immigration/citizenship

The Center for American Progress released a report detailing the state of border policing and the projected impact of immigration policies.  First, notice that spending on border patrol and the number of border patrol agents in the southwest have increased significantly between 1992 and 2009:

Still, despite this, the number of people illegally crossing the border has increased:

So the policing hasn’t deterred a rise in disallowed border crossings, but it has made it more dangerous:

So, the U.S. is spending a lot of money trying to keep undocumented non-citizens out.  Is it worth it?

The report also discusses projected changes in the GDP under three different scenarios: immigration reform, allowing temporary workers only, and mass deportation.

The figure suggests that undocumented workers are making a substantial contribution to the well-being of the U.S. economy, one that would decrease under conditions of mass deportation.  Temporary workers are helpful, but real immigration reform that would bring in greater numbers of permanent and temporary workers is the best thing for America.

Hat tip to Graphic Sociology.

Lisa Wade, PhD is an Associate Professor at Tulane University. She is the author of American Hookup, a book about college sexual culture; a textbook about gender; and a forthcoming introductory text: Terrible Magnificent Sociology. You can follow her on Twitter and Instagram.

Dimitriy T.M. sent in another interesting link, this time to an interactive map that presents IRS data on inter-county moves — that is, how many people moved from one county to another in 2008, and where they moved to. The map doesn’t capture all moves, since the IRS only presents data if at least 10 people from a county moved to a particular destination county (so a county could have a lot of out-migration, but if people really spread out when they moved, it wouldn’t show up). Despite that limitation, it does highlight some interesting general trends.

For instance, people from counties with big cities move to a variety of places, often far away from where they started (note that the width of the line indicates the number of immigrants, red = out-migration and black = in-migration, and the destination counties show up in blue):

On the other hand, if you look at most counties in the U.S. that don’t have large metropolitan areas, you see that most movement is to relatively nearby counties. Here’s an example from North Dakota:

I suspect that the number of migrants in rural areas is going to be under-represented, since their smaller overall populations may make it more likely that less than 10 people would move to any particular place, so that’s important to keep in mind.

Also not surprisingly, counties with universities see a lot of migration, both in and out, and to a wide variety of destinations. Here is Dane County, the site of the University of Wisconsin-Madison:

When I was looking around, I randomly clicked on Sweetwater County, Wyoming. I was surprised to see quite a bit of in-migration from distant counties:

I don’t know what’s going on there. There isn’t a university in the county. Does anyone know enough about Wyoming to have a guess?

UPDATE: Reader Caitlin says it’s related to  oil production. Thanks for the info, Caitlin!

Anyway, it’s a sort of fun map to mess around with.

Oh my. Inés V. just let us know about a contest on WTVN, a conservative talk radio station in Ohio (reader Scapino clarifies that the conservative tone is mostly due to syndication of Glenn Beck and Rush Limbaugh, not really the local DJs). Just…see for yourself:

Inés says,

This campaign is a response to Columbus mayor Michael Coleman who boycotted AZ by banning all city-funded travel after SB1070, and the mayor is depicted as a holder of a green card [that’s him shown on the ID card].

It’s an astounding example of dehumanizing undocumented immigrants — being a proud American is linked to “illegals” (a term that somehow seems more stigmatizing than terms like “illegal immigrants” or “illegal aliens,” even — a linguistic erasure of personhood altogether) being scared, presumably of all the proud Americans they encounter, and the lucky winner gets to go “spend a weekend chasing aliens”. It’s like you’re getting to go on a safari.

Groups in Columbus have organized a response and will be delivering letters to the station this afternoon, before the contest ends, in protest.

I’d add more commentary, but what can you really say?

A recent study by Chelsea Schafer and Greg Shaw found that, as of 2006, over a quarter of Americans would still rather not live near homosexuals.  This percentage has been decreasing, however; in 1990 and 1995, 38% and 30% of people, respectively, wanted to keep their distance:

But tolerance for Muslims and immigrants has not increased alongside tolerance for gays and lesbians.  The data show that rather high levels of tolerance in the ’90s (with about 90% of people being happy to have these groups as neighbors) disappeared and, by 2006, 22% of people did not want to live near Muslims and 19% did not want to live near immigrants.

