Dolores and Diego sent in a new study by the Organisation for Economic Co-operation and Development (OECD).  The study measured time use in 30 countries, demonstrating significant differences in the amount of work and leisure enjoyed, on average.

The country reporting the fewest work hours was Belgium at just about 7 hours a day.  The country reporting the most was Mexico; Mexicans reported working almost 10 hours per day.  That’s enough hours to translate into 45.5 extra days a year that Mexicans work in excess of Belgians, and a month of extra work hours compared to the average country in this study (at 8 hours a day).

The OECD has also reported gender gaps in leisure across countries (Norway had the smallest gap in that study; Italy the largest) and we’ve seen the gender leisure gap reflected in American advertising.

Philip Cohen posted some interesting data at his blog, Family Inequality, that I think will look at first blush, counterintuitive to many.  The figure below shows the percent of men’s income that women bring home, organized by age bracket and level of education.  The top bar, for example, tell us that, among 45-50 year olds with advanced degrees, women make 68% of what men do.

Two observations:

First, notice that women with more education (the lighter bars in each age bracket) do worse compared to men than women with less education.  That is, the gender inequity is worse in the upper classes than it is in the lower classes.   Why?  Well, people tend to marry other with similar class and education backgrounds.  Accordingly, women with more education may be married to men with higher earning potential than women with less education. Those women are more able to make work-related choices that don’t foreground economics, since their income is less central to the financial health of the couple.  They are also more likely to take substantial amounts of time out of the workforce when they have kids (working class women can’t afford to do so as easily), and we know that doing so makes a real dent in career advancement.  So, perhaps ironically, women who are “richer” educationally may marry economically richer men who then allow them to deprioritize their careers.

Second, notice that the most equal incomes (where women make 85% of men’s salaries) occurs among the youngest and least educated group: 25-34 year old high school drop outs.  Why would younger women do better relative to men than older women?  Some of this may be due to a decrease in gender-based discrimination.  But it also likely has something to do with the devaluation and disappearance of traditionally working-class men’s work.  Most of the narrowing of the gender wage gap, in fact, has to do with the lowering of men’s earning power to meet women’s, not vice versa.  As the industrial base in the U.S. has been collapsing, the number of historically-male blue collar jobs have been shrinking.  Meanwhile, our industrial economy has been replaced by one split between (well compensated) information/technology and (poorly compensated) service jobs.  Those service jobs are going disproportionately to women.  So, while men still dominate (especially the most well-regarded and well-compensated) upper class professions, their dominance in the lower rungs of the economic ladder is waning.

Thanks again to Philip Cohen for the data!

Trigger warning for those sensitive to war, suicide, domestic violence, or people suffering from war-related ptsd.

Generations of U.S. children have played with the iconic little green army men.  Along with other war toys, they contribute to the socialization of some young boys into the idea that war is an exciting and heroic adventure.

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An artist at the Dorothy Collective decided to reconfigure the little green army men so that they would tell the less glamorous stories.  Inspired by an article about the suffering of a Colorado Springs-based battalion, she created these little green army men:

They’re a heart-wrenching commentary about the grown up realities of war and the socialization of children into the fantasy.  Thanks to Hope H. for the tip.

Earlier this month, The New York Times and Foreign Policy both reported on the United Nations population forecast for the next 100 years. According to the report, rather than hitting 9 billion at mid-century and then leveling off, the world’s population is likely to climb to 10 million and keep going. The cause: a fertility boom in the global south –– Africa, Asia, Latin America. Such growth, according to the report, if unchecked, will have dire consequences on a world already facing shortages of food, available water and other life-giving resources.

In reporting the story, both the Times and Foreign Policy used pictures of women and their children, but the way they used the pictures was somewhat chilling. For example, the Times ran a photo of several women of color under the heading: “Coming to a Planet Near You: 3 Billion More Mouths to Feed.”

Additionally, Foreign Policy ran a photo under the sub-headline: “Why ignoring family planning overseas was the worst foreign-policy mistake of the century.” It featured a picture of dark-skinned women with a child.

These photos, paired with the headlines and the dire predictions in the stories of what’s to come should the global south’s fertility boom remain unchecked, tap into anxieties about women’s bodies and link the coming doom and gloom directly to them. The Times headline, warning of “3 billion more mouths to feed,” is combined with seven new mothers in Manila; positioned in a long row, they crowd the frame of the photograph as they are imagined to crowd the planet.  While the Foreign Policy sub-headline inspires fear, saying that allowing the burgeoning birth rate was  the “worst… mistake of the century.”  Its photo features two women and a child in the foreground.  In both cases the focus on women makes it seem as if men have no role in reproduction at all.

