gender: prejudice/discrimination

Bemoaning how Halloween has turned into an opportunity/requirement for women and girls to dress sexy is nothing new.  The trend isn’t just about Halloween, however, it reflects an everyday expectation for women.  Women are expected to dress in ways that reveal their body and please a hypothetical male gaze daily.  Men just aren’t.

University of Akron sociology graduate student Will LeSuer took some great photographs illustrating the different expectations for men and women.  The same idea for a costume is sexualized when it’s a woman in it and not-at-all sexualized when it’s a man.  Notice, too, that the sizing is different.  The costumes for women come in three sizes, while the men’s is usually just one size.  This is because women are expected to wear clothes that reveal the shape of her body, so the exact size is more important.

You might have observed, also, that the costumes aren’t called “men’s” and “women’s.”  They’re all just “adult.”  So women could, if they wanted to, buy and wear the non-sexy version of the costume, and vice versa for men.   And we might imagine a woman doing that.  But would a guy do that?  Probably only as a joke (unless they’re in a queer-safe space).

This pattern — women can dress like men, but men don’t dress like women — suggests that there is, in fact, something demeaning, ridiculous, or subordinating about presenting oneself to the male gaze.  Most men feel stupid, gross, or vulnerable when they do it.  This isn’t just about conformity to different gendered expectations.  If it were just about difference women would feel equally weird dressing in men’s clothes.  Instead, when women adopt masculine ways of dressing and moving, they often feel empowered.

So, when men do femininity they feel ridiculous and when women do masculinity they feel awesome. This is what gender inequality looks like.

Lisa Wade, PhD is an Associate Professor at Tulane University. She is the author of American Hookup, a book about college sexual culture; a textbook about gender; and a forthcoming introductory text: Terrible Magnificent Sociology. You can follow her on Twitter and Instagram.

Cross-posted at Montclair SocioBlog.

It’s the kind of finding to warm the hearts of us liberal, Larry-Summers-hating,  gender-egalitarians.  Summers — you saw him in “The Social Network” as the Harvard president who had no patience for the Winklevoss twins (he didn’t have much patience for Cornell West either and probably many other things) — suggested that the dearth of women in top science and engineering positions was caused not so much by social forces as by innate sex differences in math ability (more here and many other places).

As others were quick to point out, those differences are greater in societies with greater gender inequality.  That’s why the math gender gap in the U.S. has become much narrower over time.  In societies with greater equality, like Sweden, Norway, and Israeli kibbutzim, the male-female gap in math disappears.  But even in those societies, males still score higher on one type of mathematical skill: spatial reasoning.

I’m sure that evol-psych has some explanation for why male brains evolved to be more adept at spatial reasoning.  I’m equally sure that those who favor social explanations can find residual sexism even in Sweden to explain spatial differences.  That’s why a field experiment reported last summer is so interesting.

The research team (Moshe Hoffman and colleagues, pdf) tested people from two tribes in northern India — the Karbi and the Khasi.  These had once been a single tribe but had split recently — a few hundred years ago.  (Recent is a relative term, and we’re talking evolution here.)  So they were similar economically (subsistence farming of rice) and genetically.

  • The Karbi are patrilineal.  Only the men own property, and they pass that property to their sons.  Males get more education.
  • Khasi society is matrilineal.  Men turn their earnings over to their wives.  Only women own property, which is passed along only to daughters.  Males and females have similar levels of education.

Researchers went to four villages of each tribe, recruited subjects to solve this puzzle:

They offered an additional 20 rupees if the subject could solve the puzzle in 30 seconds or less.

In the patrilineal society, women were much slower to solve the puzzle than were men.  But among the matrilineal Khasi, the difference was negligible.

I’m not sure how much weight to give this one study, mostly because of sample size.  Is the sample the 1300 villagers who worked the puzzle?  Or is it 1 – one inter-tribal comparison? But the results are encouraging, at least for those who argue for greater gender equality.

Cross-posted at The Social Complex.

Take a look at these two images.  The people in Image A and Image B are identical, save for their relative heights and the way that their heads are tilted in order to maintain eye contact.  Now how do you think each of these images would be independently perceived by the average person?  How do you perceive the events depicted in these images?

