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Prolific sender-inner Dmitriy T.M. sent in some maps found at F.A.D. that illustrate where various agricultural items are produced. This one shows the population density of cows (pink), pigs (yellow), sheep/goats (turquoise), chickens (blue), and turkeys (green); the darker the shade of each color, the higher the density. Note that the data is broken down at the county level:

You can see a larger image here, where it’s easier to read the info at the bottom about the highest population density for each animal, per square mile: Cows = 700, pigs = 2,800, sheep/goats = 85, chickens = 75,000, turkeys = 5,500. I suspect the highest density for cattle is based on a county with a lot of feedlots, which put many more cattle in a small space than you’d see on grazing lands.

Notice the high levels of production of chickens throughout the southeast. This is a relatively new occurrence; poultry producers moved into the region due to lower wages and fewer environmental regulations compared to other areas, making it less likely their huge containment facilities would lead to a lot of opposition.

The low densities of sheep/goats are due to a few things. Most obviously, there isn’t nearly as much of a market for sheep or goat meat in the U.S. as for other meats, so they aren’t produced in large numbers. Beyond that, they’re more likely to be raised by people with a small amount of land, or even in a back yard, because they don’t need a lot of space, so you don’t have to have a lot of grazing land devoted just to them the way you do with cattle (though in the western states there certainly are very large herds).

Random bit of info: in the U.S., wool production is just a by-product of sheep meat production in most cases. I worked on a sheep ranch for a few months; they sheared their sheep just to reduce the weight the sheep had to carry around and the chance of overheating. The amount they got for the fleeces just barely covered the cost of hiring a shearing crew. The real profit was in selling the lambs for meat.

Also: you think lambs are super cute, with the jumping and baa-ing and all, but when you have to bottle-feed 40 of them twice a day, they quickly lose their allure. [Note: since commenters are already getting worked up about this being my way of justifying my brutality toward animals, I’ll just state that I’m a vegetarian, so that line of reasoning isn’t going to get you far. That is entirely irrelevant to how exhausting it got to feed lambs.]

Here we have % of land in each county devoted to corn (gold), wheat (green), soybeans (pink), cotton (blue), hay (yellow), and fruits/nuts/veggies (red):

Larger version here.

Dmitriy also sent in an image from GOOD that shows where the various elements that go into a taco in the U.S. come from, and how far they travel on average. I can’t get it large enough here to read the info on the various ingredients, but there’s a larger version here.

From the article on GOOD:

The various spices in the Adobo seasoning, for instance, had traveled a combined 15,000 miles. The avocados had traveled from Chile, home of the world’s largest avocado grower (a company that was said to produce 300 million fruit per year). The rice was imported from Thailand, despite an abundance of California-grown rice, and was packaged under an array of brand names.

Read more: http://www.good.is/post/your-taco-deconstructed/#ixzz0hnQh4I94

The image below shows who has broadband internet (as opposed to dial up or no internet at all). It was sent in by Dmitrity T.M., who sees no surprises here. Do you?

Lisa Wade, PhD is an Associate Professor at Tulane University. She is the author of American Hookup, a book about college sexual culture; a textbook about gender; and a forthcoming introductory text: Terrible Magnificent Sociology. You can follow her on Twitter and Instagram.

Mickey C. sent in this ad for the convenience store, Racetrac.  It’s fascinating in how overtly they take the good girl/bad girl dichotomy and apply it to food.   You are a good girl if you eat fruit, white meat sandwiches, and spinach wraps; you are a bad girl if you drink soda and eat cookies and hot dogs.

This is a narrative that we largely take-for-granted.  We are bad when we “indulge” in “sinfully” delicious treats and good when we do not.  Parallel is the narrative: you are a good girl if you resist your desires, a bad girl if you do not.

It reminds me of an NPR audio slide show about teenagers trying to lose weightwho confess, with guilt and glee, one night of indulgence at Taco Bell.  It’s not sinful to have a cookie, for goodness sake, or to eat at Taco Bell now and again.  And women cannot be separated into heaven-bound angels and hell-bound broads.