Whether they meant it or not, such a juxtaposition does little more than demonize women –– particularly poor women from developing countries –– as directly responsible for the problem of overpopulation and its solution. While the commentaries herald funding for family planning and education –- both great ideas –– they contain no conversation about economic systems that create or maintain poverty in certain parts of the world; how patriarchy and systems of male-centered power prevent women from being able to control their own reproduction; and how international development money too often comes with strings attached that restrict government resources for education and health care, especially for women, who too often are the ones who bear the hardest brunt of poverty and the greatest social opprobrium.

Here’s what an alternative might look like:  GOOD Magazine discussed the U.N. report and the coming population boom. Its focus: How responsible living in the United States and other wealthy countries can help ensure food for all. The photo that ran with the commentary: a photo of the planet Earth.

Barbara Yuki Schwartz is a doctoral student in the Theology, History and Ethics program at Garrett-Evangelical Theological Seminary in Evanston, Ill.  She studies postcolonial and poststruturalist theory, political theory and theology, trauma studies, and is interested in how body, community and psychic life intersect and influence theology and liturgy. She blogs regularly at Dialogic Magazine.

Cross-posted at Jezebel and AOL’s Black Voices.

In a new book called “The Protest Psychosis: How Schizophrenia became a Black Disease,” psychiatrist and cultural critic Jonathan Metzl draws on a variety of sources — patient records, psychiatric studies, racialized drug advertisements, and popular metaphors for madness — to contend that schizophrenia transformed from being a mostly white, middle-class affliction in the 1950s, to one that identified with blackness, volatility, and civil strife at the height of the Civil Rights movement.

The racialized resonance between emerging definitions of schizophrenia and anxieties about black protest seem clear in pharmaceutical advertisements and essays appearing in leading American psychiatric journals during the 1960s and 70s.  For instance, the advertisement for the major tranquilizer Haldol that ran in the Archives of General Psychiatry shows an angry, hostile African American man with a clenched, inverted, Black Power fist.

The deranged black figure literally shakes his fist at the assumed physician viewer, while in the background a burning, urban landscape appears to directly reference the type of civil strive that alarmed many in the “establishment” at that time.  The ad compels psychiatrists to conflate black anger as a form of threatening psychosis and mental illness.  Indeed the ad seems to play off presumed fears of assaultive and belligerent black men.

As the urban background suggests, this fear extended beyond individual safety to social unrest.  In a 1969 essay titled “The Protest Psychosis,” after which Metzl’s book is named, psychiatrists postulated that the growing racial disharmony in the US at the height of the Civil Rights Movement, reflected a new manifestation of psychotic behaviors and delusions afflicting America’s black lower class.  Accordingly, “paranoid delusions that one is being constantly victimized” drew some men to fixate on misguided ventures to overthrow the establishment.  Luckily, pharmaceutical companies proposed that chemical interventions could directly pacify the masculinzed, black threat depicted in advertisements like the above.  “Assaultive and belligerent?” it asks.  “Cooperation often begins with Haldol.”

Moreover, ads for Thorazine and Stelazine during this period often conjured up images of the “unruly” and “primitive” precisely at a time when the demographic composition of this diagnosis was dramatically shifting from a mostly white clientele, to a group of predominately black, confined, mental patients.  It is telling that within this context, the makers of Thorazine would choose to portray the drug’s supposed specificity to schizophrenia in their advertisements by displaying a variety of war staffs, walking sticks, and other phallic artifacts from African descent.

The below ad for Thorazine, for example, exclaims western medicine’s superiority in treating mental illness with modern pharmaceuticals, by contrasting the primitive tools used by less enlightened cultures.

Notably, these claims of superiority and medical efficacy drew from a particular set of pejorative ideas of the “primitive” that were already well established within some sectors of psychiatry that equated mental illness with primitive, animalistic and regressive impulses.   As Metzl contends in his book:

…pharmaceutical advertisements shamelessly called on these long-held racist tropes to promote the message that social “problems” raised by angry black men could be treated at the clinical level, with antipsychotic medications.

These adds are in sharp contrast to previous marketing campaigns that framed schizophrenia in the 1950s as a mental condition affecting mostly middle class patients, and especially women.  Also shown below, ideas of schizophrenia were at that time an amorphous collection of psychotic and neurotic symptoms that were thought to afflict many women who struggled to accept the routines of domesticity.

