race/ethnicity

Below are three examples of the caricature of Jews promoted by Nazi Germany.  I borrowed them from this collection, where you can find many more if you scroll to the bottom (thanks to Kat, monosonic, and Lisa for the translations!).

“The Eternal Jew”:

“The Eternal Jew”:

Jews- make wars longer, start wars:

See our other posts on Nazi Germany: comparing German remembrance of the Holocaust and U.S. remembrance of slavery, Nazi symbolism, Nazi celebration of motherhood, the racialization of the Jews, Jim Crow-like segregation during the Nazi regime, and this sympathetic memorabilia website.

Lisa Wade, PhD is an Associate Professor at Tulane University. She is the author of American Hookup, a book about college sexual culture; a textbook about gender; and a forthcoming introductory text: Terrible Magnificent Sociology. You can follow her on Twitter and Instagram.

I thought Samatha Critchell’s description of Michelle Obama’s light tan or “champagne” dress as “flesh colored” might get her fired.  If nothing else, I figured it’d be warning to all other journalists out there to, for gawd’s sake!, watch your racist language.

But, alas, the parade of “champagne”-colored gowns at this year’s Grammy’s had led a flood of fashion writers talking about the color “nude.”  Here are just a handful of examples from the first three pages of my google search

Los Angeles Times:

Katy Perry and her dress:

Elsewhere in the Los Angeles Times:

Beyonce and her dress:

VH1:

Keri Hilson and her dress:

Associated Content:

msnbc:

Heidi Klum and her dress:

Popsugar:

Of course (almost) no one is actually “nude”-colored, but the term still manages to naturalize whiteness insofar as white people’s skin color tends to match colors described as “nude” moreso than the skin color of non-white people (though there are always exceptions).  I’m really surprised that journalists are still managing to get this language past their editors.

Lisa Wade, PhD is an Associate Professor at Tulane University. She is the author of American Hookup, a book about college sexual culture; a textbook about gender; and a forthcoming introductory text: Terrible Magnificent Sociology. You can follow her on Twitter and Instagram.

Jersey Shore has come to end, we’re (genuinely) sad to say. We know we had fun. But is it possible we also saw something, dare I say it, subversive about beauty, gender and sexuality? I think so.

A panel discussion on the show and “Guido culture” at Queens College yesterday (you read that right), included New York State Senator and Jezebel heroine Diane Savino, who knows from stinging cultural analysis.

[Savino] explained, “‘guido’ was never a pejorative.” It grew out of the greaser look and became a way for Italian-Americans who did not fit the standard of beauty to take pride in their own heritage and define cool for themselves.

When she was growing up, everybody listened to rock; girls were supposed to be skinny with straight blonde hair (like Marcia Brady on “The Brady Bunch”); guys wore ripped jeans, sneakers and straggly hair.

The 1977 film “Saturday Night Fever” marked a turning point. “It changed the image for all of us,” Ms. Savino said. As Tony Manero, John Travolta wore a white suit, had slicked short hair, liked disco music and was hot. “It was a way we could develop our own standard of beauty,” she added.

In the same way, Virginia Heffernan writes in this weekend’s New York Times Magazine, Italian-Americans in the Northeast originally disdained their own accents until movies like “Mean Streets, Saturday Night Fever, Working Girl and, of course, Taxi Driver.” Those representations, she says, led to a “hammy” reclamation of an identity that had been mirrored back to them through Hollywood. These were second and third generation immigrants, who had mostly reached the middle class but maybe didn’t feel wholly a part of the mainstream, who telegraphed their identity through stylized symbols like Italian flags and red sauce that felt potent but no longer limited their social mobility.

That goes for the ladies too. Female beauty that took on a showily “ethnic cast” was distinct from what was already being sold. As Regina Nigro recently put it on The Awl:

We (I) laugh at bon mots like “You don’t even look Italian!” (the insult that Sammi “Sweetheart” flings at the blonde blue-eyed “grenade” …) but, ridiculous as it is, that assessment betrays a value system: Skinny blonde pale WASP princesses are deemed not attractive when measured by the JS aesthetic. And this seems curious and laughable to us.

“You don’t even look Italian!” is crazy funny but is the underlying judgment (dark hair/olive skin/Italian-looking = pretty; the inverse = not pretty) any worse than any other standard of beauty? It’s an alternative perspective, one that I suspect is so funny partly because it is so unfamiliar.

