Before becoming an administrator I was an “open-door storyteller” who authored a book on undergraduate media literacy. I dusted off my copy of the book after reading a Pacific Standard magazine article on media literacy for Generation Z. The author notes that we have a very tall task ahead of us. He closes with, “[u]shering the [media literacy for children] curriculum into the 21st century will demand of us—the adults—to undertake the educational equivalent of the Manhattan Project.” My book was very positive about the media literacy abilities of students, so I guess that if writing it today it would have a very different tone. Wow!
media culture
In early January Lake Superior State University provides a list of words and phrases to banish in the new year. Wayne State University also releases a list about word usage, but its “word warriors” project encourages the increased use of words that better convey meaning and promote good communication. 2019 lists of words/phrases to banish and words to use more frequently have been released. The most intriguing on the increased usage list is “anechdoche,” a conversation in which everyone is talking, but no one is listening. Sadly, that is too common these days.
A couple of weeks ago I posted a note about an online game designed to help people detect fake news. This game is even more timely than I initially thought, as I just learned about a new research study that found that falsehoods are more popular than truths on Twitter. The study “analyzes every major contested news story in English across the span of Twitter’s existence—some 126,000 stories, tweeted by 3 million users, over more than 10 years—and finds that the truth simply cannot compete with hoax and rumor. By every common metric, falsehood consistently dominates the truth on Twitter, the study finds: Fake news and false rumors reach more people, penetrate deeper into the social network, and spread much faster than accurate stories.” Wow!
In a recent Pacific Standard article — “How to Immunize Yourself Against Fake News” — author Tom Jacobs argues, “it’s imperative that citizens become more media savvy, and learn to distinguish between authentic information and dubious material designed to sow discord.” The articles discusses www.fakenewsgame.org, a new online game that invites users to assume the role of a fake news disseminator. “This gives users insight into both the mindset of such propagandists, and the techniques they use,” Jacobs notes. A pilot study of the game played by 95 high school students in the Netherlands produced encouraging results. Hopefully other studies will provide confirmation!
The new movie Black Panther is breaking records at the box office, and generating lots of commentary online. The article that has most resonated with me is “Why ‘Black Panther’ is a Defining Moment for Black America.” Author Carvell Wallace begins with “the Grand Lake Theater — the kind of old-time movie house with cavernous ceilings and ornate crown moldings — is one place I take my kids to remind us that we belong to Oakland, Calif. Whenever there is a film or community event that has meaning for this town, the Grand Lake is where you go to see it.” My wife, mother-in-law, and I saw the movie at the Grand Lake Theater the day after it was released. The jam-packed multicultural crowd roared when the opening scene was identified as being set in Oakland, and many other scenes generated thunderous applause. I experienced the movie again the next day at a special screening for SJSU students. I’ll probably go view the movie a third time soon!
Carvell begins the analysis of the movie by contrasting it with earlier films with Black superheroes, which were either comedies or action films with the hero’s blackness being incidental.
Black Panther, by contrast, is steeped very specifically and purposefully in its blackness. “It’s the first time in a very long time that we’re seeing a film with centered black people, where we have a lot of agency,” says Jamie Broadnax, the founder of Black Girl Nerds, a pop-culture site focused on sci-fi and comic-book fandoms. These characters, she notes, “are rulers of a kingdom, inventors and creators of advanced technology. We’re not dealing with black pain, and black suffering, and black poverty” — the usual topics of acclaimed movies about the black experience.
“Black Panther is a Hollywood movie,” Carvell continues, “and Wakanda is a fictional nation. But coming when they do, from a director like Coogler, they must also function as a place for multiple generations of black Americans to store some of our most deeply held aspirations.” The movie sits squarely in the Afrofuturism artistic movement:
Afrofuturism, a decidedly black creation, is meant to go far beyond the limitations of the white imagination. It isn’t just the idea that black people will exist in the future, will use technology and science, will travel deep into space. It is the idea that we will have won the future. There exists, somewhere within us, an image in which we are whole, in which we are home. Afrofuturism is, if nothing else, an attempt to imagine what that home would be. Black Panther cannot help being part of this.
Carvell closes with “we hold one another as a family because we must be a family in order to survive. Our individual successes and failures belong, in a perfectly real sense, to all of us. That can be for good or ill. But when it is good, it is very good. It is sunlight and gold on vast African mountains, it is the shining splendor of the Wakandan warriors poised and ready to fight, it is a collective soul as timeless and indestructible as vibranium. And with this love we seek to make the future ours, by making the present ours. We seek to make a place where we belong.” Indeed!
