Archive: Apr 2012

Last year we posted Anita Sarkeesian’s great discussion of the manic pixie dream girl trope.  The manic pixie is a female side character who, through her whimsical approach to life, “helps the male main character find himself, love life again, or overcome some obstacle.”  Think Natalie Portman in Garden State.

Anyhow, I came across a skit making fun of the trope by taking the manic pixie to its logical conclusion, titled “Welcome to the State Home for the Manic Pixie Dream Girl.”  Yep, it’s a state-run institution for the charming but totally helpless, perhaps-mentally-challenged not-so-dream girl.  I’m putting it up here because it’s quite funny, but I also like how it deconstructs a version of ideal femininity, revealing it to be rather impractical indeed.

Film by Natural Disastronauts. Found via BoingBoing.

Transcript, by Trellany J. Evans, after the jump:

more...

Cross-posted at Work That Matters.

Barbie is running for President of The United States of America… again.  She even has a campaign Tumblr. But what is her platform?

Okay, so she’s not taking any strong stands on the GOP’s War on Women’s reproductive rights. But she did come up with a totally awesome nickname for her campaign (“Glam-paign”).

Apparently, however, candidate Barbie will do something no other candidate can: she will bridge the racial divide in America by morphing herself into four different ethnicities!
Yes, I get that this is a toy. And the Miss-America-style platitudes are to be expected from a company that wants to sell to both sides of the political divide. But it’s a shame that girls don’t get a chance to see that women really can change the world.

This week, Malawi swore in Southern Africa’s first female head of state. She wasn’t elected as such, but as Vice President took the position after President Bingu wa Mutharika died in office. (A scenario that could have happened with Sarah Palin, had John McCain won the Presidency.)

Other women currently heading countries are:

• Ellen Johnson Sirleaf: President of Liberia
• Doris Leuthard, Eveline Widmer-Schlumpf, Simonetta Sommaruga: Members of the Swiss Federal Council, Switzerland
• Pratibha Patil: President of India
• Cristina Fernández de Kirchner: President of Argentina
• Dalia Grybauskaitė: President of Lithuania
• Laura Chinchilla: President of Costa Rica
• Dilma Rousseff: President of Brazil
• Atifete Jahjaga: President of Kosovo
• Monique Ohsan Bellepeau: Acting President of Mauritius
• Slavica Đukić Dejanović: Acting President of Serbia
• Angela Merkel – Chancellor of Germany
• Julia Gillard – PM of Australia
• Yingluck Shinawatra – PM of Thailand
• Helle Thorning-Schmidt – PM of Denmark
• Portia Simpson-Miller – PM of Jamaica
• Kamla Persad-Bissessar – PM of Trinidad and Tobago
• Jóhanna Sigurðardóttir – PM of Iceland (Appointed)
• Hasina Wazed – PM of Bangladesh

The United States has yet to elect a woman to the position. And while Canada has had two appointed female Vice-Regents, we have yet to elect a woman to the Prime Minister’s Office. (Kim Campbell was nominated for the position directly by her party.)

So perhaps it’s time for Barbie, who has been in every federal election since 1992, to campaign a little harder. Or for North American countries to catch up with the rest of the world and nominate and elect a woman of substance who isn’t seen as just “another Barbie.”

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Tom Megginson is a Creative Director at Acart Communications, a Social Issues Marketing agency based in Ottawa, Canada.  Tom writes regularly about creative advertising and marketing ethics for the international social advertising blog, Osocio, as well as on his own, Work That Matters.

Urban Demographics posted some graphs from the UN’s State of the World’s Cities 2010/2011 report on global urbanization trends. A snapshot of urbanization in 11 countries:

You can see a few other notable trends here that illustrate various national trajectories, as Phil McDermott at Cities Matter points out. For instance, notice that while Russia underwent rapid urbanization between 1950 and 1980, it has leveled off since then. Similarly, Indonesia’s urbanization slowed significantly in the late ’90s and has continued at a much slower pace since then. We also see quite different patterns between the world’s two most populous nations: While China’s urbanization rate sped up in the early ’90s (after urbanization actually dipped in the ’70s), India has experienced fairly slow urbanization.

Credit Suisse released a report on urbanization and emerging markets, if you’re interested in the impacts of urbanization on a wide array of economic development indicators, from electricity and steel consumption to projections of future housing needs to incomes and standards of living.

Last fall I posted about the continued use of race/ethnicity as a basis for decisions about hiring when casting roles in Hollywood. Though using race or color as a qualification for a job is illegal in the U.S., it is still widely, and openly, practiced when choosing actors for movies and TV.

