bodies: hair

Cross-posted at Hawkblocker.This Dove commercial for hair dye is just fascinating.  It features a woman talking about what color means to her.  She observes that color is sensual, drawing connections between certain colors and the feeling of a cool breeze, the sun on one’s skin, a taste on one’s tongue, and more.  She says colors are moods: blonde is bubbly, red is passionate. The voice-over explains that dying her hair makes life “more vivid” and makes her want to laugh and dance.  She does it to invoke these characteristics.

She then explains that she’s blind.  The commercial uses her blindness to suggest that hair dye isn’t about color at all.  It’s about the feeling having dyed hair gives you, even if you can’t see the color.  “I don’t need to see it,” she says, “I can feel it.”

By using a woman who is (supposedly) blind, the commercial for hair dye uses the element of surprise to detach the product from the promise.  The sole purpose of hair dye is changing how something looks, but this ad claims that the change in appearance is entirely incidental.  Instead, dying one’s hair is supposed to make all of life more vibrant, every moment incredibly special, every pleasure more intense, and fill you to the brim with happy emotions.  It’s completely absurd.  Fantastically absurd. Insult-our-intelligence absurd.

And yet, it’s also exactly what nearly every other commercial and print ad does.  Most ads promise — in one way or another — that their product will make you happier, your life brighter, and your relationships more magical.  The product is positioned as the means, but not an end.   Most hair dye commercials, for example, promise that (1) if your hair is dyed to be more conventionally beautiful, (2) you will feel better/people will treat you better and, so, (3) your life will be improved.  This ad just skips the middle step, suggesting that chemicals in hair dye do this directly.

So, I’m glad to come across this utterly absurd commercial. It’s a good reminder to be suspicious of this message in all advertising.

Lisa Wade, PhD is an Associate Professor at Tulane University. She is the author of American Hookup, a book about college sexual culture; a textbook about gender; and a forthcoming introductory text: Terrible Magnificent Sociology. You can follow her on Twitter and Instagram.

The September issue of Oprah’s magazine, sent in by YetAnotherGirl, features the woman herself on the cover wearing her hair in a “natural” (that is, real and non-straightened).  The O website announces that this is the first time in its 12-year history that Oprah has appeared on the cover without “blow-drying or straightening” her hair.

Black women’s hair is a touchy issue wrapped up deeply in racial power struggles.  The appearance of White people — in this case, the hair White people are more likely to have (that is, straight or slightly wavy) — is often considered the most beautiful or normal.  Black women who have tightly curled hair are faced with deciding to push back against white supremacy and wear their hair more-0r-less naturally (and face being seen as a “political” or “non-assimilating” Black person) or straighten their hair (and risk being accused of capitulating to racism).  Whatever they do, it’s sends a message.

What I think is notable here is that Oprah, of all people in the world, has never until now appeared on the cover of her own magazine with “natural” hair.   Lest we’ve forgotten who Oprah is, here’s a reminder (from wikipedia):

Winfrey was called “arguably the world’s most powerful woman” by CNN and Time.com, “arguably the most influential woman in the world” by the American Spectator, “one of the 100 people who most influenced the 20th Century” and “one of the most influential people” from 2004 to 2011 by TIME. Winfrey is the only person in the world to have appeared in the latter list on all eight occasions.

What I mean to say is, when even Oprah largely avoids being seen as she really is, we know we are seeing a powerful cultural force.  In this case, a racist and sexist one demanding that women of all races conform to an unreasonable White standard of beauty.  I’m glad that Oprah decided to appear this way for the cover, but I’m saddened by why it took this long.

Via Jezebel.

Lisa Wade, PhD is an Associate Professor at Tulane University. She is the author of American Hookup, a book about college sexual culture; a textbook about gender; and a forthcoming introductory text: Terrible Magnificent Sociology. You can follow her on Twitter and Instagram.

Thanks to YetAnotherGirl and Kari B., we can now feast our eyes on this ad from Unik (“unique”) Wax Center.  It’s a promotion offering 50% off hair waxing for girls “15 and younger.”  The Consumerist reports that all procedures are fair game, including bikini waxes.

