gender

Readers’ minds think alike, sometimes, and the changing advertising campaign for the “empire building” video game Evony caught the attention of fds, torenc, Assaf N., Elisabeth R., Sabriel, Nicole O., and Liz B. (images found at Gawker and Coding Horror, and hope I didn’t miss anyone who sent it in). Online ads for the game started out like this:

Then they added a woman with a little boob showing:

In case people weren’t noticing the cleavage, the ad evolved into one where the boobs are pointed out a bit more explicitly:

Moving on to a slightly more realistic look:

Christina W. sent us one with a woman actively disrobing and saying “Come play, my Lord”:

Mick H. found a close-up version similar to the one above:

D.R.S. sent us another:

And then they realized they could just dispense with all subtlety and get to the important part:

If that didn’t work, why not straight up near-nudity.  Dan J. found this one here:

This ad submitted by both Alex B. and Kim H. seems to be taking the advertising to a whole new level.  No longer content with boobs, they seem to be moving towards implied female masturbation:

Wtfcats sent this one in:

NEW (Dec. ’09)! Tom R. sent in this next one with a nice “we’re lesbian, but just for you” flair.  Using the term “discreetly”  to imply porn, it reads “join the fun”:

NEW (Jan. ’10)! Thanks to Chris M., Tinpantithesis, and Ryan, we now know that there is an Evony ad that doesn’t say anything about the game at all.  You simply see this image and are invited to click on her boobs, butt, or lips to turn her into the “ideal woman”:

When you click, you are taken to this site, which asks you to sign up for the game because “obvious[ly],” “it makes you feel like King!”

Or sometimes apparently you get this view:

Presumably some players will be disappointed that there isn’t a female “queen” to be saved or oogled in the game at all–the women were invented only for the purpose of adding boobs to the ads. Jeff A. from Coding Horror says,

Evony, thanks for showing us what it means to take advertising on the internet to the absolute rock bottom … then dig a sub-basement under that, and keep on digging until you reach the white-hot molten core of the Earth. I’ve always wondered what that would be like. I guess now I know.

ALSO NEW (Dec. ’09)! Apparently the Evony ads have become such a thing that other games are referencing them to advertise themselves.  Timm F. sent along the ad below making fun of the Evony ads.  It reads, “She is actually in our game, my lord”:

Elizabeth M. and Toban B. sent in a clip from the British TV show “That Mitchell and Webb Look” that has a humorous take on how advertisers target men and women:

Remember the hymen? The hymen is that flap of skin that “seals” the vagina until a woman has sexual intercourse for the first time. Supposedly one could tell whether a girl/woman was a virgin by whether her hymen was “intact.” (It bears repeating that neither of these things are true: it doesn’t “seal” the vagina and is not a sign of virginity at all.)

Because an intact hymen signaled virginity, and virginity has been considered very important, preserving and protecting the hymen was, at one time, an important task for girls and women. You can imagine how tricky this made the marketing of that brand new product: the tampon. Early marketing made an effort to dispel the idea that sticking just anything up there de-virginized you. It worked. (In fact, some partially credit tampon manufacturers for the de-fetishization of the hymen that’s occurred over the last 60 years.)

We still see tampon marketing addressing the question. Here’s a link to a website where it’s a FAQ and here’s an example of an advertisement from the ’70s ’90s:

Selected text:

I really wanted to use tampons, but I’d heard you had to be, you know, ‘experienced.’  So I asked my friend Lisa.  Her mom is a nurse so I figured she’d know.  Lisa told me she’d been using Petal Soft Plastic Applicator Tampax tampons since her very first period and she’s a virgin.  In fact, you can use them at any age and still be a virgin.

See this post, too, on the marketing of tampon to women in the workforce (wearing pants!) during World War II.

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Lisa Wade is a professor of sociology at Occidental College. You can follow her on Twitter and Facebook.

Married women in the U.S. do about 70 to 80 percent of the housework. When women marry, the number of hours they spend on housework increases; for men, it stays the same. When couples have children, her housework increases three times as much as his. Feminist women do less housework than non-feminist women; men married to feminist women do the same amount of housework as men married to non-feminist women.

All this and more, including some data on Portugal, China, Russia, South Africa, Italy, Britain, and the Netherlands, can be found at this fact sheet at the blog Social Studies.

