Tag Archives: design

Designing for Timelessness

This essay is cross-posted with TechnoScience as if People Mattered

A Swiss-made 1983 Mr. T Watch. Timeless. (Source)

A Swiss-made 1983 Mr. T Watch. Timeless. (Source)

Micah Singleton (@micahsingleton) over at the Daily Dot has a really great essay about one of the biggest problems with the Apple Watch. You should read the whole thing but the big takeaway is that really great watches and mainstream tech have a fundamental incompatibility: nice watches usually become heirlooms that get handed down from generation to generation, but consumer technology is meant to be bought in product cycles of a only a couple of years. A really nice watch should be “timeless” in a way our devices never have been. Compared to the usual 2-year contract phone purchase, the technological evolution of high-quality watches moves about as fast as actual biological evolution. Is it possible to deliberately build timelessness into electronics? (more…)

Improving the Wearable

Image from Robert Cooke

Image from Robert Cooke

On Monday I posed two related questions:  “Are wearables like Glass relegated to the same fate as Bluetooth earpieces and the Discman, or can they be saved?  Is the entire category irredeemable or have we yet to see the winning execution?” I concluded that most of the problems have to do with the particular executions we’ve seen to date, but it’s also very possible that the very idea of the wearable is predicated on the digital dualist notion that interacting with a smartphone is inherently disruptive to a productive/happy/authentic lifestyle. Lot’s of devices are pitched as “getting out of the way” and only providing a little bit of information that is context specific and quickly (not to mention discreetly) displayed to the user. I contended that the motivation to make devices “invisible” can bring about some unintended consequences; mainly that early adopters experience the exact opposite reaction. Everyone pays attention to your face computer and nothing is getting out of the way at all. (more…)

Saving the Wearable

Image From Jeremy Brooks

Image From Jeremy Brooks

The wearable is going through an adolescence right now. Products like Google Glass, Oculus Rift, or the Pebble smartwatch are a lot like teenagers: They’ve come into their own, but still aren’t sure about the place in society. They are a little awkward, have problems staying awake when they need to be, and they attract derision by the New York Times. And just like human adolescence, this phase probably has a horizon. People could warm up to the idea of face computers, battery life will get better, and (eventually, hopefully) the public will learn to ignore Ross Douthat. But for right now, the wearable is in a precarious situtation. Are wearables like Glass relegated to the same fate as Bluetooth earpieces and the Discman, or can they be saved? Is the entire category irredeemable or have we yet to see the winning execution? (more…)

The Parable of the Coffee Maker and the Design Sir

I’d like to start off with an admittedly grandpa-sounding critique of a piece of technology in my house: My coffee maker’s status lights are too bright. My dad got it for my partner and I this past Christmas and we threw-out-the-box-immediately-wanna-keep it, but the thing has a lighthouse attached to it.  We live in a relatively small (and very old) place and our bedroom is a small room right off the kitchen. The first night we had the coffee maker I thought we had forgotten to turn off the TV.  We don’t really need alarm clocks anymore either, because when it finishes brewing it beeps like a smoke detector. Again, we love the coffee maker (Dad, seriously we love it.) but sometimes it feels like wearing a shoe that was designed for someone with six toes. (more…)

Selling the Social Sciences

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“If it weren’t for all of you I would have lost my mind at my job.” Its a familiar refrain that I hear at lots of small conferences and, occasionally, on Twitter backchannels. Its an amazing compliment to hear that your weak tie with someone means so much, but its also an immensely troubling prospect. Hundreds (maybe thousands?) of highly trained professionals have serious misgivings about their professional associations, their home institutions, and maybe even their life’s work. I had heard variations on this theme most recently this past week when I helped out at the (really, really cool) Engineering, Social Justice, and Peace Conference hosted here in Troy, New York. The conference was attended by an array of people: engineers, educators, activists, and social scientists like myself. Some people worked in industry, others in academia, and a significant portion worked for NGOs like Engineers Without Borders. And again, I just want to reiterate: No single person said the exact phrase above, and I certainly don’t want to (mis)characterize any of the attendee’s personal feelings about their jobs or work. Rather, what I witnessed at ESJP is more accurately characterized as a feeling of “coming home.” Think of it as the positive side of the same disaffected coin. This anecdotal trend was in my mind when I read this Seattle Times article about social scientists finding new and inviting homes in tech companies. Are social scientists finding better intellectual homes in industry than in academia? Or am I connecting two totally separate phenomena? Is it just the pay? More to the point: can social scientists do more and better things for the world working in Silicon Valley than the Ivory Tower?
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A Genealogy of Augmented Reality: From Design to Social Theory (Part One)

Image credit: Audrey Penven, “Dancing with Invisible Light”

Once upon a time in Winchester, VA, a nurse and a psychologist wondered what to name their second child (a newborn boy). This little boy would one day grow up to be a famous politician, so it was important to give him a good name. Eventually they settled on Richard (which means “powerful leader”) for a first name, and John (which means “God is gracious”) for a middle name; they gave him his father’s last name, because that was the custom at the time. Yet today, when someone says “Santorum,” do you first think of the former U.S. Senator? Or do you maybe think of columnist and gay rights activist Dan Savage?