Lisa Wade, PhD is an Associate Professor at Tulane University. She is the author of American Hookup, a book about college sexual culture; a textbook about gender; and a forthcoming introductory text: Terrible Magnificent Sociology. You can follow her on Twitter and Instagram.

Dmitriy T.M. sent us a link to Jezebel’s analysis of the inclusion of models of color at New York fashion weeks.  The post author, Jenna, begins:

…in the fall of 2007 that fully one-third of shows in New York had 100% white casts. Two years later, we calculated that 18% of spots in show lineups were booked by models of color — a real improvement in the representation of black, Latina, and Asian faces in the crucible where the beauty standard is forged.

This season, fashion took a step back.

…

Of 4,095 turns on the runway, only 662 went to models who weren’t white. That’s barely 16%.

More:

Most of the shows that took place used some models of color — just three designers, A Détacher, Alice + Olivia (full disclosure: an old client of mine), and Preen, chose exclusively white casts — but many used very few. Well over 60% of the shows, in fact, used casts that were 85% white, or more.

Most of the shows that took place used some models of color — just three designers, A Détacher, Alice + Olivia (full disclosure: an old client of mine), and Preen, chose exclusively white casts — but many used very few. Well over 60% of the shows, in fact, used casts that were 85% white, or more.

More details on the data, and the models, at Jezebel.

Lisa Wade, PhD is an Associate Professor at Tulane University. She is the author of American Hookup, a book about college sexual culture; a textbook about gender; and a forthcoming introductory text: Terrible Magnificent Sociology. You can follow her on Twitter and Instagram.

Katrin sent along links to visual portrayals of how much money goes, or could go, to various causes.  While sometimes it’s hard to comprehend what a billion, or 300 billion, dollars amounts to, these images give us perspective on just where our priorities lie.  The segments below are clipped from the visuals for the U.K. and the U.S. at Information is Beautiful.

The British example nicely illustrates how little social services like education, police, and welfare cost in the big scheme of things.

It also reveals how easy it would be to wave all of the African countries’ debt to Western countries. Just £128 spread out over the West.  Shoot, that’s the money for just a couple of corporate bailouts.

The U.S. example reveals how costly (just) the Iraq war has been.  All of our spending pales in comparison to that expenditure., with the exception of what we have spent bailing out the U.S. economy.

It also reveals that the U.S.’s regular defense budget is almot enough to feed and educate every child on earth for five years, and/or about the same as the revenues of Walmart and Nintendo combined.

If we diverted the money spent on porn, we could save the Amazon… almost five times over.  For that matter, if we gave our yoga money to the Amazon, that would just about do it.

Bill Gates could have paid for the Beijing Olympics and had money left over.

Dmitriy T.M. sent in an interactive breakdown of the US Budget for 2011.  In the figures below, the sizes of the squares represent the proportion of the budget, but the colors refer to changes from 2010 (dark and light pink = less funding, dark and light green = more).  These figures will give you an idea, but the graphic is interactive and there’s lots more to learn at the site.

See also our posts on how many starving children could be fed by celebrity’s engagement rings and where U.S. tax dollars go.

Lisa Wade, PhD is an Associate Professor at Tulane University. She is the author of American Hookup, a book about college sexual culture; a textbook about gender; and a forthcoming introductory text: Terrible Magnificent Sociology. You can follow her on Twitter and Instagram.

As a white woman between 25 and 44 with a college degree, I am the least likely category of person to be unemployed according to an interactive graphic detailing the joblessness rate for people according to their race, education level, age, and sex (since Jan. ’07).  It is a rather devastating look at social inequality.  I recommend visiting the site to see for yourself, but below are some screen shots with some comparisons.

For comparison, the overall joblessness rate which, as of Sept., was at 8.6 percent:

The joblessness rate for white people (notice it is lower by 1.4 percent):

The joblessness rate for black people is almost twice that of whites:

Let’s add education level.

