history

Many important things will be said in the next few weeks about the murder of nine people holding a prayer meeting at a predominantly African American church yesterday. Assuming that Dylann Roof is the murderer and that he made the proclamation being quoted in the media, I want to say: “I am a white woman. No more murder in my name.”

Before gunning down a room full of black worshippers, Roof reportedly said:

I have to do it. You rape our women and you’re taking over our country. And you have to go.

For my two cents, I want to suggest that Roof’s alleged act was motivated by racism, first and foremost, but also sexism. In particular, a phenomenon called benevolent sexism.

Sociologists use the term to describe the attribution of positive traits to women that, nonetheless, justify their subordination to men. For example, women may be described as good with people, but this is believed to make them perform poorly in competitive arenas like work, sports, or politics. Better that they leave that to the men. Women are wonderful with children, they say, but this is used to suggest that they should take primary responsibility for unpaid, undervalued domestic work. Better that they let men support them.

And, the one that Roof used to rationalize his racist act was: Women are beautiful, but their grace makes them fragile. Better that they stand back and let men defend them. This argument is hundreds of years old, of course. It’s most clearly articulated in the history of lynching in which black men were routinely violently murdered by white mobs using the excuse that they raped a white woman.

I stand with Jessie Daniel Ames and her “revolt against chivalry” in the 1920s and ’30s. Ames was one of the first white women to speak out against lynching, arguing that its rationale was sexist as well as racist. Roof is the modern equivalent of this white mob. He believes that he and other white men own me and women like me — “you rape our women,” he said possessively — and so he justified gunning down innocent black people on my behalf. You are vulnerable, he’s whispering to me, let me protect you.

All oppression is interconnected. The matrix of domination must come down. I am a white woman. No more murder in my name.

This essay was expanded for The Conversation and cross-posted at the Washington Post.

Lisa Wade, PhD is an Associate Professor at Tulane University. She is the author of American Hookup, a book about college sexual culture; a textbook about gender; and a forthcoming introductory text: Terrible Magnificent Sociology. You can follow her on Twitter and Instagram.

Most people middle aged or older remember the “Crying Indian” campaign for Keep America Beautiful:

Most of them, by now, also know that Iron Eyes Cody was no Native American. Born to Sicilian Immigrants in southwestern Louisiana in 1904, Espera Oscar de Corti became an actor in his youth, and found that he could “pass” as a Native American in Hollywood.

de Corti, changing his name to “Cody,” claimed to have Cherokee-Cree heritage. He played native roles in dozens of westerns, with John Wayne and other stars of the mid-20th century. His chanting was featured in the Joni Michtell song “Lakota.” And, of course, he was the Noble Savage face of Keep America Beautiful. All while sharing more heritage with Christopher Columbus than with the people who got the shit end of the Columbian Exchange.

By all accounts Iron Eyes Cody tried to honour his assumed ancestry. He became an activist for Native American causes, and did lecture tours preaching against the harm of alcohol. He married a Seneca archaeologist, Bertha Parker, and they adopted two adopted two Dakota and/or Maricopa children. He even wrote a book about native sign language.

He also invented a backstory, quoted by Glendale News Press from  a 1951 local newspaper article:

Iron Eyes learned much of his Indian lore in the days when, as a youth, he toured the country with his father, Thomas Long Plume, in a wild west show. During his travels, he taught himself the sign language of other tribes of Indians…

The article said that the television star and his wife would appear at a Glendale Historical Society event to tell the story of the “Indian Sign Language in Pictures” and would demonstrate Indian arts and customs. Plus, the couple would bring along their 3-month-old “papoose” Robin (Robert Timothy). All were to be attired in Indian regalia.

In 1996, three years before his death, Iron Eyes Cody was outed as European by his half-sister, May Abshire, who offered proof of the actor’s Sicilian parentage to the Times-Picayune. Cody denied the allegations.

Today, such a shocking exposé, proving that an upstanding member of an ethnic community was really an outsider, would be all over social media. Just like Rachel Dolezal.

I’m having a hard time digging up any initial reactions to Iron Eyes Cody’s outing from indigenous people in the United States or Canada. How is he remembered? Did he help make native issues more visible, or did he obnoxiously appropriate a culture of suffering that didn’t belong to him?

Cross-posted at The Ethical Adman.

Tom Megginson is a Creative Director at Acart Communications, a Canadian Social Issues Marketing agency. He is a specialist in social marketing, cause marketing, and corporate social responsibility. You can follow Tom at Osocio and The Ethical Adman.

In response to company pensions, employer age limits, shifts in the economy, and the initiation of social security, men have increasingly enjoyed a little 20th century social invention called “retirement.” In 1860, more than 80% of men age 70 to 74 worked, but by around 2000, that number had dropped to below 20%.