(see full sized image here)

Do one of these men seem “assertive” while the other seems “submissive” or “pushy”?  What would you imagine the woman is thinking in each of these images?  How would you rate the social esteem of each of these men?  Which one seems to have the most business acumen?  The most leadership potential?  Which man would you rate as more attractive?  What do you think these two people are talking about in each image?  Does your perception of what is happening in the conversation change from image to image?

If you are being honest with yourself here, you probably are imagining many differences in the social interactions depicted in these two images that don’t actually exist outside of our cultural framework. From the age that we become aware of our environment we are bombarded with cultural images, traditions, behaviors, and ideals (both expressly and implicitly conveyed) which foster heightist concepts within our psyche.

These heightist concepts come into play along with our perceptions of gender.  Masculinity is culturally tied to “Tall” and femininity is culturally tied to “Short.” Therefore, the negative cultural perceptions that apply to “feminine males” also apply to “short males” and the positive cultural perceptions that apply to “masculine males” also apply to “tall males.”  That is why we perceive Image A and Image B differently, even though there is no story behind the images beyond what we imagine.

Perhaps (to some extent) the negative cultural perceptions that apply to “masculine women” also apply to “tall females” and the positive cultural perceptions that apply to “feminine females” also apply to “short females”?  I do not know.  However, I have my doubts that it works this way for females.

This is because (in my humble opinion – with no evidence to back this up):

  • Being a masculine woman is probably NOT considered as negative in our society as being a feminine man.  In other words, our society values masculinity more than femininity and so it is more important for a male to be masculine, but much less important for a female to be feminine.
  • Additional height (or “tallness”) is considered a masculine trait and so more important for a male to have than it would be detrimental for a female.
  • Tallness (for some reason) is not considered masculine on a female.  Body mass (weight) is considered more of a “masculine” trait on a female than pure height.

Any comments?  Discussion?

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Geoffrey Arnold is an associate with a mid-sized corporate law firm’s Business Litigation Practice Group.  When Geoffrey isn’t chasing Billable Hours in the defense of white-collar criminals, he is most likely writing about social justice with a special emphasis on height discrimination at his blog: The Social Complex.

If you would like to write a post for Sociological Images, please see our Guidelines for Guest Bloggers.

Race, sex, religion, color, national origin, age, disability, and veteran status are all what are called protected classes under federal law — characteristics that cannot be used as the basis for discrimination in hiring, housing, or other arenas. There are loopholes, however; one is that it is acceptable to discriminate based on a protected characteristic if you can show that it is “bona fide occupational qualification” (BFOQ). So, for instance, if you can show that being female is a legitimate requirement for being able to perform a particular job, you can refuse to hire men. Hooters used the BFOQ argument when they were sued for sex discrimination because they would not hire men as servers.

The exceptions are race and color, which are not legally seen as ever being legitimate qualifications for doing a job. As the Equal Employment Opportunity Commission website states, “Nor may race or color ever be a bona fide occupational qualification under Title VII.” That is, there is absolutely no good reason that being of one race or another would ever be a legal basis for hiring.

And yet, there’s still at least one arena where race is blatantly and openly used as a basis for hiring: Hollywood casting. Back in 2006, Russell Robinson, a faculty member at the UCLA School of Law, looked at the sex and race/ethnicity characteristics specified in “breakdowns” — the summaries of characteristics presented in casting announcements. As Robinson explains in the article “Casting and Caste-ing: Reconciling Artistic Freedom and Antidiscrimination Norms,” his sample certainly doesn’t include all roles in the process of being cast during that period. Roles aimed at big stars who don’t go through the typical audition process may never be released as a breakdown, since there’s no intent to recruit for the role. But

Robinson’s team looked at all breakdowns for feature films released between June 1 and August 31, 2006, excluding calls for extras and stunt people. As they reported in the research brief “Hollywood’s Race/Ethnicity and Gender-Based Casting: Prospects for a Title VII Lawsuit,” the vast majority of the breakdowns explicitly state the race of the character, with only 8.5% of roles open to any race/ethnicity:

Notice that African Americans and Latinos are particularly under-represented compared to their proportion of the total U.S. population. And while 22.5% of breakdowns specifically said the character should be White, almost half included language that designated the role as implicitly White — for instance, including only White actors in a list of prototypes for the role. In fact, interviews with casting directors indicate that roles are presumed to be White unless the breakdown specifically says otherwise.

