history

A student pointed me to bharatmatrimony.com, a matchmaking website targeting the general Indian sub-continent:

You can choose to search a variety of more specific groups (Hindi, Punjabi, Tamil, etc.). Among other search criteria, you can specify caste and sub-caste.

I did a quick search (I put in “any” for caste) and found that the profiles are publicly available (presumably you only have to pay if you actually want to contact them), and include such information as complexion (one profile said “wheatish”), blood type (??), eating habits (vegetarian or not), horoscope and whether or not the person requires a good horoscope match, the person’s caste and sub-caste, annual income, and their preferences in a partner (they can state a caste and first-language preference but not a complexion preference, from what I can tell).

The website might be useful for any number of discussions–about technology and the increasing global reach of the internet, of modern methods of dating, about what type of information we might think is important at first glance about a person (although in the U.S. I bet many people would say asking about someone’s complexion is inappropriate or racist, I presume we have things on our dating sites that would seem rude in India; also, I’d argue American users of dating website don’t openly ask about complexion but can get that information from photos and so may be judging potential partners on it anyway). This could also bring up an interesting discussion of language–I suspect many students would be horrified at the idea of a “matchmaker,” which implies arranged marriages to some degree, but a “dating service” seems different (even though eharmony and other sites call potential partners “matches”).

The same student also uncovered these anti-dowry posters:

They can be found here. I have tried to find a website for The Sisterhood Collective or the ad agency that supposedly made these posters but have not be able to, so I do not have definitive proof they are real (I have no reason to say they aren’t, only that I’m usually cautious of things that supposedly were displayed in other countries that seem a little too funny/horrific to be true, so I always try to do a little digging if I can. Snopes.com didn’t have anything on it.

One thing that I thought was interesting about the anti-dowry posters was that when I first saw them, the language (“you fucking prick”) made me assume they were directed at men, although when I looked at them again I realized there was no reason they couldn’t be directed at women. If they were meant to target a male audience, it could lead to an interesting discussion of the implication that only men are engaged in patriarchal oppression, ignoring the role that older women (particularly potential mothers-in-law) play in reinforcing dowry and the devaluation of women.

Finally, here’s the cover (found here) of the very first issue of Vogue India, from October, 2007:

Here we see that the image of beauty provided by the magazine to the millions of women in India includes a narrow set of features: light skin, straight hair, stereotypically “European” facial features–and, of course, very, very thin bodies. Compare to this Indian ad for skin-lightening cream for a discussion of standards of beauty and how a generalized “White” ideal of beauty has been increasingly globalized.

Thanks, Kellie G.!

 

I borrowed this image years ago from Myra M. F. Thanks Myra!

NEW! More satirical pro-gay marriage messages (found here and here):

 

Laura R. sent us this 1939 test for husbands and wives, developed by an M.D./Ph.D. in psychology, designed to determine how well each is performing in his or her gendered role with marriage.  For proper behavior the spouse earns merits, for improper, demerits.  Below is the front page and the first page of the test for both men and women.  Click here to see the whole thing (via boingboing).

 

Thanks Laura!

 

Lisa Wade, PhD is an Associate Professor at Tulane University. She is the author of American Hookup, a book about college sexual culture; a textbook about gender; and a forthcoming introductory text: Terrible Magnificent Sociology. You can follow her on Twitter and Instagram.

Mary McC. of This Book Is for You draws our attention to a link to the full text of a book called “The Stork Didn’t Bring You.”

The book, written for adolescents in 1948 by Lois Pemberton, is surprisingly thorough! But, as Mary said, has plenty of “cringe-worthy” parts, including this tidbit from the chapter Trouble, Trouble, Trouble:

A triple-header of shocks awaits the eager beavers who insist on turning deaf ears to all adult warnings. They’ll awake to one or all three one black morn, in exchange for the few fleeting moments of stolen experiences… You know them already: an illegitimate child; an abortion; or a social disease (p. 158).

Thanks Mary!

This image, and others, can be found at Mental Floss under the heading of “Only the Creepiest Photos Ever Taken.”

The post includes the following quote from Sleeping Beauty: Memorial Photography in America by Stanley Burns.

child.jpg

These photographs were a common aspect of American culture, a part of the mourning and memorialization process. Surviving families were proud of these images and hung them in their homes, sent copies to friends and relatives, wore them as lockets or carried them as pocket mirrors. Nineteenth-century Americans knew how to respond to these images. Today there is no culturally normative response to postmortem photographs.

Here are two videos from MTV’s Think campaign (both found here):

I am not at all sure what the message is here–just a general “fear your government” warning? A comment on the Bush Administration’s policies? The Patriot Act? Also note that the message is that the Holocaust happened to people like us–not that it was done by people like us, which might be a more interesting message.

Anyway, I think this could be compared to the PETA posters in a discussion about history and who has the right to use it how. Will everyone see these images as offensive? Is any use of the Holocaust as an example or comparison automatically offensive? Would campaigns that use the Holocaust be as offensive to people if they used the genocide in Rwanda instead? Who gets to claim the right to use images and symbols of historical events, including horrible tragedies, and in what ways can they use them?

Thanks to Simone for pointing these out!

These images were all used (along with lots of others) in a 2003 campaign in which PETA, obviously, compared modern agricultural practices and eating meat with the Holocaust:

hol3od1.jpg

Found here.

petabig_1.jpg

Found here.

to-animals-all-people-are-nazis.jpg

Found here.

I assume it will not surprise anyone to learn that many people were offended by the campaign. I can imagine using these images in courses on food/agriculture, social movements, natural resources and the environment (especially in discussions of what rights non-human animals have), and even lectures about historical memory (for instance, when and how does it become acceptable to use historical tragedies like the Holocaust as symbols in other arguments, rather than as events in and of themselves?).

Thanks to an anonymous poster for pointing this campaign out!

NEW: Elizabeth (from Blog of Stench) sent in this ad (found here) PETA apparently attempted to run in the Portage Daily Graphic in Manitoba, Canada:

The ad references an incident on a bus in Manitoba where a man beheaded a fellow passenger and compares it to the slaughtering of animals.

Thanks, Elizabeth!

Kate N. pointed us towards this article in the New York Times today discussing 25 years of Marines recruitment aimed at women. Below is the content of their slide show.

1974:


1976:
1978:
1980:
1984:
1988:
1995:
1995:
2000:
2000:

The article says that the Marines have only recently began a concerted attempt to recruit women. Does anyone have any information about the shift in the racial targeting? Or is that just an artifact of the slide show?

Thanks so much for the tip, Kate!

Also in military recruitment: which military would you join?, the homefront, and war as entertainment.

.