The data on tolerance for Muslims is likely due to the way the attacks on September 11th, 2001, have been spun to stoke hatred against Muslims.  What do you think about the increased intolerance for immigrants?  Have “foreigners” been collateral damage in the smear campaign against Muslims and Arabs?  If it were simply growing conservatism, wouldn’t we see the same pattern for homosexuals?  Other explanations?

Borrowed from Contexts Discoveries.

Lisa Wade, PhD is an Associate Professor at Tulane University. She is the author of American Hookup, a book about college sexual culture; a textbook about gender; and a forthcoming introductory text: Terrible Magnificent Sociology. You can follow her on Twitter and Instagram.

Why does the iconic New York City paper cup look so… Greek?

The designer of the cup, Leslie Buck, arrived in the U.S. after fleeing the Nazis during World War II.  He joined a new company called “Sherri Cup” in the ’60s.  He designed the cup, with no art training, with a Grecian theme and in the colors of the Greek flag, to appeal to… Greeks.  It turns out that a large portion of the city’s diners at that time were owned by Greeks.  It was an instant hit.

So, we have immigration, ethnic occupational segregation, and Buck’s ingenuity to thank for decades of cozy, New Yorky feelings inspired by that little cup.

Buck died this April.  You can read his obituary, and the whole story of the cup, at the New York Times.

Lisa Wade, PhD is an Associate Professor at Tulane University. She is the author of American Hookup, a book about college sexual culture; a textbook about gender; and a forthcoming introductory text: Terrible Magnificent Sociology. You can follow her on Twitter and Instagram.

This 4-minute 20-second video, by Colorlines, uses true stories to illustrate the impact of a 1996 law that authorizes the (sometimes retroactive) deportation of non-citizens convicted of any crime, including misdemeanors and traffic violations.  In 2008, the video reports, the U.S. government deported almost 360,000 people on these grounds.

Via Racewire.

Lisa Wade, PhD is an Associate Professor at Tulane University. She is the author of American Hookup, a book about college sexual culture; a textbook about gender; and a forthcoming introductory text: Terrible Magnificent Sociology. You can follow her on Twitter and Instagram.

Mary, writer of the fabulous blog Cooking with the Junior League, sent in an episode of the PBS series Faces of America. The episode, titled “Becoming American,” looks at the immigrant origins of various celebrities (Meryl Streep, Stephen Colbert) in the period of massive immigration to the U.S. from about 1820 until 1924.

The segment Mary found interesting is about the grandfather of Queen Noor. An immigrant from Syria, he became a naturalized citizen, which Mary says “was unusual because at the time, only ‘white’ and ‘black’ people could be naturalized…but during this time, Syrians started taking their cases to court to prove that they were white, and could, as a result, become naturalized citizens.” It’s a great example of the social construction of race and the way groups have actively resisted the ways they were categorized.

The segment on Queen Noor’s grandfather starts at 36:23.

Also see our post on suing for whiteness.

Jersey Shore has come to end, we’re (genuinely) sad to say. We know we had fun. But is it possible we also saw something, dare I say it, subversive about beauty, gender and sexuality? I think so.

A panel discussion on the show and “Guido culture” at Queens College yesterday (you read that right), included New York State Senator and Jezebel heroine Diane Savino, who knows from stinging cultural analysis.

[Savino] explained, “‘guido’ was never a pejorative.” It grew out of the greaser look and became a way for Italian-Americans who did not fit the standard of beauty to take pride in their own heritage and define cool for themselves.

When she was growing up, everybody listened to rock; girls were supposed to be skinny with straight blonde hair (like Marcia Brady on “The Brady Bunch”); guys wore ripped jeans, sneakers and straggly hair.

The 1977 film “Saturday Night Fever” marked a turning point. “It changed the image for all of us,” Ms. Savino said. As Tony Manero, John Travolta wore a white suit, had slicked short hair, liked disco music and was hot. “It was a way we could develop our own standard of beauty,” she added.

