holidays

This Halloween, in Maryland, sex offenders who had been released from prison were required to put this sticker in a front window (news story here).

I can’t say it better than Gwen, so I quote her from this post:

I find the intense stigmatization of child sexual abuse, compared to other crimes, fascinating. With other crimes, once you finish the terms of probation, you’re pretty much done with the criminal justice system. Only with sex crimes (and generally only if they were against children) is there a requirement that the ex-felon register with law enforcement every time s/he moves even once probation is over, sometimes for a certain number of years, sometimes forever, depending on the state. I mean, you don’t have to do this if you murder someone, or even lots of people (or even if the victims were kids). Our culture currently defines child sexual abusers as unique, particularly horrific criminal who can never really be rehabilitated or reintegrated into society.

I wonder, though, to what degree this law makes children safer. It seems like a false sense of security–if you just know who the convicted sex abusers in your neighborhood are, you can protect your kids. Yet most child sexual abuse is committed by people known to the child and his/her family, not a stranger who just moved in to the neighborhood, and very often they have no criminal record, so these types of programs would be useless.

Click here for a nice gender and race analysis of a range of Halloween costumes for adults and kids by our blogger, Wendy.  We’ve also highlighted two costumes in particular: the Sexy Scholar and Anna-Rexia.  And, of course, just a few days ago, we posted about the Halloween display that includes a lynched Sarah Palin and a screenshot of an Obama mask found by searching for “terrorist costume.”  And don’t miss our jack-o’-lantern tribute to Max Weber.  See also, if you like, my Huffington Post about the race, class, and gender politics of Halloween.

To our newest Halloween material:

Andrea G. scanned in an entire Halloween costume catalog and offers some global observations about the breadth of costumes made available.  You can check out her flickr account here or scroll down for the images and some of Andrea’s commentary.

The Cover and Back:

Boys’ costumes:

Boys’ costumes (continued) and girls’ costumes:

Girls’ costumes (continued):

Women’s costumes:

Plus women’s costumes:

 

Plus women’s costumes (continued) and adult men’s costumes:

Plus men’s costumes:

First, Andrea notes how gendered the costumes are.  Women overwhelmingly are supposed to look sexy, while men are supposed to look funny or scary.  Note that this doesn’t vary much by age.  The costumes for adults and children are strikingly similar.

Second, Andrea points to how often men’s faces are covered by masks and how infrequently women’s are.  She writes that “5 out of the 198 costumes categorized under “female” or “girls” were masked (2.5%)” and “96 of the 180 costumes categorized under “male” or “boys” were masked  (53.3%).”  Andrea thinks: “I think this touches on the double standard American society holds for females/girls to be attractive and beautiful, while males/boys do not have to cater to this social rule, for the most part.”

Third, Andrea notes that there are costumes designed to make men look fat, but not women.  For example, this “Freshman 15” costume:

Thanks Andrea!


Shoshannah F. sent in this video of a group singing what is titled “Eid Mubarak India Song.” Shoshannah says,

“Eid mubarak” is a traditional Muslim greeting reserved for use on the festivals of Eid ul-Adha and Eid ul-Fitr.

Eid al Fitr, by the way, is the festival celebrating the end of Ramadan; it was celebrated last week.

There are several things in the video I think are interesting. First, it might be a good example of the diversity that exists in the Muslim world. As we’ve talked about before on Soc Images (see here and here) , in the U.S. Islam is often associated very strongly with “the veil” or even “the burqa.” This is used as evidence that Islam is automatically and uniquely oppressive to women. Yet in this video we see some women wearing scarves that cover some of their hair and other women whose heads are completely uncovered. It might be a useful video to show (at least a bit of it) if you’re talking about stereotypes of Islam and the idea that all Muslim women have to wear head coverings.

I can also imagine using a short clip from it to illustrate the fact that students’ frequent belief that Muslim = Arab = Middle Easterner is actually inaccurate. I assign a reading in my race class by Nadine Naber titled “Ambiguous Insiders: An Investigation of Arab American Invisibility” (2000, Journal of Ethnic and Racial Studies vol 23, number 1, p. 37-62). She argues that Islam has been racialized in the U.S., such that most Americans assume all Arabs are Muslims and all Muslims are Arabs, and negative stereotypes of Arabs and Arab Americans are extended to Muslims in general. On a global basis, only a minority of Muslims live in the Arab-speaking world (which is, by the way, the definition of “Arab”); the largest Muslim population lives in Indonesia, and though they are predominantly Muslim countries, neither Turkey, Iran, Pakistan, nor Afghanistan are Arab countries. I might show a small portion of this video as part of a lecture on the inaccuracy of equating Muslims with Arabs.

