Archive: Mar 2013

Dylan Matthews, blogging in the Washington Post, discusses a very interesting paper that provides evidence showing that politicians seriously underestimate the progressivity of their constituents.

David Broockman and Christopher Skovron, the authors of the paper, “surveyed every candidate for state legislative office in the United States in 2012 [shortly before the November election] and probed candidates’ own positions and their perceptions of their constituents’ positions on universal health care, same-sex marriage, and federal welfare programs, three of the most publicly salient issues in both national-level and state-level American politics during the past several years.”  They then matched the results with estimates of the actual district- and issue-specific opinions of those residing in the candidates’ districts using a data set of almost 100,000 Americans.

Here is what they found:

Politicians consistently and substantially overestimate support for conservative positions among their constituents on these issues. The differences we discover in this regard are exceptionally large among conservative politicians: across both issues we examine, conservative politicians appear to overestimate support for conservative policy views among their constituents by over 20 percentage points on average… Comparable figures for liberal politicians also show a slight conservative bias: in fact, about 70% of liberal office holders typically underestimate support for liberal positions on these issues among their constituents.

The following two charts illustrate this bias when it comes to universal health care and same sex marriage.

As Matthews explain:

The X axis is the district’s actual views, and the Y axis their legislators’ estimates of their views. The thin black line is perfect accuracy, the response you’d get from a legislator totally in tune with his constituents. Lines above it would signify the politicians think the district more liberal than it actually is; if they’re below it, that means the legislators are overestimating their constituents’ conservatism. Liberal legislators consistently overestimate opposition to same-sex marriage and universal health care, but only mildly. Conservative politicians are not even in the right ballpark.

The authors found a similar bias regarding support for welfare programs.  Perhaps even more unsettling, the authors found no correlation between the amount of time candidates spent meeting and talking to people in their districts while campaigning for office and the accuracy of their perceptions of the political positions of those living in their districts.

One consequence of this disconnect is that office holders, even those with progressive views, are reluctant to take progressive positions.  More generally, these results speak to a real breakdown in “the ability of constituencies to control the laws that their representatives make on their behalf.”

Martin Hart-Landsberg is a professor of economics at Lewis and Clark College. You can follow him at Reports from the Economic Front.

Originally posted in 2008. Re-posted in honor of Women’s History Month. Cross-posted at Racialicious.

The marketing for beach-related vacation destinations often capitalizes on the association of foreign beaches with (partly) naked bathing beauties. This intersection of race, gender, and sexuality that positions the “ethnic” woman as particularly sexually accessible have deep roots in our colonial past in which foreign lands “open” to conquest by the Western world were conflated with foreign women “open” to conquest by Western men.

The “Hula Girl” is a case in point.

Hawaii was colonized by the U.S. and, when the islands became a tourism destination, Polynesian women were transformed into Hawaiian babes ready and waiting to please tourists from the mainland.

One transformation was the hula. Widely understood to be an “authentic” Polynesian tradition, the hula was actually originally mostly a man’s dance. It was religious. It involved chanting and no music. There were no hip movements, just gestures. Basically, it was story-telling.

Today, the men take a back seat to women, who are scantily clad in grass skirts (not authentic, by the way), and perform exaggerated hip movements to music. So the hula is an invention, designed by colonizers and capitalists, to highlight the appeal of “foreign” women.

Despite the constructed nature of the hula girl, she’s been used to market Hawaii for over 100 years.  Here is an image of hula girls sent back to the mainland way back in 1890:

And from the 1940s (from IslandArtCards):

1965, via Jassy-50:

This picture was snapped by my friend Jason at a Trader Vic’s restaurant in 2008:

A Google Image search for “Hawaii postcard” in 2013 reveals that about half include the figure of a woman:

The phenomenon is a common one: women are treated as objects of beauty and aesthetic pleasure — exotified, in the case of “foreign” or darker-skinned women — and used to embellish a place or experience.  While lots of things have changed for women since the beginning of this particular example in the late 1800s, their role as decoration resists retirement.

Lisa Wade, PhD is an Associate Professor at Tulane University. She is the author of American Hookup, a book about college sexual culture; a textbook about gender; and a forthcoming introductory text: Terrible Magnificent Sociology. You can follow her on Twitter and Instagram.

