Search results for racism

Since outright hatred and discrimination of people because of their race is no longer socially acceptable in our post Civil-Rights era, many argue racism no longer exists.  But sociologists suggest that racism simply changed, becoming more implicit and indirect.

Eduardo Bonilla-Silva argues that the new racism entails individuals saying and doing things that perpetuate racial stereotypes and inequalities, but they do so in such a way that the offender is able to deny being explicitly racist.  One of the many types of new racist strategies Bonilla-Silva highlights is the use of racially charged code speak, or using indirect racial rhetoric and semantic moves to express an ideology that serves to reinforce white dominance over minorities.

The Daily Show’s Larry Wilmore illustrates the code speak implicit in presidential candidate Newt Gingrich’s suggestion that we combat poverty by hiring poor children to clean the restrooms at their schools.  In the clip below, Wilmore notes that “it’s 2011, and you can’t just call Black people lazy,” and then points out Gingrich’s racial code speak.  He notes Gingrich’s statement about “neighborhoods where they may not have that experience [of working]” is “code for inner-city, which is code for urban, which is code for Black.”   Gingrich’s statement about poor children having “no habit of showing up [to work] on Monday” is “code for shiftless, which is code for lazy, which is code for black.” Wilmore then plays more of Gingrich’s speech where the presidential candidate cites statistics about Black unemployment, thereby making his implicit racial assumptions explicit:

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The clip also points out how racial ideology engages very different explanations for the causes of poverty depending on the race of those affected.  Wilmore notes, “when Black people are poor it’s their fault because they are lazy and on welfare, but down in poor Appalachia it’s not your fault; it’s China’s fault, or India’s fault, or all the money we’re spending on Black people on welfare.”

When John Stewart asks why this is important, Wilmore points out how the causes of poverty “matter to the solutions,” thereby pointing out Gingrich’s implicit prejudices of nonwhite inferiority with his proposal that Black poverty could be eliminated by hiring children to clean toilets (and Gingrich reaffirmed his support for this idea at a GOP primary debate last week, to wild crowd applause). Similarly, Rick Santorum is now defending himself after saying, “I don’t want to make black people’s lives better by giving them somebody else’s money,” ignoring the fact that most recipients of government aid are White and the vast majority of Blacks are employed and do pay taxes to support the social safety net citizens of all races use. In both cases, the message is clear: African Americans are deficient, with no work ethic, and the solution to poverty is entirely at the individual level, with no need for larger structural changes.

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Jason Eastman is an Assistant Professor of Sociology at Coastal Carolina University who researches how culture and identity influence social inequalities.

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Cross-posted at Racialicious and Caroline Heldman’s Blog.

Tower Heist (2011) the new movie starring Ben Stiller and Eddie Murphy, is the latest installment in blatantly racist movie-making. Stiller plays a high-end condo manager in Manhattan who bails out a local criminal (Murphy) to steal a stash of cash that one of the wealthy condo residents swindled from the condo staff. It’s been nearly thirty years since Murphy played nearly the same character in his breakout role in 48 Hours, and the fact that he is still cast as a jive-talking criminal speaks to how little has changed when it comes to the portrayal of black Americans in popular culture.

Hyperbolic racial stereotypes are still sooooo amusing for some.  As LA Times film critic Betsy Sharkey writes, “Murphy and Stiller are a good pair, with Murphy once again mainlining his ghetto-comedy crazy and Stiller suited up for another straight-man gig. These are the kinds of roles they both do best, and their face-off in the front seat of an out-of-control car is worth the price of admission.” (Now reverse the names in this quote to see how racialized and racially offensive it is.)

Perhaps more disturbing is the way in which film critics are talking about this movie as a comback for Eddie Murphy  (“Eddie Murphy’s Road to Reddemption,” “Tower Heist: Murphy is Back on Top,” “‘Tower’ Heist Features Eddie Murphy Back in ‘Classic ’80s Form“). What does it mean when playing an insultingly stereotypical black criminal is deemed “redemption” for a black actor whose movies have grossed nearly $7 billion worldwide? And where, exactly, did Eddie Murphy go? The Shrek series grossed nearly $3 billion worldwide, while his Nutty Professor and Doctor Dolittle franshises grossed $428 million and $470 million, respectively. Murphy has appeared in a steady stream of successful movies in the past decade, including Dreamgirls for which he was nominated for an Academy Award.