Almost all breakdowns specified the sex of the character; 59% of the breakdowns specified the role was for a man, while 35% of roles were for women.

Robinson also analyzed the cast of 171 films released in 2005 that made at least $1 million. The majority of all roles were reserved for men. An overwhelming 73% of leads were men, and even supporting roles were predominantly for men:

Of the leads in those films, 81.9% were White non-Hispanic:

Robinson’s work shows that Hollywood still explicitly uses protected classes in hiring decisions, including race/color, which have been excluded from the BFOQ loophole. For more on this, see our posts on race and roles in recent trailerscasting Whites in Asian roles, Hollywood’s discomfort with Asian lead roles, gendered positioning in promotional posters, race and representation in Hollywood, the Smurfette Principle in movies, who goes to see movies, anyway?, Anita Sarkeesian on male-centric plots, and the lack ofra African Americans on Friends.

Thanks to Dolores R. for the tip about Robinson’s study, which she originally saw at Racialicious.


A post for Love Your Body Day.

Krista, Debbie, and Diego sent in the following commercial for FreeScore. It nicely illustrates our bias against men who don’t live up to idealized standards of masculinity.  That is, men who are short, bald, and soft.

Like a bad credit score, men who aren’t young and handsome are a total drag. Klutzy, a potential serial killer, afraid to stand up for himself… his pain is our last laugh.  Disgusting.

Lisa Wade, PhD is an Associate Professor at Tulane University. She is the author of American Hookup, a book about college sexual culture; a textbook about gender; and a forthcoming introductory text: Terrible Magnificent Sociology. You can follow her on Twitter and Instagram.

In this ten-minute video, Feminist Frequency‘s Anita Sarkeesian does a great job of discussing the problem with “straw feminists,” overtly feminist characters who are made to look bitchy, ridiculous, or just plain wrong… even when they’re describing forms of gender inequality that really exist.  More, they’re used to suggest that feminism places men and women in opposition when, in fact, gendered expectations and institutions are oppressive to men as well.

By demonizing these characters, Sarkeesian concludes, the straw feminist leads real women to disassociate from feminism, even when they believe in the equal rights of men and women.

Transcript after the jump:

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Post under “No comment” by Sarah Richardson at Ms.:

Lisa Wade, PhD is an Associate Professor at Tulane University. She is the author of American Hookup, a book about college sexual culture; a textbook about gender; and a forthcoming introductory text: Terrible Magnificent Sociology. You can follow her on Twitter and Instagram.

Eve P. and Will LeS. suggested that we write about the window decals that have popped up on the back windows of cars in the last couple years.  The decals supposedly list the members of the car owner’s immediate family, sometimes including pets.  They also, though, tend to reproduce some interesting ideas about families.  Here’s what Eve had to say:

  • The figures are almost always placed on the left side of the car, so that the figures (usually placed from tallest to shortest) strongly give the impression of a visual hierarchy or ranking.
  • A “dad” figure is first in line, before a “mom” figure, and the adult figures come before the child figures (boy children before girl children, unless the boy is younger child), and the child figures come before any animal figures…
  • This ranking seems to suggest that men take precedence over women, adults take precedence over children, and all humans take precedence over animals.
  • I don’t think I’ve ever seen a two woman or two man setup (or any other set of adults besides one man and one woman)…
  • The “dad” figure is taller than the “mom” figure…

So the stickers tend to reproduce the normalness of (1) being paired up with (2) someone of the other sex, (3) having children, (4) a gender hierarchy, and (5) the imperative that men be taller than women.

 

Lisa Wade, PhD is an Associate Professor at Tulane University. She is the author of American Hookup, a book about college sexual culture; a textbook about gender; and a forthcoming introductory text: Terrible Magnificent Sociology. You can follow her on Twitter and Instagram.