rural/urban

The declining birth rate in Latin America, depicted in this graph, is a nice example of the way that both cultural and social change affects individual choices.  Brazil is highlighted as an extreme case. It’s birthrate has fallen from over six children/woman in 1960 to under 1.9 today.

The accompanying Washington Post article, sent in by Mae C., explains that the decrease in the birthrate since the 1960s is related to migration to cities.  In rural areas children are useful. They can help with crops and animals.  In crowded and expensive cities, however, they cost money and take up space.  Economic change, then, changed the context of individual choices.

This transition — from a largely rural country with high birthrates to an industrialized one with lower birthrates — has been observed across countries again and again.  It’s no surprise to demographers (social scientists who study changes in human population).  But Brazil did surprise demographers in one way:

…Brazil’s fertility rate fell almost uniformly from cosmopolitan Sao Paulo, with its tiny apartments and go-go economy, to Amazonian villages and the vast central farming belt.

The decline in birthrate, in other words, has occurred across the urban/rural divide. Demographers attribute this to cultural factors.  The idea of “an appealing, affluent, highflying world, whose distinguishing features include the small family” has been widely portrayed on popular soap operas, while Brazilian women in the real world have made strong strides into high-status, well-paid, but time-intensive occupations.  They mention, in particular, Brazil’s widely-admired first female president, Dilma Rousseff, who has one child.

Ultimately, then, the dramatic drop in the birthrate is due to a combination of both economic and cultural change.

Lisa Wade, PhD is an Associate Professor at Tulane University. She is the author of American Hookup, a book about college sexual culture; a textbook about gender; and a forthcoming introductory text: Terrible Magnificent Sociology. You can follow her on Twitter and Instagram.

In this minute-and-a-half, sociologist Nikki Jones talks about the way that the idea of the ghetto has been commodified — especially in rap and hip hop — in ways that informs Americans who don’t live in inner-city urban areas, but potentially mystifies the reality of that life as well:

Lisa Wade, PhD is an Associate Professor at Tulane University. She is the author of American Hookup, a book about college sexual culture; a textbook about gender; and a forthcoming introductory text: Terrible Magnificent Sociology. You can follow her on Twitter and Instagram.

For the last week of December, we’re re-posting some of our favorite posts from 2011. Originally cross-posted at Jezebel and Owni.

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A few years ago my mom took a short-term nursing job at a hospital in the Sacramento area. This was a huge deal for her. She had never been to California, hadn’t lived outside of our rural area of Oklahoma since she divorced my dad when I was a baby, and had never worked at a “big city” hospital. She feared she wouldn’t be able to make it, that her rural hospital experience just wouldn’t translate.  There were a lot of firsts for her, but it went well and the hospital administration told her they’d be happy to have her back. She was incredibly proud of herself, both for doing a good job and for being able to survive in California, a location trumped in the Big Scary Places sweepstakes only by New York City. It was an enormous confidence builder: she could leave her small town and she could make friends and keep a job.

And then, a few days before she was set to leave, she called me. Some of the staff had a little informal going-away party for her, and she was baffled by the card they’d all signed for her. It featured Jeff Foxworthy, the comic who made a name with his “You might be a redneck if…” schtick in the ’90s. The joke on the card was something about being a redneck if you used Hefty trash bags for luggage. But why, my mom asked hesitantly, would they give that to her? She’d never told them she liked Jeff Foxworthy; what made them think she’d want a card with him on it? And finally, in a plaintive voice that still just breaks my heart when I remember it, she asked me if it was possible they were implying she is a redneck, and that the people she thought were her friends were laughing at her.

Of course they did, and were. That doesn’t mean they didn’t genuinely like her or didn’t think she’s an excellent nurse, or that they meant to be hurtful; they probably assumed she’d get the joke, what with her accent, unusual colloquialisms, and openly-expressed awe and  complete lack of irony or cynicism. But in fact, the idea that her new friends might view her as a redneck or a hick was a shock. She didn’t know what she might have done that would make other people think she’s a redneck. And I could tell she was terrified — afraid that instead of “making it” in California, she was actually a joke, and too clueless to know it.

I lied to her. I said I was sure it wasn’t anything specific to her, but was just because she was from Oklahoma, and Jeff Foxworthy is from the South, so they probably just thought everybody in the South or South-adjacent region likes him. I knew it would break her heart and totally destroy her new-found confidence to think that to a lot of people, she represented stereotypes of backward rednecks, not the hard-working medical professional she’d been working so hard to portray herself as.

I thought of that experience when I saw this postcard from Post Secret:

I’ve built up a lot more cultural capital than my mom, going to grad school and being socialized into the norms of academia. I mostly eradicated my accent when I was an undergrad, I figured out that Velveeta cheese was not an acceptable addition to a cheese plate at an upper-middle-class dinner party, and I learned that most people don’t view skunks, squirrels, opossums, or raccoons as animals you might potentially turn into pets, if you’re brave and really dedicated.

I don’t feel ashamed of my background any more, because I’ve achieved enough proof of upper-middle-class success — a Ph.D., a tenure-track job, the knowledge that Brie is fancy cheese and not, as my grandma thought upon seeing it for the first time, fish bait — and some useful theories, like the idea of cultural capital, to help me make sense of what’s going on.