While schizophrenia is certainly a real, frightening, debilitating disease, Metzl reminds us that cultural assumptions of the “other” shape how psychiatry understands and treats the condition.

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Arturo Baiocchi is a doctoral student in Minnesota interested in issues of mental health, race, and inequality.  He is writing his dissertation on how young adults leaving the foster care system understand their mental health needs.  He is also a frequent contributor to various Society Pages podcasts and wanted to post something related to a recent interview he did about the racialization of mental illness.

If you would like to write a post for Sociological Images, please see our Guidelines for Guest Bloggers.

This month’s celebrity gossip included a scandal over a photo Serena Williams tweeted of herself that was quickly taken down.  The photo was of Williams in a bra and panties behind what appears to be a curtain; you can see her silhouette and some fuzzy details of what she is wearing.  It was timed to correlate with the release of the World Tennis Association’s Strong is Beautiful campaign, featuring Williams of course.

Williams took the photo down because of criticism.  A man had recently been arrested on charges of stalking her and the image, critics claimed, was exactly the kind of thing that triggered men to stalk her.  She shouldn’t encourage the creeps, said the blogosphere.  Sports columnist Greg Couch, for example, called her a hypocrite for daring to release such a photo and still wishing to avoid being stalked, and then went on to discuss her appearance and clothing choices at length.

Of course, selling one’s own sex appeal is more or less required for any female athlete who wants to reach the pinnacle of her career without being called a “dog” and a “dyke” at every turn.  So Williams isn’t breaking the rules, she’s playing the game.  And, yet, when she plays the game she gets, in return, not only stalkers, but criticism that suggests that, were she to be stalked again, she was asking for it.  This is an excellent example of the ugly truth about the patriarchal bargain.

A patriarchal bargain is a decision to accept gender rules that disadvantage women in exchange for whatever power one can wrest from the system. It is an individual strategy designed to manipulate the system to one’s best advantage, but one that leaves the system itself intact.  Williams is making a patriarchal bargain, exchanging her sex appeal for the heightened degree of fame and greater earning power we give to women who play by these rules (e.g., Kim Kardashian).  Don’t be too quick to judge; nearly 100% of women do this to some degree.

But once women appear to have acquiesced to the idea that their bodies are public property, their bodies are treated as public property.  Others, then, feel that they have the right to comment on, evaluate, and even control their bodies.  Williams made her body public, the logic goes, therefore anything that happens to it is her fault.  This is why the bargain is patriarchal.  Williams will be excoriated for her unwillingness to defer to the male gaze if she refuses to trade on her sex appeal. But if she does make this trade, she’ll be the first against the wall if anything bad happens to her.

I’ve argued that the visual aids used in computer programs designed to help us learn new languages are ethnocentric, generic, and uninformative.  Since then, I have been working on an alternative to these images, compiling a database of culturally organized images called the Culturally Authentic Pictorial Lexicon (CAPL).

What strikes me as both a student and a professor of language and culture is that the visual world differs so greatly across cultures and even minor differences are telling in how we organize and perceive our world. Color is one of the easiest ways to find differences in cultures. I have previously discussed the linguistic and cognitive differences of color, but now I want to show some simple examples of color in culture through analysis of various postal systems.

In China, the postal system uses a deep hunter green:

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 In Japan, it is a bright red, much like England.

England:

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Japan:

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 In Germany, it is a bright yellow (think DHL):

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In Russia, it is a lighter but similar shade of the deep postal blue in the U.S.

Russia:

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 The U.S.:

(source)

This example of postal systems is an easy way to illustrate how color becomes one of the central ways to communicate and, although the same message is shared across cultures, the path to that message varies through color.

Michael Shaughnessy is an Associate Professor of German and Chair of Modern Languages at Washington & Jefferson College.  In addition to German language, literature, and culture, he has a professional interest in educational technology, especially the authenticity of multimedia imagery.  His book German Pittsburgh (Arcadia Publishing) highlights the contributions of German speaking immigrants to our area.

Feminist Frequency’s Anita Sarkeesian is back with another trope. In this one she covers the “evil demon seductress.” Sarkeesian argues that the trope reproduces the stereotype that women use their sexuality to manipulate men. This encourages us to always view their sexual expression with suspicion such that we deny women authentic sexualities.

Thanks to Anita for linking to our post about the femme fatal praying mantis.