Archive: Jan 2010

Larry of The Daily Mirror sent in an article that ran in the Los Angeles Times on January 26, 1920. Here are some screencaps of the most interesting sections:

Not surprisingly, civilization means only one thing: assimilation into Anglo culture. The other option? Extinction. How do we know a tribe isn’t civilized? They still live like their “forefathers” did. It’s a theme we see a lot in terms of Native Americans: in order to be authentic (which in this case means “uncivilized”), they must not change any cultural practices. There is an expectation that “real” Indians are culturally frozen in time, as though their cultural practices and lifestyles had not changed throughout history just like every other group’s has.

And also, I’m pretty sure lots of groups have combined elements of two or more religions “without any difficulty or embarrassment,” but whatever. I’m sure they were, indeed, of immense interest to artists, scientists, and writers (also, physiognomists). And since they are of interest to them, that should definitely be taken into account when we decide what to do with them. Taos still loves Indian art.

Still, Native American cultural customs are acceptable only to the degree they are compatible with assimilation. And learning to read and write, use a stove or a sewing machine, mean giving up “the Indian life.” Again, modernity cannot be combined with existing cultural practices.

It’s a great example of how Whites felt entirely comfortable discussing what the future of American Indians should be, either romanticizing them as noble savages or insisting on their cultural backwardness, without any sense that Indians themselves might have any ideas on the issue worth paying attention to.

Gwen Sharp is an associate professor of sociology at Nevada State College. You can follow her on Twitter at @gwensharpnv.

Gwen mentioned recently that the real purpose of television wasn’t to entertain you, but to collect a predictable audience that networks could then sell to companies.  Commercials.  Commercials are the reason that programming exists.

In that light, it’s interesting to see what’s happening on Hulu, a website devoted to watching television programs.  Jody and Karyn G. sent in this screen shot of a prompt at the beginning of a show asking, nicely, what kind of “ad experience” she would “prefer”:

First, I think the question is hilarious.  “Ad experience” is an awesome euphemism for “effort at manipulation.”  And, of course, the real question that is being asked is “Who are you?”  Like with Facebook, they need to know.

Second, asking the question is a new tool for marketers made possible by a this new way of delivering programming to one person at a time.  Presumably, I am only one person and either a “him” or a “her.”  If the marketers can ascertain this, they can target their commercials even more effectively than when they were advertising on Spike TV and during Oprah (because they are only guessing who is watching in those cases, but I’m straight up telling them in this one).

Of course, this all depends on us being predictable and obedient consumers… and I bet some of us very much aren’t.

Lisa Wade, PhD is an Associate Professor at Tulane University. She is the author of American Hookup, a book about college sexual culture; a textbook about gender; and a forthcoming introductory text: Terrible Magnificent Sociology. You can follow her on Twitter and Instagram.

If you’re designing a cover for a book by a Chinese or Japanese writer, or with a Chinese or Japanese setting, it seems that there are some compulsory elements which must be included. For variety’s sake, there are four elements, but you MUST use at least one of them. Advanced designers, of course, may use two or more.

Element 1: Blossoms (preferably cherry, but anything red or pink will do)

Element 2: Fans (preferably held so as to partly obscure a woman’s face (or genitals), and if you can get blossoms on the fan, you get bonus points)

Element 3: Dragons (for use only on crime novels, or other exciting tales)

Element 4: Female Necks (preferably that of a geisha, but any female neck will do in a pinch)

For more on this trend, see this article from Hyphen Magazine, which features a brief interview with ace designer Henry Sene Yee. It was that article which also drew my attention to two covers featured above, those for On a Bed of Rice and The Street of a Thousand Blossoms.

(To be fair, I ought to note that several of these covers are actually very nice–it’s just that they lose rather a lot of their impact because of the familiarity of the elements used.)

James Morrison (jrsmorrison@yahoo.com.au) is a writer, editor and graphic designer who lives in Adelaide, Australia. He writes about book covers and book design at causticcovercritic.blogspot.com, and used to write about novellas at Book Slut.  He blogs at Caustic Cover Critic. Thanks to Lisabee for the hat tip.