Closer examination of media critics’ analysis reveals a nostalgia for Eddie Murphy’s breakthrough role as a criminal in 48 Hours. Jon Niccum writes that inTower Heist “Murphy shows flashes of the aggressive, non-family-friendly persona that made him a superstar following 48 Hours. Aggressive?  Non-family friendly?

To summarize, Eddie Murphy grossing oodles of money as a successful director, producer, writer, and actor in films featuring him as a doctor, a veterinarian, a dedicated father, and the voice of a beloved donkey in the second highest-grossing animated film of all time is considered some sort of failure, but playing a jive talking felon is redemption. Huh?

There are many ways to interpret this — that Hollywood and movie critics (and many in society) are more comfortable with black actors playing damaging, stereotypical roles involving criminality, violence, and deviance (remember back in 2002 when Denzel Washington finally won the Oscar for playing a crooked cop?); that male actors are failures if they appear in family-friendly movies, regardless of how economically successful these movies may be; that to be considered successful, male actors have to appear in movies geared towards male audiences.

Whatever the reason(s), it is embarassing for Hollywood and its “critics” to continue to be so ignorant. Eddie Murphy called out the movie industry’s racism at the 1988 Academy Awards during his presentation of the Best Picture award: “I’m going to give this award, but black people will not ride the caboose of society and we will not bring up the rear anymore. I want you to recognize that.” Two decades later, Murphy finds himself riding the caboose, furnished by the creators of Tower Heist.

Cross-posted at Native Appropriations.

After my open letter yesterday, I feel like some people still aren’t getting it (maybe it was the 100+ comments telling me to eff off?). Despite my appeals to emotion and greater human decency, it seems that many people in the world of thar’ intranets need some more physical reminders as to why dressing like a Native person this Halloween might be a problem. So I, dear random-probably-racist-internet-not-friend, am happy to oblige. Because, as a person of color, that’s my job, right? To prove to you that racism exists? To teach you why these things are wrong? To offer evidence of such wrong-doings? What fun it must be to never have to worry about such things! What a privilege!

To state my case, I wandered to the Spirit Halloween website. I did a simple one word search: Indian. I got 56 results, all Native-themed. I chose a few at random to share with you below. Hooray!

To start off,  I give you the description for that “Sexy Indian” above:

Hey cowboy – get a look at this Indian! Stop him in his tracks in this sexy Indian Dream Catcher adult costume and all your dreams will come true. There’s no need for a bow and arrow – just shoot him sexy looks and he’ll make tracks in your direction – it might get so hot he’ll put out smoke signals!

Awesome. Cowboy/Indian stereotypes, mentions of dream catchers, bows and arrows, and smoke signals! But it gets better (worse?):

Put the wow back in pow-wow when you go native in this very sexy Tribal Trouble Indian adult women’s costume. They may need to break out the peace pipe because the other squaws will want to torch your teepee when their menfolk see you in this foxy costume!

“The other squaws will want to torch your teepee?” That’s….great.

But the “menfolk” are included in the fun too:

Go native American in this classic adult men’s Indian Brave costume. Your job – to hunt. Hunt for prey like food and beer or pretty women in this comfortable costume. Get what you want then lay back and enjoy – pass the peace pipe!

Glad women are equated with food and beer. Glad the costume is “comfortable” too. God forbid you be “uncomfortable” when you’re being an ignorant misogynist! And I won’t even with the peace pipe comment.

and don’t forget the teens and tweens…they want to bring boys back to their tipi’s too!

You are an Indian Princess, able to hunt, gather and lead. In this cute Indian Princess tween costume it will be a snap to gather and lead the boys back to your tipi! Dance to celebrate the harvest or welcome a full moon in this fun costume trimmed with lots of fringe, feathers and more.

I’m sure every parent wants their daughter to be gathering boys and leading them back to the tipi. but only while they’re mocking Indian spirituality by “dancing to celebrate the harvest,” of course.

and saving the worst for last:

Girl, you won’t be sitting around the campfire stringing beads in this Pocahottie Pow Wow costume! The work is done and it’s time to play cowboys and Indians, only this time the Indian picks off the cowboys that she wants. Put the wow in pow wow and practice some native American rituals in this sexy Pocahottie costume. Is that an ear of corn in your pocket or are you just glad to see me?