In the same way, Virginia Heffernan writes in this weekend’s New York Times Magazine, Italian-Americans in the Northeast originally disdained their own accents until movies like “Mean Streets, Saturday Night Fever, Working Girl and, of course, Taxi Driver.” Those representations, she says, led to a “hammy” reclamation of an identity that had been mirrored back to them through Hollywood. These were second and third generation immigrants, who had mostly reached the middle class but maybe didn’t feel wholly a part of the mainstream, who telegraphed their identity through stylized symbols like Italian flags and red sauce that felt potent but no longer limited their social mobility.

That goes for the ladies too. Female beauty that took on a showily “ethnic cast” was distinct from what was already being sold. As Regina Nigro recently put it on The Awl:

We (I) laugh at bon mots like “You don’t even look Italian!” (the insult that Sammi “Sweetheart” flings at the blonde blue-eyed “grenade” …) but, ridiculous as it is, that assessment betrays a value system: Skinny blonde pale WASP princesses are deemed not attractive when measured by the JS aesthetic. And this seems curious and laughable to us.

“You don’t even look Italian!” is crazy funny but is the underlying judgment (dark hair/olive skin/Italian-looking = pretty; the inverse = not pretty) any worse than any other standard of beauty? It’s an alternative perspective, one that I suspect is so funny partly because it is so unfamiliar.

Of course, there is plenty about the Jersey Shore sexual aesthetic that is broadly familiar. The worst insult is to call a woman fat (or a “hippo”); big, exposed boobs are a baseline requirement, and the men are judged by the attractiveness of the women they acquire. (The other guys repeatedly mock The Situation about the looks of the women he brings home; Ronnie taunts him that he hasn’t brought home a girl anywhere near as pretty as Sammi).

And yet it’s oddly refreshing how much artifice itself is celebrated, with everyone participating mightily, and openly, in becoming the ideal Guido. No one is just born one, or supposed to make it look effortless. There are communal visits to tanning salons and unblinking references to fake breasts, and everyone takes hours to get ready. Vinny describes a girl admiringly: “Fake boobs, nice butt, said she was a model.”

Heffernan, writing about regional accents being reinforced by the show, uses Sammi as an example: “Every part of Sweetheart’s identity – including her skin color, which on the show is not an inborn marker of ethnicity but a badge of achievement (in the tanning bed) – is the product of intense calculation.” And Heffernan didn’t even get to Sammi’s hair extensions, which are brandished for emphasis.

No character more desperately self-produces than The Situation and his third-person pronouncements. Men are not inscluded [sic] from all this ritual artifice. In the last episode, J-Woww practically goes into heat when she sees some “juicehead gorillas” on the beach, and she lists “Human Growth Hormone” among the attractions. This, by the way, leads The Situation to mumble defensively, “Big is out and lean is in.”

That’s because on The Jersey Shore, men’s bodies are just as scrutinized as women’s, and their beauty rituals are as elaborate, expensive, and time-consuming as those of the women. Maybe even more so — in addition to blowouts, tanning sessions, and agonizing over which appliqued shirt will set them apart from the gelled masses, they spend hours at the gym, something we never see the girls do.

As much as the cast performed all this around the clock during the show’s taping, the audition tapes seen here and in the video below are even more extreme, mixing ethnic calculation with the general famewhoring savviness reality producers have become accustomed to.

Looking at this through what we know now: Sammi calls herself a “hookup slut” but aside from a few flirtations, turned out to be conventionally monogamous on the show. Vinny, in straight-up costume, claims he has to take off his pants “to really show you the magic,” but turned out to be the mildest-mannered cast member, one who unashamedly adores his doting mother. Underneath playing to the producers, though, is a more personal kind of construction, and a more particular one. And ironically, although the cast members’ self-creation was one of the most entertaining parts of the show, some underlying sense of unembarrassed authenticity, even wholesomeness, made it most worth watching.

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Irin Carmon is a reporter at Jezebel.com, from where we’re super pleased to have borrowed the post below. Her work has also appeared in the New York Times, Boston Globe, The Village Voice, and others; more information is at www.irincarmon.com.

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