commentary

This essay, like the one I posted last month on faux-vintage photography, is me hashing out ideas as part of my larger dissertation project on self-documentation and social media. Part I is found here.A barrage of media stories are professing the “Death of Anonymity,” the “End of Forgetting” and an “Era of Omniscience.” They are screaming a sensationalism that is part of the larger project to drum up fear about how “public” we are when using social media. While there are indeed risks involved with using social media, these articles engage in a risky hyperbole that I will try to counter-balance here.

Part I of this essay rethought claims of hyper-publicity by theoretically reorienting the concept of publicity itself. Using theorists like Bataille and Baudrillard, I argue that being public is not the end of privacy but instead has everything to do with it. Social media is more like a fan dance: a game of reveal and conceal. Today, I will further take to task our collective tendency to overstate publicity in the age of social media. Sensationalizing the risks of “living in public” perpetuates the stigma around an imperfect social media presence, intensifying the very risk we hope to avoid. But first, let’s look at examples of this sensationalism.

I. Media Sensationalism
Pointing out the dangers of living public online is an important task, but sensationalizing this risk is all too common. Indeed, the media has a long history of sensationalizing all sorts of risks, creating fear to drum up ratings, sales, clicks and page-views. From sexting to cyberbullying to the loss of “deep” learning, political activism, and “real” social connections, I’ve written many times about how the media has found social media to be a particularly fertile space to exploit fear for profit. more...

Larry Sanger, the co-founder of Wikipedia, wrote a wonderful piece on the rise of a new geek anti-intellectualism. The essay sparked much discussion and Sanger has done a terrific job responding to comments and even offering a thoughtful follow-up piece. However, I would like to write a short critique on a couple of points that have yet to be addressed.

First, I have to mention that contemporary anti-intellectualism was really my first academic interest, spurred in 2000 when I heard that Al Gore lost debates to George W. Bush because Gore “sounded too smart.” Hyper-focused on epistemology (the philosophy of knowledge) at the time, it was learning about the differences between Wikipedia co-founders Larry Sanger and Jimmy Wales that first got me interested in technology as a topic of research. Sanger, himself having an epistemology background, wanted Wikipedia to have a component of expertism on the site. When that was rejected he left and started the Citizendium project. At war are two epistemologies: one based in populism and the other expertism (though, this conceptualization is far too simplistic, it will have to do for this short post). more...

This essay, like the one I posted last month on faux-vintage photography, is me hashing out ideas as part of my larger dissertation project on self-documentation and social media. Part II will argue that the media also overstate how public we have become, sensationalizing the issue to the point that the stigma associated with online imperfections erodes more slowly. It is no stretch to claim that we have become more public with social media. By “public” I mean that we are posting (1) more pieces information about ourselves online in (2) new ways (see the Zuckerberg Law of Information sharing), and are doing so more (3) honestly than ever before. We are connected to the web more often, especially given the rise of smart phones, and new layers of information are being invented, such as “checking in” geographically. And gone are the days when you could be anyone you want to be online; today we know that online activities are augmented by the physical world. People are mostly using their real names on Facebook and nearly everything one does there has everything to do with the offline world.

But we are not as public as this suggests. We need a balance to this so-called triumph of publicity and death of anonymity (as the New York Times and Zygmunt Bauman recently declared). “Publicity” on social media needs to be understood fundamentally as an act rife also with its conceptual opposite: creativity and concealment. And I am not talking just about those who use false identities on blogs (see Amina) and pseudonyms on Facebook, those with super-strict privacy settings or those who only post a selective part of their multiple identities (though, I am talking about these folks, too).  My point applies to even the biggest oversharers who intimately document their lives in granular detail.

I’ll describe below how each instance of sharing online is done so creatively instead of as simple truth-telling, but will start first by discussing how each new piece of information effectively conceals as much as it reveals. more...

Today, Google announced a new service called “Google+” that explicitly attempts to replicate offline social norms onto an online platform. Besides the conceptual consistency between this goal and the concept of “augmented reality” that I write about so often, I also find the timing of the announcement interesting.

When Eric Schmidt was CEO of Google, I critiqued his statement that having multiple identities online shows “a lack of integrity.” Schmidt stepped down in April of this year and less than two months later Google announces Google+ (which is an umbrella term for a whole host of services centered on better replicating physical world social norms in a digital social media environment).

