gender: beauty

Cross-posted at Hawkblocker.This Dove commercial for hair dye is just fascinating.  It features a woman talking about what color means to her.  She observes that color is sensual, drawing connections between certain colors and the feeling of a cool breeze, the sun on one’s skin, a taste on one’s tongue, and more.  She says colors are moods: blonde is bubbly, red is passionate. The voice-over explains that dying her hair makes life “more vivid” and makes her want to laugh and dance.  She does it to invoke these characteristics.

She then explains that she’s blind.  The commercial uses her blindness to suggest that hair dye isn’t about color at all.  It’s about the feeling having dyed hair gives you, even if you can’t see the color.  “I don’t need to see it,” she says, “I can feel it.”

By using a woman who is (supposedly) blind, the commercial for hair dye uses the element of surprise to detach the product from the promise.  The sole purpose of hair dye is changing how something looks, but this ad claims that the change in appearance is entirely incidental.  Instead, dying one’s hair is supposed to make all of life more vibrant, every moment incredibly special, every pleasure more intense, and fill you to the brim with happy emotions.  It’s completely absurd.  Fantastically absurd. Insult-our-intelligence absurd.

And yet, it’s also exactly what nearly every other commercial and print ad does.  Most ads promise — in one way or another — that their product will make you happier, your life brighter, and your relationships more magical.  The product is positioned as the means, but not an end.   Most hair dye commercials, for example, promise that (1) if your hair is dyed to be more conventionally beautiful, (2) you will feel better/people will treat you better and, so, (3) your life will be improved.  This ad just skips the middle step, suggesting that chemicals in hair dye do this directly.

So, I’m glad to come across this utterly absurd commercial. It’s a good reminder to be suspicious of this message in all advertising.

Lisa Wade, PhD is an Associate Professor at Tulane University. She is the author of American Hookup, a book about college sexual culture; a textbook about gender; and a forthcoming introductory text: Terrible Magnificent Sociology. You can follow her on Twitter and Instagram.

Cross-posted at Jezebel.

I’d love to draw your attention to The Alpha Parent, a blogger who has collected a stunningly large number of toys for infants that socialize girls into preening.

Some of the toys are purses/handbags that include pretend lipsticks, compacts, and related-items.  My Pretty Learning Purse includes a toy lipstick and a mirror; the Gund Sesame Street Abbey Purse Playset includes a compact and powder brush; the Lilliputiens Liz Handbag includes an eye shadow compact complete with three shades and an eye shadow applicator.

In case you were wondering if this is a trend, the Alpha Parent post features TWENTY examples of purses filled with such toys.

It also includes examples of toy make-up bags. Going beyond the inclusion of beauty items in infant toys, these make beauty the sole point of the play.  Here are just two of the NINE pretend make-up bags she collected, the Oskar & Ellen Beauty Box and the Learn and Go Make-Up and Go:

Since we wouldn’t want a baby to miss the point, companies also produce and sell vanities for infants. The Alpha Parent’s post included FOUR; here’s two, the Perfectly Pink Tummy Time Vanity Mirror and the Fisher Price Laugh and Learn Magical Musical Mirror:

The Alpha Parent goes on to cover real nail polish made for infants, beauty-themed clothes for little girls, and a common category of dress up: beautician outfits.  I counted a surprising ELEVEN of these:

The latter reverses into a nurse’s uniform.

The Alpha Parent concludes:

Makeup toys prime girls for a lifetime of chasing rigid norms of physical attractiveness through the consumption of cosmetics and fashionable accessories.

They are also generally non-sex-transferable, meaning that parents are often loath to allow their boys to play with girl toys.  Gendered toys, then, increase the rate of toy purchasing, since parents of a boy and a girl have to buy special toys for each.

It’s a win-win for corporate capitalism.  Socialize the girls into beauty commodities by buying these toys now, plan on reaping the benefits with the real thing later.  Brainwash the boys in an entirely different way (the Alpha Parent notes tools and electronics), do the same with them simultaneously.

Lisa Wade, PhD is an Associate Professor at Tulane University. She is the author of American Hookup, a book about college sexual culture; a textbook about gender; and a forthcoming introductory text: Terrible Magnificent Sociology. You can follow her on Twitter and Instagram.

Men and women in Western societies often look more different than they are naturally because of the incredible amounts of work we put into trying to look different.  Often this is framed as “natural” but, in fact, it takes a lot of time, energy, and money.  The dozens of half-drag portraits, from photographer Leland Bobbé, illustrate just how powerful our illusion can be.  Drag, of course, makes a burlesque of the feminine; it is hyperfeminine.  But most all of us are doing drag, at least a little bit, much of the time. 

Here’s an example of one we have permission to use for the cover of our Gender textbook:

Many more at Leland Bobbé’s website.

Lisa Wade, PhD is an Associate Professor at Tulane University. She is the author of American Hookup, a book about college sexual culture; a textbook about gender; and a forthcoming introductory text: Terrible Magnificent Sociology. You can follow her on Twitter and Instagram.

Thanks to YetAnotherGirl and Kari B., we can now feast our eyes on this ad from Unik (“unique”) Wax Center.  It’s a promotion offering 50% off hair waxing for girls “15 and younger.”  The Consumerist reports that all procedures are fair game, including bikini waxes.