Today I learned a new word: “youthquake.” According to the Oxford Dictionaries this is “a significant cultural, political, or social change arising from the actions or influence of young people,” and it is their world of the year. The other eight finalists for word of the year were Antifa, broflake, gorpcore, kompromat, milkshake duck, newsjacking, unicorn, and White fragility. I’ve only heard of Antifa and White fragility [and unicorn, but only as a reference to a mythical animal, not “denoting something, especially an item of food or drink, that is dyed in rainbow colours, decorated with glitter, etc.”]. I’ll need to read the dictionary more often…
An advertisement for Dove body wash was recently deemed racially insensitive for its portrayal of a Black woman who removes her brown shirt to reveal a White woman wearing a tan shirt. There is a long history of advertisers being insensitive to African American consumers…when they paid attention to that segment of the market at all. The Pacific Standard article “A Brief History of Companies Courting African-American Dollars” provides an analysis.
The August 11, 2017 Google Doodle is about the 44th anniversary of the birth of hip hop. The doodle is interactive: one is invited to experiment with scratching and mixing records on two turn tables [just two turntables, though, not two turntables and a microphone]. I must admit that I spent a little too much time playing with it today! I also reminisced about my earliest experience with hip hop: with other 7th grade kids I improvised my own lines to raps by Grandmaster Flash and the Furious Five…I think that one of my lines was “Like Melle Mel I’m here to say, all the pretty girls come my way!” I didn’t pay much attention to hop hop again, however, until rooming with a high school buddy in my first year of college. At one time Charles Isbell maintained an online hip hop reviews page, but now he’s too busy with administration, as he’s the Executive Associate Dean and Professor in the College of Computing at our undergraduate alma mater, Georgia Tech. I wonder how many other deans out there were hip hop heads back in the day…
One of my favorite websites is CityLab, a space “dedicated to the people who are creating the cities of the future—and those who want to live there. Through sharp analysis, original reporting, and visual storytelling, our coverage focuses on the biggest ideas and most pressing issues facing the world’s metro areas and neighborhoods.” The editors recently redesigned the site, and sent a note to subscribers about the changes. I’ll report the note below. I encourage everyone to visit the site!
Dear CityLab Reader,
Today, you will notice we have launched a major redesign to CityLab. The redesign is bringing you the same smart insights and strong journalism as before, but now enhanced by a design that is easier to read, and as sophisticated as you, our readers. If you want to learn more about how we redesigned the site David Dudley, our Executive Editor, wrote a great post here.
Over the coming weeks and months you will see additional changes coming to CityLab.
The first, and perhaps most visible, change to CityLab is refocusing our verticals down to an essential five.
- Design: covering how space elevates us, engages us and makes our cities and communities special and livable.
- Transportation: examining all aspects of mobility; from bicycles to autonomous vehicles to our own two feet.
- Environment: exploring how cities are on the frontlines of sustainability, resiliency and making our lives more green.
- Equity: connecting how we live in cities to how we provide opportunities for all to thrive and improve the wellbeing of all members of our community.
- Life: a refocus of our “modern urbanist’s guide to life” to engage a new generation to think and act in their pursuit of making their urban communities better, cooler and livable.
A second change is a deeper commitment to telling stories visually, especially with maps. Cities are visual experiences and we are supporting our writers who have long desired to expand the way we tell stories. There is new innovation in cartography, infographics, and custom visual information; which will allow for strong interactive features. This type of storytelling will become a hallmark of CityLab.
The third change at relaunch is that we are introducing several new features:
- Solutions: we will be building on our CityFixer articles by rebranding them “Solutions.” For select articles will be attaching a new “Toolbox,” so people who are inspired by the article can learn how to explore a solution for their city.
- Viewpoints: we will be expanding our POV content to support important new voices that will change the debate about our future cities. We will have special emphasis on men and women of color and other voices who have been underrepresented in the conversation about the future of cities.
- Newsletters: we have found that newsletters are an excellent way for audiences to connect with us, and that our newsletter subscribers become regular, deep, and engaged readers. We have already launched a new weekly newsletter tied to urban living. We will be experimenting with additional newsletters focused on Maps, and a morning urban news round-up The Lab Report.
The last big change is that we have stopped accepting advertising that interrupts your reading experience. For CityLab’s highly engaged, educated audience we want our advertising to have impact, and even at times surprise and delight you. We are now working directly with our advertising partners to create stronger, useful ads that stand to the right of the content, which, befitting our site, we call “Empire Ads,” as well as sponsor content that we create with our advertising partners.
CityLab has never been a passive voice publication. Our writers and editors don’t write about the future of cities, but with our unabashed love of urban life we are a part of the process of how urban leaders, advocates and entrepreneurs discover the future.
Our commitment is to dive even deeper into reporting the stories that change the way we think about our urban future. And now we have a site that can showcase the best urban journalism in the world!
