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Sometimes public service announcements miss the mark.  Like really, really miss the mark.  In 2009 I described an anti-teen pregnancy PSA as gut-wrenchingly horrible and the feeling has not waned with time.  It suggests that teenagers who have gotten (someone) pregnant are dirty, cheap pricks, nobodies, and rejects.  We’ve also highlighted PSAs against statutory rape featuring children with giant breasts and an anti-domestic violence campaign in which you “hit the bitch.”

The campaign I’d like to discuss in this post is along these lines.  Brought to my attention by Debbie at Body Impolitic, it is the Georgia Children’s Health Alliance’s anti-childhood obesity campaign.  And it shames fat children and encourages viewers to retain negative stereotypes about them.  First, I wonder how it must feel to be chosen to be the posterchild for this campaign?

Second, some of the short videos available on the website confirm nasty stereotypes about fat people.  Like, all they do is eat:

Ironically, some of the videos acknowledge that fat children are subject to discrimination (at least from other kids), but that doesn’t appear to have stopped them from feeding that prejudice with their message.

Lisa Wade, PhD is an Associate Professor at Tulane University. She is the author of American Hookup, a book about college sexual culture; a textbook about gender; and a forthcoming introductory text: Terrible Magnificent Sociology. You can follow her on Twitter and Instagram.

If you’re interested in cultural representations of Native Americans, I highly recommend the blog Native Appropriations. Recently Adrienne K. posted about an article in a student-government-funded newspaper at Cal State U.-Long Beach that stands out for its disrespectful, hostile tone. The article, titled “Pow Wow Wow Yippee Yo Yippy Yay,” was a “review” of the annual powwow sponsored by the American Indian Student Council. It had never occurred to me that you would review a cultural event as though it were just another form of entertainment, like a new movie, but that’s the least of the issues here. The full article, from the Union Weekly (via OC Weekly):

Some key excerpts:

…it really seemed like a large, Native American themed flea market. Some of the food vendors just seemed to unceremoniously add the word “Indian” to whatever food they were peddling. Indian tacos? What the fuck are Indian tacos?

…like a Mexican pizza from Taco Bell, but shittier. The only experience I have with fry bread is watching a show about how incredibly unhealthy it is to consume, and watching its rapid consumption on campus grounds.

The entire scene felt disingenuous and cheap. Donations are great, and necessary, tossing them unceremoniously on the ground is crass and borderline obscene. Even the homeless have hats and cups.

I flinched several times while reading the article. I grew up in Oklahoma surrounded by Native American cultures, both because I lived in an area where several tribes were very visible and because my mom is part Cherokee herself and several close relatives married people enrolled in other tribes. Even though I know that in most of the U.S. Native Americans are often culturally invisible and most people haven’t gone to tons of powwows or sat around watching the women in the family sewing ribbon shirts in the living room, I still sometimes forget that these things aren’t instantly recognizable and interesting to other people, or that they could see something that I was taught to be respectful and appreciative of and have such a different reaction.

Of course, this article goes beyond being unfamiliar or uninterested. The author, the paper’s campus editor, clearly didn’t want to learn what was going on. I mean, even if you’ve never heard of one before in your life, just a minimal Google search will explain to you than an Indian taco is, more or less, a taco on fry bread (the Osage Nation even has an annual competition). An image of a dancer is used to highlight a mocking, mean-spirited “review,” as though the powwow’s only function was to entertain uneducated outsiders.

The Union Review and the author of the article issued the typical non-apology “apology” statements — we’re just here to let all sides of the debate have a voice! We’re sorry if anyone got themselves all offended, we really didn’t expect this reaction at all! — which is also available at the OC Weekly link above.

As Adrienne points out, though the “Asians in the library ” rant from a UCLA student got a huge amount of attention, there’s been much less about this. It highlights the point Tami made at What Tami Said: overtly disrespectful and/or racist behavior on campuses shouldn’t shock us, if we’re paying attention.

Cross-posted at Racialicious.

We owe many iconic images of American Indians to photographer Edward S. Curtis. Growing up in Wisconsin and Minnesota, Curtis began photographing Indians in 1895 and, in 1906, was offered $75,000 by JP Morgan to continue documenting their lives (wikipedia).  The 1,500 resulting photographs inevitably impacted the image of Indians in the American imagination.

Later it came to light that Curtis’ photographs weren’t exactly pure representations.  In some photographs, for example, he erased signs of modernity.   The first photograph below, the un-edited version, includes a clock between the two men, whereas the edited version does not.

