As you are most likely aware, last week director Roman Polanski was arrested in Switzerland on an outstanding warrant for his arrest in the U.S. He fled to Europe in the 1970s after being charged with giving prescription drugs and liquor to a 13-year-old girl, then raping her. He plead guilty to a lesser charge of improper sexual conduct with a minor (and said he wasn’t aware she was 13 Reader Lucy pointed out that while he at times claimed not to have known her age, he later acknowledged that he did), then left the country and generally avoided countries with an extradition agreement with the U.S. (and skipped the Academy Awards when “The Pianist” was nominated).

Anyway, the reaction from Hollywood has been generally supportive of Polanski. Many film industry notables signed petitions last week opposing his extradition and asking that the charges be dropped. Melissa at Women & Hollywood suggests that this might be, in part, because:

…the issue touches close to home for many a director who has probably employed the “casting couch” and may have committed an action similar to Polanski’s sometime in his career. Plus, I’m sure there is pressure being applied to people to get on board and support the artist.

In an example of how many in Hollywood are defending Polanski, Whoopi Goldberg explained on The View that it wasn’t “‘rape’ rape”:

Notice that part of her defense (about about 0:30) is that they’d had sex before, which seems to preclude the possibility that he could have raped her (and assumes that those previous times were consensual and that sex with a 13-year-old is okay as long as it was consensual).

At about 2:05 she appears to make a sort of cultural relativist argument, saying that we’re a “different kind of society,” while in other places, including “the rest of Europe,” 13- and 14-year-olds are sexualized. That is, of course, entirely true (that girls at 13/14 have been treated as marriageable/sexual, not that this is specifically true “in the rest of Europe”), both historically and now (my great-grandma married a 22-year-old man when she’d just barely turned 15). There are a lot of interesting points there, but Goldberg doesn’t seem to be making a complex argument–she seems to be saying “in some places this would be okay, so we shouldn’t punish him.”

At 3:15 they discuss the responsibility of the mother, asking what kind of mom would let a young girl go alone with an older man. It’s a very appropriate question to ask. And my guess is: lots of parents in Hollywood, if the older man was an influential director who said he had set up a photo shoot for a major fashion magazine for your daughter. That, of course, is horrid; at the very least it’s extreme denial (“oh, he’s so nice, he just wants to help her get her big chance because he sees something special in her”), at worst it’s actively offering sexual access to your child for a chance at stardom.

I can’t see, however, that it in any way changes the situation regarding Polanski. And the use of excuses like “they’d had sex before, so it couldn’t be rape” is stunning to me.

Melissa at Women & Hollywood adds:

The thing about the Polanski case and why it is resonating across the country and the world is that lots of people don’t like the double standard that Hollywood is showing here. Hollywood is liberal when it feels like it like with the environment, but not when it comes to women.

Also check out Jillian York’s discussion of Hollywood’s support of Polanski.

Jezebel has a video of Chris Rock on the Jay Leno show criticizing the support for Polanski, one of the few celebrities to very openly do so.

UPDATE: Here’s the ever-awesome Jay Smooth on the topic:

In a random tangent, when I was searching for the video clip from The View I saw another version posted to YouTube with this description: “Disgusting Obama-type of Morals/Values—Whoopi Goldberg DEFENDS Roman Polanski: It Wasn’t Rape-Rape.” It reminded me of my recent post about Rush Limbaugh’s description of “Obama’s America,” in which Obama has become the symbol moral decay.

Nielson recently released new data on teen media use.  Among the many findings, I was struck by the rapid rise in text messaging in just two years:

There’s a whole sociological literature on the adoption of technology, but I don’t know it. Does anyone out there familiar with it have any insights?

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Lisa Wade is a professor of sociology at Occidental College. You can follow her on Twitter and Facebook.

According to the Madsen Bicycles website, submitted by Mary S., women dote on children…

…and look lovely with flowers:

While men do sporty stuff…

…and more sporty stuff:

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Lisa Wade is a professor of sociology at Occidental College. You can follow her on Twitter and Facebook.