Another element that really struck me was how certain aspects of the type of masculinity on display here differ from our ideas of how men should act in the U.S. The men are wearing pastel colors that are generally only worn by women in the U.S. (though as this post shows, men are, under certain circumstances, allowed to wear pink). The men also dance closely and hug in ways that would not be acceptable between straight men in the U.S. The video could be used as an example of the social construction of gender, and how the things considered appropriate for men or women to do in one culture may not be viewed the same in others.

Now, I have no idea what the meaning of the guys looking all aghast at the guy in the business suit (at about 3:45) until he starts dancing is. I don’t know what that is supposed to signify–that he’s Westernized and might not take part in the festival? If any readers have any insights on what the meaning of that exchange is, I’d love to hear them.

Thanks, Shoshannah!

UPDATE: Commenter Silviu G. makes a good point:

What struck me was that, in commenting the video, the blogger didn’t emphasize the strict segregation of women and men.

Indeed I didn’t…thanks for pointing out the oversight in my analysis, Silviu! That might add to an interesting discussion of how, in the U.S., we would view men who interacted primarily with one another, hugging and dancing together, and remained entirely separate from one another. In the U.S., such behavior would almost certainly lead to the men being defined as gay; however, I don’t think that is in any way implied in this video, which again points to the variation in norms of gender behavior.

Also, just to clarify…Silviu suggests that I was “praising” Muslim TV for showing women with uncovered hair. That was not my intention–in fact, it would be terribly condescending of me to be all “Hey, look! How nice! They let some women be in public with no headscarves!” My point in mentioning that the women’s heads aren’t covered was just that, at least among my students, there’s often a belief that all Muslim women cover their hair all the time (I’ve had them ask if they have to cover their hair while they sleep), and that this video might be used just to get the point across that there’s no single way that Muslim women dress, any more than all Christian women dress the same, which many of my students found very surprising.

I took this photo on Father’s day. The images were on the window of a Sephora store (basically, a make-up store) in Pasadena, CA. The text says:

father’s day is June 15.
who’s your daddy?

I’m sure it’s supposed to mean “Who’s your babydaddy?”  But still… do we really need to go there?

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Lisa Wade is a professor of sociology at Occidental College. You can follow her on Twitter and Facebook.

Newsweek had an article today wondering if girl’s Halloween costumes might be too risque. I wasn’t surprised (I remember being shocked when I saw young girls dressed up as Spice Girls in 1998) so I decided to look around the Internet to find other questionable costumes. Not surprisingly, Halloween costumes are markers of not only gender and heterosexuality, but of race and class as well.

Let’s take children’s “occupational” costumes, for example. Here are some for girls: The French maid, nurse, and cheerleader costumes were the most prevalent.

And what about occupations for boys?



And look at how race is marked with some of the children’s costume models (2 cats, and a dancer):

And note how the intersections of race, militarization, sexuality and gender are also displayed in this costume. The first is a children’s costume, and the second is for teenagers. Both costumes are called “Major Flirt.”

And now let’s move on to teenage costumes. Here are some particularly popular ones for teen girls– sexy devils and sexy angels.

And some teen girl “occupation” costumes (prisoner, referee, navy):

And of course there are teen bunnies– “Hunny Bunny Teen” and “Classic Playboy Bunny”:

And what do teen boys get to dress up as? Scary clowns, murdering maniacs, and pimps.

The costumes for couples are also pretty telling– marked by heteronormative stereotypes. The first is a “Pimp and Kristy” costume, the second is a cop costume, and finally a costume of a brick layer and a woman dressed as a home, where the woman is literally displayed as the object, as the object of a man’s action.

Anyway, happy Halloween!

The Halloween costume below, which is produced by Playboy, is called “Sexy Scholar.”

Playboy costume features a dress with side-lacing and back zipper, collar with tie, knee-high socks, and hair ribbons.

Who knew that Santa endorsed cigarettes?

Christmas cigarettes endorsed by Ronald Reagan:

NEW (Dec. ’09)!

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Found here, here, here, here, here, here, and here.

Lisa Wade, PhD is an Associate Professor at Tulane University. She is the author of American Hookup, a book about college sexual culture; a textbook about gender; and a forthcoming introductory text: Terrible Magnificent Sociology. You can follow her on Twitter and Instagram.