Yeah…I can’t.

I hope these can serve as examples as to why I’m so pissed off. The dripping misogyny and stereotyping is so blatant, it almost reads like satire. But these are real products, for sale on websites and in thousands of Spirit stores nationwide. Thousands of people are seeing, reading and internalizing these messages.

These costumes are hurtful and dangerous because they present a false and stereotyped image of Native people. The public sees these images, and it erases our current existence, so the larger, contemporary issues in Indian Country then cease to exist as well. When everyone only thinks Indians are fantasy characters put in the same category as pirates, princesses, and cartoon characters, it erases our humanity. Have fun thinking through that one.

But let’s be real for a minute. Can you seriously read those descriptions and still say that this is totes ok? Really. Be honest with yourself. Read them again. Think about if these descriptions were describing you and your family. Then tell me I’m being “over-sensitive.”

Thanks for playing, and have a happy, healthy, racism-free Halloween!

Every once in a while we here at SocImages pick a fight and a couple of years ago we sunk our teeth into satire and didn’t let go. Satirical humor is often used to expose prejudice and bigotry and it can be damn effective, as many viewers of The Colbert Report will testify.  But it’s also a risky strategy.  It makes fun of by doing; so, for example, it exposes racism by being extremely, over-the-top, no-one-will-ever-believe-we’re-serious racist. Except for… someone might think you’re being serious.  In fact, a significant proportion of political conservatives viewing The Colbert Report believe that he is conservative like them. They recognize that he’s trying to be funny, but they don’t think he’s joking.

In our effort to think more critically about satire, we covered Amy Sedaris’ hipster racism, Ellen DeGeneres’ CoverGirl commercial, a New Yorker cover depicting Obama as a Muslim, covers of the National Review featuring Bill Clinton and Sonia Sotomayor, and board games.  We also featured Jay Smooth’s commentary on Asher Roth using the phrase “nappy headed hos.”

Now Anita Sarkeesian, of Feminist Frequency, offers another illustration of how satire doesn’t always work the way progressives would like it to.  She takes on TV commercials, arguing that ironic racism and sexism is still racism and sexism. Ironic advertising, she argues, allows marketers to “…use all the racist, sexist, misogynist imagery they want, and simultaneously distance themselves from it with a little wink and a nod.”  You be the judge:

Lisa Wade, PhD is an Associate Professor at Tulane University. She is the author of American Hookup, a book about college sexual culture; a textbook about gender; and a forthcoming introductory text: Terrible Magnificent Sociology. You can follow her on Twitter and Instagram.

After the tsunami in March, we featured a series of hateful Facebook updates suggesting that the Japanese deserved the devastation. Yesterday Japan won the women’s World Cup against the U.S. and we’re seeing the same rhetoric.  The collection below, and more, was up on Buzzfeed as of yesterday night.

Interestingly, in addition to the now familiar racism and jingoism, some of the updates suggest that the gods were smiling on Japan in the aftermath of the tsunami, allowing them to win because they’ve had such a rough time of it lately. Of course, this nicely erases the athletic ability of the Japanese team and the possibility that they were actually just better than the U.S. team.

Trigger warning:

Thanks to Who, Harmony for the heads up on Twitter, a new distraction that I’m enjoyingsuper much!

Lisa Wade, PhD is an Associate Professor at Tulane University. She is the author of American Hookup, a book about college sexual culture; a textbook about gender; and a forthcoming introductory text: Terrible Magnificent Sociology. You can follow her on Twitter and Instagram.

On January 30th a video was uploaded to youtube featuring among the most blatantly racist banter I have ever heard on or off screen.   The conversation occurred among the hosts of a BBC program called Top Gear: Jeremy Clarkson, Richard Hammond, and James May.  They discuss a new sports car made in Mexico and the racist “hilarity” ensues.  It is pretty damn horrible… and it goes on and on… so, trigger warning.

