religion

Tilly R. sent in the clip below of Bill Maher attempting to illustrate the oppressiveness of the burqa by staging a fake fashion show in which every model comes out in an identical burqa. You only need to watch the first couple models to get the idea (starts at about .20 sec.):

The comedy is tasteless, at best. And it brings out two interesting assumptions: that measures of women’s liberation include (1) the right to show skin and/or your body’s shape and (2) the choice to express your individuality through your clothes.

It is with a focus on the latter that I introduce a website submitted by K.L. The website, Zarina, sells burqas. While most of the burqas we see in Western media are blue or black, this website sells burqas of all stripes.

A blue, embroidered burqa:

A “hot pink” burqa:

A saddle brown burqa:

A Turkish flag burqa:

An Afghan flag burqa:

An American flag burqa:

A camouflage burqa:

I have no idea if this website is legitimate (though it seems to be) and I have no idea whether women in (which) different burqa-requiring/encouraging societies can actually choose to wear these. I really have no idea.

But I do think it prompts us to interrogate our own assumptions about what women’s liberation looks like and if being able to choose your own style really is a good measure of it.

I’d bet that most Western women feel like being able to choose her clothes is a central part of her sense of freedom. Does that translate in this context? That is, if women were required to wear burqas, but could wear any burqa they like, does this mediate how oppressive the burqa seems to you? Conversely, does the seeming freedom that comes with choosing your clothes become less convincing once you think about it in this context?  I know this is tough to think about, but I think it’s an interesting thought experiment.

For related posts asking us to think about the relative freedoms represented by the burqa and the power of the male gaze, see here, here, and here.

Lisa Wade, PhD is an Associate Professor at Tulane University. She is the author of American Hookup, a book about college sexual culture; a textbook about gender; and a forthcoming introductory text: Terrible Magnificent Sociology. You can follow her on Twitter and Instagram.

Below are three examples of the caricature of Jews promoted by Nazi Germany.  I borrowed them from this collection, where you can find many more if you scroll to the bottom (thanks to Kat, monosonic, and Lisa for the translations!).

“The Eternal Jew”:

“The Eternal Jew”:

Jews- make wars longer, start wars:

See our other posts on Nazi Germany: comparing German remembrance of the Holocaust and U.S. remembrance of slavery, Nazi symbolism, Nazi celebration of motherhood, the racialization of the Jews, Jim Crow-like segregation during the Nazi regime, and this sympathetic memorabilia website.

Lisa Wade, PhD is an Associate Professor at Tulane University. She is the author of American Hookup, a book about college sexual culture; a textbook about gender; and a forthcoming introductory text: Terrible Magnificent Sociology. You can follow her on Twitter and Instagram.

Like the segregation laws characteristic of Jim Crow, soon after Hitler came to power in the U.S. Germany (oops) he began establishing legal segregation of Jews from Aryan Germans.  The writing on the bench in this photo, taken in 1934, reads: “For Jews Only”:

The source explains that benches were segregated, with others reading “For Germans Only.”

See our other posts on Nazi Germany: comparing German remembrance of the Holocaust and U.S. remembrance of slavery, Nazi symbolism, Nazi celebration of motherhood, the racialization of the Jews, and this sympathetic memorabilia website.

Lisa Wade, PhD is an Associate Professor at Tulane University. She is the author of American Hookup, a book about college sexual culture; a textbook about gender; and a forthcoming introductory text: Terrible Magnificent Sociology. You can follow her on Twitter and Instagram.

Chrissy B., Dmitriy T.M., and Lindsay sent in videos regarding Brit Hume speaking on Fox News about the Tiger Woods scandal, arguing that he needs to convert to Christianity, rather than his current Buddhist beliefs, if he’s going to get back on the right moral track:

Transcript of the main point:

The extent to which he can recover seems to me depends on his faith, he’s said to be a Buddhist, I don’t think that faith offers the kind of forgiveness and redemption that is offered by the Christian faith, so.. my message to Tiger would be, “Tiger, turn your faith–turn to the Christian faith, and you can make a total recovery and be a GREAT example to the world.”