This nine-minute 1938 promotion video for White Sands National Monument is a stunning example of how incredibly short our attention spans have become.  Or is it just me?  Or maybe they found this mindnumblingly slow in 1938 also?

The introductory title pages finally fade away so that the substantive material can begin at about 40 seconds in.  40 seconds!  I was dying from boredom at about second 15!  See how long you can stand to watch it:

Via Weird Universe.

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Lisa Wade is a professor of sociology at Occidental College. You can follow her on Twitter and Facebook.

Today’s XKCD strip bothers me, a little. It reminds me of the discussion about assertiveness amongst nerd guys brought up when Gabe and Tycho at Penny Arcade were talking about “pick-up artists” (PUAs) a while back.

Here’s my issue: I get that a lot of straight guys (and women, but I want to primarily talk about men here) who identify as nerds (or don’t, for that matter) have confidence issues, especially around romantic or sexual interests*. But I also think that messages like the XKCD strip really reinforce that idea of isolation and make the world out to be filled with potential mates — if only you’d just talk to them! There’s some truth here, in that it’s pretty hard to meet people if you find it hard to talk to communicate with others. But the more insidious, unintended message I’m seeing is one that just feeds into the PUA logic — given enough confidence and skills, all women are yours for the taking.

I know some people are probably going to think I’m reaching here, and are going to say that it’s just a comic, and maybe just meant to make a cute little statement about how everyone just wants to make a connection. Sure, and I think there’s something to be said for nerd guys shedding the whole Nice Guy complex and acting assertively. The problem is that there’s a fine line between that and the PUA viewpoint I described earlier. That woman next to you might not want to talk about her netbook. She might not be interested in you, specifically. She might not be interested in men, generally. She probably wouldn’t have the same reaction as in the strip, because society teaches women that they should expect male attention, and calling it out isn’t usually looked too kindly upon.

So this is the crux of the issue for me: nerds really are members of a subordinated masculinity, and from within that viewpoint it’s easy to dismiss anything which says that you are privileged and not downtrodden. Once you’re in that space, it’s really easy to start thinking in a certain way that says you’re not privileged just because you’re a man — and I think things like this XKCD strip can contribute to that way of thinking.

Of course, any man who falls farther from the pinnacle of hegemonic masculinity is less privileged than his more “masculine” counterparts, but he’s still a man. Nerd discourses sometimes let us forget that, and let us think we operate outside the system, because we’re not like those other, sexist guys — but it’s a fantasy. We can be better than that, but it means telling ourselves the truth, and not pretending that our interactions with women — even a simple conversation on a train — aren’t influenced and structured by the patriarchy.

*Note: I realize that I don’t mention queer nerds here. I don’t have a lot of experience with the topic, besides an understanding that nerd communities can be just as homophobic as more mainstream groups. Also, most of the discussions I’ve seen around nerd shyness have been in terms of male shyness towards women — summed up in the Nice Guy trope. I think this definitely speaks to the silencing of queer nerds in certain communities, but it also leads me to believe that this phenomenon is primarily an issue for a certain type of (self-identified) heterosexual masculinity.

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About his interests, Matt Kopas writes:

In a famous misattribution, Andre Malraux was held to ask “What is a man?” I feel like most of the answers to this question that men have available to them these days are at best outdated and at worst oppressive and restrictive. What does it really mean to be a man? How can men recognize their privilege and become better allies? As a first-year graduate student at the University of Washington, these are some of the questions I’m interested in. I blog about masculinity issues at The Disenchanted World, where I also talk about other topics such as sexuality, evolutionary theory, and really anything else that strikes me as sociologically interesting.

If you would like to write a post for Sociological Images, please see our Guidelines for Guest Bloggers.

Way back in June Missives from Marx sent in a link to a story at Dark Roasted Blend about tourism in the rainforest along the Amazon River near Manaus, Brazil. One stop was at a small riverside village where tourists are taken to have an “encounter of two different cultures.” Here’s a photo from the post:

Underneath the photo was the following caption:

A cruise ship arrival is a great event for the small village located on the mouth of Valeria River. The friendly villagers are always happy to welcome all visitors, eager to make contact and get news from foreign lands.