There’s a full transcript after the jump, but here are some high points:

They say the car is like the Mexican people: “lazy, feckless, flatulent, [indecipherable] leaning against a fence asleep”

They call Mexican food “sick with cheese on it.”

Hammond says, “Just imagine waking up and remembering that you’re Mexican.” Everyone laughs. Clarkson replies, “It’d be brilliant because you could just go back to sleep again.”

Hammond is the ring leader in this example, but Clarkson appears to make a habit of racist commentary. Here’s just a sampling from Wikipedia:

In October 1998 Hyundai complained to the BBC about what they described as “bigoted and racist” comments he made at the Birmingham Motor Show, where he was reported as saying that the people working on the Hyundai stand had “eaten a dog” and that the designer of the Hyundai XG had probably eaten a spaniel for his lunch…

In April 2007 he was criticised in the Malaysian parliament for having described one of their cars, the Perodua Kelisa, as the worst in the world, built “in jungles by people who wear leaves for shoes”…

This clip reminds us that there are still people out there who will make race-based attacks and plenty of people, note the audience, who will laugh.  Many white people truly do oppose racism and they want people of color to trust them; they want the benefit of the doubt.  But occasional exposure to people like this, even if just on television, and the ongoing daily experience of prejudice, some mild, some severe, plus the hundreds of things that happen every week that may have been racism or may have been somebody having a bad day, add up.  This makes it very scary to trust white people.  Every “benefit of the doubt” has the potential to backfire.

Given the daily experience of race that most people of color must endure, blind trust is too much to ask for.

(Transcript after the jump, borrowed from Racialicious.)

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Angi S. alerted us to a cartoon that ran this month in Eastern Michigan University’s student newspaper, The Echo. It featured two people in white supremacist hoods in front of a noose hanging from a tree. One says to the other: “Honey, this is the tree where we met.”

The ensuing conversation is a good example of how claims that materials are racist are dismissed by their producers.  After receiving criticism, The Echo made the following “response” (here):

We understand the “You Are Here” cartoon may have offended some readers. We apologize for the lack of sensitivity some felt we showed for publishing the piece.  The cartoon points out the hypocrisy of hate-filled people. Its intent was to ask how can someone show affection for one person while at the same time hating someone else enough to commit such a heinous act as hanging. We wish to remind readers that they are free to express their opinion on our discussion boards and we hope to continue to foster free thought and open discussion on campus and in the community.

– The Eastern Echo

First, notice that it is a typical “we are sorry that you were offended” non-apology.  The first sentence acknowledges that some readers “may have [been] offended” and then says that “some felt” that there was an insensitivity.  It does not say that the cartoon was offensive or insensitive.

Second, it also explains that the intention was to point out the “hypocrisy of hate-filled people,” not make light of lynching, without interrogating the relative importance of intent and reception.  One could argue that cultural producers are at least somewhat responsible for the  myriad of ways that an item could be reasonably interpreted.

Third, it backs into the free speech corner by claiming to be open to all opinions (using the word “free” twice in one sentence).

The Detroit News covered The Echo’s response and also added that while one African American student objected to the cartoon, another thought it was funny.  So…

Fourth, the coverage relied on the idea that if just one member of the relevant group is not offended, then maybe the rest are over-reacting.

Lisa Wade, PhD is an Associate Professor at Tulane University. She is the author of American Hookup, a book about college sexual culture; a textbook about gender; and a forthcoming introductory text: Terrible Magnificent Sociology. You can follow her on Twitter and Instagram.

Presumably many of you have heard about the controversy that has arisen about a conversation between Laura Schlessinger (aka Dr. Laura) and a female African American caller. Corina C. sent in some links to posts on the topic. Trigger warning for harsh, racist language.

Here’s a recording of the conversation (found at Media Matters) in which Schlessinger responds to the caller’s concerns about comments from her White husband’s friends and relatives by suggesting she is “hypersensitive” and isn’t in a position to be concerned about comments she considered racist because “Turn on HBO, listen to a black comic, and all you hear is nigger, nigger, nigger”:

Selected parts of the transcript:

CALLER: I was a little caught back by the N-word that you spewed out, I have to be honest with you. But my point is, race relations —

SCHLESSINGER: Oh, then I guess you don’t watch HBO or listen to any black comedians.