It’s an interesting example of how many Americans treat Christianity as the default, “normal,” and the best religion for everyone. Can you imagine Fox News, or any other news outlet, intentionally giving air time to a person saying that Tiger Woods needs to convert from Christianity to Buddhism (or any other religion) if he’s going to change his behavior? Can you imagine the outcry if the suggested religion was Islam?

The Daily Show aired a segment that addressed this issue, and then a day later had another segment about Brit Hume’s claims that Christianity is under attack in the U.S.:

None of this, of course, even addresses the irony of suggesting that Christianity is the only religion that can help save you from infidelity, given the number of conservative Christian politicians who have been caught cheating on their wives in the past couple of years. But I don’t think irony is Hume’s strong suit.

UPDATE: Rosa S. of Newsy sent in this segment about the issue:

Robin H., Tomi L., and Kate McL. asked us to talk about the new movie, Avatar.   Tomi thought the gender politics were great, with men and women as equals fighting and ruling side-by-side.  I think she’s right.  It’s a great example of a cultural product that makes little of gender difference.  (UPDATE: Though commenters are disagreeing on this point quite insightfully.)

With that said, I want to comment on the race politics in the movie (I do so indebted to Annalee Newitz and Eric Repphun; you might also be interested in Meloukhia’s comments from a disability studies perspective).

First, a summary (super spoiler alert):

Avatar is a moral re-evaluation of colonization. In the movie, humans go about killing and displacing the indigenous population of another planet, the Na’vi, in order to extract a valuable mineral.

The Na’vi are a fantastical version of indigenous populations encountered by Europeans during colonization. They wear features, bones, and skins; they have a deep spirituality and a ritual-filled life; they are accomplished and principled warriors; they hunt and fight with bows and arrows; and they have an intense connection to nature (the end of the black braided ponytail of the Na’vi contains mysterious filaments that plug into the flora and fauna, allowing a sort of mind meld with the animals and the planet). They are, in short, the stereotypical “noble savage.”

In the movie, humans use technology to transport their consciousnesses into home-grown native bodies.

A character, Jake Sully, and his avatar:

They use these bodies to infiltrate and befriend the Na’vi, all with the intention of furthering the goals of mineral extraction.  Through our hero, Sully, we discover the moral superiority of the Na’vi people.  His own exceptional nature is also revealed.

Sully being blessed by the Goddess, a sign that the Na’vi should accept him:

Later, the chief’s daughter falls in love with him.

The anthropological effort to convince the Na’vi to give up their land fails and so the humans decide to take the land by force, wantonly destroying their home and killing any Na’vi that get in the way. A handful of humans, led now by Sully, defect and join the Na’vi.  During the battle, both the chief and the rightful inheritor of the role die.  After they win the battle, Sully assumes the role of chief, with the highest ranking female at his side.

In the end, Sully abandons his (disabled) human body and the Goddess transfers his consciousness into his avatar body. He has, literally, “gone native.”

Now, to the commentary:

Avatar is a fantasy in which the history of colonization is rewritten, but it a fantasy specifically for white people living with a heavy dose of liberal guilt. And it is one that, ultimately, marginalizes indigenous peoples and affirms white supremacy.

If it were a fantasy for, say, the American Indian population in the U.S., the story might go a little differently. In that fantasy there would be no Sully character. It’s that simple.

The Sully character is white redemption embodied; he “…is liberal guilt made flesh.”  His character redeems the human race (i.e., people of European descent) by proving that at least some of us (guilty liberals) are good. Whites can identify with Sully instead of the humans who orchestrate the genocide and displacement.