But I recognize the sentiment expressed in the postcard — the ever-present possibility that you’ll un-self-consciously mention something from your childhood and be met with gleefully horrified looks and giggles, and not know what’s so funny about shrugging and off-handedly saying, “I don’t know if I really need to see a movie about it, I’ve watched my relatives do it tons of times” when someone suggests watching the documentary Okie Noodling. It’s an extra little mental effort you have to expend as you navigate social encounters, trying to imagine whether something as small as honestly answering a simple question like what was your favorite food when you were a kid might open you up to ridicule. It’s not really the laughing itself, which is often good-natured and comes from people who do honestly like you, that’s so bothersome; it’s the realization that you still don’t know the cultural rules, and thus can’t necessarily protect yourself from being laughed at even if you wanted to — or in my mom’s case, that you don’t know what it is you’re doing that makes you a redneck in other people’s eyes.

Last year Raquel Nelson was crossing the street with her 4-year-old son who was struck by a driver who fled the scene. Her son died and Nelson — just to be clear, the mom, not the driver of the car — was convicted of homicide by vehicle and reckless conduct (source). Nelson, you see, was jaywalking.  Her apartment complex was directly across the street from the bus stop and a half-mile from the nearest crosswalk.  None of the jurors on her case had ever taken public transportation.

(source)

There was a chorus of opposition to her trial and conviction and, likely in part because of the uproar, the judge gave her a probation instead of jail time. He also offered her a new trial; it begins this month.

In the meantime, Nelson’s tragedy drew attention the many neighborhoods that are unsafe for pedestrians. Transportation for America is collecting photographs of streets designed and maintained with cars in mind, but unsafe for pedestrians and those using public transportation. Here are a few examples from their flickr stream:

Lisa Wade, PhD is an Associate Professor at Tulane University. She is the author of American Hookup, a book about college sexual culture; a textbook about gender; and a forthcoming introductory text: Terrible Magnificent Sociology. You can follow her on Twitter and Instagram.

According to a 2008 market research study, 72% of yoga practitioners in the U.S. are women; 71% are college educated and 27% have postgraduate degrees; and 44% have annual incomes of $75,000 or more.  Yoga practitioners, then, do not reflect the general population.

So how inclusive is yoga?  A collection of covers from the magazine Yoga Journal, spanning the years 1975 to 2010, sent in by Janet T., gives us a clue.

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Christie Barcelos is a doctoral student in Public Health at the University of Massachusetts who rarely sees anyone who looks like her in yoga class.

If you would like to write a post for Sociological Images, please see our Guidelines for Guest Bloggers.

This month thousands of sociologists met in Las Vegas for our annual meeting.  There were lots of opinions about the city and our accommodations at Caesar’s Palace.  In the two-minute clip below, a sociologist who studies cities, Sharon Zukin, offers her thoughts on Las Vegas:

Lisa Wade, PhD is an Associate Professor at Tulane University. She is the author of American Hookup, a book about college sexual culture; a textbook about gender; and a forthcoming introductory text: Terrible Magnificent Sociology. You can follow her on Twitter and Instagram.

Photography projects can draw our attention, poignantly, to class inequality.  Consider Vivian Mayer’s vintage photographs of New York and Chicago, for example, or Peter Menzel’s What We Own series.  We need these projects because most of us are in class-segregated occupations and neighborhoods, not to mention a profoundly unequal world.

Photographer James Mollison has embarked on a similar project, Where Children Sleep, sent in by Kristina Killgrove, an anthropologist at Vanderbilt University, Yvette M., Amanda B., Dmitriy T.M., and my sister, Keely.  Mollison has documented children and their bedrooms around the world.  It’s heartbreaking to see how much some children have, and how little others do.

See the pictures, with details about the children, at the New York Times.

Lisa Wade, PhD is an Associate Professor at Tulane University. She is the author of American Hookup, a book about college sexual culture; a textbook about gender; and a forthcoming introductory text: Terrible Magnificent Sociology. You can follow her on Twitter and Instagram.

Cross-posted at Scientopia.

Sadie M. sent in an example of the reproduction of the idea that “Africa” is an arid, desolate place where nature still dominates civilization.  The snapshot Sadie sent in was of Nairobi.  Nairobi is the 12th largest city on the continent of Africa with a population of over 3 million in the city and its surrounding suburbs.  It is the capital of Kenya and an economic, political, and financial hub in the region.

This is Nairobi on Google maps:

This is what comes up if you Google image Nairobi:

Nairobi is also not a desert plain.  The name, in Maasai, translates into “the place of cool waters” and it is popularly known as “Green City in the Sun” (wikipedia).

Despite all of this, Sadie’s snapshot shows that an in flight magazine depicted Nairobi as a savanna full of elephants and bereft of people.  The other two destinations featured — New York and Sydney — are pictured as they are.

So there we have it: Another piece of advertising erasing the bustling, successful economies of Africa, and instead reproducing the idea that the entire continent is an uncivilized desert full of exotic animals.

See also: How Not to Write about Africa and The Single Story of “Africa.”

Lisa Wade, PhD is an Associate Professor at Tulane University. She is the author of American Hookup, a book about college sexual culture; a textbook about gender; and a forthcoming introductory text: Terrible Magnificent Sociology. You can follow her on Twitter and Instagram.