“Cultural appropriation” is a term that is increasingly appearing in popular culture. “The Dos and Don’ts of Cultural Appropriation” is a fascinating article in The Atlantic, arguing that “borrowing from other cultures isn’t just inevitable, it’s potentially positive.” Check it out!
In early January Lake Superior State University provides a list of words and phrases to banish in the new year. Wayne State University also releases a list about word usage, but its “word warriors” project encourages the increased use of words that better convey meaning and promote good communication. 2019 lists of words/phrases to banish and words to use more frequently have been released. The most intriguing on the increased usage list is “anechdoche,” a conversation in which everyone is talking, but no one is listening. Sadly, that is too common these days.
A couple of weeks ago I posted a note about an online game designed to help people detect fake news. This game is even more timely than I initially thought, as I just learned about a new research study that found that falsehoods are more popular than truths on Twitter. The study “analyzes every major contested news story in English across the span of Twitter’s existence—some 126,000 stories, tweeted by 3 million users, over more than 10 years—and finds that the truth simply cannot compete with hoax and rumor. By every common metric, falsehood consistently dominates the truth on Twitter, the study finds: Fake news and false rumors reach more people, penetrate deeper into the social network, and spread much faster than accurate stories.” Wow!
In a recent Pacific Standard article — “How to Immunize Yourself Against Fake News” — author Tom Jacobs argues, “it’s imperative that citizens become more media savvy, and learn to distinguish between authentic information and dubious material designed to sow discord.” The articles discusses www.fakenewsgame.org, a new online game that invites users to assume the role of a fake news disseminator. “This gives users insight into both the mindset of such propagandists, and the techniques they use,” Jacobs notes. A pilot study of the game played by 95 high school students in the Netherlands produced encouraging results. Hopefully other studies will provide confirmation!
The new movie Black Panther is breaking records at the box office, and generating lots of commentary online. The article that has most resonated with me is “Why ‘Black Panther’ is a Defining Moment for Black America.” Author Carvell Wallace begins with “the Grand Lake Theater — the kind of old-time movie house with cavernous ceilings and ornate crown moldings — is one place I take my kids to remind us that we belong to Oakland, Calif. Whenever there is a film or community event that has meaning for this town, the Grand Lake is where you go to see it.” My wife, mother-in-law, and I saw the movie at the Grand Lake Theater the day after it was released. The jam-packed multicultural crowd roared when the opening scene was identified as being set in Oakland, and many other scenes generated thunderous applause. I experienced the movie again the next day at a special screening for SJSU students. I’ll probably go view the movie a third time soon!
Carvell begins the analysis of the movie by contrasting it with earlier films with Black superheroes, which were either comedies or action films with the hero’s blackness being incidental.
Black Panther, by contrast, is steeped very specifically and purposefully in its blackness. “It’s the first time in a very long time that we’re seeing a film with centered black people, where we have a lot of agency,” says Jamie Broadnax, the founder of Black Girl Nerds, a pop-culture site focused on sci-fi and comic-book fandoms. These characters, she notes, “are rulers of a kingdom, inventors and creators of advanced technology. We’re not dealing with black pain, and black suffering, and black poverty” — the usual topics of acclaimed movies about the black experience.
“Black Panther is a Hollywood movie,” Carvell continues, “and Wakanda is a fictional nation. But coming when they do, from a director like Coogler, they must also function as a place for multiple generations of black Americans to store some of our most deeply held aspirations.” The movie sits squarely in the Afrofuturism artistic movement:
Afrofuturism, a decidedly black creation, is meant to go far beyond the limitations of the white imagination. It isn’t just the idea that black people will exist in the future, will use technology and science, will travel deep into space. It is the idea that we will have won the future. There exists, somewhere within us, an image in which we are whole, in which we are home. Afrofuturism is, if nothing else, an attempt to imagine what that home would be. Black Panther cannot help being part of this.
Carvell closes with “we hold one another as a family because we must be a family in order to survive. Our individual successes and failures belong, in a perfectly real sense, to all of us. That can be for good or ill. But when it is good, it is very good. It is sunlight and gold on vast African mountains, it is the shining splendor of the Wakandan warriors poised and ready to fight, it is a collective soul as timeless and indestructible as vibranium. And with this love we seek to make the future ours, by making the present ours. We seek to make a place where we belong.” Indeed!
