commentary

The lies told to artists mirror the lies told to women: Be good enough, be pretty enough, and that guy or gallery will sweep you off your feet… But make the first move, seize your destiny, and you’re a whore.

– Molly Crabapple, Drawing Blood

The question of how to handle adult content is difficult and unavoidable for any social media platform. Sites that host adult content usually find it very hard to get adult backlinks since not many sites are interested and some are even indifferent towards the adult industry.  The complexity of the issue is such that companies’ responses are all over the map. Before talking about what companies lose out on when they ban adult content, it’s probably helpful to look at where the largest social media platforms stand on the issue. more...

While updating my personal archive of news relating to the Influencer industry, I decided to highlight a few significant developments in Q1-Q2 of 2017 in this short round-up.

With its historical beginnings rooted in bedroom camming culture in the North American late-1990s and the online selling culture in the South East Asian early-2000s, the Influencer industry is its vernacular and institutionalised formats is more than a decade old today.

Yet, for all their progress and advancements across several industry verticals and areas of society, present-day news reports seem to be stuck in a backdated timeloop as they continually express surprise at the fact that Influencers can command sizable earning and brands want to work with them, assert that the Influencer industry is somehow mysterious and a secret weapon, and reiterate that the Influencer industry is simultaneously on the rise and on the decline. That’s quite the obsession over the financial aspect of Influencers. But is there much else?

Yes! In the first half of 2017 alone, the Influencer ecology worldwide has registered several controversial blows and innovative debuts in relation to legality, economics, culture, and social issues.  more...

Inverse has a short thing about the precipitous decline of reported close encounters with extra-terrestrials following the widespread adoption of smartphones. Author Ryan Britt asks, “How come there have been fewer reports of flying saucers and alien abductions in the age of the camera phone?” The answer is, essentially, UFOs and abduction stories don’t work at the high resolutions of our devices. Roswell and abductions are the products of eye witness accounts and fuzzy VHS video, not 4k videos captured on iPhones. The mundane enchantment of suburbia, as I’ve called it before, gets deleted as noise in an attempt to capture life in the photo-realistic. more...

On July 6, 7, and 8 the police established a thick cordon around the Hamburg Messe and Congress where the G20 was taking place. It separated delegates from the thousands of protestors who had converged on the city.

From the distinctive, red Handmaid cloaks worn by Polish feminists, to Greenpeace in boats off the harbour, to radical and Left groups in Europe, the G20 brought together diverse communities of protest from around the world. Protestors were there to tell leaders of the world’s most powerful economies that they were doing a terrible job of running the planet.

Not all of the protests were peaceful. The violence by some protestors and by the police against them has formed a substantial part of the reportage about the G20. In this post, I share some experiences and insights from the protests and their mediation.

The anti-Trump protests, the anti-Caste discrimination movements and activism on Indian university campuses against the Modi government, the ‘Science March’, the Women’s Marches, protests against Michel Temer in Brazil, #FeesMustFall and its sister protests in South Africa, and the post-Brexit marches to name a few, have captured local and national attention.

These protests have generated discussion about the shifting dynamics of political participation, popular resistance, and media, from the documentation of clever signs, the transition of protest memes from the online to the offline and back again, to the inspirational images of Saffiyah Khan and Ieshia Evans confronting violence. more...

Snapchat recently released a new feature called Snap Map that lets users see the the location of their friends’ snaps organized on a map. The feature is opt-in only and carefully avoids unintended disclosure of user data. Snapchat even nudges users to actively manage who they share their location with. The Snap Map support page says (only half-jokingly):

Only the people you choose can see your location — so if you’re friends with your boss, you can still keep your location on the down low during a “sick day” ?

This cautiousness in introducing features—particularly ones that reveal location data—is laudable and also not surprising. Many social media users may not remember the ill-fated rollouts Facebook Beacon and Google Buzz [1, 2], but Silicon Valley designers remain acutely aware of how intense the backlash can be when new features fail to incorporate sufficient privacy protections.

While Snapchat has been careful in their implementation of Snap Maps, the feature has raised serious concerns for cam models, clip producers, phone sex operators, and other online sex workers, many of whom are very active on Snapchat and rely on it as a significant source of income. more...

With the New York State Assembly’s recent budget, and after a long fight among labor organizers, lawyers, business owners, and legislators, ridesharing has come to town here in upstate New York. Ride-sharing advocates are celebrating the victory, claiming that it will spur economic development and reduce drunk driving. I spoke with local Service Employees International Union (SEIU) organizer Sean Collins about the new legislation and what effects it might have on the region, as well as the rhetoric regarding the benefits of services such as Uber and Lyft and the increasing replacement of public transportation improvement with private entities. more...

