NEW FEATURE!

We crafted four sample class assignments using Sociological Images.  One for a lower-division class and three for an upper-division class.  Check them out here.

By the way, if you have crafted assignments using our blog, we’d love to publish them here!  Please send them along!  Email us at socimages@thesocietypages.org.

AND BACK TO THE OL’ BEHIND YOUR BACK:

A series of toys by Playmobil, sent in by Kirsten D., were added to our post illustrating what it means to be a neutral versus a marked social group.  See it here.

We add another beer commerical to the three we posted trivializing love, sex, and relationships in favor of beer. This one was pointed out in our comments by Pharmacopaeia. Thanks!

Daniel B. sent in a picture of the Spanish women’s Olympic basketball team in the infamous “slant-eyed” pose (meant to make them look, um, Chinese) and we added it to this post that showed the Spanish men’s team in the same pose. We added another image he found of the Spanish tennis team in that same pose to this post showing the Argentine women’s soccer team doing it too. Then we sat around and scratched our heads and wondered if every Olympic team felt the need to pose like that before leaving for Beijing.

We added a Budweiser ad in which foaming surf on the beach forms a phallus pointing to a bikini-clad woman’s crotch to our post on “subliminal” sex in ads.  (Somehow a month rarely goes by without a new addition to this particular post!)

We added a Mini Cooper ad that brags about the car’s “carfun footprint” to this post about the commodification of environmentalism. While it would be great if a car’s effect on the environment actually became a major selling point, when you look at the Mini’s gas mileage ratings (which I report in the post), it’s not clear that the “carfun footprint” is much more than a tagline.

We added another commercial, sent in by Corey, to this post about Just for Men’s Touch of Grey line, a product that allows the user to decide how much grey they would like to leave in… something we can’t image a woman’s hair dye company ever offering, since women don’t get to benefit from the “distinguished look.”

We added Paris Hilton’s humorous response to this post about John McCain’s campaign ad that associated Barack Obama with Hilton and Britney Spears in an attempt to portray him as a lightweight with no experience.

Elizabeth sent in a PETA ad that compared slaughtering animals to the beheading of a man on a Canadian bus. We added it to this post about the use of Holocaust imagery in PETA ads and who claims the right to use horrific incidents (both historic and current) in their attempts to frame social issues.

In the contemporary U.S., the feminist movement has been so thoroughly intertwined with the pro-choice movement that the rhetoric of choice has become a common way to talk, more generally, about women’s liberation.  And women’s liberation, as we have demonstrated (see here, here, here, here, here, here, and here), is frequently co-opted for the purposes of selling women all sorts of products (including those in decided conflict with mainstream feminism, like this one and this one).

A reader, Tracy in Canada, saw these ads at Sears.  In them, the phrase “the right to choose” is used to invoke feminist ideals and applied to the right to select a “gift adapted to your beauty concerns.”

NEW! (Nov. ’09): Kristyn G. sent in this commercial for a cable company in India that also co-opts the right to choose…in this case, the right to choose her own husband:

Lisa Wade, PhD is an Associate Professor at Tulane University. She is the author of American Hookup, a book about college sexual culture; a textbook about gender; and a forthcoming introductory text: Terrible Magnificent Sociology. You can follow her on Twitter and Instagram.

Kirsten D. sent us this link to a series of Playmobil families.  She notes how the families are all racially marked (using racial categories like “Asian” and “African” instead of nationality categories like “Japanese” and “Somalian”).  The “Mediterranean/Hispanic” category also points to the social construction of race and the way in which social construction varies across cultures (Playmobil are made in Germany).

They families are also racially homogeneous.  In the world of Playmobil (at least how it is sold, though not necessarily how it is played with) there are no interracial families and, therefore, no bi- or multi-racial people.  In this way the toys reify racial categories and naturalize racial matching in relationships.

African/African American Family:

Mediterranean/Hispanic Family:

Asian Family:

Native American Family:

Notice also that all of the families are in contemporary clothes except for the Native American family.  Ethnicized groups are often represented in “native” costume, but this is especially true for American Indians (at least in the U.S.).  It is as if, in the popular imagination, American Indians are extinct; as if there are no American Indians alive today walking around in Nikes (there are).

So, in the world of Playmobil, American Indians are, like Romans, a historical artifact:

Also, because it warrants pointing out, all the female and male children all have gender stereotypical toys.

I took this picture of a “rapid weight loss” product at a Walgreens:

I think this product it all-too-clearly illustrates Jean Kilbourne‘s contention that, when it comes to women, “less is more.”  Aspire to be a size zero.  Aspire to be nothing.  Aspire to be defined by what you lack.

This is a picture of the illustration on a “sturdy station,” an infant changing table I found in a women’s bathroom (click on the image for a closer look).