The discrepancy between the number of hours wives and husbands contribute to housework decreased between 1965 and 1995:

According to the fact sheet:

…in the 1990s, U.S. women spent about half the time on housework as they had 30 years earlier (17.5 hours down from 30 each week), while men, on the other hand, were spending just over twice the time they had spent (10 hours up from 4.9).

Women, however, still do nearly twice the amount of housework as men.

You may notice that the increase in hours that husbands now spend on housework does not match the decrease in hours that wives now spend on housework.  This means that we have dirtier houses (no, really, we do).  We also now hire housecleaners, and that makes up some of the difference.  It may also be true that our gadgets (e.g., washers and dryers) save us time.

Relevant Links

Historical examples of the social construction of housework: husbands “help” wives by buying machines, gadgets replace slaves, feminism by whirlpool.

Contemporary cultural endorsements of the idea that men just don’t do housework (not so funny in light of the data): porn for women, men are jackasses, cleaning products are for women, men do housework fantasy calendar, KFC offers moms a night off, men are lazy oafs, and porn for new moms.

Also, women love to clean: cleaning is power, joy in cleaning, cleaning products are women’s special friend, and mmm, a new washer.

And, the intersection of housework, gender, and race: the color of housework.

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Lisa Wade is a professor of sociology at Occidental College. You can follow her on Twitter and Facebook.

Laura A., of Border Thinking on Migration, Trafficking and Commercial Sex, has an interesting post about the film Zinda Laash: Bollywood’s Norms for Dhandewalis that explores portrayals of sex workers in some Indian films.

Gwen Sharp is an associate professor of sociology at Nevada State College. You can follow her on Twitter at @gwensharpnv.

I’m not quite sure what to make of this but, after clicking through this Time magazine slide show of Bruno hype by Sacha Baron Cohen, I noticed that there appears to be a rule regarding his entourage: all its members must differ from him in one consistent way and, in that same way, they must all be alike.  This translates, in these images, into his entourage always being (a) women or (b) men of color, but never both:

Any thoughts? Is there some social psychologist out there with some speculation? Readers, what do you think?

P.S. – To the person who commented in the thread of our last Bruno-related post about never wanting to see his face again: I say, “Sorry.”

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Lisa Wade is a professor of sociology at Occidental College. You can follow her on Twitter and Facebook.

Various journalists and scholars have pointed out over the years that movies and TV shows often portray as romantic behavior that is fairly indistinguishable from stalking. A good example of this is There’s Something about Mary, in which three men engage in some really sketchy behavior–in one case literally spying on her with binoculars. And while we’re supposed to find them crazy and obsessed, this doesn’t preclude her from getting together with one of them. This type of thing shows up often–one character (usually a guy, though not always) follows another character (who has rejected previous advances) around or sleeps on her lawn or declares he’s in love at first sight or does something else that is supposed to be evidence of deep and abiding love.

But of course, there’s a more disturbing way to interpret that behavior. I once had to contact security and have a man removed from campus when one of my female students anxiously told me that a man she had a restraining order against for stalking (and who wasn’t a student) was outside the classroom. She thought she had escaped him when she moved to college and was very scared that he’d shown up, hours away from their hometown. She didn’t find the behavior romantic or cute; it didn’t make her eventually think she should give him a chance in return for his persistence. It made her feel truly frightened.

Anyway, that’s an overly-long introduction to a video (found here) sent in by Matt W. The creator, Jonathan McIntosh of Rebellious Pixels, edited together scenes from Buffy the Vampire Slayer with scenes of Edward Cullen from the movie Twilight to show how behavior that is depicted as protective and romantic in the film (and book) could also be seen as disturbing:

McIntosh says,

Seen through Buffy’s eyes, some of the more sexist gender roles and patriarchal Hollywood themes embedded in the Twilight saga are exposed in hilarious ways. Ultimately this remix is about more than a decisive showdown between the slayer and the sparkly vampire. It also doubles as a metaphor for the ongoing battle between two opposing visions of gender roles in the 21st century.

I think it’s a great conversation starter (and I’m always happy for an excuse to talk about Buffy).

Gwen Sharp is an associate professor of sociology at Nevada State College. You can follow her on Twitter at @gwensharpnv.

This ad for Ripolin paint reads:  “You walls deserve a paint wich [sic.] will age well.”

Not safe for work:

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