make them into an “enemy.”

They also used the “some of my friends are Asian” response, explaining:

…we have been cooperating with the Asian manufacturing company for 4 years, we have a registered company in Thailand and Japan in a different line of business, and everybody is delighted with Mr. Wasabi and the branding. It goes so far that the manufacturer has asked us permission to use the branding in their own markets in Cambodia and, hold your breath, Japan.

Then they accused her of ignorance and racist paternalism:

Maybe you should deepen your knowledge of Asia and the Asian psyche, beyond your rather activist style “I-am-going-to-protect-the-poor-asians-from-these-ruthless-snack-tycoons.”

This is a great example of the backlash that frequently occurs when power is threatened.  The company representative didn’t say “Gee, I’d hate to be racist, let me think about this” or even “I’m sorry you’re offended, but this is just what the logo is.”  He said, “You are the crazy person here. There is nothing wrong with our logo and how dare you even suggest that it is racist!  We are innocent and perfect with our Asian friends and you are totally out-of-line.  If anyone is racist, it is you.”  This is a common response when someone’s privilege is exposed: Everything goes along just fine until you ask for power relations to be reconfigured, and then you see the resistance.  For another example, see our post showing vandalized anti-rape posters.

Kirsti wrote back explaining calmly that their ties to Asian companies does not necessarily mean that their branding isn’t racist and that to suggest that there was a single “Asian psyche” (that is 100% behind their product) is, itself, kinda racist.

She said that the next letter was less accusatory and that he promised to bring the issue up with the board.

Sometimes, even in the face of backlash, collective action can work.

You can contact the peeps at Mr. Wasabi here.

Lisa Wade, PhD is an Associate Professor at Tulane University. She is the author of American Hookup, a book about college sexual culture; a textbook about gender; and a forthcoming introductory text: Terrible Magnificent Sociology. You can follow her on Twitter and Instagram.

In a twist on the men are people and women are women theme, Catherine L. sent in this screen shot of a Business Week article about women hedge fund managers.  Notice that it’s placed in the “working parents” section of the website, even though the article does not say a single thing about kids or, even, work/life balance.

Also, women produce double the returns!?  Double!?  Damn!

Lisa Wade, PhD is an Associate Professor at Tulane University. She is the author of American Hookup, a book about college sexual culture; a textbook about gender; and a forthcoming introductory text: Terrible Magnificent Sociology. You can follow her on Twitter and Instagram.

Judy Z. H. sent in Kanye’s video for Love Lockdown for analysis.  My first thought was: they should have just went with Qwest Crew. But I digress.

The video contrasts Kanye, singing in a nearly empty apartment, with tribal imagery.

Here’s my thoughts:  The song is about a man who loves a woman but knows intellectually that the relationship is wrong.  So he has to leave her, even as his heart breaks to do it.  So the song is about a conflict between his heart and his mind or, alternatively, passion and rationality.

The passion/rationality binary is often layered onto a primitive/modern binary.  Primitives, we presume, are superstitious, driven by passions, more instinctual than intellectual, more closely connected to animals and nature more generally.  Moderns, by contrast, are assumed to be rational, in control of our emotions; modernity has brought us science and technology and taken us farther away from nature.

Accordingly, the primitives in the video express strong emotions and are dressed in skins and feathers, decorated with the earth, while Kanye calmly sings about a heart-wrenching decision, surrounded by a clean, white, even sterile, apartment, and lounging in the kitchen (the most technological room in the house); the only item other than furniture that we see is a telescope.  A telescope!  How very modern.

The video works because Kanye’s audience recognizes the modern/primitive binary and all that it implies.  But, of course, it’s false.   Psychological research (and, as far as I can tell, all of the research on voting behavior) demonstrates again and again that rationality is not our strong point as a species.  If anything, what is modern is the inferring of rationality (hello rational choice theorists!), something that we see clearly in this video.

Lisa Wade, PhD is an Associate Professor at Tulane University. She is the author of American Hookup, a book about college sexual culture; a textbook about gender; and a forthcoming introductory text: Terrible Magnificent Sociology. You can follow her on Twitter and Instagram.

About a year ago, Gwen posted about the evolution of the Sun-Maid, the young spokeswoman for Sun-Maid raisins:

In her post, she asked: “I wonder if Sun-Maid has stayed with the de-sexualized icon because raisins are associated with children?”

Well, Gwen, I’m afraid you spoke too soon.  Here, via Jezebel, is the new Sun Maid:

Noticably slimmer and with more form-fitting clothes, this new Sun Maid is clearly not hyper-sexualized, but it’s a move in that direction.

Here’s a commercial in which, building on her increasing sexualization and objectification, she turns into a Hollywood celebrity for a sec:

I think–considering also the recent makeovers of Dora the Explorer, Holly Hobbie, and Strawberry Shortcake–we can officially call this a trend.

Lisa Wade, PhD is an Associate Professor at Tulane University. She is the author of American Hookup, a book about college sexual culture; a textbook about gender; and a forthcoming introductory text: Terrible Magnificent Sociology. You can follow her on Twitter and Instagram.