As of the 2000s, this more-than-100-year-trend of increasing numbers of men enjoying their “golden years” has reversed. This is your image of the week:

Over at Made in America, from where I borrowed this graph, sociologist Claude Fisher explains the reversal of the trend (citations at the link):

The private sources of retirement support, such as company pensions and investments, have weakened; [and] public sources of aid are under strain from a lower birth rate, a stagnating economy, and political retrenchment. And the years that such support must cover are growing. In 1990 a 65-year-old man could expect to live about 15 more years; in 2010, 18 more years. That’s an extra 20 percent of financing needed.

Among other things, the economic health of older Americans is an important sign of the overall health of the economy. It will be interesting to keep an eye on this statistic in the near future.

Lisa Wade, PhD is an Associate Professor at Tulane University. She is the author of American Hookup, a book about college sexual culture; a textbook about gender; and a forthcoming introductory text: Terrible Magnificent Sociology. You can follow her on Twitter and Instagram.

Flashback Friday.

Adolf Hitler targeted the Jews in the Holocaust not simply out of hate, but for strategic reasons. Describing his plan to take over Germany, and then Europe, he wrote:

I scanned the revolutionary events of history and… [asked] myself: against which racial element in Germany can I unleash my propaganda of hate with the greatest prospects of success? …I came to the conclusion that a campaign against the Jews would be as popular as it would be successful.

Jews, Hitler figured, were already well hated and, thus, would lend themselves to demonization quite easily.

Once it was decided that the Jews would be targeted, wrote Ronald Berger writes in his essay The “Banality of Evil” Reframed:

the most immediate difficulty that confronted the Nazis was the construction of a legal definition of the target population.

Who was Jewish?

At first, the Nazis defined Jews as non-Aryan. But this became problematic because nations with whom Germany wanted to ally (e.g., Japan) were arguably non-Aryan.

So, the regime settled on a definition that linked non-Aryan-ness to religion. Both racial and religious characteristics could qualify one as “Jewish.”

Like the rules of hypodescent that separated black from white in the U.S. during and after slavery, the Nazis had rules as to what percentage of Jewish blood one needed to have to be truly Jewish. Berger explains that a Jew was defined as a person who was 3/4ths Jewish or more. The term mischling worked like the U.S. word mulatto to identify a person with mixed blood (in this case, someone who was 1/2 Jewish and also was married to a Jew or practiced Judaism).

The next step was measurement. In confusing cases, how could the Nazi’s prove that someone was Jewish or mischling? They developed instruments. These photographs (mine) are from a museum in Munich that has collected some of the instruments used to place a person on the Aryan/non-Aryan spectrum.

An instrument for measuring facial features:

Instruments for measuring skin, eye, and hair color:

This is just one more example of the way in which racial categories are constantly being invented and reinvented, usually for reasons related to power. For others, see our recent post on the deracialization of Irish dance, the shifting meanings of Creole, and the way Census data collection changed race in an instant.

Originally posted in 2009.

Lisa Wade, PhD is an Associate Professor at Tulane University. She is the author of American Hookup, a book about college sexual culture; a textbook about gender; and a forthcoming introductory text: Terrible Magnificent Sociology. You can follow her on Twitter and Instagram.

When one thinks of American Chinatowns, they usually think of San Francisco and New York, but at one time the third largest Chinatown in the U.S. was in Louisiana. It’s story is an example of how economics and geopolitics shape the growth of ethnic enclaves.

After the American Civil War ended legalized slavery in the U.S., Southern planters faced the challenge of finding labor to work their crops. It was common to employ the same black men and women who had been enslaved, now as sharecroppers or wage laborers, but the planters were interested in other sources of labor as well.

At nola.com, Richard Campanella describes how some planters in Louisiana turned to Chinese laborers. Ultimately, they hired about 1,600 Chinese people, recruited directly from China and also from California.

This would be a doomed experiment. The Chinese workers demanded better working conditions and pay then the Louisiana planters wanted to give. There was a general stalemate and many of the Chinese workers migrated to the city.

By 1871, there was a small, bustling Chinatown just outside of the French quarter and, by the late 1930s, two blocks of Bourbon St. were dominated by Chinese businesses: import shops, laundries, restaurants, narcotics, and cigar stores (some of the migrants had come to the U.S. via Cuba). Campanella quotes the New Orleans Bee:

A year ago we had no Chinese among us, we now see them everywhere… This looks, indeed, like business.

Big Gee and Lee Sing, New Orleans 1937 (photo courtesy of nola.com):

Other residents, it seemed, welcomed the way the Chinese added color and texture to the city. Campanella writes that “New Orleanians of all backgrounds also patronized Chinatown.” Louis Armstrong, who was born in 1901, talked of going “down in China Town [and] hav[ing] a Chinese meal for a change.” Jelly Roll Morton mentioned dropping by to pick up drugs for the sex workers employed in the nearby red light district.