Dolores R. sent in an example of a casting call for an Acura commercial that shows how race and skin color requirements are explicitly stated. The role is for an African American car dealer; however, the description calls for someone who is “not too dark”:

The casting document was posted by Oh No They Didn’t! after an African-American actor who didn’t fit the profile passed it on to them. Someone at the casting agency claimed that the reason they didn’t want an actor who was “too dark” was that it would make lighting and special effects more difficult.

Seriously.

Acura has apologized, though as Forbes points out, they probably had little to do with the actual casting process; the casting call was mostly likely written within the casting agency.

As I pointed out in my earlier post, within the industry roles are generally understood to be for non-Hispanic Whites unless specifically stated otherwise. However, as this casting call shows, even when a role is open to racial/ethnic minorities, additional restrictions related to skin color or other features may still severely limit the pool of actors who have a legitimate chance at winning the role.

Gwen Sharp is an associate professor of sociology at Nevada State College. You can follow her on Twitter at @gwensharpnv.

Cross-posted at Montclair SocioBlog.

Hot enough for you?  Your answer might depend on who you’re voting for.

World views affect not just how we interpret what we see; these views influence what we actually experience.  That was the point of the previous post.

Do people who reject the idea global warming perceive the weather as being cooler?  Gallup just published the results of a poll that asked people if this winter was warmer than usual. Unfortunately, Gallup asked only for political affiliation, but it can stand as a rough proxy for ideas about global warming.  So the data are suggestive, not conclusive. But for what it’s worth, Democrats were more likely than Republicans to say yes, it’s been a warm winter.  Some of the difference can be attributed to geography (Democrats living in places that had a much warmer winter than usual). But I suspect that at least part of the 11-point difference is political.

Republicans reject the idea that the world is getting warmer — that’s a question of science — but they also experience their own immediate environment as cooler, which is a matter of perception.

As the graph shows, Gallup then asked those who did think that the winter was unusually warm what they thought the cause was — global warming or just normal variation..  As you might expect, political affiliation made a difference.   Democrats were more than twice as likely as Republicans to cite global warming as the cause.

April 15th was World Art Day.  A museum in Stockholm, the Moderna Museet, celebrated with what appears to be a chocolate and red velvet cake in the likeness of a caricature of member of a generic African tribe.  The cake was designed by an artist, Makode Aj Linde, who wanted to draw attention to the practice of female genital cutting, which occurs in parts of Africa (and elsewhere).  Accordingly, the cake was in the shape of a woman’s shoulders, breasts, belly, and genitals; it was covered in black fondant.  The head was the artist himself, painted black with cartoon-ish eyes and mouth reminiscent of American minstrelsy. Neck coils tied it all together.

The Swedish minister of culture, Adelsohn Liljeroth, was asked to cut the cake.  Playing along with the “art,” she began at the clitoris.  After slicing herself a piece, she fed it to the artist (it’s unclear if that was planned or improvised).  Each reveler carved out more and more of the genitals, revealing brown and then red cake inside.  With each cut, the artist let out a yell and cried.  People attending the exhibit reportedly gawked and generally went along having a good time.

Kitimbwa Sabuni, a spokesperson for the National Afro-Swedish Association, called the cake a “racist caricature of a black woman” and criticized the event, writing:

The “participation [of the minister of culture], as she laughs, drinks, and eats cake, merely adds to the insult against people who suffer from racist taunts and against women affected by circumcision.”

The minister shrugged rhetorically, saying  “Art needs to be provocative.”  On his Facebook page, the artist was nonchalant, writing about the above photo: “This is After getting my vagaga mutilated by the minister of culture…”

I will go on the record saying that this is obviously racist, trivializes genital cutting, is wildly insensitive to women who have experienced cutting, and fails to accord any respect to members of communities that practice genital cutting.  It’s a shameful mockery.

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UPDATE: It occurred to me that it’s possible that the artist intended to trap a mostly white audience into participating in this obviously racist game, all with the intention of revealing that they would.  Sort of like Spike Lee’s Bamboozled, where the fictional African American tv writer, asked by his White boss to write something “Black,” wrote the most racist thing he could think of… only to discover that audiences loved it.  So perhaps the artist meant to provoke the same sort of horror that Bamboozled provokes in its real audience.  And that is provocative indeed.  But I’m guessing that this message will be lost on the vast majority of people at the same time it provides a satisfying opportunity to object to something obviously racist (as I did); meanwhile, more subtle discrimination and institutionalized racism remains un-examined.

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One of my main areas of serious academic research involves trying to understand how Westerners think about female genital cutting, and what motivates them to understand it in the way they do.  I must say, though, that I am at a loss to explain this.  My research on American perceptions of the practice (not Swedish, notably) suggests that we take the practice extremely seriously, framing it as (one of) the worst human rights abuses imaginable.  From this perspective, this approach to raising awareness — from the party-atmosphere symbolized by the cake to the almost comical and obviously fake protestations from the artist/actor — takes the issue far too frivolously for comfort.

