Nicole G., Malia T.K., Zeynep A., Veronica P., Kristina K., Anthony W., Dolores R., and Velanie Williams all let us know about the Nivea for Men ad that received a lot of criticism when it appeared recently. The ad shows an African American man with close-cropped hair and shaved face ready to fling away a version of his own head, this one with beard and Afro, with the tagline “Re-civilize yourself”:

Not surprisingly, many who saw the ad saw it as playing into the old stereotype of African American men as uncivilized and savage, and presenting Afros as inherently wild and unattractive.

The ad is part of Nivea’s “Give a Damn” ad campaign. There is one that features a White man holding a head (via Ad Age):

Ad Age argues that if Nivea had simply switched the copy on the two ads, there probably wouldn’t have been an outcry. That’s quite possible. But they didn’t; they put these particular ads out into the public. We saw something similar with the Dove ad that came out back in the spring. Then I wrote,

I continue to be puzzled that multinational corporations with resources for large-scale marketing campaigns so often stumble in awkward ways when trying to include a range of racial/ethnic groups in their materials. This seems to occur by not sufficiently taking into account existing or historical cultural representations that may provide a background for the interpretation of images or phrases in the advertising.

The same can be said here: yes, Nivea (which has pulled the first ad) has a whole ad campaign about “giving a damn” about your looks. Yes, they also had an ad showing a White man, presenting long hair on Whites as unacceptable or unattractive too. But only one of the men is labeled as “uncivilized” when he has “natural” or ungroomed hair. And the cultural context for these two ads isn’t the same. Given the symbolic power of the Afro in the U.S. — because of historical prejudices against African Americans who didn’t have “good hair” or didn’t straighten it (including using the word “nappy” as an insult) and the Afro’s position as a symbol of Black pride and resistance to beauty standards that privilege Whites — presenting an African American man with long, curly hair as “uncivilized” resonates in a way that the White ad simply doesn’t, even if Nivea had used the same language in both ads.

The California Milk Processor Board, the group responsible for the Got Milk? and Happy Cows ad campaigns, produced “Medusa,” a commercial about a princess whose “ugly hair” destroys her chances for love…until, of course, a  man comes along who knows how to tame her hair, make her beautiful, and “conquer her love,” allowing her to finally get married:

I get that her hair is made up of snakes, but as a person with incredibly curly, unpredictable, shall we say boisterous hair, I can’t help but notice that the beauty ideal espoused here clearly calls for sleek, straight, controlled hair.

Sarah Haskins takes on the fairy tale trope in commercials aimed at women, including my favorite, a milk ad in which the princess’s PMS mood swings cause a tidal wave of her tears that threatens her entire realm:

Cross-posted at Jezebel.

The cartoon character SpongeBob lives in a city at the bottom of the sea. It’s called Bikini Bottom.  So this “Bikini Bottom Groom and Go!” kit for kids three and over, sent in by Julia R… well, let’s just say that the picture is of a boy pretending to shave his face, but the words suggest a girl dreaming of someday presenting a whisker-free crotch to the sun.

Though it’s impossible that the meaning of the word “bikini” eluded the producers of SpongeBob Squarepants, it seems possible that how the word works in this context may have gone unnoticed. Then again, giving the new pressure for women to shave and trim their “bikini areas” (whether they intend to go to the beach or not), I wouldn’t be surprised to see this pressure aimed at young girls. Indeed, we already have.  See, for example, our post in which a mother teaches her young child to tolerate the pain of plucking eyebrows.

Discussion as to whether the photo might be faked prompted the anonymous photographer to send in the original.  After the jump:

(more…)

Cross-posted at Jezebel.

In an effort to disrupt the dominant images about what women’s hair should look like, Lauren Boyle and Marco Roso created an alternative aspirational beauty salon poster that offers women a set of hairstyles usually associated with lesbians.  The collection of these creative and varied haircuts bring into stark relief the hyperfeminized options most women encounter at the salon.

At DIS magazine; thanks to Marco for the submission.

El sent in a really interesting example of the re-fashioning of a real body into one believed to be more appealing to consumers. In the video below, real footage of gymnast Shawn Johnson is shown alongside the video game designed to allow Wii players to “play” her. El notes:

…the video Shawn is significantly thinner and long-limbed whereas the real Shawn has a short muscular body. The real Shawn’s leotards are red and blue, while the video image is wearing a pink leotard. In addition, the hair of the video version is blonder.

There has been a clear effort here to feminize the image of Shawn and to make her body conform to less athletic ideals… While Shawn’s name and fame is used to sell the video (presumably primarily to little girls), the video sends the message that Shawn herself must be altered, even though I would guess most people buying the game are fans of Shawn, know what she look like, and admire her as she is.

Cross posted at BlogHer.

Michaela M. alerted us to the news that Essence, the iconic fashion and lifestyle magazine for Black women, has hired an Australian-born, White woman, Elliana Placas, as its new Fashion Director.  Disappointed, former Essence fashion editor, Michaela Angela Davis, wrote:

If there were balance in the industry; if we didn’t have a history of being ignored and disrespected; if more mainstream fashion media included people of color before the ONE magazine dedicated to black women ‘diversified’, it would feel different.

In this 3-minute clip, Davis explains her position to Anderson Cooper:

The controversy over her hire is an example of a more widespread question about representation. Most agree that the presence of Black politicians, actors, models, teachers, professors, authors, and athletes (to name a few) is a good thing for Black people. It’s good, presumably, for two reasons. First, their presence in these roles normalizes Black achievement, beauty, intelligence, etc. The election of Barack Obama, for example, shows us that being Black and being the President of the United States are not mutually exclusive. The success of Tyra Banks and Alek Wek, similarly, upsets the notion that Black women aren’t beautiful.  It is good for all of us to be exposed to evidence that upsets negative stereotypes about Black people, stereotypes that all of us, no matter our color, unconsciously internalize to some degree (test your unconscious preferences here).

But there is a second reason why we often believe that representation is good. It is often presumed that people advocate for their own. Having a Black woman as Fashion Director, it is hoped, will mean that the content of the magazine will be empowering to Black women. That is, that the Director will be sensitive to the historic and ongoing racist idealization of white femininity that makes Black women’s bodies, hair, facial features, and skin color seem to need fixing.  Even if her racial politics are sound (and this is always a serious worry), she certainly does not have the experiences that Black woman in the U.S. often share nor, necessarily, the deep connection to the Black population that will make this a driving concern.

Essence‘s current Fashion and Beauty page with it’s August 2010 cover, featuring Janet Jackson, in the upper left corner:

The hiring of Placas is disappointing in the sense that it is a lost opportunity to put a Black woman in a position of power.  If, however, Placas is going to have this job, people concerned about the empowerment of Black women need to turn to evaluating her product.  The worry caused by her appointment is an opportunity to insist that Essence do right by Black women.  That is, Essence should be a refuge from racism.  One that, hopefully, does not subject Black women to the same sexism as White women in the name of equality.  Light skin does not preclude Placas from being able to do this, just as dark skin does not protect a person from internalizing and perpetuating colorism.

Ultimately, while having a darker-skinned, Black-identified person in the role of Fashion Director would be good, the production of a magazine that empowers Black women is also very important and this is something that Placas may be able to do.  It is up to us to insist that she does.

This ad for Scünci in Elle magazine, sent in by Bronwyn H., claims “A full line of hair accessories, that highlight and complement all shades of hair color.”