I thought it nicely illustrated a number of normative expectations/social constructions:

1. Families include two parents.
2. Those two parents include a male and a female.
3. Males don’t have eyelashes.
4. Males are (at) the head of the family.
5. Females are the primary caretakers of children. While the male is looking ahead, the female is either looking at the baby or looking at the person using the changing table (and is, therefore, identifying with the person using the changing table who is, presumably, also female).

This poster was affixed to a tree on my block:

NEW!  This ad for sea monkeys, found at AdFreak, portrays them in a nuclear family (mom and dad, son and daughter):

I took these pictures of a flyer and a banner for “Ladies Night” at Tenders Lounge in Goose Bay – Happy Valley, Canada.  I noticed that the word “Ladies” did not include an apostrophe: it’s “Ladies Night,” not “Ladies’ Night.”  That is, it is advertised as a night of ladies, not a night for ladies.  To put it more bluntly, the ladies are not guests, they’re bait.

(That’s Steve.  It was not, in fact, Ladies Night and I asked him to look disappointed.  He is worried that you will think he was really disappointed.  I assure you, he was not.)

I am wondering if this is typical or unusual.  Readers, feel free to send in pictures of advertising for Ladies(‘) Nights.  I’m curious what we’ll find!

In a comment to another post, Max S. pointed out this video of a question-and-answer session where, when asked about policy toward Iran, John McCain makes a joke about the Beach Boys having a song called “Bomb Iran” and sings “bomb bomb bomb” to the tune of “Barbara Ann”:

I’m probably the only person left on earth who hadn’t already sseen it, but anyway. It might be useful for a discussion of militarization and/or foreign policy, or the ways in which we obscure the reality of war such that the idea of bombing “Iran” is separated from any acknowledgement that you’re talking about bombing actual people.

Thanks, Max!

UPDATE: In a comment, thoughtcounts z said that this was probably a reference to the Capital Steps‘ parody of the Beach Boys, which it very well may be–I’m apparently horribly out of touch with…well, everything. McCain said The Beach Boys, so I just took him at his word.

Emily Martin, in her article “The Egg and the Sperm: How Science Has Constructed a Romance Based on Stereotypical Male-Female Roles,” (Signs 16(3), 1991, p. 485-501) critiques the way biological texts generally portray sperm as active, brave adventurers and eggs as passive damsels waiting for a sperm to save her lest she be flushed out as waste during menstruation.

For example, this cartoon was linked in our comments by Noumenon:

As Noumenon notes, the first sperm to arrive is not necessarily the one that “wins” the right to merge with the egg. More often than not, it is not because the necessary chemical reaction that allows fertilization needs many sperm, not just one.

Relatedly, in a comment Ranah pointed out this image (found here), which depicts how the egg plays a much more complex part in guiding some sperm in while limiting access to others than common perceptions of fertilization recognize:

Further, sperm do not swim. They are not making a break for the egg. They do not have brains, desires, or goals. Their “tails” are randomly thrashing around due to the energy provided by the fluid produced by the prostate gland. They go in every direction (not just toward the sperm) and only by random chance do some of them end up at the egg.

Here is a clip from The Family Guy showing Stewie as a sperm or, more accurately, a spermship, competing with other sperm to capture the egg:

Notice also that in both the Phelps and the Stewie examples, the sperm contains all of the future of the identity of the individual.  The contribution of the egg is made invisible.   This is a very old idea.

NEW!  This image is drawing by Dutch physicist and microscopist Nicolas Hartsoekerfrom from 1694.  In the head of the sperm, you can see a tiny, but complete figure sitting with his head down (found here):

ALSO NEW!  Here’s another contemporary image (found here) affirming this idea:

Text:

If you sometimes feel a little useless, offended or depressed… Always remember that YOU were once the fastest and most victorious little sperm out of millions.

ALSO ALSO NEW! Similarly, this condom ad suggests that Hitler was once a sperm (found here):

Martin mentions that one of the few (non-scientific) cultural depictions of sperm that doesn’t draw on this imagery is in Woody Allen’s movie “Everything You Always Wanted to Know about Sex* *But Were Afraid to Ask,” where Allen plays the part of a sperm frightened of going out to face contraceptives or the possibility that it’s a false alarm (masturbation, gay sex) that won’t even get him close to an egg.

Here’s a clip from the movie showing that scene:

I’m going to show it the day we discuss Martin’s article in my women’s studies class when we address the way women’s bodies have been historically constructed, both scientifically and non-scientifically.

See also this Viagra ad that shows a sperm exploding an egg open.

Gwen Sharp is an associate professor of sociology at Nevada State College. You can follow her on Twitter at @gwensharpnv.