gender

Are sounds gendered? Yes. Does the gender of sounds change over time?

From the surprisingly interesting blog of Laura Wattenberg comes these graphs showing that popular masculine endings to names has changed over time.

1906:

1956:

No dramatic changes from 1906 to 1956, but then, in 2006, n is triumphant!

2006:

Laura also offers some data showing how boy and girl name endings have shifted since the 1880s:

This figure, relatedly, shows trends in the endings of girl babies’ names in France:

Graphs from here, here, and here. Hat tip to Montclair Socioblog.

UPDATE: In the comment thread, Sator Arepo notes:

Sounds are not equal to letters. The graphs are misleading in that they (with exception of the French language spectrograph-like pictures) they equate the sound of the end of the name with the appearance of the letter in the written word.

Commenter pfctdayelise notes something similar, above. However, it’s even more misleading in the tables, and would depend widely on the origin of a name whether and how certain letters were pronounced.

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Lisa Wade is a professor of sociology at Occidental College. You can follow her on Twitter and Facebook.

Oh, man. As if we needed another reminder as to why cartoon art is a medium that can be used for evil as easily as good, comes now the next installment in a series of racist National Review covers trafficking in Asian stereotypical imagery.

You’ll remember, of course, that back in March 1997, the National Review released the infamous “Manchurian Candidates” cover seen here (which, due to the fact that the Internet was just a tot when that slice of tripe hit the newsstands, I was only able to find in embedded in a journal article written by Darrell Hamamoto, w00t!).

Asian Americans understandably reacted with stunned rage at the depiction of then-President Bill Clinton, First Lady Hillary Clinton, and Vice-President Al Gore in stereotypical Chinese garb, their features warped into exaggerated Asian caricatures (slanted eyes, buck teeth).

The National Review was unrepentant in the face of charges that the cartoon was offensive and inflammatory, responding, in part, that:

Caricatures and cartoons …require exaggerated features and, where a social type is portrayed, a recognizable stereotype. Thus, a cartoonist who wants to depict an Englishman will show him wearing a monocle and bowler hat, a Frenchman in beret and striped jersey, a Russian in fur hat, dancing the gopak, etc.

The first point can’t entirely be disputed: The cartoon medium often uses simplified, exaggerated features for emphasis, for satirical purpose and for ease in depicting broad emotion.

But it’s one thing to exaggerate features — Obama’s protruding ears invariably become giant jug-handles when he’s rendered, for instance. The Mike Ramirez cartoon below actually essentializes Obama’s appearance down to his ears — and still manages to make its point clear.

It’s another to incorporate racialized features that weren’t there to begin with: For instance, consider these images — a caricature of Obama from an “Obama Waffles” package, as gleefully sold during the right-wing ” Values Voters Summit,” and a close-up of Obama’s official portrait from his days as Senator from Illinois.

Apart from being overtly racist, the caricature on the box doesn’t remotely resemble Obama — with its pop-eyed expression, darkened skin, enormous, toothy grin and thick lips, it looks a lot more like…well, the picture below can speak for itself, I guess.

Going back to the National Review “Manchurian Candidates” cover now, what you see is that there’s more going on in the images of the Clintons and Gore than the typical flamboyant exaggeration used in cartooning. In addition to Bill’s bulbous nose and Gore’s pursed, almost sneering lips (both typical of their respective caricatures), you see…hmm…narrowed eyes… oversized, bucked teeth… a Fu Manchu moustache– hey, just about every racist synecdoche in the anti-Asian propaganda library! (At least the stuff that belongs above the waist.)

Just to be clear here: It’s one thing if they were simply drawn in Chinese clothing or doing quaint folkdances, as suggested by the National Review in its disgenuous response. That would arguably be in-bounds satirically (regardless of whether you find the political point being made to be fair or accurate).

But layering yellowface-propaganda memes into the picture transforms the caricature from an act of humor into an act of war. The images to the right are examples of what I’m talking about.

Even if you’re insensitive enough to racial propriety to want to give white people Asian features in order to prove a political point, that simply isn’t what Asian people look like, and never has been. The squinty, buck-toothed Asian person with bright yellow skin and eyes angled at ten minutes to two does not exist in nature. However much you soften it, those false features are in fact weapons of mass destruction, artifacts of an era where it was used to dehumanize the enemy enough so they could be killed without compunction.