A strip club now inhabits the old Chinese laundry; none of the original Chinatown businesses remain. But it held on a long time, with a few businesses lasting until the 1990s. All that’s left today is a hand-painted sign for the On Leong Merchants Association at 530 1/2 Bourbon St.

For more, get Richard Campanella’s book, Geographies of New Orleans.

Cross-posted at Pacific Standard.

Lisa Wade, PhD is an Associate Professor at Tulane University. She is the author of American Hookup, a book about college sexual culture; a textbook about gender; and a forthcoming introductory text: Terrible Magnificent Sociology. You can follow her on Twitter and Instagram.

It sure seems like U.S. Democrats and Republicans are less likely to cooperate than they have been in the past and now, thanks to geographer Clio Andris and her colleagues, we can see that it’s true. They plotted six decades of voting in the House of Representatives, noting the likelihood that their vote will cross party lines.

This is your image of the week:

Or, here’s the long story short:

Lisa Wade, PhD is an Associate Professor at Tulane University. She is the author of American Hookup, a book about college sexual culture; a textbook about gender; and a forthcoming introductory text: Terrible Magnificent Sociology. You can follow her on Twitter and Instagram.

At Vox, Phil Edwards dug up and revived an article from the American Journal of Sociology published in 1976. It tracks facial hair trends — or what the author whimsically calls “frequencies in whisker forms” — from 1842 to 1972. He notes, in particular, the overwhelming dominance of the clean face at the time of publication.

This is your image of the week:

The original author uses the data to make an argument about the existence of fashion trends. He’s interested, too, in why fashions change and, in like any good sociologist, recommends further research. He does speculate, though, about one possible driver of change: old people. He writes:

…as long as any considerable number of people who have stuck to a superseded form of personal appearance are still living, the young may tend to avoid such a mode as old hat. These distasteful associations seem to be safely overcome only after the passage of a century or more.

His theory holds. If his data is correct, beards disappeared right around 1915. It’s been a hundred years and beards are back!

Lisa Wade, PhD is an Associate Professor at Tulane University. She is the author of American Hookup, a book about college sexual culture; a textbook about gender; and a forthcoming introductory text: Terrible Magnificent Sociology. You can follow her on Twitter and Instagram.

In the working and middle class neighborhoods of many Southern cities, you fill find rows of “shotgun” houses. These houses are long and narrow, consisting of three or more rooms in a row. Originally, there would have been no indoor plumbing — they date back to the early 1800s in the U.S. — and, so, no bathroom or kitchen.

Here’s a photograph of a shotgun house I took in the 7th ward of New Orleans. It gives you an idea of just how skinny they are.

In a traditional shotgun house, there are no hallways, just doors that take a person from one room to the next. Here’s my rendition of a shotgun floor plan; doors are usually all in a row:

At nola.com, Richard Campanella describes the possible origins and sociological significance of this housing form. He follows folklorist John Michael Vlach, who has argued that shotgun houses are indigenous to Western and Central Africa, arriving in the American South via Haiti. Campella writes:

Vlach hypothesizes that the 1809 exodus of Haitians to New Orleans after the St. Domingue slave insurrection of 1791 to 1803 brought this vernacular house type to the banks of the Mississippi.

In New Orleans, shotgun houses are found in the parts of town originally settled by free people of color, people who would have identified as Creole, and a variety of immigrants. Outside of New Orleans, we tend to see shotgun houses in places with large black populations.

The house, though, doesn’t just represent a building technique, it tells a story about how families were expected to interact. Shotgun houses offer essentially zero privacy. Everyone has to tromp through everyone’s room to get around the house. There’s no expectation that a child won’t just walk into their parents’ room at literally any time, or vice versa. There’s no way around it.

“According to some theories,” then, Campanella says:

…cultures that produced shotgun houses… tended to be more gregarious, or at least unwilling to sacrifice valuable living space for the purpose of occasional passage.

Cultures that valued privacy, on the other hand, were willing to make this trade-off.

Sure enough, in the part of New Orleans settled by people of Anglo-Saxon descent, shotgun houses are much less common and, instead, homes are more “privacy-conscious.”

Over time, as even New Orleans became more and more culturally Anglo-Saxon — and as the housing form increasingly became associated with poverty — shotguns fell out of favor.  They’re enjoying a renaissance today but, as Campanella notes, many renovations of these historic buildings include a fancy, new hallway.

Lisa Wade, PhD is an Associate Professor at Tulane University. She is the author of American Hookup, a book about college sexual culture; a textbook about gender; and a forthcoming introductory text: Terrible Magnificent Sociology. You can follow her on Twitter and Instagram.