Today I learned a new word: “youthquake.” According to the Oxford Dictionaries this is “a significant cultural, political, or social change arising from the actions or influence of young people,” and it is their world of the year. The other eight finalists for word of the year were Antifa, broflake, gorpcore, kompromat, milkshake duck, newsjacking, unicorn, and White fragility. I’ve only heard of Antifa and White fragility [and unicorn, but only as a reference to a mythical animal, not “denoting something, especially an item of food or drink, that is dyed in rainbow colours, decorated with glitter, etc.”]. I’ll need to read the dictionary more often…
An advertisement for Dove body wash was recently deemed racially insensitive for its portrayal of a Black woman who removes her brown shirt to reveal a White woman wearing a tan shirt. There is a long history of advertisers being insensitive to African American consumers…when they paid attention to that segment of the market at all. The Pacific Standard article “A Brief History of Companies Courting African-American Dollars” provides an analysis.
The August 11, 2017 Google Doodle is about the 44th anniversary of the birth of hip hop. The doodle is interactive: one is invited to experiment with scratching and mixing records on two turn tables [just two turntables, though, not two turntables and a microphone]. I must admit that I spent a little too much time playing with it today! I also reminisced about my earliest experience with hip hop: with other 7th grade kids I improvised my own lines to raps by Grandmaster Flash and the Furious Five…I think that one of my lines was “Like Melle Mel I’m here to say, all the pretty girls come my way!” I didn’t pay much attention to hop hop again, however, until rooming with a high school buddy in my first year of college. At one time Charles Isbell maintained an online hip hop reviews page, but now he’s too busy with administration, as he’s the Executive Associate Dean and Professor in the College of Computing at our undergraduate alma mater, Georgia Tech. I wonder how many other deans out there were hip hop heads back in the day…
One of my favorite websites is CityLab, a space “dedicated to the people who are creating the cities of the future—and those who want to live there. Through sharp analysis, original reporting, and visual storytelling, our coverage focuses on the biggest ideas and most pressing issues facing the world’s metro areas and neighborhoods.” The editors recently redesigned the site, and sent a note to subscribers about the changes. I’ll report the note below. I encourage everyone to visit the site!
Dear CityLab Reader,
Today, you will notice we have launched a major redesign to CityLab. The redesign is bringing you the same smart insights and strong journalism as before, but now enhanced by a design that is easier to read, and as sophisticated as you, our readers. If you want to learn more about how we redesigned the site David Dudley, our Executive Editor, wrote a great post here.
Over the coming weeks and months you will see additional changes coming to CityLab.
The first, and perhaps most visible, change to CityLab is refocusing our verticals down to an essential five.
- Design: covering how space elevates us, engages us and makes our cities and communities special and livable.
- Transportation: examining all aspects of mobility; from bicycles to autonomous vehicles to our own two feet.
- Environment: exploring how cities are on the frontlines of sustainability, resiliency and making our lives more green.
- Equity: connecting how we live in cities to how we provide opportunities for all to thrive and improve the wellbeing of all members of our community.
- Life: a refocus of our “modern urbanist’s guide to life” to engage a new generation to think and act in their pursuit of making their urban communities better, cooler and livable.
A second change is a deeper commitment to telling stories visually, especially with maps. Cities are visual experiences and we are supporting our writers who have long desired to expand the way we tell stories. There is new innovation in cartography, infographics, and custom visual information; which will allow for strong interactive features. This type of storytelling will become a hallmark of CityLab.
The third change at relaunch is that we are introducing several new features:
- Solutions: we will be building on our CityFixer articles by rebranding them “Solutions.” For select articles will be attaching a new “Toolbox,” so people who are inspired by the article can learn how to explore a solution for their city.
- Viewpoints: we will be expanding our POV content to support important new voices that will change the debate about our future cities. We will have special emphasis on men and women of color and other voices who have been underrepresented in the conversation about the future of cities.
- Newsletters: we have found that newsletters are an excellent way for audiences to connect with us, and that our newsletter subscribers become regular, deep, and engaged readers. We have already launched a new weekly newsletter tied to urban living. We will be experimenting with additional newsletters focused on Maps, and a morning urban news round-up The Lab Report.
The last big change is that we have stopped accepting advertising that interrupts your reading experience. For CityLab’s highly engaged, educated audience we want our advertising to have impact, and even at times surprise and delight you. We are now working directly with our advertising partners to create stronger, useful ads that stand to the right of the content, which, befitting our site, we call “Empire Ads,” as well as sponsor content that we create with our advertising partners.
CityLab has never been a passive voice publication. Our writers and editors don’t write about the future of cities, but with our unabashed love of urban life we are a part of the process of how urban leaders, advocates and entrepreneurs discover the future.
Our commitment is to dive even deeper into reporting the stories that change the way we think about our urban future. And now we have a site that can showcase the best urban journalism in the world!
“Cultural appropriation” is a term that is increasingly appearing in popular culture. “The Dos and Don’ts of Cultural Appropriation” is a fascinating article in The Atlantic, arguing that “borrowing from other cultures isn’t just inevitable, it’s potentially positive.” Check it out!