For that reason, there’s no acceptable way they should be invoked in a casual popular context, any more than minstrel stereotypes or anti-semitic “Elders of Zion” caricatures have a place in everyday culture. Discouragingly, they remain persistent in media today — from entertainment (see left: Rob Schneider in 2007’s “I Now Pronounce You Chuck and Larry“) to news and commentary. Well, actually not most news and commentary — it’s really only the profoundly racist right-wing organs that still blithely fart out the yellowface imagery. Like, for instance…the National Review.

This cover to the right is the current issue of the magazine, on stands now. As you can see, it depicts Supreme Court nominee Sonia Sotomayor as the Buddha. Despite the fact that Sotomayor is Catholic and a Latina woman. While the historical Buddha, Siddhārtha Gautama, was Hindu (before the whole Bodhi tree thing), and an Asian man.

The caption, “The Wise Latina,” frankly offers no real f*cking explanation for the image. I suppose it’s because the Buddha was wise, although you could just as easily have depicted Sotomayor as King Solomon if you’re looking for a legendary figure of wisdom; maybe it’s because to the raving radical Right, Buddha is seen as a proto-hippie and probably a pansy too, while King Solomon, that guy threatened to cut babies in half — not very pro-life, but not “empathetic” either. Badass!

But seriously: If they wanted a figure of wisdom and empathy, why not caricature Sotomayor as someone who’s of the right gender and a coreligionist, at least: Mother Teresa? That would have preserved the necessary level of corrosive offensiveness, right? Too close to home?

Whatever. As it is, the cover is just stupid and meaningless, as well as offensive — to women, to Latinas, to Buddhists of all backgrounds (note: The National Review guys are of the same ilk that went ballistic when Rolling Stone depicted Kanye as Jesus)…

…and yes, to Asians. But it bears mentioning that it registers as EPIC FAIL even in the offending Asians category.

Because, unlike their “Manchurian Candidates” cover, where at least they picked the correct racist stereotypes to parade, the “Wise Latina” cover puts the hideously slanted eyes and bucked teeth of East Asian yellowface stereotype onto an image inspired by a Northern Indian man of Brahmin descent.

In fact…. you can see the original image of Siddhārtha Gautama Buddha that the artist used as a reference (it’s actually quite a popular icon). Notice any differences?

As usual, National Review has been quick with a completely absurd and totally disingenuous retort to the appalled reactions they’ve been getting from, you know, everyone. From editor-in-chief Rich Lowry:

I take it the theory is that we don’t think Latinas can be wise so we had to make her look somewhat Asian. Or something like that. What these people don’t understand is the entire concept of caricature (or of a joke). Caricature always involves exaggerating someone’s distinctive features, which is all that our artist Roman Genn did with Sotomayor. Oh, well. Keep it humorless, guys, keep it humorless.

No, Rich, the theory is that you took a Latina woman and turned her into a North Indian man with horribly racist East Asian-stereotypical features because you guys are clueless morons. And actually, that’s kind of funny, in that Lowry and the National Review don’t quite get that the joke, ultimately, is on them.

NEW! Kate M. pointed out an image similar to the one of Sotomayor as the “wise Latina.”  This one is of Newt Gingrich as a “guru” and ran in the liberal magazine Mother Jones:

Is this more or less offensive than the Sotomayor example cover? The thing that I think distinguishes the two is that Gingrich’s features are not exaggerated into a warped stereotype of Asian features, possible the most offensive element of the Sotomayor caricature.

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Jeff Yang is the editor-in-chief at Secret Identities: The Asian American Superhero Blog and the Asian Pop columnist for the San Francisco Chronicle. You can follow him on Twitter and friend him on Facebook.

If you would like to write a post for Sociological Images, please see our Guidelines for Guest Bloggers.

Genderkid sent in a link to a story in The Morning News about the Teen and Transgender Comparative Study, an art installation by Charlie White at the Hammer Museum in L.A. A description from the story:

The series is a correlation of two stages of transformation, pairing teen girls (12-14) with like adult [transgender] male-to-female…

More from The Morning News:

In the images in White’s series, both figures are blossoming into womanhood, though each along a different path. As observers, however, we have been taught to view the subjects in much the same way: with sheer terror.

