intersectionality

With interest, I have been watching the resistance to the right of trans people to choose public restrooms based on their identity instead of their biology at birth. Though there is no evidence that allowing trans people to use the bathroom of their choice will put anyone in danger, one of the arguments against doing so is that women or children will be victimized. Completely tone deaf to the actual experiences of trans people, the idea is nonetheless framed as allowing men to use women’s restrooms:

I can’t help but want to draw connections to history and a recent post at Notches, a history of sexuality blog, helped me do so.

Recall that it wasn’t so long ago that black and white people weren’t allowed to use the same restrooms in public. When this practice came under attack, segregationists in the South, like anti-trans choice advocates today, claimed that it would be dangerous for white women, claiming that they would be infected with black women’s venereal diseases.

White women participated in this resistance, protesting against the integration of their bathrooms. A girl at Central High in Little Rock, AR, for example, claimed that bathroom integration functionally stole bathroom facilities from white girls. “Many of the girls won’t use the rest rooms at Central,” she said, “simply because the ‘Nigger’ girls use them.”

Several decades later, conservatives fighting the Equal Rights Amendment (ERA) for women drew again on racism and the politics of the bathroom. They stoked fear in the American public by suggesting that passage of the ERA would lead to the sex integration of bathrooms. Still smarting from the loss of racial segregation, they even compared race and sex segregation, hoping that the public would be opposed to both.

In this anti-ERA flyer, the final threat is: “Do you want the sexes fully integrated like the races?”

Combining the two was a powerful tool, exploiting the longstanding racist belief that white women were uniquely vulnerable to predatory, sexually voracious black men. Both race and sex integration of bathrooms would mean that white women would be going to the bathroom not just with black women, but with black men. “I ain’t going to have my wife be in the bathroom with some big, black, buck!” said one North Carolina legislator.

This same argument, now with trans women as the target, is being made today.

Lisa Wade, PhD is an Associate Professor at Tulane University. She is the author of American Hookup, a book about college sexual culture; a textbook about gender; and a forthcoming introductory text: Terrible Magnificent Sociology. You can follow her on Twitter and Instagram.

In 2012, I wrote about the heteronormativity in the couples Halloween costume category at Party City. Now, it’s 2015 and Party City has changed.

I counted all 103 costume sets, dividing them into whether they featured a heterosexual couple, a man-man couple, a woman-woman couple, or were ambiguous. Among them, 74 were aimed at heterosexuals, 12 were for men with men, and 3 were for women with women.

It might be too strong to say that the heteronormativity is gone. There are still more man-woman couples represented than man-man or woman-woman couples, but they’re very centrally there.

This makes people in similar-sex couples more visible. It also has the interesting effect of making some costumes not-so-obviously heterosexual anymore, like the bears or the Ghostbuster costumes. I counted 14 that were at least a little ambiguous as to whether they were intended for a similar-sex or other-sex couple.

Party City is not doing anything overly clever. Clearly they’re just looking for costumes they already have and putting them in combinations that might sell. And they could do a better job about thinking up woman-woman sets. But, there they are. And that’s a real change.

Lisa Wade, PhD is an Associate Professor at Tulane University. She is the author of American Hookup, a book about college sexual culture; a textbook about gender; and a forthcoming introductory text: Terrible Magnificent Sociology. You can follow her on Twitter and Instagram.

Flashback Friday.

I just have to say “wow” to this ad for Quartz counter tops, sent it by Lisa Ray of Parents for Ethical Marketing and Corporate Babysitter:

The ad depicts a little girl fantasizing about growing up, but growing up means (extremely) high patent leather pumps; growing up means sexualizing herself.

And the ad does sexualize the little girl who, from the top-scanning-down, looks like a sweet girl trying on mommy’s shoes, but from the bottom-scanning-up, looks like an adult woman who suddenly transforms into a child. The white cotton dress implies innocence and purity, but it’s a costume we regularly see adult women wear when we want to both sexualize and infantilize them. In other words, this ad nicely plays into the mythology endorsed by pedophiles that even little girls want to feel sexy, even little girls want men’s attention, even little girls want sex.

