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We’ve posted a number of posts about cultural appropriation in fashion, particularly when it comes to Native Americans. Kristyn G. sent in a link to a story at the Huffington Post about a recent fashion show in Moscow that brings up questions about cultural appropriation of another group. The show, from St. Bessarion, included female models in hats, sidecurls, and some articles of clothing inspired by things worn by Orthodox Jews, combined with distinctly non-Orthodox items.

It’s not the first time Orthodox-inspired clothing has appeared on the runway. For instance, in 1993 Jean Paul Gaultier put together a men’s line he called Chosen People, which the New York Times says it was the first Judaism-inspired clothing line from a well-known designer. According to an article I found at Racked, “the collection ruffled quite a few feathers in the religious community, many of whom felt that Gaultier had misappropriated elements of religion in a disrespectful, frivolous manner.” It was quite the production:

Thoughts?

UPDATE: Just a quick note, since I see some confusion in the comments — the designer who recently made some horrid anti-Semitic remarks was John Galliano, not Jean Paul Gaultier.

Gwen Sharp is an associate professor of sociology at Nevada State College. You can follow her on Twitter at @gwensharpnv.

Following up on a post I put up last month about World War II internment camps for Japanese Americans, reader Eduardo let us know about a short film distributed by the federal Office of War Information explaining why the camps were necessary and trying to portray them in a positive light. It’s a great example of propaganda. Notice at about 2:45 the narrator explains the change from voluntarily to required relocation of Japanese Americans in terms of their own protection, and at 3:20 mentions that those forced to relocate “cheerfully” took part in the process. It was such a happy, smooth process, with the federal government helping out!

The implication starting at about 4:00 that “loyal” Japanese Americans were happy to relocate as part of their patriotic duty is particularly striking. Presumably, then, if you objected to the violation of your civil rights and treatment as a potential enemy of your country, you proved exactly why you needed to be relocated.

But don’t worry. “We are protecting ourselves without violating the principles of Christian decency.”

Said Mary Wollstonecraft:

Taught from infancy that beauty is woman’s sceptre, the mind shapes itself to the body, and roaming round its gilt cage, only seeks to adorn its prison.

Inspired, perhaps, by Wollstonecraft’s words, Katie Makkai fights back against the word “pretty.”  After a childhood subject to its tyranny, she imagines telling her own daughter to reject its pull, beginning with “The word pretty is unworthy of everything you will be!”  Thanks to Jake Lundwall for the tip.

(Transcript after the jump.)

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Racialicious and Hermes’ Journeys featured a clip of stand-up comedian Gary Owens comparing black and white churches, joking about how long and loud black services are compared to white services.  Two things are happening in the clip.  First, Owens is commenting on two different styles of worship.  This is really interesting sociologically because it shows that how one worships is a cultural phenomenon that varies.  We’ve seen this powerfully illustrated by children recently in the viral videos Baby Preacher and Baby Worshipper.

Second, though, Owens is racializing these different forms of worship.  In consultation with Gwen, she reminded me that what he’s really talking about is “the difference between more mainline churches vs. the charismatic evangelical ones.”  At the latter churches yelling out and hours-long services are common, no matter the racial makeup of the congregation.

So, the clip is a good example of both a sociological principle (socialization) and a sociological mistake (racialization):

Lisa Wade, PhD is an Associate Professor at Tulane University. She is the author of American Hookup, a book about college sexual culture; a textbook about gender; and a forthcoming introductory text: Terrible Magnificent Sociology. You can follow her on Twitter and Instagram.

Yvette, Kari B., and Yet Another Girl all sent in links to articles about Dove Ultimate Go Sleeveless deodorant. The campaign for the deodorant focuses on the fact that it supposedly makes your armpits look better. Here’s one commercial (via The Consumerist; it’s not the best illustration of how much Dove is pushing the attractiveness angle, but it’s the only commercial from this ad campaign I could find):

According to research cited on Dove’s website, 93% of women think their underarms are unattractive and thus may refuse to wear sleeveless clothing.

Libby Copeland at Slate sums up what’s going on here:

Dove’s empowerment-via-shame marketing approach for Go Sleeveless has its roots in advertising techniques that gained popularity in the 1920s: a) pinpoint a problem, perhaps one consumers didn’t even know they had; b) exacerbate anxiety around the problem; c) sell the cure.

Ladies, it’s not enough to shave and deodorize your underarms. They need even more prettification than they’ve been getting. How this deodorant does that, I don’t know. But it does. You’re welcome.

Stephen Colbert discussed Dove and advertising based on insecurities recently:

Ilysse W. sent in a link to a story about a recent response to homophobia at a men’s volleyball match in Brazil, which she thought was particularly interesting given L.A. Lakers star Kobe Bryant’s recent homophobic outburst at a game and the conversations it has sparked about homophobia in sports. Bryant has been in the news for apparently calling a referee a “fucking faggot” (video at TMZ). The NBA has fined him $100,000, though Bryant says he will appeal the fine and that his words shouldn’t be “taken literally” (via ESPN):

The concern that I have is for those that follow what I say and are inspired by how I play or look to me as a role model or whatever it is, for them not to take what is said as a message of hate or a license to degrade or embarrass or tease. That’s something I don’t want to see happen. It’s important for me to talk about that issue because it’s OK to be who you are, and I don’t want this issue to be a part of something or to magnify something that shouldn’t be.

At a recent men’s volleyball match in Brazil, members of the crowd chanted “bicha”, the equivalent of “faggot,” at a gay player:

Afterward, due to media scrutiny, the player, Michael, publicly acknowledged that he is gay.

In a gesture of solidarity, at the team’s next match, the players wore pink warmup shirts, and one wore a rainbow-colored jersey:

A banner was unfurled in the stadium that said Vôlei Futuro Against Prejudice, and fans held up pink thundersticks (noisemakers) with Michael’s name on them in support:

(Images via Asterisk.)

Meanwhile, back in the U.S., the Lakers say they are teaming with GLAAD to try to eliminate homophobic slurs in basketball. I suspect they’ve got plenty of work to do.

Katrin sent us a great example of anachronistic portrayals of Native Americans, this time in a German (?) ad for a muscle pain relief product. The slogan at the end, “Indians do not know pain,” plays on the idea of the stoic native:

Michel Foucault famously suggested that we stop congratulating ourselves for our willingness to talk about sex (“We are just so, like, liberated!”) and ask what it is exactly that we are saying. I thought of him as I pondered this 50-second compilation of each time a character in a single episode of the ABC Family show, The Secret Life of the American Teenager, utters the word “sex.” How many times?  70 times.  70 times in just 45 minutes of programming.

So we definitely know that we’re talking about sex.  That’s for sure.  But what is the impact of all of this talk?  You can imagine a thousand different messages contained in the space between one “sex” and the next.  Whether that’s liberating is up for debate.

Found at The Daily What.

Lisa Wade, PhD is an Associate Professor at Tulane University. She is the author of American Hookup, a book about college sexual culture; a textbook about gender; and a forthcoming introductory text: Terrible Magnificent Sociology. You can follow her on Twitter and Instagram.