The joblessness for whites who have not yet graduated from high school is 17.5 percent:

The joblessness for comparative blacks is 10 percentage points higher.  Notice that the scale on the right hand side has changed from 0-20 percent (above) to 0-50 percent:

If we look at young blacks (15-24 years old) who haven’t been able to complete a high school degree, the joblessness rate is 42.7 percent:

If we restrict the numbers to young black men without a diploma, we see a whopping joblessness rate of 48.5 percent.

For comparison, here is the same kid, but white (the joblessness rate is cut in half, but is still huge, even by recession standards):

Ever wonder why young men turn to the underground economy?  Well, this is why.  Somewhere between 25 and 50 percent of them can’t get a job in the “above ground” economy.  What’s a kid to do?  Add in the rational choice of choosing work that pays more than minimum wage, and you’ve got a whole group of young people who participate in illegal activities.

Then, of course, we police black neighborhoods more aggressively than white neighborhoods, convict black people more frequently than white people, and send them to prison more often and with longer sentences (see also this post).

And, too add insult to injury, after all is said and done, a black person without a criminal record is less likely to get a job interview than a white person with one.  A black person with a criminal record: his chance of getting a call back after dropping off a resume (even at a place like McDonalds) is something like five percent.  No I’m not joking.

<sarcasm>Oh, but if they just had a good attitude and learned to talk right, they too could be successful in this life.</sarcasm>

It’s almost too much to bear.

Via Matthew Yglesias.

Lisa Wade, PhD is an Associate Professor at Tulane University. She is the author of American Hookup, a book about college sexual culture; a textbook about gender; and a forthcoming introductory text: Terrible Magnificent Sociology. You can follow her on Twitter and Instagram.

Jersey Shore has come to end, we’re (genuinely) sad to say. We know we had fun. But is it possible we also saw something, dare I say it, subversive about beauty, gender and sexuality? I think so.

A panel discussion on the show and “Guido culture” at Queens College yesterday (you read that right), included New York State Senator and Jezebel heroine Diane Savino, who knows from stinging cultural analysis.

[Savino] explained, “‘guido’ was never a pejorative.” It grew out of the greaser look and became a way for Italian-Americans who did not fit the standard of beauty to take pride in their own heritage and define cool for themselves.

When she was growing up, everybody listened to rock; girls were supposed to be skinny with straight blonde hair (like Marcia Brady on “The Brady Bunch”); guys wore ripped jeans, sneakers and straggly hair.

The 1977 film “Saturday Night Fever” marked a turning point. “It changed the image for all of us,” Ms. Savino said. As Tony Manero, John Travolta wore a white suit, had slicked short hair, liked disco music and was hot. “It was a way we could develop our own standard of beauty,” she added.

In the same way, Virginia Heffernan writes in this weekend’s New York Times Magazine, Italian-Americans in the Northeast originally disdained their own accents until movies like “Mean Streets, Saturday Night Fever, Working Girl and, of course, Taxi Driver.” Those representations, she says, led to a “hammy” reclamation of an identity that had been mirrored back to them through Hollywood. These were second and third generation immigrants, who had mostly reached the middle class but maybe didn’t feel wholly a part of the mainstream, who telegraphed their identity through stylized symbols like Italian flags and red sauce that felt potent but no longer limited their social mobility.

That goes for the ladies too. Female beauty that took on a showily “ethnic cast” was distinct from what was already being sold. As Regina Nigro recently put it on The Awl:

We (I) laugh at bon mots like “You don’t even look Italian!” (the insult that Sammi “Sweetheart” flings at the blonde blue-eyed “grenade” …) but, ridiculous as it is, that assessment betrays a value system: Skinny blonde pale WASP princesses are deemed not attractive when measured by the JS aesthetic. And this seems curious and laughable to us.

“You don’t even look Italian!” is crazy funny but is the underlying judgment (dark hair/olive skin/Italian-looking = pretty; the inverse = not pretty) any worse than any other standard of beauty? It’s an alternative perspective, one that I suspect is so funny partly because it is so unfamiliar.