Exxxotica, a large adult-themed expo that started in 2006, was held in Chicago last weekend. While the event is broad and claims to be a “love and sex” catch-all event (including seminars and presentations related to BDSM, swing lifestyle, sexual health, toys, etc.), it is largely focused on the adult industry. Indeed, since its inception Exxxotica has hosted large name porn stars like Jenna Jameson and Ron Jeremy, and it promises to connect fans with their favorite stars.

In its 11th year, changes in the expo have reflected changes in the industry itself. Most notably, there has been a huge shift away from mainstream studio porn production to that of independent content creation. J. Handy, the director of Exxxotica, recalled that the first year that MyFreeCams  was present was in 2012 with a 10×30’ booth and 8-10 cam girls.in contrast, the same site exhibited with a 50×60’ booth and over 200 cam models in Chicago last weekend. In addition to MyFreeCams, other cam sites such as Chaturbate, Cam4, and LiveJasmine were present.   more...

Non-consensual pornography—frequently called “revenge porn”—describes nude or sexually suggestive photos shared in a manner or context that the subject did not consent to, often with the intent to humiliate, intimidate, or extort the victim. In many cases, these pics are distributed by someone who received (or was allowed to take) them on the assumption that they would remain private.

While non-consensual pornography is not unique to social media, these platforms have made it easier to distribute images anonymously/pseudonymously to a wide audience. Nude or sexual pics are non-consensually distributed through dedicated websites; subforms on Reddit, 4chan, and their many offshoots; “dump accounts” on Twitter or Tumblr; torrent sites (particularly for celeb photos); and the Dark Web (for underage or otherwise illegal content). more...

Editor’s Note: We are re-posting this piece that originally ran in June 2016. With the newest season of OITNB launching this Friday, the post’s original author (Apryl Williams) reports that she has found no evidence of increased racial diversity in the OITNB writer’s room. In light of this, the message of her essay bears repeating. 

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Orange is the New Black’s newest season demands to be binge watched with its notorious twists at every episode style. When it came out on June 17^th, I began my annual binge session and had completed it by Saturday, June 18^th.

If you haven’t heard, the series delivered “The mother of all finales” at the end of this season. As I mourned the death of a major black character, I found myself simultaneously mourning the real deaths of Eric Garner, Sandra Bland, Freddie Gray and the list unfortunately goes on. The stylized portrayal of a death in prison custody at the hands – or knee rather – of a white correctional officer was unmistakably close to Garner’s “I can’t breath.” Though those words were never uttered, anyone who has kept up with news in the last year would find haunting familiarity in the fictional inmate’s all-too-real gasps for air.

With her small frame and spine gradually being crushed by the full weight of the white correctional officer as she tried to breathe but failed, the imagery was almost too painful to watch. But I had come this far, I had to continue. At the end of the season, instead of falling into my usual “showhole” syndrome, I was angry and emotionally distraught. This had a visceral, personal effect and nobody warned me it was coming. As the other inmates grieved the death of their friend and urged those in charge to move her body, I wondered who was responsible for writing these scenes and this episode. Surely, a person of color would have cautioned against such tactics without ample viewer preparation. It appears as though the perspective of black viewers was not taken into consideration; a likely result of the limited representation we have in media production. Then I realized that to a white audience, a warning would not have the same meaning or importance. more...

Technological advancements have had a profound influence on social science research. The rise of the internet, mobile hardware and app economies generate a breadth, depth and type of data previously unimaginable, while computational capabilities allow granular analyses that reveal patterns across massive data sets.  From these new types of data and forms of analysis, has emerged a crisis and renaissance of methodological thought.

Early excitement around big data celebrated a world that would be entirely changed and entirely knowable. Big data would “revolutionize” the way we “live, work, and think” claimed Viktor Mayer-Schönberger and Kenneth Cuckier in their 2013 monograph, which so aptly captured the cultural zeitgeist energized around this new way of knowing. At the same time, social scientists and humanities scholars expressed concern that big data would displace their rich array of methodological traditions, undermining diverse scholarly practices and forms of knowledge production. However, with the hype around big data beginning to settle, polemic visions of omnipotence on the one hand, and bleak austerity on the other, seem unlikely to come into fruition.

While big data itself enables researchers to ask new kinds of questions, I argue that big data’s most significant effect has been to bring social thinkers back to the methodological (and philosophical) drawing board. For decades, more...