Of course, there is plenty about the Jersey Shore sexual aesthetic that is broadly familiar. The worst insult is to call a woman fat (or a “hippo”); big, exposed boobs are a baseline requirement, and the men are judged by the attractiveness of the women they acquire. (The other guys repeatedly mock The Situation about the looks of the women he brings home; Ronnie taunts him that he hasn’t brought home a girl anywhere near as pretty as Sammi).

And yet it’s oddly refreshing how much artifice itself is celebrated, with everyone participating mightily, and openly, in becoming the ideal Guido. No one is just born one, or supposed to make it look effortless. There are communal visits to tanning salons and unblinking references to fake breasts, and everyone takes hours to get ready. Vinny describes a girl admiringly: “Fake boobs, nice butt, said she was a model.”

Heffernan, writing about regional accents being reinforced by the show, uses Sammi as an example: “Every part of Sweetheart’s identity – including her skin color, which on the show is not an inborn marker of ethnicity but a badge of achievement (in the tanning bed) – is the product of intense calculation.” And Heffernan didn’t even get to Sammi’s hair extensions, which are brandished for emphasis.

No character more desperately self-produces than The Situation and his third-person pronouncements. Men are not inscluded [sic] from all this ritual artifice. In the last episode, J-Woww practically goes into heat when she sees some “juicehead gorillas” on the beach, and she lists “Human Growth Hormone” among the attractions. This, by the way, leads The Situation to mumble defensively, “Big is out and lean is in.”

That’s because on The Jersey Shore, men’s bodies are just as scrutinized as women’s, and their beauty rituals are as elaborate, expensive, and time-consuming as those of the women. Maybe even more so — in addition to blowouts, tanning sessions, and agonizing over which appliqued shirt will set them apart from the gelled masses, they spend hours at the gym, something we never see the girls do.

As much as the cast performed all this around the clock during the show’s taping, the audition tapes seen here and in the video below are even more extreme, mixing ethnic calculation with the general famewhoring savviness reality producers have become accustomed to.

Looking at this through what we know now: Sammi calls herself a “hookup slut” but aside from a few flirtations, turned out to be conventionally monogamous on the show. Vinny, in straight-up costume, claims he has to take off his pants “to really show you the magic,” but turned out to be the mildest-mannered cast member, one who unashamedly adores his doting mother. Underneath playing to the producers, though, is a more personal kind of construction, and a more particular one. And ironically, although the cast members’ self-creation was one of the most entertaining parts of the show, some underlying sense of unembarrassed authenticity, even wholesomeness, made it most worth watching.

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Irin Carmon is a reporter at Jezebel.com, from where we’re super pleased to have borrowed the post below. Her work has also appeared in the New York Times, Boston Globe, The Village Voice, and others; more information is at www.irincarmon.com.

If you would like to write a post for Sociological Images, please see our Guidelines for Guest Bloggers.

Larry of The Daily Mirror sent in an article that ran in the Los Angeles Times on January 26, 1920. Here are some screencaps of the most interesting sections:

Not surprisingly, civilization means only one thing: assimilation into Anglo culture. The other option? Extinction. How do we know a tribe isn’t civilized? They still live like their “forefathers” did. It’s a theme we see a lot in terms of Native Americans: in order to be authentic (which in this case means “uncivilized”), they must not change any cultural practices. There is an expectation that “real” Indians are culturally frozen in time, as though their cultural practices and lifestyles had not changed throughout history just like every other group’s has.

And also, I’m pretty sure lots of groups have combined elements of two or more religions “without any difficulty or embarrassment,” but whatever. I’m sure they were, indeed, of immense interest to artists, scientists, and writers (also, physiognomists). And since they are of interest to them, that should definitely be taken into account when we decide what to do with them. Taos still loves Indian art.

Still, Native American cultural customs are acceptable only to the degree they are compatible with assimilation. And learning to read and write, use a stove or a sewing machine, mean giving up “the Indian life.” Again, modernity cannot be combined with existing cultural practices.

It’s a great example of how Whites felt entirely comfortable discussing what the future of American Indians should be, either romanticizing them as noble savages or insisting on their cultural backwardness, without any sense that Indians themselves might have any ideas on the issue worth paying attention to.

Gwen Sharp is an associate professor of sociology at Nevada State College. You can follow her on Twitter at @gwensharpnv.