And, yet, we are supposed to think this is sweet. The text, “Harmonizing Beautifully with Life” is, of course, ostensibly about the counter tops. But aligned with the image, it naturalizes both the girl’s fantasy and the conflation of female sex with the performance of sexualized femininity (it’s just “life”; as if there’s a gene for Christian Louboutin shoes that activates in the presence of double X chromosomes). More than simply naturalizing the girl’s fantasy of self-objectification, it endorses it (it’s beautiful harmony).

Notice also the class story in the ad. Who exactly is class privileged enough to have the freedom to allow “the quiet moments” to “steal the show”? Well, apparently people who are rich enough to wear Louboutin shoes. Louboutin began putting red soles on all his shoes as a not-so-subtle way to advertise that the shoe was Louboutin and, therefore, a very expensive shoe. It worked.  Fashion writers started pointing out the red soles with glee, as in this story about Angeline Jolie on a red carpet. The fact that the sole of this shoe is red is no accident, it’s meant to add class to the counter tops, in both senses of the word.

A final word on race: That the girl in the ad is white is no accident. And it’s not only because marketers expect the majority of their customers to be white, but because of what whiteness represents. Her white skin symbolizes the same thing that the white counter tops and white dress symbolize: purity, cleanliness, even innocence. It is only because all those symbolic elements are there that we can put a black patent leather heel with a red sole on her and still think “sweet.”  Imagine the same ad with a black child. In the U.S., black women are often stereotyped as sexually loose, morally corrupt, irresponsible teen mothers on welfare. With that symbolic baggage, this ad would be a morality lesson on the hypersexuality of black girls and their propensity to “grow up too fast.” It wouldn’t look sweet, it’d look dangerous.

“Harmonizing beautifully,” indeed.

Originally posted in 2010.

Lisa Wade, PhD is an Associate Professor at Tulane University. She is the author of American Hookup, a book about college sexual culture; a textbook about gender; and a forthcoming introductory text: Terrible Magnificent Sociology. You can follow her on Twitter and Instagram.

Social science bloggers have been buzzin’ over whether drag performance is offensive and to whom. I have been researching and doing drag through a queer feminist anthropology lens for two years. I’ve taken an autoethnographic approach in an attempt to fill the scholarly gap where a male-bodied researcher, specifically a queer one, has lacked the enthusiasm to habitually perform as a drag queen. The motivations for this post easily align with my research as I hope to further develop the trending conversations of drag and its meanings.

Is drag offensive? It’s necessary to specify that this conversation is primarily about drag queening men. This is what most people would think of in terms of “drag queen,” a cisman who dresses as a woman on a stage, which I argue is a limiting definition. Five or ten years ago I would not have to specify “drag queening men,” but today there are genderqueer performers, ciswomen, transwomen – all bodies participate in drag as an expression, and not necessarily while cross dressing. Drag queens embody a range of femininities and masculinities (and sometimes species).

So, are drag queening men offensive? I keep in mind the ultimate queer mantra – both/and.

Looking to literature, this is an argument worked out back in the high Butler days. Esther Newton started this dialogue in the ‘70s and it was clearly closed out by Rupp and Taylor (and Shapiro) in the last decade. There are plenty of lit reviews to read on this [tired] subject.

Drag queening implies an individual who performs and embodies femininities for some kind of audience. Historically, and today, the majority of queens are male bodied. Some may continue this femininity off the stage, others do not. Their identities are assumed to be cis men, but this is incredibly complicated by the fluidity of drag bodies and the politics of the “transgender” category.

Regardless, you have male bodies who are distinctly breaking heteronormative ideas of identity and performance. Drag queening is a subversive outlet for male bodies to participate in gender play, oftentimes exploring femininity within themselves that they have been socialized to fear. Doing drag successfully is “working it” — you don’t give a shit about the patriarchy, your parent’s disappointment, getting fired from your job, or who will think you are date-able. It’s breaking out of boxes. Drag is a display of who you are (or just a part of yourself) and telling everyone to deal with it. If you like what you see, feel free to tip a dollar.

