I have written before about the (new) cyborg body, mostly in the form of tattoos and body modification, but new technologies are pushing this trend further in the form of epidermal electronics. John Rogers and his research colleagues, at the University of Illinois, Urbana-Champaigne have developed rubbery sheets of “elastometer” that mimic the mechanical properties of the human skin. This allows them to embed circuits and semiconductors into the material and apply it to the human skin much like one applies a temporary tattoo. Jon Cartwright reports that this material more...
Why is it that authorities are so quick to fear, blame and entirely eliminate electronic communications in the face of unpredictable gatherings of people?
Hosni Mubarak pulled the plug on the Internet during the Egyptian uprising in an attempt to do away with the protesting masses. After the recent riots in the United Kingdom, Prime Minister David Cameron blamed social media and pondered shutting down electronic communications. And, most recently, San Francisco’s Bay Area Rapid Transit (or BART) subway system turned off mobile coverage because there were rumors of protest. Authorities large and small across the globe are worried about people being more connected than ever.
Putting aside the important issue of free speech, I want to ask why BART officials feel that communication technologies are making people less safe in times of confusion? Is it part of a larger knee-jerk reaction to not understand social media and thus be scared of it? Ultimately, disrupting communications in a time of potential crisis to make people more safe is a fallacy; it does just the opposite.
Chris Baraniuk, who writes one of my favorite blogs, the Machine Starts, is experiencing the current riots in London first hand (they’ve spread to other cites). His account of both the rioting mobs of destruction as well as those mobs trying to clean up the aftermath imply the ever complex pathways in which what I have called “augmented reality” takes form. [I lay out the idea here, and expand on it here]
We are witnessing both the destructive and the constructive “mobs” taking form as “augmented” entities. The rioters emerged in physical space and likely used digital communications to better organize. The “riot cleanup” response came at augmentation from the reverse path, organizing digitally to come together and clean up physical space. Both “mobs” flow quite naturally back and forth across atoms and bits creating an overall situation where, as what so often occurs, the on and offline merge together into an augmented experience.
The rioting mob first realized itself in physical meat-space more...
Two French performance artists, Marion Laval-Jeantet and Benoît Mangin, recently personified Haraway’s cyborg in a piece they call “May the Horse Live in Me.” The performance, which included a blood transfusion from a horse and walking on hoove-like stilts, attempts to represent the centaur myth.
A group of volunteers are raising awareness about the lost art of letter writing by handwriting and snail mailing messages that people send them via e-mail. Those who request a snail mail letter can even request that the volunteer letter-writer includes a doodle along with the text. Volunteers and those who utilize the service talk about how hand written letters are more meaningful than messages sent through e-mail. They claim that hand written letters are more personal and represent time, care, and effort.
There are several interesting and related going on here. I will talk about each one in turn: more...
Just as we might have expected, the much-tweeted Facebook sleeve tattoo that I wrote about before has turned out to be a hoax. More specifically, it was a marketing campaign for the company Pretty Social. The company allows you to create custom handbags, stickers, and other products emblazoned with the profile pictures of your (digital) friends.
Nonetheless, the viral video itself made its way around the Internet, serving as but another case of tattoos as advertising. Much has been written on the topic already (Bengsston et. al 2005; McKelvey 1999; Kosut 2005), but I want to theorize further the use of tattooing in marketing as it relates to the phenomena of brand tattoos and lifestyle consumption and the repercussions these trends have for understandings of consumer culture. more...
- Sometimes, we forget birthdays… (Image Credit: Someecards.com)
Last Tuesday, Slate’s editor David Plotz wrote about a social experiment he performed last July.
I was born on Jan. 31, but I’ve always wanted a summer birthday. I set my Facebook birthday for Monday, July 11. Then, after July 11, I reset it for Monday, July 25. Then I reset it again for Thursday, July 28. Facebook doesn’t verify your birthday, and doesn’t block you from commemorating it over and over again. If you were a true egomaniac, you could celebrate your Facebook birthday every day. (You say it’s your birthday? It’s my birthday too!)
Plotz’s Facebook wall was filled by well-wishers on all three of his “birthdays.” He writes,
My social network was clearly sick of me. I received only 71 birthday wishes on July 28, down from more than 100 on my first two fake birthdays. And even more skeptics caught on to the experiment: 16 doubters, compared with 9 from three days earlier.
Most of us here at Cyborgology have written at least one post about augmented warfare and revolution. I suggested that the panopticon has moved to the clouds, and PJ warns that we may soon see it descend into a fog. In the wake of the Arab Spring, we have all commented on what it means to have an augmented revolution (also here, here, and here). The Department of Defense is well aware of this global trend, and is dumping lots of money into understanding how to maintain what I will call online superiority. Just as nations fight for ground, air, and sea superiority in a given conflict, they must now maintain a presence in online meeting spaces. Surveillance and intelligence efforts have always been a part of warfare, and monitoring and disrupting information flows has always been a tactical advantage. While previous engagements in informational warfare have been about information exchange, what we see now are efforts to gain online superiority in order to directly disrupt physical, financial, or tactical resources.
The recent and popular Hipstamatic war photos depict contemporary soldiers, battlefields and civilian turmoil as reminiscent of wars long since passed. War photos move us by depicting human drama taken to its extreme, and these images, shot with a smartphone and “filtered” to look old, create a sense of simulated nostalgia, further tugging at our collective heart strings. And I think that these photos reveal much more.
Hipstamatic war photographs ran on the front page of the New York Times [the full set] last November, and, of course, fake-vintage photos of everyday life are filling our Facebook, Tumblr and Twitter streams. I recently analyzed this trend ina long essay called The Faux-Vintage Photo, which is generating a terrific response. I argue that we like faux-vintage photographs because they provide a “nostalgia for the present”; our lives in the present can be seen as like the past: more important and real in a grasp for authenticity.
If faux-vintage photography is rooted in authenticity, then what is more real than war? If the proliferation of Hipstamatic photographs has anything to do with a reaction to our increasingly plastic, simulated, Disneyfied and McDonaldized worlds, then what is more gritty than Afghanistan in conflict? In a moment where there is a shortage of and a demand for authenticity (the gentrification of inner-cities, “decay porn” and so on), war may serve as the last and perhaps ultimate bastion of authenticity. However, as I will argue below, war itself is in a crisis of authenticity, creating rich potential for its faux-vintage documentation. more...
Via Next Nature.