But Sully is not only a superior human being, he is also a superior Na’vi. After being briefly ostracized for his participation in the land grab, he tames the most violent creature in the sky, thereby proving himself to be the highest quality warrior imaginable per the Na’vi mythology.  He gives them hope, works out their strategy, and is their most-valuable-weapon in the war. In the end, with all Na’vi contenders for leadership conveniently dead, he assumes the role of chief… and gets the-most-valuable-girl for good measure. Throngs of Na’vi bow to him.

As Annalee Newitz summarized in her excellent commentary:

This is a classic scenario you’ve seen in non-scifi epics from Dances With Wolves to The Last Samurai, where a white guy manages to get himself accepted into a closed society of people of color and eventually becomes its most awesome member.

I’m going to speculate that, if this were a fantasy written for a colonized population, the hero would come from their own ranks and, at the end of the movie, they would continue life on their land, with their culture intact, under Na’vi leadership, without a human in sight.

But that would be a movie that alienated the colonizer. And since history is written, and rewritten, by the victor, Avatar is what we get.

And it is a safe fantasy because the fight is over. During most of the encounter between Europeans and the indigenous populations in the Americas, stereotypes were cruel and dehumanizing. The “noble savage” stereotype that we are familiar with emerged only after the threat of American Indian resistance was long gone. We re-cast our enemy in romantic terms only after we won the war. How nice for us. It turns out our foe was a worthy one, making us look all the more impressive for being the victor. We can now pretend that we had deep respect for them all along.

Europeans can enjoy Avatar precisely because there is no risk to admitting that colonization was wrong. We can wallow in guilt about it and, still, the likelihood that power dynamics will be reconfigured in any meaningful way is just about zero.

(Images borrowed from here, here, and here.)

Lisa Wade, PhD is an Associate Professor at Tulane University. She is the author of American Hookup, a book about college sexual culture; a textbook about gender; and a forthcoming introductory text: Terrible Magnificent Sociology. You can follow her on Twitter and Instagram.

I always enjoy having my preconceptions challenged and I had a nice moment while visiting the website of a U.S. company, East Essence, that sells clothes for Muslim women.

They offered some of what I expected, such as traditional clothing and hijabs:

And also some things I didn’t expect:

The fact that the website includes traditional and modest clothing, and also models wearing tight jeans and revealing their midriffs, challenges the notion that Muslim women always dress according to strict rules, as well as the ideas that all Muslim women dress alike or that any given Muslim women dresses the same from day to day.

For more on Muslim fashion, see our posts here, here, here, and here.

Lisa Wade, PhD is an Associate Professor at Tulane University. She is the author of American Hookup, a book about college sexual culture; a textbook about gender; and a forthcoming introductory text: Terrible Magnificent Sociology. You can follow her on Twitter and Instagram.

In this clip from QI, the host and guests discuss the Roman God Mithras and his suspicious similarity to Jesus:

Thanks to Mytch P. for sharing this show with me!

Lisa Wade, PhD is an Associate Professor at Tulane University. She is the author of American Hookup, a book about college sexual culture; a textbook about gender; and a forthcoming introductory text: Terrible Magnificent Sociology. You can follow her on Twitter and Instagram.

Grace S., Courtney V., Mazhira B., and Ashley B. (I hope I got everyone!) sent in Kleenex’s Get Mommed campaign. The campaign represents another instance in which nurturing is associates strictly with women (it is mom who takes care of us when we’re sick, not dad).

It also manages to throw in a number of racial and religious stereotypes, including the Latina Ana Maria (“hola!”) who brings traditional wisdom; the distracted upper class WASP (“just a moment, dear”); the sassy, full-figured black women who can do anything around the house; the pushy Jewish mom (“Phyllis wants to be your mommy, not just your mom”); the stern Asian mom (“I don’t put up with excuses, not even from babies!”); among others.

I didn’t dive into the website too far, but you’re certainly welcome to do so and feel free to report what you find!

Lisa Wade, PhD is an Associate Professor at Tulane University. She is the author of American Hookup, a book about college sexual culture; a textbook about gender; and a forthcoming introductory text: Terrible Magnificent Sociology. You can follow her on Twitter and Instagram.