The usual concerns regarding the sexualization of young girls apply here.  Why do girls this young need to be concerned about how they look in bikinis?

Perhaps more interesting is the frame for why such a girl might want to undergo waxing. According to the 4th of July-themed ad, it’s to “celebrate freedom and independence.”  Implicitly, hers. So, to follow the logic to its endpoint, a girl of 15 or younger can’t feel free unless she’s hairless.

The company, responding to criticism, gave arguments along these lines.  They framed waxing as a “regular activity” and a “process in life” that “goes along with our country.”  Moms are coming in to get waxed (as all women do), explained the corporate offices, they’re dragging their tweens along with them (obviously), and the girls “have questions” and “get bored,” so the next step is to initiate them into the ritual.

So, the whole process is “natural,” as the ad copy specifies.  It is just an inevitable step in a supposedly universal way of (female) life.  And one that liberates women from… um, I don’t know what… embarrassment, I guess.

The ad is reminiscent of many similar campaigns aimed at adult women, ones that frame consumption of clothes, make-up, jewelry, and cosmetic procedures as expression of freedoms.  In this way, it’s a capitalist appropriation of feminism/liberation ideology.  It’s also a naturalization of what is, in reality, a lifetime of compulsory, expensive, and sometimes harmful beauty practices.

Lisa Wade, PhD is an Associate Professor at Tulane University. She is the author of American Hookup, a book about college sexual culture; a textbook about gender; and a forthcoming introductory text: Terrible Magnificent Sociology. You can follow her on Twitter and Instagram.

In honor of St. Patrick’s Day tomorrow, I thought I’d re-post this one from 2010…

Some recent ads making fun of redheads has brought gingerism — or hateful attitudes and behavior towards people with red hair, light skin, and freckles — into the news lately.

It appears to be an ongoing form of discrimination, especially in Britain.  Men and boys appear to be more frequent targets than women and girls, who at least are sometimes seen as uniquely beautiful.  A recent series of verbal and physical attacks  is nicely documented at Wikipedia.  They include a stabbing, a family who has had to move twice after their children were bullied, a woman who won a sexual harassment suit after being targeted for her red hair, and a boy who committed suicide after being teased relentlessly.

The prejudice may be related to the long-standing antagonism between Britain and Ireland; discrimination against the Irish by the British crossed the Atlantic with early Americans.  As late as the 1800s the Irish were demeaned, negatively stereotyped, and compared with apes in the United States.

Katrin brought our attention to this ad for Tesco. Tesco voluntarily withdrew their ad after complaints. And an ad for npower generated a handful of complaints to the Advertising Standards Authority.  The Authority declared that the humor was unlikely to cause widespread offense (BBC).

Katrin also sent in M.I.A.’s video for the song “Born Free.” It was pulled from YouTube for excessive violence and inappropriate content. Among other themes, it shows red-headed, freckled adolescents being rounded up by the police (this becomes clear at about 2:45), taken out to a deserted area, shot at or bombed, and physically attacked. The video is supposed to highlight ethnic cleansing, though a number of critics argue the gratuitous violence overshadows any political point. It’s about 10 minutes long, but you don’t have to watch the whole thing to get the idea:

M.I.A, Born Free from ROMAIN-GAVRAS on Vimeo.

Lisa Wade, PhD is an Associate Professor at Tulane University. She is the author of American Hookup, a book about college sexual culture; a textbook about gender; and a forthcoming introductory text: Terrible Magnificent Sociology. You can follow her on Twitter and Instagram.

Dolores R. sent us the newest message from associated with PETA (People for the Ethical Treatment of Animals).  Sponsored by both PETA and the Ministry of Waxing (a pubic-hair removal site), the ad features a fur-covered “wallet” (via Ms.):

I guess it’s just an ad for waxing your pubes, but the logic is so convoluted that I’m having a hard time getting my head around it.  The fur of slaughtered animals is gross/unethical, so you should shave off your public hair?  Pubic hair is gross and that’s how you know wearing animal fur is gross?  Shave your public hair as a token of your objection to wearing fur?  Skin yourself, not animals?

Or perhaps my problem is looking for a logic in the first place.