Curtis also sometimes staged scenes and dressed paid participants in costumes, as in this photograph:

According to Wikipedia contributors:

In Curtis’ picture, Oglala War-Party, the image shows 10 Oglala men wearing feather headdresses, on horseback riding down hill. The photo caption reads, “a group of Sioux warriors as they appeared in the days of inter tribal warfare, carefully making their way down a hillside in the vicinity of the enemy’s camp.”  In truth headdresses would have only been worn during special occasions and, in some tribes, only by the chief of the tribe.  The photograph was taken in 1907 when natives had been relegated onto reservations and warring between tribes had ended. Curtis paid natives to pose as warriors at a time when they lived with little dignity, rights, and freedoms.

Curtis’ photographs, then, pushed his subjects back into a false past that non-Indian Americans would misrecognize as authentic for a hundred years.

The problem of misrepresentation of groups who have little power to control their own images is a widespread one.  Shelby Lee Adams’ work was mired in controversy, with critics suggesting that he contributed to the belief that Appalachians were backward, imbred, and unintelligent.   We might apply the same critical eye to representations of marginalized peoples today, like the representation of Arabs in video games and Italian-Americans on Jersey Shore and spin-offs.

Thanks to Dolores R. and Adrienne at Native Appropriations for the post idea.

Lisa Wade, PhD is an Associate Professor at Tulane University. She is the author of American Hookup, a book about college sexual culture; a textbook about gender; and a forthcoming introductory text: Terrible Magnificent Sociology. You can follow her on Twitter and Instagram.

When the earthquake and tsunami hit Japan, the twin disasters received a lot of media attention. However, it didn’t take long before concerns about the situation at the Fukushima Daiichi nuclear reactors became a major focal point of media coverage. I remember first hearing about the explosion that damaged the outer containment building at one of the reactors. Every few hours brought more news accounts that seemed to indicate impending disaster — possible radiation clouds set to arrive in Tokyo within hours, evacuations of employees from the reactors, more explosions, the possibility that a full core meltdown would occur. Officials in the U.S. expressed concern about the 20-kilometer (12 1/2-mile) evacuation zone established by the Japanese government and suggested Americans evacuate a larger area.

But criticisms have emerged of media — particularly much of the non-Japanese media — coverage of the problems at the nuclear reactor, suggesting the reporting was often inaccurate or that the severity of the situation and potential dangers were exaggerated, and as a result drew attention away from the destruction and suffering caused by the earthquake and tsunami. The blog Japan Probe posted screen captures illustrating the different tone of coverage of the attempt to dump water from military helicopters onto Reactor 3 as part of the efforts to keep the fuel rods cool. The first, from the Huffington Post, implies more of a sense of panic and looming disaster than does the title to a BBC article using the same photo:

Japan Probe also links to a New York Times map, titled “Forecast for Plume’s Path Is a Function of Wind and Weather,” that shows when various detecting stations could potentially be able to pick up what the NYT takes pains to say would be “extremely low levels” of radiation that would have “extremely minor health consequences” (that last phrase bolded). Here’s the scenario that was forecast for March 18:

Scary, right? But then take a look at the color legend for the map:

The radiation levels indicated by different colors are reported in “arbitrary units.” So the different colors reflect differences in the potential level of radiation as it might hypothetically spread. But it’s based on a scale where the reader has no way to know whether the difference between purple, yellow, and red are actually meaningful and whether everything from 0.001 to 100 units, or a hundred billion gazillion units, all still count as “extremely low levels”of radiation, or if the red would indicate we’re all going to die.

I’m sure that the scientists who developed the model explained what the arbitrary unit was, but as provided in the NYT map, despite the text saying there is little to fear in terms of health, the map with the color coding seems likely to generate concern without providing much useful information.

UPDATE: Dmitriy T.M. just emailed me a link to a post about this topic at TechCrunch, which includes a clip from CNN in which Nancy Grace “schools” a meteorologist about how he’s totally wrong about radiation:

And the San Francisco Chronicle has a post up on SFGate summarizing some of the problems with coverage (via Talking Points Memo).

On the topic of concerns about radiation levels, my friend Kelly V. sent me a graphic put together by xkcd to put the level of radiation exposure from various sources into some context. The image is too large to fit in the space available here, but it’s worth clicking over to take a look. Here are two segments of it, but really, go look at the full image:

I’m certainly not in a position to adequately sort through the actual dangers posed by what’s going on at the Fukushima reactors, but it’s certainly worth questioning media coverage, especially insofar as that coverage drew attention away from the horrendous aftereffects of the earthquake and tsunami.