In this short video, Mitchell Moffit and Gregory Brown of AsapSCIENCE discuss the neurological processes behind porn addiction. High levels of porn consumption, they argue, can create a feedback loop that molds sexual desires and behaviors.

Looking at porn, then, doesn’t just reflect a person’s existing desires and preferences; it’s a mechanism for creating new ones or channeling them in particular directions. This is the problem critics such as Cindy Gallop see with the narrow, unrealistic (and often violently misogynistic) set of messages about sexuality that porn offers us.

Gwen Sharp is an associate professor of sociology at Nevada State College. You can follow her on Twitter at @gwensharpnv.

The representation of sexuality and safer sex in public health campaigns is fascinating given our simultaneous cultural obsession with yet pathologization of sexual behavior.  Safer sex campaigns and materials not only seek to increase prevention behaviors but also produce a range of social meanings surrounding gender, bodies, and desire.  Most are produced by organizations that fall well within the mainstream; others are not.  This post is about one of the latter (warning: sexual explicitness).

The following resource, titled “Top 5 Reasons to Fuck a Transguy” was produced and distributed by a collaborative project of the San Francisco-based Asian and Pacific Islander Wellness Center.  tm4m is a group for transgender men whose goal is to “provide information, education and support to transmen who have sex with men (both other transguys and cisguys).”

This material is interesting for two main reasons.  First, it combines traditional health education with an erotic, sex-positive context that is missing from most public health campaigns.  For the most part, public health approaches to HIV prevention and sexual health promotion utilize a “sex-negative” approach to sexual behavior; in other words, sex is represented as potentially dangerous or problematic and focus narrowly focused on its negative aspects, such as disease transmission.  Even more progressive “comprehensive” approaches to sexual health education (that is, approaches that do not focus solely on abstinence) tend to center on the potentially dangerous outcomes of sex and how to prevent them while ignoring the pleasurable and fun aspects of sexuality.

In contrast, “5 Reasons to Fuck a Transguy” depicts a naked transman with safer sex barriers (condom and a glove) and uses explicit language (“fuck” instead of “sex” and “cock” instead of “penis”) and imagery.  For example, in reason #2 we see two people about to engage in strap-on play and in #5 we see a guy that appears to be receiving oral sex or relaxing in a state of post-sex ecstasy.  This sort of language and imagery is absent from the vast majority of sexual health promotion materials aimed at a wide variety of populations.  Thus, in “5 Reasons to Fuck a Transguy,” safer sex is not presented as distinct and separate from sexual pleasure.

Second, the material uses an embodied approach to highlight differences between trans and cisgender men while at the same time eroticizing that difference.  Starting with reason #1 (“trans guys are hot”) we are invited to see the transmale body as the object of desire.  Reasons #2, #3, and #4 call attention to the physical differences between cisgender and transgender male bodies and eroticizes the latter by emphasizing interchangeable cock sizes, more holes to penetrate, and smaller hands for fisting (or using the whole hand for penetration).  Finally, reason #5 alludes to a fetishization of transmen: the transgender body incites curiosity that will ultimately pay off in enhanced pleasure.

Not everyone agrees this is good.  Some posts on Tumblr challenged the idea that transgender men are a sort of erotic “other” or that they will necessarily consent to the activities depicted in the pamphlet:

You better not assume I’m comfortable using the one that “other” guys don’t have and you better not assume that being a guy means I’d be up for being fucked in the ass, either. Go fuck yourself and make your own goddamn third hole.

The “your dick can be any size you want!” argument is like telling a female-identified survivor of breast cancer who’s had a mastectomy “your tits can be any size you want!”

Just because I don’t have my own natural cock doesn’t make me this insane sex toy thing that’s such an anomaly and such a fetish object and so very very strange and different.

So, despite the disclaimer that “every transguy is unique,” some viewers saw the material’s approach as a problemtic eroticization of their bodies and gender.

In sum, “5 Reasons to Fuck a Transguy” moves beyond typical sexual health promotion approaches to include desire and pleasure, but doesn’t avoid the problem of sending its own cultural messages about gender, bodies, and desire, ones that may be problematic from an entirely different point of view.

Christie Barcelos is a doctoral candidate in Public Health/Community Health Education at the University of Massachusetts Amherst.

