gender

Lately we’ve seen a number of instances in which men are portrayed as babies.  We saw it in a Jack in the Box commercial featuring men being pushed around in a stroller, in the recent advertising for the movie Life as We Know It, and now Australian Ikea has opened Manland, a “day care” for men, a place where women can drop off their husbands while they shop. Thanks to Andri, a brand new student of mine, and readers YetAnotherGirl, Laura E., and LM for sending it in.

The idea that men are like babies is pretty damn obnoxious and should be offensive on the face of it (see especially the Jack in the Box commercial). But this is more insidiously problematic even than that.  It tells women that they can’t expect men to be grown ups.  And if men can’t be grown ups, they we certainly can’t expect them to do their share of the dishes or the hard work of raising families or, for that matter, be a true and equal emotional partner.

We see a similar pattern of insulting men in a way that undermines women  in the new “mediocre man” genre.  As I’ve written elsewhere, the mediocre man (think Judd Apatow movies and Hard Lemonade commercials):

…is a self-deprecating character who undermines idealized masculinity by being likeable despite being decidedly non-ideal…  The viewers are meant to identify with the mediocre men, who revel in each others’ company, happy to be dudes free from the clutches of the women in their lives, even if they aren’t sleeping with supermodels.  The mediocre man may be kind of a loser, indeed, but he can thank God he’s a man.

In both the man-as-child and the mediocre man tropes, then, the portrayals manage to simultaneously mock guys and support patriarchy. Pretty amazing.

Lisa Wade, PhD is an Associate Professor at Tulane University. She is the author of American Hookup, a book about college sexual culture; a textbook about gender; and a forthcoming introductory text: Terrible Magnificent Sociology. You can follow her on Twitter and Instagram.

Cross-posted at Jezebel.

Sometimes marketing is so absurd that I am tied into knots trying to understand how an advertisement could possibly have been made and set loose into the world.  Like this ad for Zappos, sent in by Cheryl S., that claims it sells jeans in “fits for every body type”:

Are they actually mocking us?  Do they really think we are so stupid as to not find the text and visuals in this ad laughably mis-matched?  Are they trying to offend all people outside of this “range” of body types so that they don’t wear their clothes?  I just… I don’t know.

UPDATE! Business Insider featured the ad above and included another example:

Lisa Wade, PhD is an Associate Professor at Tulane University. She is the author of American Hookup, a book about college sexual culture; a textbook about gender; and a forthcoming introductory text: Terrible Magnificent Sociology. You can follow her on Twitter and Instagram.

Last week guest blogger Christina Barmon posted health promotional material from 1922 that emphasized physical fitness for boys and men and grace for girls and women.  She concluded suggesting that such associations were still out there.

Indeed. Katrin, Greta P., and Sophie J. sent in a nice, succinct example of the divergent expectations for men’s and women’s bodies around today.  We know, if we’re well-socialized, that women are supposed to be thin and men are supposed to be athletic.  And, here, in this ad posted in the London Underground for Wellwoman and Wellman “sports” drinks, the message comes through loud and clear.

Wellman for “high performance health & vitality”:

Wellwoman “low calorie” drink:

Lisa Wade, PhD is an Associate Professor at Tulane University. She is the author of American Hookup, a book about college sexual culture; a textbook about gender; and a forthcoming introductory text: Terrible Magnificent Sociology. You can follow her on Twitter and Instagram.

Yesterday Hasbro announced a new model of the Easy Bake Oven designed in response to the growing efficiency of light bulbs.  This sounded to me like a perfect opportunity to bring back our post on the evolution of the toy.  You’ll see the new model at the end.

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My niece got an Easy Bake Oven for Christmas this year and I was shocked.  Shocked!

No, not because of gendered gift giving, socialization, blah blah blah… (I don’t know where you would get that idea).  Instead, I was shocked by what cooking apparently looks like in 2009.  But let me start at the beginning…

The first Easy Bake Oven was released by Hasbro in 1963 (history here).  It looked like a range with a stove top and an oven:

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It looked like this, with minor changes in color and amenities, for a while.

1964:

64

1971:

71

Then, 1978.  It turns out, in 1975, for the first time, sales of microwave ovens exceeded those of gas ranges.  And, what do you know, the Easy Bake Oven was suddenly a microwave with a digital clock:

78

1983:

83

Presumably, between 1963 and 1978, what cooking looked like changed dramatically and the evolution of the Easy Bake Oven reflected that.  This is what surprised me when I saw my niece’s oven.

Ironically, this year’s Oven is painted in the original turquoise, as a nod to 1963, but it is still clearly a microwave:

easyBake

2011: Commercially available light bulbs are no longer inefficient enough to bake goodies.  This year’s model, then, is actually a real oven, reaching temperatures up to 375 degrees:

 

So that’s technological and socioeconomic change as signified by the Easy Bake Oven.