“Friendly villagers” “eager to make contact” and learn about “foreign lands”? It’s an incredibly patronizing description that sounds like it could have been in a travel brochure for the British Empire decades ago.

From the post:

Because of the small space, the visitors are literally poking into the river people’s lives. But they look happy enough to share with us their ways of life: we are being shown their schools, the local market and even the way their houses are made.

They seem to understand that visits like these sustain the little trade they are able to make by selling souvenirs and exquisite crafts. There are very few inhabitants and they are all very proud of their amazonian heritage. Although modern living is slowly making its way through, they dress up with traditional costumes.

Yes, they do understand that the tourist visits sustain their economy. They let people poke into their lives because they need the money. And they dress up in traditional “costumes” (?) because it makes tourists happy and then the tourists give them more money.

The kids, apparently, haven’t learned the etiquette for dealing with tourists. The post has several images of children with labels like “Little Warrior,” with descriptions such as:

They are not used being on display for the large audience and they all look like they would be happier playing, rather than demonstrating their skills. One particular girl attracted the crowds with her beautiful, magnetic eyes. She was demonstrating archery, but her eyes were throwing the real darts.

The poster acknowledges that the children don’t like being on display, but doesn’t think that might mean that a) you shouldn’t then treat them like tourist attractions or b) maybe the adults don’t really like being on display much either but have learned to play along better. I also wonder whether the children are demonstrating “their skills” or whether a kid holding a bow and arrows is part of the play-acting for tourists.

I once went on a river tour outside of Manaus; the one described here sounds almost identical. I felt uneasy about the idea of visiting the village but there wasn’t really a choice (they forced us off the boat at each stop) and my boyfriend at the time was excited, and so we walked around. It was an incredibly creepy experience. The people there were obviously poor, and tourists were walking around gawking at them, feeling entirely comfortable looking right into their yards and houses. I felt terribly awkward; even my boyfriend felt weird and just wanted to leave. I would not say the people looked thrilled to see us. Some did, especially those selling soda at the cantina (part of that “modern world”). But more than one person, mostly children, glared. And it was very clear that they were being nice to us and offering to be in photos with tourists in hopes of making a little money.

The whole thing felt like cultural tourism–hey, Americans/Europeans! Look at these people in their pre-modern villages and traditional “costumes”! Isn’t this a neat cultural encounter? Feel free to roam around and look at anything you want–the jolly villagers are just thrilled to death to have you here!

In another case of this, James T. sent in this video, found at 3quarksdaily:

It’s distressing to see this type of tourism prestened in such a positive light without at least discussing the ethical issues that might arise when relatively wealthy tourists encounter an impoverished group dependent on tourists’ money for some of their livelihood.

Sandra H. sent us a link to a story about a field of empty container ships parked off the coast of Singapore:

Simon Parry reports that the field includes about 12 percent of the world’s container ships.  More than “the U.S. and British navies combined,” he writes.

The idle ships are another visual indication of the worldwide economic downturn, alongside the images of Detroit’s decline, unsold cars, abandoned homes, and empty malls.

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Lisa Wade is a professor of sociology at Occidental College. You can follow her on Twitter and Facebook.

Lisa Wade, PhD is an Associate Professor at Tulane University. She is the author of American Hookup, a book about college sexual culture; a textbook about gender; and a forthcoming introductory text: Terrible Magnificent Sociology. You can follow her on Twitter and Instagram.

Ben O. sent us this vintage airline commercial for Braniff International.  In it, a “stewardess” models new uniforms to stripper music and narration.  What struck Ben was the final uniform and commentary.  The commercial ends with the assertion that Braniff International “believes that even an airline hostess should look like a girl.” Sexism aside, Ben argues, and I agree, that what she is wearing is hardly feminine at all given today’s standards. The commercial, then, nicely demonstrates how norms for gendered appearance shift and change.

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Lisa Wade is a professor of sociology at Occidental College. You can follow her on Twitter and Facebook.