The usual concerns regarding the sexualization of young girls apply here.  Why do girls this young need to be concerned about how they look in bikinis?

Perhaps more interesting is the frame for why such a girl might want to undergo waxing. According to the 4th of July-themed ad, it’s to “celebrate freedom and independence.”  Implicitly, hers. So, to follow the logic to its endpoint, a girl of 15 or younger can’t feel free unless she’s hairless.

The company, responding to criticism, gave arguments along these lines.  They framed waxing as a “regular activity” and a “process in life” that “goes along with our country.”  Moms are coming in to get waxed (as all women do), explained the corporate offices, they’re dragging their tweens along with them (obviously), and the girls “have questions” and “get bored,” so the next step is to initiate them into the ritual.

So, the whole process is “natural,” as the ad copy specifies.  It is just an inevitable step in a supposedly universal way of (female) life.  And one that liberates women from… um, I don’t know what… embarrassment, I guess.

The ad is reminiscent of many similar campaigns aimed at adult women, ones that frame consumption of clothes, make-up, jewelry, and cosmetic procedures as expression of freedoms.  In this way, it’s a capitalist appropriation of feminism/liberation ideology.  It’s also a naturalization of what is, in reality, a lifetime of compulsory, expensive, and sometimes harmful beauty practices.

Lisa Wade, PhD is an Associate Professor at Tulane University. She is the author of American Hookup, a book about college sexual culture; a textbook about gender; and a forthcoming introductory text: Terrible Magnificent Sociology. You can follow her on Twitter and Instagram.

Rebecca sent in an ad she saw in an Australian women’s magazine that explicitly reinforces the idea that women are in perpetual competition with one another. The ad declares an anti-aging product a weapon to be used “in the war against other women,” reminding women that we should consider ourselves to be in a battle with one another over who is most physically attractive — and thus, presumably, most likely to win the ultimate prize of remaining sexually attractive to men:

Check out our earlier posts on the discourse of women-as-competitors, how objectification divides women, the “don’t hate me because I’m beautiful” advertising trope, and an Israeli Bacardi ad campaign that told women to get an ugly friend to make themselves look better.

The Belgian Cancer Foundation is trying to increase awareness of skin cancer and the importance of wearing sunscreen to protect against it. Unfortunately, they’ve recently decided the best way to get this across is to fall back on a familiar message: ladies, if you don’t do what we say, you’ll be hideous and your guy won’t want you any more. In this video released as part of the campaign, ostensibly aimed at men (and sent in by YetAnotherGirl and Grace W.), guys fall asleep with their young female partners. After they fall asleep, the women sneak out of bed and their moms take their places, and we get to see the startled reactions when the men wake up, with the final warning that if men don’t make their girlfriends wear sunscreen, “she’ll start looking like her mom far too soon”:

Because you know, ladies, if you don’t wear sunscreen, you’ll age, and that makes you so gross and scary that men will fall out of bed trying to get away from you. And what could be more romantic than a boyfriend lovingly reminding his girlfriend to put on some sunscreen so she doesn’t someday totally freak him out?

Via Gawker.

Melissa Fletcher Pirkey, a grad student at Notre Dame, sent in an image she saw in a catalog for Spanx, a company that sells shapewear. This page from the catalog reminds women that our bodies are always on display and subject to scrutiny, requiring the help of a range of garments to help us keep them under control lest we fail inspection:

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Florence Colgate recently won the title of Britain’s Most Beautiful Face.  The competition, which attracted more than 8,000 contestants, was sponsored by Lorraine Cosmetics.  The company compared each face to a mathematical algorithm representing beauty.  Florence, who is blonde and blue-eyes, came out on top:

[youtube]https://www.youtube.com/watch?v=YQjFFTezh5I[/youtube]

An example of the formula from the Daily Mail:

A woman’s face is said to be most attractive when the space between her pupils is just under half the width of her face from ear to ear. Florence scores a 44 per cent ratio. Experts also believe the relative distance between eyes and mouth should be just over a third of the measurement from hairline to chin. Florence’s ratio is 32.8 per cent.

So, it’s science, right?  Well, that plus (at least) a little bit of racism.  Carmen Lefèvre, a psychologist, was quoted explaining why Florence was so “classically” beautiful:

Florence has all the classic signs of beauty. She has large eyes, high cheekbones, full lips and a fair complexion. Symmetry appears to be a very important cue to attractiveness.

How did “fair complexion” get mixed up in there?

Not an isolated incident either.  Tom Megginson, of Work That Matters, reported on Britain’s Most Beautiful Face and added in another example of “objective” measures of beauty conflating light with pretty and dark with ugly.  This time it’s an app called Ugly Meter. You take a picture of your face and it tells you if you’re hot or not.  What Megginson noted was the overt colorism.  One attractiveness finding read:

For what it’s worth, he also scanned in some famous faces and found it to be, let’s just say, inexplicable and inconsistent:
Okay, well it might be right about Barbie. (Ha! I beat you to it, commentors!)

Ugly Meter, by the way, is offering a cash prize for the ugliest face.  So… the world is keepin’ it balanced, I guess.

Lisa Wade, PhD is an Associate Professor at Tulane University. She is the author of American Hookup, a book about college sexual culture; a textbook about gender; and a forthcoming introductory text: Terrible Magnificent Sociology. You can follow her on Twitter and Instagram.