There’s a tricky balancing act to play when thinking about the relative influence of technological artifacts and the humans who create and use these artifacts. It’s all too easy to blame technologies or alternatively, discount their shaping effects.
Both Marshall McLuhan and Actor Network Theorists (ANT) insist on the efficaciousness of technological objects. These objects do things, and as researchers, we should take those things seriously. In response to the popular adage that “guns don’t kill people, people kill people,” ANT scholar Bruno Latour famously retorts:
It is neither people nor guns that kill. Responsibility for action must be shared among the various actants
From this perspective, failing to take seriously the active role of technological artifacts, assuming instead that everything hinges on human practice, is to risk entrapment by those artifacts that push us in ways we cannot understand or recognize. Speaking of media technologies, McLuhan warns:
Subliminal and docile acceptance of media impact has made them prisons without walls for their human users.
This, they get right. Technology is not merely a tool of human agency, but pushes, guides, and sometimes traps users in significant ways. And yet both McLuhan and ANT have been justly criticized as deterministic. Technologies may shape those who use them, but humans created these artifacts, and humans can—and do— work around them. (more…)
A recent New York Times opinion piece by Hannah Seligson has declared “the unhappy marriage” to be “Facebook’s last taboo.” As a scholar of Facebook, I found the singling out of marriage rather odd. For years now, critics have been decrying the general lack of unhappy anything on Facebook, arguing that the level of self-monitoring typical on the site strips it of authenticity and relational value. While it’s true that most people try to limit the amount of negativity they display on Facebook (as in any semi-public social space), and the interface itself privileges good news, Facebook users are leveraging the medium specifically for the delivery of “bad” (or uncertain) news.
That Facebook is a semi-public space with most, if not all, social norms for public spaces carrying over from face-to-face interaction is now a commonly accepted definition of the platform. In fact, Seligson touches on this a number of times, comparing Facebook, for instance, to cocktail parties for which the married couple hosting must put aside private squabbles and present a united front. That the space is now theoretically visible to hundreds or even thousands of Facebook “friends” certainly reflects a change of scale. (more…)
2014 Ello was in with the new and by 2015 it became out with the old. It’s New Years Eve and I want to look back on a thing that came and went this year, which leaves me feeling bummed. You can only be really disappointed if you start with high hopes, and lots of people for lots of reasons wanted Ello to work. It became quickly clear that the site didn’t have a strong vision. Neither its politics or its understanding of the social life it set out to mediate were inspired or clever enough to be compelling.
The end of a year is an introspective time. We reflect on the past 365 days and lay plans for the year to come. This is a time of remembering, analyzing, hoping, and figuring. Helping us through this introspective process is Facebook’s Year in Review. This app compiles the “highlights” of each user’s year through images, events, and status updates. It then displays this compilation for the user, and gives the option to share the review with Friends. The default caption reads: “It’s been a great year! Thanks for being part of it[i].”
Quickly, the app garnered negative attention when web designer Eric Meyer blogged about his heart wrenching experience of facing pictures of his 6 year old daughter who passed away not long ago. There was no trigger warning. There was no opt-in. There was simply an up-beat video picturing his daughter’s face when he logged into his Facebook account. He aptly attributes this experience to “inadvertent algorithmic cruelty.”
Although the cruelty was indeed inadvertent, it was none-the-less inevitable. It reflects a larger issue with the Facebook platform: its insistent structure of compulsory happiness. This insistence is reflected in a “Like” button, without any other 1-click emotive options; it is reflected in goofy emoticons through which sadness and illness are expressed with cartoon-like faces in cheerful colors; it is reflected in relationship status changes that announce themselves to one’s network. And as users, we largely comply. We share the happy moments, the funny quips, the accomplishments and #humblebrags, while hiding, ignoring, or unFriending those with the audacity to mope; to clog our newsfeeds with negativity. But we do not comply ubiquitously nor condone/censure unanimously. Sometimes we perform sadness, and sometimes we support each other in this. (more…)
Facebook announced this week that it will add a new search feature to the platform. This search feature will, for the first time, allow users to type in keywords and bring up specific network content. Previously, keyword searches lead to pages and advertisements. Now, it will bring up images and text from users’ News Feeds. Although search results currently include only content shared with users by their Friends, I imagine including public posts in the results will be a forthcoming next step.
Facebook, as a documentation-heavy platform, has always affected both how we remember, and how we perform. It is the keeper of our photo albums, events attended, locations visited, and connections established, maintained, and broken. It recasts our history into linear stories, solidifying that which we share into the truest version of ourselves. And of course, the new search feature amplifies this, stripping users of the privacy-by-obscurity that tempered (though certainly did not eliminate) the effects of recorded and documented lives.