Of course, there is plenty about the Jersey Shore sexual aesthetic that is broadly familiar. The worst insult is to call a woman fat (or a “hippo”); big, exposed boobs are a baseline requirement, and the men are judged by the attractiveness of the women they acquire. (The other guys repeatedly mock The Situation about the looks of the women he brings home; Ronnie taunts him that he hasn’t brought home a girl anywhere near as pretty as Sammi).

And yet it’s oddly refreshing how much artifice itself is celebrated, with everyone participating mightily, and openly, in becoming the ideal Guido. No one is just born one, or supposed to make it look effortless. There are communal visits to tanning salons and unblinking references to fake breasts, and everyone takes hours to get ready. Vinny describes a girl admiringly: “Fake boobs, nice butt, said she was a model.”

Heffernan, writing about regional accents being reinforced by the show, uses Sammi as an example: “Every part of Sweetheart’s identity – including her skin color, which on the show is not an inborn marker of ethnicity but a badge of achievement (in the tanning bed) – is the product of intense calculation.” And Heffernan didn’t even get to Sammi’s hair extensions, which are brandished for emphasis.

No character more desperately self-produces than The Situation and his third-person pronouncements. Men are not inscluded [sic] from all this ritual artifice. In the last episode, J-Woww practically goes into heat when she sees some “juicehead gorillas” on the beach, and she lists “Human Growth Hormone” among the attractions. This, by the way, leads The Situation to mumble defensively, “Big is out and lean is in.”

That’s because on The Jersey Shore, men’s bodies are just as scrutinized as women’s, and their beauty rituals are as elaborate, expensive, and time-consuming as those of the women. Maybe even more so — in addition to blowouts, tanning sessions, and agonizing over which appliqued shirt will set them apart from the gelled masses, they spend hours at the gym, something we never see the girls do.

As much as the cast performed all this around the clock during the show’s taping, the audition tapes seen here and in the video below are even more extreme, mixing ethnic calculation with the general famewhoring savviness reality producers have become accustomed to.

Looking at this through what we know now: Sammi calls herself a “hookup slut” but aside from a few flirtations, turned out to be conventionally monogamous on the show. Vinny, in straight-up costume, claims he has to take off his pants “to really show you the magic,” but turned out to be the mildest-mannered cast member, one who unashamedly adores his doting mother. Underneath playing to the producers, though, is a more personal kind of construction, and a more particular one. And ironically, although the cast members’ self-creation was one of the most entertaining parts of the show, some underlying sense of unembarrassed authenticity, even wholesomeness, made it most worth watching.

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Irin Carmon is a reporter at Jezebel.com, from where we’re super pleased to have borrowed the post below. Her work has also appeared in the New York Times, Boston Globe, The Village Voice, and others; more information is at www.irincarmon.com.

If you would like to write a post for Sociological Images, please see our Guidelines for Guest Bloggers.

Gwen M. sent in a story about a performance by Oksana Domnina and Maxim Shabalin at the Russian National Figure Skating Championships:

The pair won first place and plan to use the routine at the Vancouver Olympics next month. They explained that the routine (video below) was inspired by clips of Australian Aboriginal dance on the internet. About the idea, Domnina wrote: “I thought it was just crazy, but once we have tried it, we immediately fell in love with it.”

Bev Manton, the chair of the New South Wales Land Council thinks it’s less “crazy” and more offensive. She says:

I am offended by the performance and so our other councillors… Aboriginal people for very good reason are sensitive about their cultural objects and icons being co-opted by non-Aboriginal people – whether they are from Australia or Russia.

It’s important for people to tread carefully and respectfully when they are depicting somebody else’s culture and I don’t think this performance does.

The routine:

Sources (text; image).  Via Racilicious.

Lisa Wade, PhD is an Associate Professor at Tulane University. She is the author of American Hookup, a book about college sexual culture; a textbook about gender; and a forthcoming introductory text: Terrible Magnificent Sociology. You can follow her on Twitter and Instagram.