Nikki L. sent in images of an article titled “Are You Turning Your Boyfriend into a Girlie Man?” from the February 2010 issues of Cosmo. Nikki says,

The article discusses how many women are treating their boyfriends like their girlfriends, making them go shopping, do yoga, and eat vegan food. It says the gender roles are being blurred, and that’s a good thing up to a point. The article says that eventually your man will push you away and resent you for making him girlie. It gives a list of things your man shouldnt be doing, as it might damage his masculinity…

The first page:

Notice the subtitle in red and the text below it:

First, why would you want to act like your BF or husband is one of the girls anyway? Your pull to do girlie things with him stems from experiences with your female friends. “Women are intimate with their close friends, we share everything,” says JoAnn Magdoff, PhD…

Yes. Why on earth would you want to recreate that type of relationship with a guy? Who wants to be intimate, emotionally close, and share everything with their partner? Yuck!

Here are some things you do not want your boyfriend/husband to do:

Just to reiterate: men cannot care too much about their personal appearance. They cannot try to eat healthily, or be vegetarian/vegan. If they’re gonna cook, they better not try to keep from burning their hands by wearing items specifically designed for that task. Sissies!

The article also provides a list of “manly date ideas” you can do with your guy to avoid turning him into one of the girls:

That’s just…stupid! It’s stupid! Gah! It’s such a ridiculous division of the world into the stereotypically masculine and the stereotypically feminine with policing to remind us that men must never be feminine. Ever! And women, stop emasculating men!

Men like meat! And pizza! Girls like chef salads without eggs, bacon, or cheese in them. Men like dogs! Women like cats. Have you ever known a woman who liked dogs? As if! Men like walking in the park and the beach. Except in movies where walking on the beach is portrayed as all annoyingly mushy and romantic, something men do because women like that sort of thing.

I’m also pretty sure if his favorite video game turns out to be Bejeweled, that goes up on the list of things you never wanna see.

Z at It’s The Thought That Counts asked us to submit for commentary a product called the BeBand on sale at Target.  The Band is designed for pregnant women and women who’ve recently given birth:

(Note the carefully placed rings!  This model is no unwed mother!)

The box says that it will “cover unbuttoned pre-pregnancy jeans,” “hold up too-big maternity pants,” and allow you to “fit into pre-pregnancy pants sooner after giving birth”:

But it’s interesting that that’s the fine print.  The large print emphasizes beauty (“Be Belly Beautiful”) and the product is also sold under the name BellaBand.

Questions:

I’ve never been pregnant, is this a new product?  If so, is it a useful product or an invented need?

Even if this is a useful product, what do you think of the emphasis on beauty on the part of the marketers?

Is this not just another part of a demand for women to be freakin’ gorgeous at every part of their lifecycle?

NEW! (Mar. ’10): Along the same lines, R. Walker told us about a product called Shrinkx Hips:

For the low price of $54.99, “Shrinkx Hips provides constant, even pressure to gently guide hips back to their pre-pregnancy position” (if you wear it for 8 weeks). R.W. said it seems like a torture device, and I rather agree. But hey, apparently it makes you look like that model afterward, so what’s a little pain?

Lisa Wade, PhD is an Associate Professor at Tulane University. She is the author of American Hookup, a book about college sexual culture; a textbook about gender; and a forthcoming introductory text: Terrible Magnificent Sociology. You can follow her on Twitter and Instagram.

Christina S. sent along a link to the British commercial below for Twingo. There’s a twist ending, so I’ll let you watch it:

Notice that, at the very end, the narrator refers to how “we live in modern times,” meaning that we drive socially responsible cars and tolerate cross-dressing.

The idea embedded in that commercial is: now that we’re “modern,” there is no more prejudice and intolerance. Or, “modern” people are tolerant of social differences. Things like bias, hate, and discrimination are “in the past,” confined to those who are “traditional” or otherwise somehow regressive.

This makes sense to us (and the commercial, therefore, works) because many of us have a model of history that assumes that everything will, inevitably, always get better… or at least not get worse. This is a linear model where the line for “progress” keeps going higher and higher over time.  However things are today, we assume, things must have been worse before.  Thinking like this makes invisible the possibility that people were more tolerant in the past as well as the possibility that we could become increasingly intolerant in the future.  As I wrote in a previous post about cavemen:

There are serious problems with this idea:  (a)  We may stop working to make society better because we assume it will get better anyway (and certainly never get worse) with or without us.  (b) Instead of thinking about what things like gender equality and subordination might look like, we just assume that equality is, well, what we have now and subordination is what they had then.  This makes it less possible to fight against the subordination that exists now by making it difficult to recognize.