Caricaturing Africans, however, and seeing them as lesser humans is also part of what drives American condemnation of genital cutting.  U.S. discourses often frame Africans as either ignorant or cruel.  We routinely dehumanize both women and men in these discourses.  They are seen more as objects of intervention than human beings.  Accordingly, it doesn’t surprise me too much that the (mostly White, Swedish) people viewing the performance felt enough distance from the practice of genital cutting to enjoy their cake.  Nor does it surprise me to hear at least some of them dismiss the concerns of the spokesperson for the National Afro-Swedish Association.

The video, in all its glory:

Thanks to Sharla F., Samira A., and an anonymous reader for sending in the tip to this story!

Lisa Wade, PhD is an Associate Professor at Tulane University. She is the author of American Hookup, a book about college sexual culture; a textbook about gender; and a forthcoming introductory text: Terrible Magnificent Sociology. You can follow her on Twitter and Instagram.

In my talk about the value of friendship, I discuss the ways that gender inequality makes it difficult for men and women to be friends with each other, for men to be friends with men, and for women to be friends with each other.  Regarding the latter, I argue that, in a society that values men and masculinity over women and femininity, everyone values men’s opinions more than women’s.  Inevitably, then, women are placed into competition with one another for attention from men.  Meanwhile, women’s opinions of them have less value and can’t substitute for men’s, so women can’t hold each other up; they must all turn to men for self-esteem.

I’ve previously posted an amazing clip that illustrates this fantastically, from a show called Battle of the Bods.  The “Don’t Hate Me ‘Cause I’m Beautiful” trope is also part of this phenomenon.  Bryony W. sent in another example: a cover of Woman’s Day featuring a “bikini war.”  The cover implies complicity, including the supposed quotation, “My beach body’s better than hers!”

The cover reveals that agents of the media — in this case, whoever decides what stories to include at Women’s Day — actively try to pit women against one another.  This idea comes through loud and clear in this compilation of clips, sent to me by Veronica G.  Titled “Divas on Divas,” it features female pop stars being asked to comment about each other and being pushed to say mean things:

Here are some more examples.

“Bathing Suits, Ballgowns, and Bickering,” a story in Marie Claire:

“Physicians Recommend It, Women Fight Over It”:

“90% Best Friend, 10% Bitter Enemy, 100% Genuine”:

Lisa Wade, PhD is an Associate Professor at Tulane University. She is the author of American Hookup, a book about college sexual culture; a textbook about gender; and a forthcoming introductory text: Terrible Magnificent Sociology. You can follow her on Twitter and Instagram.

Cross-posted at Montclair SocioBlog.

By now, you have heard about the killing of Trayvon Martin.  But when did you first hear about it?  If you’re a news junkie and were watching the national news channels,  the answer to that question might well depend on which one you watch.  ThinkProgress counted the number of stories about this killing on three cable news outlets in the week following the event.

Megan McCardle interprets the data as an example of “the Availability Heuristic, a rule of thumb that says the frequency of an event should correspond to how quickly you can think of examples of it.”  The Availability Heuristic makes us overestimate the risk of shark attacks.  The Availability Heuristic is probably behind my students’ writing confidently that teenage pregnancy has been steadily rising (thank you, MTV).

McCardle looks at the graph and sees a reason for different perceptions of racism as a problem:

…the disparity here may have something to do with whether one thinks institutional racism remains a serious problem in the United States. Conservatives often seem to think it isn’t, and that if anything, the real problem is how often spurious charges of white racism are deployed by their political opponents, while liberals more often tend toward the opposite view. Maybe both groups are drawing justified inferences from the data they’re seeing.

Do Fox viewers discount racism because of what they see?  Or is the network disparity more an example of another cognitive wiring problem – Confirmation Bias?  Confirmation bias is our tendency to seek out and to remember information that fits with our existing ideas.  Faced with information that clashes with that world view, we ignore, forget, distort, or misinterpret.

In Foxland — the world of both those who create Fox news and those who consume it — racism is not a real problem.  A story of a white Hispanic man armed with a 9mm chasing down and shooting a black teenager armed only with Skittles has no place in that world.  The Fox news producers don’t want to tell that story, and the viewers don’t want to hear it.  In the days since this graph appeared, the story has become too big for even Fox to ignore. I would imagine that Fox will instead interpret the events so as to fit with the view that McCardle suggests — that whites are the victims.  If you watch Fox, get ready to hear a lot about self-defense.