If you’re designing a cover for a book by a Chinese or Japanese writer, or with a Chinese or Japanese setting, it seems that there are some compulsory elements which must be included. For variety’s sake, there are four elements, but you MUST use at least one of them. Advanced designers, of course, may use two or more.

Element 1: Blossoms (preferably cherry, but anything red or pink will do)

Element 2: Fans (preferably held so as to partly obscure a woman’s face (or genitals), and if you can get blossoms on the fan, you get bonus points)

Element 3: Dragons (for use only on crime novels, or other exciting tales)

Element 4: Female Necks (preferably that of a geisha, but any female neck will do in a pinch)

For more on this trend, see this article from Hyphen Magazine, which features a brief interview with ace designer Henry Sene Yee. It was that article which also drew my attention to two covers featured above, those for On a Bed of Rice and The Street of a Thousand Blossoms.

(To be fair, I ought to note that several of these covers are actually very nice–it’s just that they lose rather a lot of their impact because of the familiarity of the elements used.)

James Morrison (jrsmorrison@yahoo.com.au) is a writer, editor and graphic designer who lives in Adelaide, Australia. He writes about book covers and book design at causticcovercritic.blogspot.com, and used to write about novellas at Book Slut.  He blogs at Caustic Cover Critic. Thanks to Lisabee for the hat tip.

Gwen M. sent in a story about a performance by Oksana Domnina and Maxim Shabalin at the Russian National Figure Skating Championships:

The pair won first place and plan to use the routine at the Vancouver Olympics next month. They explained that the routine (video below) was inspired by clips of Australian Aboriginal dance on the internet. About the idea, Domnina wrote: “I thought it was just crazy, but once we have tried it, we immediately fell in love with it.”

Bev Manton, the chair of the New South Wales Land Council thinks it’s less “crazy” and more offensive. She says:

I am offended by the performance and so our other councillors… Aboriginal people for very good reason are sensitive about their cultural objects and icons being co-opted by non-Aboriginal people – whether they are from Australia or Russia.

It’s important for people to tread carefully and respectfully when they are depicting somebody else’s culture and I don’t think this performance does.

The routine:

Sources (text; image).  Via Racilicious.

Lisa Wade, PhD is an Associate Professor at Tulane University. She is the author of American Hookup, a book about college sexual culture; a textbook about gender; and a forthcoming introductory text: Terrible Magnificent Sociology. You can follow her on Twitter and Instagram.

p.j. sent in a link to the trailer for the movie “Demographic Winter,” which apparently educates us about the coming downfall of humanity, or at least humanity in developed nations:

Thus, gay rights, women’s rights, and non-marital sexuality are not just immoral, they’re literally threatening the very survival of the human species.

Well, maybe not the human species. Certain members of the human species, those that live mainly in Europe and the U.S. Of course, what we’re really getting at here, ultimately, is the fear that Whites in developed nations are not reproducing sufficiently. For another example of this, see our post on the Louisiana Senator who proposed paying “these people” and “illegal aliens” $1,000 to be sterilized.

In both cases, women’s reproductive capacity would ultimately be targeted as a means to a social goal–one group of women will need to give up their silly concerns about women’s equality and start having more babies (and gay men gotta start impregnating women!), while other women must be discouraged from having them. It’s a story we’ve heard many, many times before.

Gwen Sharp is an associate professor of sociology at Nevada State College. You can follow her on Twitter at @gwensharpnv.

We often talk about gender objectification on this blog, but we also try to talk about other types of objectification.  In this case, Literanista sent us a great example of racial/nationalist objectification.  The example comes from a tourism website for travelers to the Dominican Republic.  It offers, in one of its excursions, the chance to swim in a jungle river, enjoy a secluded beach, visit a “Rum Shack,” taste fresh sugarcane, see native animals and meet an honest-to-goodness-real-Dominican family.

Elsewhere, just to add some negative stereotyping, the website suggests that Dominican’s are drunk all the time:
In a similar vein, Karole F. sent in a photograph of some “African” carvings for sale a Stones ‘n Stuff in Exeter, New Hampshire.  Human beings are included as objectified tokens alongside animals:

For more tourism-related objectification, see our posts on tourism in Hawaii, Brazil, and Thailand, and, related, these images of international adoption and onesies for internationally adopted babies.

Lisa Wade, PhD is an Associate Professor at Tulane University. She is the author of American Hookup, a book about college sexual culture; a textbook about gender; and a forthcoming introductory text: Terrible Magnificent Sociology. You can follow her on Twitter and Instagram.