Drag claims the labels “offensive” and “radical” because its goal is to disrupt and show the audience that some identities, especially gender, are more fluid and performed than we think. Drag pokes holes into rigid ideas of gender and sexuality that most choose to ignore. Drag queening men are defiant, messy cyborgs, performing fluid and simultaneous contradictions of femininities and masculinities through their bodies. And of course, there is an entire history of drag acting as an important mode of protest, resistance, and survival for the queer community.

At the same time, drag queens are people who live in the same society that we all do. Drag is an institution that still exists — and always will — within the larger social structures. So, drag queens can be racist, transphobic, homophobic, and even more problematic. The best example for this is the drag queening man who takes her microphone privileges too far, such as a joke about a trans audience member’s genitals.

Drag queening men will often claim immunity under the trans umbrella or argue for the sanctity of comedy, but the reality is that drag queening men do have an underlying rhetoric of transphobia. The reminders that they return to presenting as men after the performance (“This is just a job, I don’t want to be a woman!”) are an unneeded distance created by drag queening men who are afraid and feel an attack against their masculinity. The heteropatriarchy suggests that male bodies who express femininity should fit into a more complicit, fictionally ideal “transsexual woman” category where all parts match behaviors. Some drag queening men respond to this pressure with transphobic masculinity, disastrously reinstating the binary they work to dismantle. It’s also in part to the idea that hegemonic forces continually pressure marginalized groups to create an Other, even if they are part of the same “community.”

Similarly, drag queening men still participate in hegemonic masculinity, and so they may make misogynistic jokes or may think domestic abuse makeup is some kind of “high fashion” (which is the WORST). Drag pageantry can be racially segregated and transwomen can be discouraged through the exclusionary bans of hormones and surgeries. Drag queening men can be soaked in privilege — using the T-slur, blackface, or feeling authority over female-bodied audience members. Most drag queening men have the ability to take off their wigs and makeup to “pass” outside queer spaces.

This in no means is an apology toward these actions, but I feel a stress needed to be made that the tradition of drag queening, a male body performing femininities, is not offensive. It stands as a transgressive act of male bodies deviating from and deconstructing the binary of gender. When drag queening men remind an audience they have a penis, it explodes the heteropatriarchy and dislocates gender from the body. For my own purposes in research and performance, drag is a safe place to explore forbidden femininities, freely navigate bodily inscription, and embrace corporeal versatility.

The tradition of drag queening is not an offensive act, but drag performers may abuse privilege and create problematic messages regardless of their intent. The problems of drag as an institution are the pre-existing racist heteropatriarchal structures that impede upon it. These difficulties with drag are the same hegemonic forces which delve deep into our film, art, video games and universities.

In closing, it is impossible to ignore the reality that groups of people think drag is offensive and no feelings should be ignored. I have no answer as to how this claim of offense can be processed besides our scholarly discussions, but I do hope that drag performers take care to be consciously aware of their privileges and prejudices, remembering their duties as queens who take down the heteropatriarchy one lip sync at a time.

Ray Siebenkittel is a student in the anthropology MA program at Louisiana State University in Baton Rouge. They take a feminist anthropologist approach to studying drag performance. You can follow their blog, where this post originally appeared, or meet them on twitter.

All attributed motivations are approximate. All races are unconfirmed. All crimes are alleged. All oppression is interconnected.

June 17, 2015:

White American male with a weapon who believes in his own superiority kills in order to feel powerful. He kills nine black parishioners because black people are all the same to him and he needs to do what he needs to do to remind the world that he is dominant.

June 17, 2015:

White American male with a weapon who believes in his own superiority tries to kill in order to feel powerful. He crashes in the midst of trying to run someone over with his car because “go back to the country you came from” and don’t tell him not to use the business’ phone because he is dominant.

