This one I put out there for debate.

I don’t get a chance to watch the many dance shows out there, but I’ve seen a bit and I have a question for those of you who’ve been watching them more carefully.

The video below is of Sébastien Soldevila and Mimi Bonnavaud dancing at the Cirque de Demain festival (thanks for the info, netrus).  In the dance, a woman is torn between rejecting a man and being powerfully drawn to him.  I’ve noticed that this theme crops up frequently in even just the little bit of dance programming I’ve watched. In this video, you get the idea in just the first few seconds, though you might want to watch the rest because it’s awesome. (Video title, btw, is not mine.)

I can see why choreographers return to this theme again and again. I think this is a common human experience (lord knows I’ve been there) and great fodder for art.

My question is: Is this theme gendered? That is, is it usually the woman who is desperately trying to escape the man and her attraction to him, and not vice versa?

I ask because, if it is, what we’re really seeing is not just a drama about a conflict between attraction and repulsion, we’re seeing a drama in which men are allowed to be deaf to women’s insistence that they want to be left alone, released. Really, deep down, this narrative tells us, she wants him. Therefore, it’s perfectly ok for him to ignore her “no.” If he just follows her for long enough, grabs her to make her look at him one more time, forces her up against his body enough, then she will relent.

From a different perspective, this is a man who is stalking and harassing her, but the narrative (which almost always ends in her giving in to him/her desire) suggests that this is perfectly reasonable, even passionate, loving, devoted behavior.

Do we sometimes (or ever) see women doing the stalking and harassing in these choreographies? Or is it usually the man?

Also in “no” doesn’t mean “no”: caveman courtship, it’s not “no” if she’s a zombie, you may say “no,” but your perfume says “yes,” and some pretty grotesque t-shirts.

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Lisa Wade is a professor of sociology at Occidental College. You can follow her on Twitter and Facebook.

Lisa Wade, PhD is an Associate Professor at Tulane University. She is the author of American Hookup, a book about college sexual culture; a textbook about gender; and a forthcoming introductory text: Terrible Magnificent Sociology. You can follow her on Twitter and Instagram.

Arturo R. Garcia, at Racialicious, posted this graphic illustrating how the cast of Heroes has become increasingly white over its four seasons:

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Lisa Wade is a professor of sociology at Occidental College. You can follow her on Twitter and Facebook.

Perhaps bored, certainly creative, fi5e at ni9e tore all of the faces out of the SkyMall magazine and arranged them on her tray by race and gender.

Here’s what it looks like by gender:377812146_917369cd4a

By race:377812149_90b026668c

So women outnumbered men significantly and the magazine included almost exclusively white (appearing) people.

She also arranged them by size and hair color, if you want to check it out.

Thanks to Macon D for pointing to this post in a comments thread!

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Lisa Wade is a professor of sociology at Occidental College. You can follow her on Twitter and Facebook.

When we consider how well we are doing financially, we must choose a referent.  That is, when we ask the question (“How well am I doing?”), we are also, simultaneously choosing a comparison group (e.g., people in our profession, people of our same sex, people our age, etc).

Most of us probably also restrict our considerations to people in the same country.  We usually don’t think about how well we are doing compared to all human beings in the world, but this website allows us to do just that.  If you put in your yearly income, it will show you where you rank on a global scale (Yen, Canadian dollars, U.S. dollars, Euros, and Pounds only, unfortunately).

I put in the median yearly income for a full time worker in the U.S. and this was the calculation:

Capture

This, of course, doesn’t consider the cost of living differences, but it still offers an interesting perspective.

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Lisa Wade is a professor of sociology at Occidental College. You can follow her on Twitter and Facebook.

The Associated Press, a news service subscribed to by news outlets all over the world, distributed a story about the first Obama Administration State Dinner. In the story, sent in by Elisabeth R., Samantha Critchell describes Michelle Obama’s dress as “flesh-colored.”

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[Thanks to Madeline T., Anne Marie, Therese S., and Drugmnky for the screencap!]

Gee, what could possibly be wrong with calling this dress “flesh-colored”?

APTOPIX Obama US India

This is what happens when white people are considered people and black people are considered a special kind of people, black people.  “Flesh-colored” becomes the skin color associated with whites and darker-skinned peoples are left out of the picture altogether.  We see this all the time.  Bandaids, for example, are typically light beige (though they rarely call them “flesh-colored” anymore), as are things like ace bandages.

See our post on “flesh-colored” for these examples and more.  See also this post on lotion for “normal to darker skin.”

For contrast, see this post about how the generic human in Russian cartoons is colored black instead of white.

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Lisa Wade is a professor of sociology at Occidental College. You can follow her on Twitter and Facebook.

At first I thought that this vintage Honda ad was aimed at women who wanted to do lots of “things.” And then I realized, no, despite the fact that all the women look alike, the ad is actually aimed at men who get to have “things,” like “Michelle and Tammy and Alison.”

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Selected text:

But what would you rather have? Automatic transmission, air conditioning, and a 400-horse-power engine?

Or Michelle and Tammy and Alison?

More examples of women being conflated with things here, here, here, here, here, here, and here.

Found at Vintage Ads.

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Lisa Wade is a professor of sociology at Occidental College. You can follow her on Twitter and Facebook.

At least it is according to words referencing happy and unhappy states in our Facebook status updates:

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It’s probably just an artifact of people using the word “grateful” because they’re supposed to.  Then again, maybe being reminded to be grateful really does make people happy for a day.

Source: Facebook via Flowing Data.

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Lisa Wade is a professor of sociology at Occidental College. You can follow her on Twitter and Facebook.

Larry Harnisch at the Daily Mirror dug up this gem, a 1909 story from the Los Angeles Times about prominent Chicago-area women’s rights advocates pushing back the time they served Thanksgiving dinner in order to go see the British suffragist Emiline Pankhurst:

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“…one of the women voiced the sentiment that ‘every suffragist is a militant suffragist at heart’.” Well, obviously, if you’re willing to postpone Thanksgiving dinner, no matter what this woman says:

Picture 1

Those British suffragists must have been something if stoning legislators was part of the discussion.