UPDATE 1: A reader sent in a clarification regarding the relationship between PETA and the Ministry of Waxing, one with its own sociological lessons about social movement organizations.  It appears that the Ministry has donated money to PETA for the privilege of using the “PETA Business Friend logo.”  While PETA has apparently made a deal with the Ministry of Waxing, they legally disclaim any responsibility for how their logo is used and it’s possible that they did not approve this ad.  Details on the program here.

UPDATE 2: Another reader, though, argues that the logo on the ad isn’t the “Business Friend” logo (see below), but the “real” PETA logo.  He links to a page on the PETA website where they endorse the program.  This reader writes:

…PETA isn’t somehow being used against their knowledge; they’re co-promoting it.  There’s no disclaimer, no weaseling out, no “we didn’t know about it”; this is 100% PETA-approved.

Also in PETA: women packaged like meat and imagined as meat, and in cages, women who love animals get naked (men wear clothes), the banned superbowl ad, and a collection of various PETA advertising using (mostly women’s) nudity.

See also our post on leftist balkanization, or the way that leftist social movements tend to undermine each other.

Lisa Wade, PhD is an Associate Professor at Tulane University. She is the author of American Hookup, a book about college sexual culture; a textbook about gender; and a forthcoming introductory text: Terrible Magnificent Sociology. You can follow her on Twitter and Instagram.

Two additional cases of a boy being subject to schools rules that don’t apply to girls prompts a re-post. I’ve added the new instances to the end.

Tara C. sent us a link to a story about a 4-year-old boy who has been given in-school suspension (and was threatened with expulsion) for having hair that breaks the dress code for the Dallas, TX, school system:

Dmitriy T.M. sent in another story, this one featuring a 6-year-old named Gareth who was being placed into in-school suspension (i.e., spending all day each day in the principal’s office) because of his long hair and earring.

So, this still you see of him below… that’s what counts as long hair. And, can you spot the earring in his left ear? It’s there.

In another case, 16-year-old Kasey Landrum was suspended for wearing eye-liner on school grounds (after classes were out):

Of course, these aren’t just about enforcing a dress code. It’s a gendered code; girls aren’t required to have short hair cuts, because on girls, longer hair isn’t “distracting,” it’s “normal.”  As is make-up and earrings.  Implicit in the idea of what counts as an appropriate appearance, then, is the gender of the person wearing it.  These cases reveal, further, that girls are allowed more choices than boys because we are more accepting of girls acting boyish than boys acting girlish (in what sociologists call “androcentrism“).

The final case also reveals the importance of intersectionality, or the way that different identities come together in complicated ways. Landrum claims that an ostensibly heterosexual boy was allowed to wear punk-style make-up to school on the same day.  So breaking gender rules is apparently okay if you affirm that you’re heterosexual, and maybe being gay is okay if you don’t break any gender rules, but doing both is going too far.

A post for Love Your Body Day.

Krista, Debbie, and Diego sent in the following commercial for FreeScore. It nicely illustrates our bias against men who don’t live up to idealized standards of masculinity.  That is, men who are short, bald, and soft.

Like a bad credit score, men who aren’t young and handsome are a total drag. Klutzy, a potential serial killer, afraid to stand up for himself… his pain is our last laugh.  Disgusting.

Lisa Wade, PhD is an Associate Professor at Tulane University. She is the author of American Hookup, a book about college sexual culture; a textbook about gender; and a forthcoming introductory text: Terrible Magnificent Sociology. You can follow her on Twitter and Instagram.

I know a guy, bless his heart, who is unendingly surprised to learn that women do things to themselves to try to be more conventionally attractive.  Most recently he learned that bleach blondes are almost always, well, bleached. He thought it was a common natural hair color for adult women. LOL.

In any case, I thought the photographs below — by Zed Nelson, and sent along by zeynaparsel — were neat. They disembody the tools women use to enhance their beauty — eyelash extensions, breast implants, hair extensions — revealing them as undeniably artificial.

Lisa Wade, PhD is an Associate Professor at Tulane University. She is the author of American Hookup, a book about college sexual culture; a textbook about gender; and a forthcoming introductory text: Terrible Magnificent Sociology. You can follow her on Twitter and Instagram.