A couple of weeks ago I had a fever and sore throat that left me with laryngitis.  I lost my voice completely for two days and spent three additional days making no sounds at all in order to get it back.  In the meantime, I learned just a tiny bit about how people respond to the deaf.

Disclaimer: I’m sure that deaf people handle these situations with much more grace than I.  And I’m not claiming in the slightest that I know what it’s like to be deaf.  But other people thought I was deaf, and that’s where things got interesting.  (If I make any insensitive steps, please let me know.)

When I would approach someone and either hand them a note or point to my throat and shake my head, I would get a range of responses.

• First, humorously, many people would go correspondingly mute.  I would write a note and their lips would squeeze tightly together, almost like they were trying to forcibly hold back sound.  They would assume that I couldn’t hear and I guess it didn’t occur to them that I could read lips. So I would write “Giant diet coke, please” and they would clam up and get me the soda, but then they wouldn’t say “Here you go” or “Have a nice day” or any of the other niceties that pepper daily life.

• Second, I was shocked to discover that people would, in no uncertain terms, express pity.  They would say “Oh I’m so sorry for you!” or “That’s so sad!”  Deaf people are not necessarily sad about not being able to hear and many are deeply proud of their unique culture.  But many hearing people pity the deaf and apparently they are not afraid to say so to your face!

• Finally, I encountered the classic reaction where people would just say what they wanted to say to me, but louder and with extra enunciation.  As if that would work if I were deaf!  I think, too, that in some of these cases they assumed I was mentally challenged.

In all, I was surprised to discover just how uncomfortable people were with the supposedly deaf me.  They were truly unprepared for interacting with a person who they thought couldn’t hear.  In their lack of preparedness and experience, they made all kinds of mis-steps.

These experiences inspired me to look up some humor and I found a comic called That Deaf Guy, written by Matt and Kay Daigle.  Matt is deaf and Kay is a sign language interpreter who can hear.  They have a little boy. Matt and Kay’s comic is a nice window onto life as/with a deaf person and it was interesting for me to get a peek into what some deaf people might experience sometimes.

Hat tip to my friend Robb, whose therapeutic silence and similar observations preceded mine.

Lisa Wade, PhD is an Associate Professor at Tulane University. She is the author of American Hookup, a book about college sexual culture; a textbook about gender; and a forthcoming introductory text: Terrible Magnificent Sociology. You can follow her on Twitter and Instagram.

Originally posted in 2009. Re-posted in honor of Women’s History Month; cross-posted at Mental Floss.

Several factors were in play in the 1920s for the emergence of what came to be known as flappers, teenagers and young women who flaunted convention and spent their time pursuing fun instead of settling down to raise children in the prime of their lives. Many entered college or the workforce and felt entitled to make their own decisions about how to live their lives.

A lot of young men did not return home from World War I, which left an entire cohort of women without enough husbands to go around. The horror of the war (and the Spanish flu pandemic of 1918) also impressed young people with the knowledge that life is short and could end at any moment. Instead of staying home preparing to marry a man who might never come, young women wanted to spend what time they had enjoying all that life had to offer.

Movies popularized the image of the fun-loving and free-thinking woman throughout the US and Europe. The 1920 movie The Flapper introduced the term in the United States. The title character, Ginger, was a wayward girl who flouted the rules of society. Played by Olive Thomas, a former Ziegfeld Girl (left), Ginger had so much fun that a generation of lonely young women wanted to be like her. Another role model was stage and screen actress Louise Brooks (right), who also modeled for artists and fashion designers. She was the inspiration for the flapper comic strip Dixie Dugan.

Clara Bow wasn’t the first flapper on screen, but she was certainly a role model for young women of the era. She didn’t play by the rules, and was tabloid fodder for years for her sexual escapades with the biggest movie stars of the time. Bow’s first film was in 1922 and her career peaked in 1927 with the film It. “It” was defined as the sexual allure some girls have and others don’t. Bow’s fans wanted “it”, so they copied her look and behavior.

The rise of the automobile was another factor in the rise of flapper culture. Cars meant a woman could come and go as she pleased, travel to speakeasys and other entertainment venues, and use the large vehicles of the day for heavy petting or even sex.

These young women had plenty of opportunities for fun. Although Prohibition drove alcohol underground, that only added to its allure. Postwar prosperity allowed for leisure time and the means to spend that time drinking, dancing, and hanging out with free thinkers.