For just as the original 1950s Invasion of the Body Snatchers warned of Communism’s impending doom, and stories of men with hooks were concocted to frighten young girls from riding in cars with boys, so often have Hollywood summer comedies acted as cautionary tales for the male who would cast his desire toward either the pubescent or transgendered woman. Because in the right skirt or the right application of makeup, each has proved alluring to our hero…

Indeed, both sexy underage girls and transgender women who “fool” unsuspecting men are often portrayed as threats to (straight, adult) men. The “Lolita” figure is long-standing, and portrayals such as the Ally McBeal plotline in which a man falls in love with a transgender woman without knowing she is trans present the possibility of men being “fooled” into having sexual or even long-term romantic relationships with a transgender woman. Both teen girls and trans women are threatening and can get a guy in trouble.

Of course, we’re more accepting of one of these types of trouble than the other, and we shouldn’t be surprised that trans individuals who are “discovered” may face dire consequences for “fooling” men who have an intense investment in a rigid type of heterosexual identity and fear ridicule by peers, such as the three men who killed a transgender teen in California. (And I don’t mean to imply here that women don’t ever feel uncomfortable with or attack trans individuals, but the murders I’m aware of all included male perpetrators.)

Anyway, it’s a pretty fascinating set of images. Thanks, genderkid!

UPDATE: Commenter EGhead says,

This analysis also neglects that society insistently refuses to acknowledge transgendered women as women, even though they are, while insistently acknowledging girls as women, even though they aren’t.

Fair enough–I think that’s a good point.

Gwen Sharp is an associate professor of sociology at Nevada State College. You can follow her on Twitter at @gwensharpnv.

Andrea G. sent us a link to this five-minute peek into Sut Jhally and Jackson Katz’s documentary Wrestling with Manhood, about masculinity and professional wrestling.

Jackson Katz has an earlier documentary, Tough Guise, about masculinity and violence. Here are seven-minutes of excerpts:

See also Gwen’s post on changing ideals of masculinity (measured in guns and cars) inspired by Tough Guise.

For more on masculinity and violence, see our posts about how men’s violence is naturalized or made invisible (here and here), our posts on finding humor in men’s violence (here, here, here and here), and some I’m not sure how to characterize (here, here, here, here, and here).

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Lisa Wade is a professor of sociology at Occidental College. You can follow her on Twitter and Facebook.

And while we’re at it…

Another theme re-emerged among the safer sex ads that Julie C. pointed us to: the use of insects arachnids and reptiles to symbolize sexually transmitted infectiousness (you might have already seen a preview here).

After the jump, partly because of the creepiness factor:

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Way back in April Taylor sent in a link to a post at Media Assassin about some interesting depictions of Black women in a couple of ads. This one is for Lord and Taylor:

Apparently the Black woman just can’t control her naughty self.

The rest of the post is not safe for work–the first image mildly so, the second one definitely not safe.

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Tracy J. sent in this ad aimed at encouraging women to get pap smears to check for cervical cancer (originally found here, but the page was taken down, so Ashley in the comments thread found us this cached page):

And along with the ad she offered this great commentary:

The message is essentially that pap tests have the potential to save the lives of women, but rather than pointing out that, you know, this is good cause… women deserve the opportunity to live a long and meaningful life in whatever way they may wish, or whatever… [But this isn’t the message, instead] they use the ad to scare us into thinking, “if all our women were to die, well then who would we objectify? men? gasp! wouldnt that be horrible”…

…it also sends a very clear message that one of the requirements of women in our North American society is to stand as objects for our admiration. Of course this is only certain kinds of women as this ad could easily be used for some sort of diet pill with an ‘overweight’ woman replacing this man with the statement “the world needs skinny women.”

This is very much like the breast cancer awareness efforts that revolve around how hot boobs are (see here, here, here, and the bottom of this post).

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Lisa Wade is a professor of sociology at Occidental College. You can follow her on Twitter and Facebook.

“Pregnant? Scared?”  They don’t mean hemorrhoids and contractions; they mean social opprobrium and economic ruin due to stingy social services.

Jill at I Blame the Patriarchy writes:

There is only one reason that pregnancy should “scare” you: your culture hates women and kids. It especially hates teenage women. It especially hates pregnant teenage women. It especially hates teenage pregnant women who get knocked up under unapproved circumstances.

It had never occurred to me before that a generalized fear of getting pregnant is a culturally and historically contingent state of mind.  But, of course, it is.

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Lisa Wade is a professor of sociology at Occidental College. You can follow her on Twitter and Facebook.