Lisa Wade, PhD is an Associate Professor at Tulane University. She is the author of American Hookup, a book about college sexual culture; a textbook about gender; and a forthcoming introductory text: Terrible Magnificent Sociology. You can follow her on Twitter and Instagram.

Victoria and Paul (a sociologist from the University of Turku, Finland) sent in an ad for a woman’s guitar that nicely illustrates the way that we unnecessarily gender size difference.  The Daisy Rock ad specifies that the guitar is “lighter weight,” with a “slimmer neck,” and designed exclusively for women:

On the one hand, this guitar may be great for women who are on the smaller side.  In that sense, a smaller guitar may make it easier for more women to play guitar.

On the other hand, size is only related to gender, it’s not synonymous with gender.  There are women who are built in such a way as to make a traditional guitar perfect.  And there are men on the smaller side who may also benefit from a guitar built for slighter frames. The mistake is to suggest that small = female and large = male.  In contrast to this girl-only company, one that simply offered guitars in different sizes would be embracing of both women and the 1/2 of guys on the smaller side of the bell curve.

Lisa Wade, PhD is an Associate Professor at Tulane University. She is the author of American Hookup, a book about college sexual culture; a textbook about gender; and a forthcoming introductory text: Terrible Magnificent Sociology. You can follow her on Twitter and Instagram.

According to a 2008 market research study, 72% of yoga practitioners in the U.S. are women; 71% are college educated and 27% have postgraduate degrees; and 44% have annual incomes of $75,000 or more.  Yoga practitioners, then, do not reflect the general population.

So how inclusive is yoga?  A collection of covers from the magazine Yoga Journal, spanning the years 1975 to 2010, sent in by Janet T., gives us a clue.

As she points out, the historical progression of covers illustrates how the magazine started out with explicit connections to India and traditional yogis (below) and gradually moved towards featuring (and thus creating) western yoga superstars.

Of the 186 Yoga Journal covers that include a photograph (not an illustration) 78% show only white people. Though a 1997 issue with a story on “yoga in the inner-city” features a man of color:

66% of single-person photos are of a woman.  At least two covers include a story on yoga for people who aren’t necessarily young, thin, and able-bodied, but show a photograph women who are.


Although the feminization of yoga has been noted (and conversely, the need to masculinize yoga in order to appeal to men), it is rarely acknowledged that while women make up the majority of yoga practitioners, studio owners are more likely to be men.  Moreover, yoga superstars, such as Bikram Choudhury (the creator of the Bikram style of yoga practiced in a heated room), with incomes in the multi-millions, are overwhelmingly men.

In addition, while most yoga practitioners are female, the language of yoga is male, and assumes a gender-conforming (and often athletic and thin) body.  Some bloggers have called attention to raced, classed, gendered, sizist, and transphobic practices in American yoga culture that can be alienating and discouraging to current or would-be yogis, thus denying the potentially therapeutic elements of yoga to much of the U.S. population.  For example, the costs associated with yoga practice (classes, equipment, etc.) make it out of reach for most low-income people, while the gendered way that yoga philosophy understands the human body can make it uncomfortable for some transgender folks.

So, through the past 35 years of Yoga Journal covers, we can see how the representation of yoga in America both creates and reinforces a symbolic understanding of a practice intended for a very particular audience.

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Christie Barcelos is a doctoral student in Public Health at the University of Massachusetts who rarely sees anyone who looks like her in yoga class.

If you would like to write a post for Sociological Images, please see our Guidelines for Guest Bloggers.

(Via John Barr’s Blog.)

Today, in the “blatant objectification of women to sell crap” category, we have this J.C. Penney commercial, sent in by Rachel O. The ad features ESPN journalist Kenny Mayne assuring men that if they’ll just look at the boring ad for Van Heusen shirts, they’ll also be rewarded with actress Phoebe Cates in a bikini, so “everybody wins”:

I’m not sure that quite everybody wins here. No, not quite everybody.

You know, if we just stopped gendering things in the first place, we wouldn’t have to bend over backwards to get our products sold to the other 50% of humanity.  Case in point…

Lucia M.M. sent in this effort to sell wine to the Monday night football crowd:

Meanwhile, seven of our Readers sent in the new female-branded beer “chick beer” (“just 97 calories and 3.5 carbs”):

Another reader tipped us off that Molson is in on the game too with it’s girly pink brand, Animee:

See also a long list of gendered/sexualized foodstuffs and other things that are gendered for no conceivable reason.

UPDATE: Several readers suggested that the Monday Night Football wine may actually be aimed at women who like football.  There are lots of them.

Thanks to our readers for the submission!: Yvette, Kirsten O’N., Jayna T., Amanda S., Rosemary McM., Caitlin C., Andrew P., Tom Megginson (of Work that Matters), and Kjerstin G. (for About-Face).

Lisa Wade, PhD is an Associate Professor at Tulane University. She is the author of American Hookup, a book about college sexual culture; a textbook about gender; and a forthcoming introductory text: Terrible Magnificent Sociology. You can follow her on Twitter and Instagram.