Much to the former Senator’s likely chagrin, “santorum” is an excellent example of how words (and objects) that were not originally intended or designed to be “political” can take on new meanings–as well as new politics–once out in the world. (more…)

#TtW12 Panel Spotlight: The Politics of Design

This is part of a series of posts highlighting the Theorizing the Web conference, April 14th, 2012 at the University of Maryland (inside the D.C. beltway). It was originally posted on 3.30.12 and was updated to include video on 7.19.12. See the conference website for

Presider: Kari Kraus (@karikraus)

Drawing on a diverse range of approaches–from media archaeology and ethnography to queer theory and critical code studies–the “Politics of Design” panel will collectively consider where and how power pools and collects in the designed, value-laden spaces of the internet. Individual panelists will take up digital networks and anonymity (Moesch); established and proposed internet architectures (Shilton and Neal); slick Web 2.0 and grungy “dirt style” interfaces (Kane); and the failed rhetoric of the digital sublime by the founders of Google and Second Life (Chia).  Not content to dwell on surface design features, each speaker unearths hidden variables–whether technological, social, or historical–that affect the systems, platforms, and communication structures under discussion. In the process, they expose the faultlines in those structures that allow us to envision them otherwise; the politics of design, that is to say, ultimately point–directly or indirectly–to alt-design and re-design.

Please join us on 4/14 for what promises to be a fabulous #TtW12 panel!

[Paper titles and abstracts are after the jump.] (more…)

#TtW12 Spotlight: Theory Meets Art

This is part of a series of posts highlighting the Theorizing the Web conference, April 14th, 2012 at the University of Maryland (inside the D.C. beltway). See the conference website for information as well as event registration.

Jason Hughes (@hughesalicious) of the STAMP Gallery and I (@Praxis_In_Space), organized an invited panel session that addresses the link between new media and art and a gallery exhibit for the day of the conference.  When we organized the panel and exhibit, we felt it was important to give artists a place at the conference to discuss and share their perspectives on the influence of new media and the web.

The aims of the panel are to highlight the ways in which art often reflects ubiquitous social changes (namely the presence of new media) and the ways the creative and artistic uses of new media are pushing/challenging academic understandings of new media. More importantly, in the spirit of this conference, we will foster a discussion that will engage what role(s) social theory(ies) and/or practices have in their epistemological approach to new media and art.

We are pleased to announce the panelist will be Krista Caballero, Cliff Evans (@cliffevansnet), and Alberto Gatián (@nootrope) and Jeremy Pesner (@The_Pezman) will be moderating the panel.

[descriptions of the art projects after the jump]  (more…)

Design Influencing Behavior: The case of costly medical records

A recent study on electronic medical records (EMRs) found that they may not fulfill the promise of lowered health-care costs. This  study, and the reaction to it, illustrates much of what is wrong with technology studies, and the unintended social effects of technology itself.

Many technology studies have false ideas of how web and interaction designers actually work. We collectively tend to think of technology as a “fix” that “automagically” eliminates  “waste,” even if this is not the intent of the designers themselves (which it frequently isn’t).  But as this study points out, there are far more subtle and nuanced issues relating to technology. Specifically, technology makes it easier to do some things. Is it any surprise we end up expecting more things to be done?

Let me illustrate with EMRs.

Researchers from Harvard Medical School found that the use of electronic medical records (EMRs) is actually correlated with a higher number of diagnostic tests, such as MRIs, which in turn implies higher — not lower — health-care costs. (more…)

How Cyberpunk Warned against Apple’s Consumer Revolution

It’s a notable coincidence that Steve Job died exactly two decades after Neil Stephenson completed Snowcrash, arguably, the last great Cyberpunk novel. Stephenson and Jobs’ work exemplified two alternative visions of humans’ relationship with technology in the Digital Age. Snowcrash offers a gritty, dystopian vision of a world where technology works against human progress as much as it works on behalf of it. Strong individuals must assert themselves against technological slavery, though ironically, they rely on technology and their technological prowess to do so.

Apple, on the other hand, tells us that the future is now, offering lifestyle devices that are slick (some might say, sterile). Despite being mass produced, these devices are supposed to bolster our individuality by communicating our superior aesthetic standards. Above all, Apple offers a world where technology is user-friendly and requires little technical competency. We need not liberate ourselves from technology; there’s an app for that.

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Values and style are inextricably linked (as Marshal McLuhan famously preached). So, unsurprisingly, the differences between Apple’s view of the future and that of Cyberpunk authors such as Stephenson run far deeper. The Cyberpunk genre has a critical mood that is antithetical to Apple’s mission of pushing its products into the hands of as many consumers as possible. The clean, minimalist styling of Apple devices makes a superficial statement about the progressive nature of the company, while the intuitive interface makes us feel that Apple had us in mind when designing the product—that human experience is valued, that they care. Of course, this is all a gimmick. Apple invokes style to “enchant” its products with an aura of mystery and wonderment while simultaneously deflecting questions about how the thing actually works (as discussed in Nathan Jurgenson & Zeynep Tufekci’s recent “Digital Dialogue” presentation on the iPad). Apple isn’t selling a product, it’s selling an illusion. And to enjoy it (as I described in a recent essay), we must suspend disbelief and simply trust in the”Mac Geniuses”—just as we must allow ourselves to believe in an illusionist if we hope to enjoy a magic show. Thus, the values coded into Apple products are passivity and consumerism; it is at this level where it is most distinct from the Cyberpunk movement. (more…)