June 21, 2015:

White American male with a weapon who believes in his own superiority stabs in order to feel powerful. He stabs three musicians because ew gay and “skinny jeans” and he will show them what happens to fags because he is dominant.

June 26, 2015:

White American male with a weapon who believes in his own superiority kills in order to feel powerful. He shoots a Muslim man in the head at a four-way stop because “go back to Islam” – or maybe a traffic dispute – because it was his turn to go, damn it, because he is dominant.

July 1, 2015:

White American male with a weapon who believes in his own superiority kills in order to feel powerful. He kills a lion because it’s one of the most majestic creatures he can think of and being able to kill and behead it affirms that he is dominant.

July 10, 2015:

White American male with a weapon who believes in his own superiority threatens murder in order to feel powerful. He retaliates against a black woman because she refuses to perform subservience and “I will light you up” if that’s what it takes to show you people that I am dominant.

July 11, 2015:

White American male with a weapon who believes in his own superiority kills in order to feel powerful. He opens fire on two Native American men he believes are homeless because he’s “tired of watching them” and it is not acceptable that he is uncomfortable or inconvenienced because he is dominant.

July 18, 2015:

White American male with a weapon who believes in his own superiority attempts murder in order to feel powerful. He shoots a person in the face because he believes he is an undocumented immigrant – “a fucking Mexican” – because this is his country and, therefore, he is dominant.

July 18, 2015:

White American male with a weapon who believes in his own superiority kills serially in order to feel powerful. He pulls a gun and strangles a woman with the intent to torture because he assumes she is nothing to anybody and murdering prostitutes makes him feel dominant.

July 19, 2015:

White American male with a weapon who believes in his own superiority kills in order to feel powerful. He, a police officer, shoots a man in the face because he might be getting away after a traffic violation; black lives don’t matter because he is dominant.

July 22, 2015:

White American male with a weapon who believes in his own superiority kills in order to feel powerful. He murders his wife and her two children because she is giving him “relationship problems” and she doesn’t have the right to do that because he is dominant.

July 23, 2015:

White American male with a weapon who believes in his own superiority kills in order to feel powerful. He kills women because they keep doing and saying things that he does not approve of and he doesn’t have to take it anymore because he is dominant.

August 3, 2015:

White American males with weapons who believe in their own superiority stockpile weapons in order to feel powerful. They amass guns and ammunition and make homemade bombs because the the government insists on existing and they refuse to respect any entity above themselves because they are dominant.

August 6, 2015:

White American male with weapons who believes in his own superiority makes bombs in order to feel powerful. He builds explosive devices filled with BBs and nails because he sympathizes with the KKK, the Nazis, and what the Confederate Army was really defending but luckily he only blows off his own leg and I wonder now how he feels about being dominant.

August 7, 2015:

White American male with a weapon who believes in his own superiority kills in order to feel powerful. He shoots a man four times within seconds of apprehending him because I am a cop and you are not allowed to do that and his only consequence is to get fired for “bad judgement” because he is dominant.

August 16, 2015.

White American male with a weapon who believes in his own superiority kills in order to feel powerful. He kills a man because he got in the way of his desire to kill his fiancee, who deserved it, because she argued with him and it was necessary to remind her that he is dominant.

Summer, 2015.

Flashback Friday.

The number crunchers at OK Cupid recently looked at how age preferences disadvantage older women on the site.  First, the post’s author, Christian Rudder, points out, the distribution of singles is pretty matched by sex at most ages:

But that doesn’t necessarily mean that women and men of the same age are reaching out to one another.

Women at most ages state a preference to date men who are up to eight years older or eight years younger:

But men show a decided preference for younger women, especially as the men get older:And, Rudder notes, men target their messages to women even younger than their stated preference.  In this figure, the greenest areas represent where men are sending more messages and the red areas are where they are sending less:

So, even though men and women are more-or-less proportionately represented on the site, men’s decided preference for younger women makes for many fewer potential dates for older women.