Being a flapper wasn’t all about fashion. It was about rebellion. In this article from 1922, a would-be flapper (but still a “nice girl”) explains her lifestyle choices to her parents. Flappers did what society did not expect from young women. They danced to Jazz Age music, they smoked, they wore makeup, they spoke their own language, and they lived for the moment. Flapper fashion followed the lifestyle. Skirts became shorter to make dancing easier. Corsets were discarded in favor of brassieres that bound their breasts, again to make dancing easier. The straight shapeless dresses were easy to make and blurred the line between the rich and everyone else. The look became fashionable because of the lifestyle. The short hair? That was pure rebellion against the older generation’s veneration of long feminine locks.

The party stopped when the economy crashed and the Great Depression curtailed the night life. Although the flapper lifestyle died along with the Roaring Twenties, the freedoms women tasted in that era weren’t easily given up. They may have gone back to marriage and long hours of toil for little pay, but hemlines stayed above the ankle, and the corset never went back to everyday status. And we’ve been driving cars ever since.

Miss Cellania is a newlywed mother of four, full-time blogger, former radio announcer, and worst of all, a Baby Boomer. In addition to mental_floss, she posts at Neatorama, YesButNoButYes, Geeks Are Sexy, and Miss Cellania. Miss C considers herself an expert on no particular subject at all.

Cross-posted at Montclair SocioBlog.

In the third stall at a women’s room at the University of Western Ontario, someone had written, “What was the worst day of your life?”

A few responses were humorous, but most were serious.

• Every day, struggling with an eating disorder.
• The day I found out my father was an alcoholic.
• The day I was raped.

One student who saw these took a piece of notebook paper, wrote a sympathetic response to each, and taped it on the wall of the stall (transcript follows):

Transcript (borrowed from The Huffington Post):

To the girl who was raped: You are so strong. I cannot fathom the pain you must have gone through. The fact that you have the bravery to write it (even on a bathroom wall) gives me hope.

To the girl with eating disorders: I promise you, although I don’t know you, you are beautiful, you deserve your health. You deserve freedom from that hell.

To the girl with the alcoholic father: I am so sorry for the agony it must cause. Again, such courage is remarkable you must be such a strong person to see such pain.

To the girl whose father died: Missing them never goes away. The ache of their absence never goes away. But the love they had, the memories you share surely must last. I am sure, out of the bottom of my heart, the people who have left you in this world are exceptionally proud of the person you are.

Everytime(sic) I see these walls, these confessions, I feel so blessed to know I have the priviledge(sic) of seeing them. Your moments, these secrets, are all precious even though they are sad. To all of you (including those I did not mention, and those who have not yet written)

-You are worthy.
-You are strong.
-You are brave.
-You are loved.
-Somebody cares.

It  went viral.  Reddit picked it up, and the story has been in Canadian newspapers.  But this example is not so unusual.  A study of bathroom graffiti at a New Zealand university (unfortunately behind a paywall) found similar themes:

…inscriptions in the women’s toilets were talking about love and romance, soliciting personal advice on health issues and relationships, and discussing what exact act constitutes rape. Women also tried to placate more heated discussions (e.g., “Stop this. There is no reason to say these things. Why so much in-fighting?”).

The men wrote about politics and money (especially taxes and tuition).  Men also posted insults that were far more numerous and aggressive than those in the women’s room.  Only the men wrote racist graffiti.

Drier’s note, then, is a nice example of a documented trend: anonymous women being nice to each other in their bathrooms.

Jay Livingston is the chair of the Sociology Department at Montclair State University. You can follow him at Montclair SocioBlog or on Twitter.

Re-posted to add to the discussion about sexual assault in the aftermath of the Steubenville rape trial, the Senate hearing on rape and harassment in the military, and the controversy at Occidental College.

On the heels of our recent post about an anti-rape ad that did the unusual — target men and tell then not to rape — comes this Scottish ad, sent along by Sociologist Michael Kimmel, that does a fantastic job of mocking the idea that some women are “asking for it”:

Lisa Wade, PhD is an Associate Professor at Tulane University. She is the author of American Hookup, a book about college sexual culture; a textbook about gender; and a forthcoming introductory text: Terrible Magnificent Sociology. You can follow her on Twitter and Instagram.