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Many of you have probably seen the recent anti-Asian rant released by UCLA student Alexandra Wallace. In it, she says that “hordes” of Asians who are admitted to UCLA inappropriately bring their parents along and obnoxiously speak foreign languages in the library (“Oooooooh! Ching chong, ling long, ting tong!? Ooooooh!”). And she compares them to herself, the “polite, nice, American girl that my momma raised me to be.”

Okay so yes, this is what racism looks like. It’s also what sexism looks like. People who objected to Wallace’s video (as they should), often did so with sexist language, including these examples collected by Caroline Heldman for Ms. magazine:

• “I bet her grades match her cup size.”
• “i have big tits and gave the dean a blowjob to get into UCLA is all I hear.”
• “EXCUSE ME WHILE I WHIP MY DICK OUT AND JERK IT TO THOSE TITS.”

But the most interesting thing I’ve heard about Wallace’s video and the response came from What Tami Said.  Tami suggested that all the shock and outrage regarding Wallace’s racism was naive, at best, and delusional, at worst.  Expressing shock, she said, may be a way to spice up a headline.  Or, it might be reflective of a belief among some that this sort of racism doesn’t exist anymore.  Or, she speculates, expressing shock may be a way for people to distance themselves from people like Wallace, a way for them to advertise the notion that they aren’t racist.

Tami’s insight is that the language of shock deserves analysis in itself.  What does it mean that we’re expressing shock when events like this on college campuses are rather routine (e.g., see “Conquistabros and Navajos,” “Compton Cookouts,” and other race-mocking parties).

In any case, she doesn’t think it’s helpful:

I get that few understand “isms” like marginalized people… But, for God’s sake pay attention! You needn’t be victim to oppression to know it exists. I submit that if you are truly shocked in the face of racism and sexism and homophobia and transphobia and other injustices, then you are as big a problem as the perpetrators of same. Because people who persist in being unaware of “isms” create an environment where ridiculous people like Amanda Wallace and, more importantly, people with far greater power and influence can conduct their bigotry unchallenged.

 

Lisa Wade, PhD is an Associate Professor at Tulane University. She is the author of American Hookup, a book about college sexual culture; a textbook about gender; and a forthcoming introductory text: Terrible Magnificent Sociology. You can follow her on Twitter and Instagram.

A Guinness commercial borrows from the rules of masculinity to advertise its dark beer for St. Patrick’s Day:

It’s okay, but VideoJug does the man hug better.

Lisa Wade, PhD is an Associate Professor at Tulane University. She is the author of American Hookup, a book about college sexual culture; a textbook about gender; and a forthcoming introductory text: Terrible Magnificent Sociology. You can follow her on Twitter and Instagram.

In this four-minute video, Dwayne McDuffie describes what it’s like being a Black comic book writer:

Related, see Hennessey Youngman on being a black artist.

Via Racialicious.

Lisa Wade, PhD is an Associate Professor at Tulane University. She is the author of American Hookup, a book about college sexual culture; a textbook about gender; and a forthcoming introductory text: Terrible Magnificent Sociology. You can follow her on Twitter and Instagram.

We’ve posted before about the use of women’s bodies to sell real estate. But this Australian commercial for luxury housing, sent in by Nigel M., takes it to a whole new level. As Nigel said, “Even if I told you, you still wouldn’t believe me.” Let’s just say it includes a “lingerie model tied to a chair,” hot lesbians making out for male pleasure, and the phrase “speaking of broads.”

It’s a real gem:

In the six-and-a-half minute video below, Feminist Frequency‘s Anita Sarkeesian makes the controversial argument that True Grit‘s Mattie Ross is not a feminist character.  Her argument revolves around an important distinction: the difference between admiring women for doing masculinity and admiring them.

Our instinct to see Ross as a feminist character comes from her performance of masculinity: she is aggressive, tough, and vengeful.  But is the valuing of masculinity feminist?  Some say no.  Instead, such detractors might argue, a true feminist perspective involves not just valorizing women who do masculinity, but coming to value femininity.  In fact, valuing masculinity over femininity might be part of the problem.  On this blog, we call this “androcentrism.”

Here’s how Sarkeesian makes the argument:

Lisa Wade, PhD is an Associate Professor at Tulane University. She is the author of American Hookup, a book about college sexual culture; a textbook about gender; and a forthcoming introductory text: Terrible Magnificent Sociology. You can follow her on Twitter and Instagram.

Leslee Beldotti sent in this 7-minute video from The Escapist that discusses female characters in video games and how game developers could incorporate women as complex characters rather than stereotypes. Leslee points out that the video somewhat conflates sex with gender in the discussion of biological vs. social behaviors, but it highlights the outcomes of making video games through a gendered lens (sorry about the 30-second intro ad):

On this topic, also see Lisa’s recent post on boob inflation in video games.

Dr. Bethany Pope, Pris S., and Christine each sent in the trailer for the Disney film, opening today, called Mars Needs Moms.  It is impossible not to be sarcastic about this trailer.

What can I say.  The premise of the film is that only women can parent (and by “parent,” I mean feed and vacuum).  I’m sure all of the human women out there with children really appreciate this sentiment.  Dads, HUH!  …what are they good for!  Absolutely nothing! Or, at least, that is what nearly every corner of Western society is trying to tell us.  How convenient, given that raising kids is rewarded with, basically, absolutely nothing concrete. Thanks, thanks for nothing Disney.

Also, as far as the trailer goes, it appears that this movie focuses almost entirely on boys and men. I wonder if it even passes the Bechdel test.  Twist the knife, why don’t you.

Lisa Wade, PhD is an Associate Professor at Tulane University. She is the author of American Hookup, a book about college sexual culture; a textbook about gender; and a forthcoming introductory text: Terrible Magnificent Sociology. You can follow her on Twitter and Instagram.

Squee sent in this video on the complexities of the placebo effect. We most often hear about the placebo effect in terms of medicine (the famed “sugar pill” that makes people feel better despite having no known effect on a condition), but as the video points out, we use placebos in other aspects of social life as well, such as buttons at intersections that don’t affect the timing of the “walk” signal but make pedestrians feel better about their wait anyway. And since the placebo effect is based in part on cultural assumptions about what should make us feel better (i.e., an expensive drug must be better than a discounted one, right?), not surprisingly the effectiveness of specific placebos varies cross-culturally.

Fun!