science/technology


Annie Leonard tackles e-waste (what happens after we’re done with our computers, cell phones, etc) in the latest 7-minute edition in her Story of Stuff series (see also her first story of stuff and her analysis of bottled water and cap and trade).

Via Reports from the Economic Front.

Lisa Wade, PhD is an Associate Professor at Tulane University. She is the author of American Hookup, a book about college sexual culture; a textbook about gender; and a forthcoming introductory text: Terrible Magnificent Sociology. You can follow her on Twitter and Instagram.

Advertisers have mystified chocolate, portraying it as an intoxicant possessing the power to comfort, reward and satisfy women’s sexual desires. In doing so, these ads instruct the viewer to frame and interpret their own chocolate cravings in ways that overcome any resistance to consuming it.

To begin, consider this commercial for Dove:

Consider, also, this ad for Ferrero Rocher:

In particular, advertisers portray chocolate as satisfying female sexual desires. Such advertisements lead female viewers to understand their own desire for chocolate as a natural expression of their sexy femininity.  The association of chocolate with luxury and the upper classes renders this sexuality socially acceptable. The symbolic sex is not that of the “crude lower class,” but the refined upper-class.

Text:

NOW IT CAN last longer THAN YOU CAN resist.

UNWRAP.  INDULGE.  REPEAT.

The misconception that chocolate is an aphrodisiac is exploited by these advertisements. The idea that chocolate contains chemicals that are similar to the mild-altering components found in ecstasy and marijuana, and evoke a feeling similar to falling in love, is now widespread.  In actuality, studies have found that the amounts of these mood-enhancing chemicals are at such a low level that it is unlikely they lead to the euphoria that some feel when they consume chocolate. The findings of what could be called “chocolate propaganda research,” then, are negligible.  Yet, marketing continues to perpetuate chocolate’s association with love and sex and its implied special relevance to women.

The association is so ubiquitous that it was mocked in an Axe commercial.  Screenshot:

So why the insistence on indulgence?

Chocolate marketing must overcome the chief factor inhibiting women’s consumption: the fact that consumption of a fat, sweet food is inherently taboo for women, who are supposed to watch their weight.  As a result, advertisers have replaced this food taboo with a sexual one. They have turned chocolate into a sexual, self-indulgent, private experience that invokes a taboo similar to that of masturbation. The intent is to equip her with an automatic inner-response to overcome her moment of self-restraint: the belief that chocolate consumption represents and enhances her femininity via satisfying her sexually, but tastefully, of course.  Advertisers, then, overcome viewer resistance by shaping how they interpret and frame their own desires.

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Jamal Fahim graduated from Occidental College in 2010 with a major in Sociology and a minor in Film and Media Studies. He was a member and captain of the Occidental Men’s Tennis team. After he graduated, Jamal moved from San Francisco to Los Angeles with the intention of working in the film industry as a producer. His interests include film, music, digital design, anime, Japanese culture, improvising, acting, and of course, chocolate!

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Anita Sarkeesian, at Feminist Frequency, starts from the beginning.  How is contemporary advertising to children gendered today?  And why does it matter?  With a special discussion of girls and technology.  Enjoy:

(Transcript after the jump.)

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In this seven-minute video, Economist Jeffrey Sachs explains why economic development in Africa remains elusive. He summarizes the geographical, technological, social, and political conditions that held Africa back but propelled parts of Asia forward (he compares to India). Development, he notes, is not simply a matter of wishful thinking and hard work on the part of Africans (as many like to claim), nor is it a matter of just doing what worked elsewhere (as others like to say), but instead requires institutional commitments, economic resources, and global political will.

Lisa Wade, PhD is an Associate Professor at Tulane University. She is the author of American Hookup, a book about college sexual culture; a textbook about gender; and a forthcoming introductory text: Terrible Magnificent Sociology. You can follow her on Twitter and Instagram.

The Nielsen Company finds that the use of phone voice and text communication varies quite tremendously by age:

Lisa Wade, PhD is an Associate Professor at Tulane University. She is the author of American Hookup, a book about college sexual culture; a textbook about gender; and a forthcoming introductory text: Terrible Magnificent Sociology. You can follow her on Twitter and Instagram.


In this 12-minute RSA Animate video, Education Professor Sir Ken Robinson explains why we need to change the way we educate new generations.   Children, he says, “…are living in the most intensely stimulating period in the history of the earth.”   Yet we are still educating them according to a model invented during the industrial revolution that emphasizes conformity, standardization, and coming up with the “right” answer.  Today the future is coming faster and faster and we need to teach children to be able to thrive in change and uncertainty.  Watch the video for his thoughts on what to do next (and what Oklahoma has to do with it):

Thanks to education activist and friend, Diallo Shabazz, for the link!

Lisa Wade, PhD is an Associate Professor at Tulane University. She is the author of American Hookup, a book about college sexual culture; a textbook about gender; and a forthcoming introductory text: Terrible Magnificent Sociology. You can follow her on Twitter and Instagram.


Michelle N. sent us a video by the ever-fabulous Sarah Haskins, this time on the use of scientific imagery and language in skin care commercials. Michelle says,

In these advertisements, complex, scientific-sounding language is used to obscure the actual simplicity of the beauty product and the “conditions” they aim to correct (body-aging anyone?)…Since when do we refer to lotion as a “serum”?


David Mayeda at The Grumpy Sociologist discussed a commercial, for Best Buy, encouraging us (men?) to feel embarrassed if we don’t have the most recent technology:

Mayeda sees this as an example of the making of deviance. He writes:

So, as a male, if you don’t have the financial capital to possess a kick ass phone, you are a deviant male, with a low-end job (sharing a cubicle), without technical prowess (can’t stay on top of your e-mail or access the net), and bottom line, you aren’t an attractive mate.

How far “behind” does a person need to “fall” before they are so “out of the loop” that they are not really part of respectable society anymore?

I have only had a cell phone myself for four short years. Yet, when I learn that someone doesn’t have one, the neurons in my brain short out a bit.  How do two people even know each other if one doesn’t have a cell phone?  How do you let someone know you’ve hit traffic?  Find them in a crowded place?  Cell phones have become so ubiquitous that not having one seems deliberately counter-cultural.  Like face tattoos or men in skirts, eschewing a cell phone seems deviant indeed.  So maybe Best Buy isn’t that far off the mark.

UPDATE DEC. 20, 2010: I failed to mention that, at the time of this post, I did not own a smart phone at all. Now I have joined the hip cats of the 21st century: I have a smart phone. Though, I would like to specify, that I was able to attract a mate without one. Then again, I am a chick, so how much money I can spend on a phone is slightly less important, or so I hear.

Lisa Wade, PhD is an Associate Professor at Tulane University. She is the author of American Hookup, a book about college sexual culture; a textbook about gender; and a forthcoming introductory text: Terrible Magnificent Sociology. You can follow her on Twitter and Instagram.