History doesn’t move along in a linear or predictable way.  And it certainly doesn’t produce equality just by plodding along.  We need to do the hard work of figuring out what an egalitarian society looks like and how to get there.  Conflating “modernity” with social tolerance makes it seem as though the work is already finished.

UPDATE! Ashleigh V. sent in another Twingo commercial.  This one conflates modernity with sexual permissiveness:

Lisa Wade, PhD is an Associate Professor at Tulane University. She is the author of American Hookup, a book about college sexual culture; a textbook about gender; and a forthcoming introductory text: Terrible Magnificent Sociology. You can follow her on Twitter and Instagram.

Last night some friends and I were on the Strip here in Vegas and wandered over to look at City Center, the new casino/very high-end shopping center/”walkable city within a city” that was such a big deal when it opened recently that national news outlets, including NPR, talked about it. Anyway, we were wandering around and came upon a lingerie store with this mannequin in the window:

She’s blindfolded, handcuffed, on her knees. Another mannequin was also blindfolded, with ties around her ankles, and a third had a long pearl necklace wrapped around her neck and then tied around each wrist.

Our reaction was, basically, “Agh! Agh! WTF? Why?!?” We all, men and women alike, interpreted it as an icky depiction of sexual domination of women, perhaps even violence.

But of course, there’s another way to interpret it, particularly given that it’s a lingerie store: as consensual participation in S&M/bondage or sexual role-playing.

I still can’t shake off my initial feeling. We often see implied, or obvious, violence toward or sexual harassment of women as marketing or entertainment (see the trailer for the movie Bounty Hunter, vintage Betty Crocker ad, PSA for labeling cleaning products, violence against women in prime time, ad for CSI, t-shirt to show team spirit, ad for shoelaces, Lanvin ads, trailer for Dead Girl, Barney’s window display showing splattered blood and mannequins under attack, is stalking romantic?, trailer for Observe and Report, Rene Russo photo shoot, ha ha! She wasn’t being beaten!, “going in for the kill has never been so satisfying”, oops, I strangled a woman, and…oh, there are many more, but I don’t have time to link to them all). It seems naive to think that people can see mannequins posed like this and completely disconnect them from other portrayals of women bound, gagged, dead, sexually assaulted, etc., that are meant to be funny or sexy.

But it also seems problematic to dismiss the idea that in at some situations, such as this one, the situation could be consensual S&M. Allusions to at least light bondage has become more common in pop culture, particularly handcuffs as a sexy prop (sometimes used for laughs if one partner ends up handcuffing the other to something and then robbing them, stealing their clothes, etc.). Yet those who participate in S&M are also often stigmatized as sexual deviants.

But then, how do we think about S&M/bondage given that the sexual norms common in the U.S. include the idea of female sexual passivity and submission? Is this mannequin problematic in any way even if the store meant to invoke the idea of sexual role-playing?

I am confounded by this. The mannequin creeps me out. I don’t like it. But I’m sure many people can make eloquent arguments against my reaction, or how we approach the various issues involved. So what to make of this mannequin, readers? Help me out.

NEW! (Mar. ’10): SOM sent in this photo of the display in the window of the shoe store Sole Experience in Edmonton, Alberta, that shows a woman in high heels with her feet bound. This image, to me, seems to more clearly imply violence than the one above, possibly because of the use of rope rather than handcuffs, which are associated with sex role-playing:

Gwen M. sent in a story about a performance by Oksana Domnina and Maxim Shabalin at the Russian National Figure Skating Championships:

The pair won first place and plan to use the routine at the Vancouver Olympics next month. They explained that the routine (video below) was inspired by clips of Australian Aboriginal dance on the internet. About the idea, Domnina wrote: “I thought it was just crazy, but once we have tried it, we immediately fell in love with it.”

Bev Manton, the chair of the New South Wales Land Council thinks it’s less “crazy” and more offensive. She says:

I am offended by the performance and so our other councillors… Aboriginal people for very good reason are sensitive about their cultural objects and icons being co-opted by non-Aboriginal people – whether they are from Australia or Russia.

It’s important for people to tread carefully and respectfully when they are depicting somebody else’s culture and I don’t think this performance does.

The routine:

Sources (text; image).  Via Racilicious.

Lisa Wade, PhD is an Associate Professor at Tulane University. She is the author of American Hookup, a book about college sexual culture; a textbook about gender; and a forthcoming introductory text: Terrible Magnificent Sociology. You can follow her on Twitter and Instagram.