Here’s what the dating pool looks like for 21-year-olds (the blue = men seeking women who are 21; the pink = women seeking men who are 21):

For 25 year olds:

For 30 year olds:

Rudder offers this summary measuring how a person’s desirability changes over time:

He writes:

…we can see that women have more pursuers than men until age 26, but thereafter a man can expect many more potential dates than a woman of the same age. At the graph’s outer edge, at age 48, men are nearly twice as sought-after as women.

Thus opportunities for dating are shaped by the intersection of gender and age to the detriment of women over 26 and men under 26.

Originally posted in 2010.

Lisa Wade, PhD is an Associate Professor at Tulane University. She is the author of American Hookup, a book about college sexual culture; a textbook about gender; and a forthcoming introductory text: Terrible Magnificent Sociology. You can follow her on Twitter and Instagram.

A new survey of 557 female scientists found widespread experiences of discrimination and alienation in the workforce that varied in interesting ways by race.

While all types of women reported experiencing these forms of discrimination in large numbers — and 100% of a sub-sample of 60 interviewed for the study reported at least one — the race differences are interesting:

• Black women were especially likely to need to prove and re-prove competence.
• Asian and white women, especially, received pressure to withdraw from the workplace after having children.
• Asian women were most likely to be pushed to perform a stereotypically feminine role in the office, followed by white and then Latina women. Black women rarely reported this.
• Latina and white women were most likely to feel supported by other women in the workforce; Black women the least.
• And almost half of Black and Latina women had been mistaken for janitors or administrative assistants, compared to a third of white women and a quarter of Asian women.

The study, by law professor Joan Williams and two colleagues, can be found here.

Lisa Wade, PhD is an Associate Professor at Tulane University. She is the author of American Hookup, a book about college sexual culture; a textbook about gender; and a forthcoming introductory text: Terrible Magnificent Sociology. You can follow her on Twitter and Instagram.

Many important things will be said in the next few weeks about the murder of nine people holding a prayer meeting at a predominantly African American church yesterday. Assuming that Dylann Roof is the murderer and that he made the proclamation being quoted in the media, I want to say: “I am a white woman. No more murder in my name.”

Before gunning down a room full of black worshippers, Roof reportedly said:

I have to do it. You rape our women and you’re taking over our country. And you have to go.

For my two cents, I want to suggest that Roof’s alleged act was motivated by racism, first and foremost, but also sexism. In particular, a phenomenon called benevolent sexism.

Sociologists use the term to describe the attribution of positive traits to women that, nonetheless, justify their subordination to men. For example, women may be described as good with people, but this is believed to make them perform poorly in competitive arenas like work, sports, or politics. Better that they leave that to the men. Women are wonderful with children, they say, but this is used to suggest that they should take primary responsibility for unpaid, undervalued domestic work. Better that they let men support them.

And, the one that Roof used to rationalize his racist act was: Women are beautiful, but their grace makes them fragile. Better that they stand back and let men defend them. This argument is hundreds of years old, of course. It’s most clearly articulated in the history of lynching in which black men were routinely violently murdered by white mobs using the excuse that they raped a white woman.

I stand with Jessie Daniel Ames and her “revolt against chivalry” in the 1920s and ’30s. Ames was one of the first white women to speak out against lynching, arguing that its rationale was sexist as well as racist. Roof is the modern equivalent of this white mob. He believes that he and other white men own me and women like me — “you rape our women,” he said possessively — and so he justified gunning down innocent black people on my behalf. You are vulnerable, he’s whispering to me, let me protect you.

All oppression is interconnected. The matrix of domination must come down. I am a white woman. No more murder in my name.

This essay was expanded for The Conversation and cross-posted at the Washington Post.

Lisa Wade, PhD is an Associate Professor at Tulane University. She is the author of American Hookup, a book about college sexual culture; a textbook about gender; and a forthcoming introductory text: Terrible Magnificent Sociology. You can follow her on Twitter and Instagram.