The service is brand new and invite-only so we can only speculate at this point what it will actually provide. However, the announcement of Google+ on the company’s official blog provides some interesting statements about privacy. The post is an implicit retraction of Schmidt’s insensitive statements and perhaps a lesson-learned from Google’s Buzz debacle that angered and even endangered many of its users. Further, much of the post is also a direct attack on the Facebook platform and its inability to reflect offline social norms that long-since predate the Web (e.g., the platform’s often incorrect usage of the term “friend”). Some quotes from the Google blog: more...

There is a video floating around the internet of a woman getting 152 of her closest Facebook friends tattooed on her arm, creating a full sleeve composed of tiny profile pictures that looks like a geometric checkerboard. As a scholar and an avid tattoo collector, I find this very illuminating.

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This July, a new mobile app called SceneTap will further augment the hook-up scene. The app is linked to cameras in bars which count the number of patrons and based on facial features determine the average age and the male-to-female ratio. Of course, the decision to go to a particular bar (and not to go to another) effectively alters the dataset. We therefore make decisions about where to go based upon technologically transmitted data about physical bodies. The presence of our own physical bodies then become data to be recorded, transmitted, and factored into the social plans of others.

Last winter, Cyborgology contributor David Banks described the Pentagon’s Gorgon Stare system—a nine-camera flying drone that can stay airborne for weeks at a time—as a “panopticon in the clouds.”  Like Jeremy Bentham’s infamous prison design (later adopted as a metaphor for all of contemporary society by Michel Foucault), the deployment of surveillance drones serves, in part, to limit the actions of militants by creating a perception that the US government was perpetually watching.  Banks argues that, ultimately, these sci-fi-esque surveillance regimes were made possible by recent refinements in automated data management that originally had mundane applications, such as helping spectators follow activity on the sports pitch or producing individualized film recommendations.

There is, thus, a double-sense in which the panopticon has entered the cloud(s).  Surveillance devices are not only omnipresent—flying through the air—but these devices are also linked remotely to command and control centers—large, centralized databases that store and process the information produced in surveillance operations.  Thus, unlike the historic spy operations conducted by manned U2 spy plans, drones never have to physically return home for data processing; instead, this information is transmitted in real-time. more...

On June 17th, an Obama 2012 campaign staffer made a post explaining that Obama’s Twitter and Facebook presence would be handled differently going forward.  As fellow Cyborgology editor Nathan Jurgenson recently discussed, Obama’s posts and updates have, up until now, been ghostwritten—leading Jurgenson to conclude that “Obama-as-president has thus far been a Web 1.0 leader” and, thus, to ask “when will we see a Web 2.0, social media president?”  Obama’s use of social media has been in sharp contrast to other nationally-recognized politicians, including former vice-presidential candidate Sarah Palin, whose tweets appear to be individually-authored, spontaneous, and personal, making them appear more authentic and more consistent with the norms of other Twitter users (spelling errors and all).  The president is now getting into the game by authoring his own tweets.

The campaign update, titled, “A New Approach to Facebook and Twitter,”  states:

Obama for America staff will now be managing both accounts, posting daily updates from the campaign trail, from Washington, and everywhere in between. You’ll be hearing from President Obama regularly, too; on Twitter, tweets from the President will be signed “-BO.”

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The PEW Research Center just released new findings based on a representative sample of Americans on “Social networking sites and our lives.” Let’s focus on a conclusion that speaks directly to the foundation of this blog: that our social media networks are dominated by physical-world connections and our face-to-face socialization is increasingly influenced by what happens on social media.

Movies like The Social Network, books like Turkle’s Alone Together and television shows like South Park (especially this episode) just love the supposed irony of social media being at once about accumulating lots of “friends” while at the same time creating a loss of “real”, deep, human connection. They, and so many others, suffer from the fallacy I like to call “digital dualism.” There are too many posts on this blog combating the digital dualism propagated by these people who don’t use/understand social media to even link to all of them all here.

Further, more...

There is an important space between old and new media. This is the grey area between (1) the top-down gatekeeping of old media that separates producers and consumers of content and (2) the bottom-up nature of new, social media where producers and consumers come from the same pool (i.e., they are prosumers).

And in the middle are projects like Global Voices, what might be called curatorial media: where content is produced by the many in a social way from the bottom-up and is then mediated, filtered or curated by some old-media-like gatekeeper.

The current protests in Syria can serve as an important example of how curatorial media works. Especially because foreign journalists have been banned from the country, creating a dearth of information for old media. Alternatively, more...