On a related note, and as a contrasting example, Dmitriy T.M. sent in a cartoon based on an idea by artist Kazuko Hachiya that explains the problem at the Fukushima Daiichi facility to kids through metaphors about constipation, pooping, and farting. So…there’s that. It’s unclear whether the video has really been shown on Japanese TV to actual children or not.

UPDATE: Reader Rei Tokyo, who lives in Tokyo, says the video has never been shown on local TV to their knowledge. I have a feeling this is more of an internet sensation outside Japan than within it.

Via Colorlines I discovered an Applied Research Center report titled The Color of Food.  The report found that Blacks, Latinos, and Asians were overrepresented in food service work:

The report also discovered a wage gap between White workers and non-White workers at every level of food production:

Race intersected with gender, such that women earned less than men of their same race for each group studied:

The authors go on to break down the data further by each part of the commodity food chain — production, processing, distribution and service — and by racial group.  For example, they show that the average wage of Latinos and Asians differs by ethnic background (always a good reminder that racial categories obscure variability):

Lots more at The Color of Food.

Lisa Wade, PhD is an Associate Professor at Tulane University. She is the author of American Hookup, a book about college sexual culture; a textbook about gender; and a forthcoming introductory text: Terrible Magnificent Sociology. You can follow her on Twitter and Instagram.

Dr. Bethany Pope, Pris S., and Christine each sent in the trailer for the Disney film, opening today, called Mars Needs Moms.  It is impossible not to be sarcastic about this trailer.

What can I say.  The premise of the film is that only women can parent (and by “parent,” I mean feed and vacuum).  I’m sure all of the human women out there with children really appreciate this sentiment.  Dads, HUH!  …what are they good for!  Absolutely nothing! Or, at least, that is what nearly every corner of Western society is trying to tell us.  How convenient, given that raising kids is rewarded with, basically, absolutely nothing concrete. Thanks, thanks for nothing Disney.

Also, as far as the trailer goes, it appears that this movie focuses almost entirely on boys and men. I wonder if it even passes the Bechdel test.  Twist the knife, why don’t you.

Lisa Wade, PhD is an Associate Professor at Tulane University. She is the author of American Hookup, a book about college sexual culture; a textbook about gender; and a forthcoming introductory text: Terrible Magnificent Sociology. You can follow her on Twitter and Instagram.

Jordan G. sent in a link to work by photographer Mark Laita.   Laita, after long working in advertising, decided that he was tired of producing images that were “nice”:

I felt the need to produce something that was raw and real, as life truly is, not just what we aspire to. The more shocking to our sense of what’s “right,” the better.

He decided to do so through contrast.   In his new photo series, he tries to get us to think by provocatively pairing portraits. They tell us stories about social class, consumption, social sacrifice, and standards of beauty.

Via BoingBoing and Turnstyle.

Lisa Wade, PhD is an Associate Professor at Tulane University. She is the author of American Hookup, a book about college sexual culture; a textbook about gender; and a forthcoming introductory text: Terrible Magnificent Sociology. You can follow her on Twitter and Instagram.

Many of us are familiar with the female blue-collar workers that took jobs in factories during World War II. It turns out, however, that women were also employed as mathematicians and computers (that’s “compute-ers”). In this photo, Jean Jennings Bartik and Frances Bilas Spence get ready to present an early computer to military officials in 1946:

Women operating a “differential analyzer,” often checking the machine’s work by doing the math by hand:

Jean Jennings Bartik in 1946 with an early computer and Arthur Burks:

Their work was top-secret and so they weren’t part of the “Rosie the Riveter”-style propaganda at the time. Post-World War II disinterest in women’s accomplishments allowed their stories to remain untold.

A new documentary, forwarded to us by Jordan G. and Dmitriy T.M., reveals these high-tech Rosies:

Via BoingBoing, photos from CNN.

See also our post on the feminist mythology surrounding the iconic “Rosie the Riveter” image (hint: it was about class, not gender).  And you can buy Jean Jennings Bartik book, Pioneer Programmer, here.

Lisa Wade, PhD is an Associate Professor at Tulane University. She is the author of American Hookup, a book about college sexual culture; a textbook about gender; and a forthcoming introductory text: Terrible Magnificent Sociology. You can follow her on Twitter and Instagram.