The search feature also does something interesting and new. It aggregates. For the first time, users can take the temperature of their networks on any variety of topics. Music, movies, news events and recipes can be called up, unburied from the content rubble and grouped in a systematic way.
Perhaps because I’ve been able to think of little else lately, I immediately considered what this new feature means for how we will remember the events of Ferguson, Staten Island, and the parade of police violence against young men of color. And relatedly, I considered how we will remember ourselves and each other in regard to these events. (more…)
Prosumption is something of a buzzword here at Cyborgology. It refers to the blurring of production and consumption, such that consumers are entwined in the production process. Identity prosumption is a spin-off of this concept, and refers to the ways prosumptive activities act back upon the prosuming self. Identity prosumption is a neat and simple analytic tool, particularly useful in explaining the relationship between social media users and the content they create and share.
If you’ll stick with me through some geekery, I would like to think through some of the nuances of this humble bit of theory. (more…)
A Budnitz Bike in its natural habitat. Source.
Paul Budnitz describes himself as a “serial entrepreneur” having created other companies that make artisanal toys and luxury bicycles. He’s also the creator/founder/president/charismatic leader of Ello. And when a social network launches with a manifesto that proudly proclaims “You are not a product”, there’s more on the line than embedded video support. Despite the radical overtures of the initial launch, we shouldn’t expect any more from Ello than we would from a luxury bicycle. (more…)
Imagine you live at the end of a cul-de-sac in a subdevelopment that is only accessible by a single gate that leads out to a large, high-speed arterial road. Your friends, your job, your kids’ school are all outside of this development which means life is lived through and on the road that connects your subdevelopment to the rest of the world. Now imagine that, without warning or any kind of democratic process, the company that maintains that road (private companies are subcontracted to do regular maintenance on public roads all the time) decides to add trees on either side of the road to reduce car speed. It’s a relatively benign design intervention and it works. In fact the trees work so well that the company’s engineers publish in a few journals which directly benefits the company financially, through prominence within the truly boring world of road maintenance. When the residents get wind of this experiment, and demand to know why they weren’t even notified, the owner of the road maintenance company says, “if you don’t like it use a different road.” That mind-bending response actually makes more sense than what has been coming out of OKCupid and Facebook these last few weeks. (more…)
I was scrolling through Tumblr the other morning (like I do) when I came across “the world’s tallest slum.” Located in downtown Caracas, an unfinished 45-story skyscraper that was supposed to host Venezuela’s business elite is now home to an estimated 3,000 squatters. The “Tower of David” (named after finance tycoon that started and abandoned the project) is now owned by the state but there are no government-provided utilities. The building is, in essence, not much more than an immense concrete frame, upon which the residents have begun to build a community. They pool money to pay for building security, there are bodegas on every floor, and water and electricity reach as high as the 22nd floor. This is no small feat of engineering or human organization, but it isn’t comfortable living either. I don’t think it would be romanticizing the living conditions of these people to say that they (and no one else) have made something that is both modest and remarkable for themselves. Abandoned by both private industry and the government, some people pooled their limited resources and made their lives a little more livable. Zulma Bolivar, a Caracas City planning official in an interview with the New York Times described the situation in one sentence: “This tower is a perfect example of anarchy.” (more…)
Ugh. I hate the new Facebook. I liked it better without the massive psychological experiments.
Facebook experimented on us in a way that we really didn’t like. Its important to frame it that way because, as Jenny Davis pointed out earlier this week, they experiment on us all the time and in much more invasive ways. The ever-changing affordances of Facebook are a relatively large intervention in the lives of millions of people and yet the outrage over these undemocratic changes never really go beyond a complaint about the new font or the increased visibility of your favorite movies (mine have been and always will be True Stories and Die Hard). To date no organization, as Zeynep Tufekci observed, has had the “stealth methods to quietly model our personality, our vulnerabilities, identify our networks, and effectively nudge and shape our ideas, desires and dreams.” When we do get mad at Facebook, it always seems to be a matter of unintended consequences or unavoidable external forces: There was justified outrage over changes in privacy settings that initiated unwanted context collapse, and we didn’t like the hard truth that Facebook had been releasing its data to governments. Until this week, it was never quite so clear just how much unchecked power Facebook has over its 1.01 billion monthly active users. What would governing such a massive sociotechnical system even look like? (more…)