…

SCHLESSINGER: Yeah. We’ve got a black man as president, and we have more complaining about racism than ever. I mean, I think that’s hilarious.

…

SCHLESSINGER: Chip on your shoulder. I can’t do much about that.

CALLER: It’s not like that.

SCHLESSINGER: Yeah. I think you have too much sensitivity —

CALLER: So it’s OK to say “nigger”?

SCHLESSINGER: — and not enough sense of humor.

…

SCHLESSINGER: …You know what? If you’re that hypersensitive about color and don’t have a sense of humor, don’t marry out of your race. If you’re going to marry out of your race, people are going to say, “OK, what do blacks think? What do whites think? What do Jews think? What do Catholics think?”…And what I just heard from Jade is a lot of what I hear from black-think — and it’s really distressting [sic] and disturbing. And to put it in its context, she said the N-word, and I said, on HBO, listening to black comics, you hear “nigger, nigger, nigger.” I didn’t call anybody a nigger. Nice try, Jade. Actually, sucky try. Need a sense of humor, sense of humor — and answer the question. When somebody says, “What do blacks think?” say, “This is what I think. This is what I read that if you take a poll the majority of blacks think this.” Answer the question and discuss the issue…Ah — hypersensitivity, OK, which is being bred by black activists. I really thought that once we had a black president, the attempt to demonize whites hating blacks would stop, but it seems to have grown, and I don’t get it.

There are a number of things going on here. In Racism without Racists: Color-Blind Racism and the Persistence of Racial Inequality in the United States, Eduardo Bonilla-Silva discusses the various ways that Whites, in particular, downplay racial discrimination through a number of rhetorical and discursive strategies, several of which Schlessinger draws on in this exchange. For instance, she naturalizes the behavior the caller is concerned about: if you marry someone of another race, you just have to accept that their friends and family are going to consider you a representative of your entire race and constantly interact with you through the lens of your racial/ethnic background. That’s just to be expected, and if it starts to bother you, you’re “hypersensitive.” In fact, you ought to be sure and constantly educate yourself about all social trends as they relate to African Americans, so that if someone has any questions about what “Blacks think,” you can quickly tell them.

Think about the level of mental energy that is being expected here. Schlessinger is saying that it is the responsibility of minorities to know what members of their race/ethnicity think, in the aggregate, about whatever topic anybody else might want to know. I, as a White woman, am not expected to be able to provide, at the drop of a hat, data on Whites’ opinions about anything. (Though I do find that people who find out I’m a sociologist often think I must have insight into every aspect of social life, leading to questions such as, “My sister-in-law likes to _____. What do you think causes that?” or “So what do you think _____ will be like in 50 years?”, neither of which I am usually prepared to address in the middle of getting some potato salad at a picnic or buying a soda at the gas station.) The underlying argument here is that it is minorities’ responsibility to patiently educate Whites about things related to non-Whites, and an unwillingness to take on that role is evidence that you have a “chip on your shoulder.”

Another frame Schlessinger draws on is the minimization of racism: we have a Black president now, so racism’s totally over. What’s your problem?

Schlessinger is also holding all members of a racial group responsible for the actions of any of them. She argues that the routines of some Black comedians invalidates this individual African American woman’s right to be upset by racialized language in any context. It doesn’t matter whether this woman approves of the comedians’ comments — or has ever heard any of them; all African Americans are treated as an undifferentiated group, and the behavior of some revokes the rights of any others to bring up issues they find problematic.

In an interview with The Hollywood Reporter, Schlessinger hints at another rhetorical strategy, the “some of my best friends are _____ and thus I can’t possibly be racially prejudiced” argument:

I went out to dinner with three friends after Larry King. One of my friends who is gay is sitting there with another friend who is black, and he looks up and says, “I wonder what the media would do with this? You’re with a black guy and a gay guy.” We laughed, because we all understand what this is really about — censoring a point of view.

So there you have it: a round-up of ways to frame non-Whites as overly sensitive and unilaterally responsible for improving race relations.

UPDATE: The comments section is closed. There were still a lot of people commenting, but much of it had descended into name-calling and accusations, and I can’t keep up with all of them to catch the truly offensive ones. I may reopen comments in 48 hours after a cooling-off period.