Anita Sarkeesian, creator of the fun Bechdel Test video we link to frequently (and blogger at Feminist Frequency), emailed to let us know about Jonathan McIntosh’s most recent video. McIntosh, who posts at rebellious pixels, has a knack for remixing elements of pop culture to make larger social points. He made the Buffy vs. Edward remix we posted last year.

His newest video, Right Wing Radio Duck, mixes scenes from 50 different Donald Duck cartoons with audio of Glenn Beck:

Glenn Beck actually responded to it. Here’s the audio:

When I read part of the transcript first, I honestly thought Beck was joking and playing along. But after listening to it, I think he’s serious.

Of course, he’s also making some accurate points: Walt Disney was extremely anti-union and anti-Communist. He served as a friendly witness before the House Un-American Activities Committee in 1947 (transcript here). Others have accused Disney of being a Nazi sympathizer — swastikas and other symbols show up in some Disney cartoons — though The Straight Dope says Disney’s politics weren’t easy to pin down (for instance, the cartoon where Donald Duck is a Nazi eventually shows it to have been a nightmare; is that pro-Nazi or not?).

But back to Beck’s fascinating response, and how seriously he takes this “unbelievable attack.” He seems to imply the Fair Use doctrine allows propaganda, but also that Disney is somehow in on it (“apparently Disney doesn’t have a problem with Donald Duck cartoons now being remixed and politicized for the progressive left”). Of course, that’s the point of the Fair Use doctrine: whether or not Disney is ok with it isn’t relevant, because Fair Use protects the right to use otherwise copyrighted material. Specifically, according to the U.S. Copyright Office, “Section 107 contains a list of the various purposes for which the reproduction of a particular work may be considered fair, such as criticism, comment, news reporting, teaching, scholarship, and research.” It’s hard for me to imagine that Beck doesn’t know that; I’m sure he’s used material on his program at some point — say, news footage or historical photographs — and was able to do so specifically because of the fair use doctrine.

His response also reminds me of an episode of Fresh Air I heard earlier this week. Historian Sean Wilentz discusses how often Beck draws on 1950s Cold War-era ideologies, and that he has made them resonant again. Five years, saying “communists” and “socialists” in an ominous tone and implying that communism is in danger of spreading across America would have made you ultra-fringe, and I don’t think it would have had much cultural resonance. Now throwing around accusations of socialism and conspiracy theories isn’t at all out of the ordinary.

Given that resurgence in ideas that arose from the right during the Cold War, combined with Disney’s anti-Communist and anti-labor stance from that period, I think actually makes McIntosh’s use of old Disney cartoons even more effective as social commentary.

And just for fun, ikat381 remixed part of Beck’s response with an old Mickey Mouse cartoon:

In this Zócalo video, sociologist Jennifer Lee discusses the social construction of race and the history of the U.S. census with NALEO’s Arturo Vargas and the L.A. Times‘ Steve Padilla:

For more on the social construction of race, see our post on race and ethnicity in censuses around the world.

Lisa Wade, PhD is an Associate Professor at Tulane University. She is the author of American Hookup, a book about college sexual culture; a textbook about gender; and a forthcoming introductory text: Terrible Magnificent Sociology. You can follow her on Twitter and Instagram.

In this video sociologist Devah Pager describes her experimental research on race, criminal records, and employment with Dalton Conley.  Using matched pairs of black and white students posing as job applicants, she finds, stunningly, that black men without a criminal record are as likely to get a call back for a job as white men with one (see the tables here).  Black men with criminal records receive call backs for only about one in 20 completed job applications.

See also our post in which one man explains the “hidden life sentence” he received after a crime 20 years past.

Lisa Wade, PhD is an Associate Professor at Tulane University. She is the author of American Hookup, a book about college sexual culture; a textbook about gender; and a forthcoming introductory text: Terrible Magnificent Sociology. You can follow her on Twitter and Instagram.

Kristie, Dmitriy T.M., and Tiffany L. sent in this post at OkCupid comparing 3.2 million profiles of straight people to those of gays and lesbians. Undermining the persistent stereotype that gays are more sexually promiscuous than straight individuals, OkCupid users, gay and straight, reported the same median number of sex partners (6), and the overall pattern is nearly identical regardless of sexual orientation:

And sexual encounters with someone of the same sex aren’t limited to people who identify as gay. Here are the results from a survey of 252,900 users who identify themselves as straight; about a third have either had at least one same-sex sexual encounter, or would like to:

Straight-identified women were significantly more likely to report a same-sex experience (and that it was pleasurable) or interest than were straight men. Here’s the pie chart for women:

And this is for men:

My guess is a lot of people will attribute that to women “playing” at being bisexual or going through a “stage,” but it seems likely to me that part of what is going on is that men’s gender performance is policed so much more harshly and constantly that men suffer greater consequences for same-sex encounters and have more reason to avoid them and to avoid even thinking of them as a possibility.

Reports of same-sex encounters or interest varied significantly by region. In the map, orange = higher rates, blue = lower (OkCupid doesn’t give any percents to go with the different colors, sorry):

There’s other data on personality profiles and, uh, the number of people who think the earth is larger than the sun (!) at the original post.

Also see our previous post on race, gender, and preferences on OkCupid.

Cross-posted at Jezebel.

Tila Tequila has become famous through the strategic display of her culturally-idealized face and body.  A quick Google image search reveals as much:

Her success and celebrity suggests that Tequila has managed to negotiate with sexism such that she, by capitulating to the male gaze, wins. But the idea that it is ever possible to successfully maneuver around patriarchy is challenged by Tequila’s most recent court battle. Nearly seven years ago she and her then-boyfriend filmed themselves having sex. Her ex is now threatening to release this sex tape against Tequila’s will. Tequila went to court to get an injunction against the tape’s release, but the judge denied her request, arguing that “Tila exploits her sexuality” anyway.

Tequila’s exploitation of her own sexuality (or, more accurately, her sex appeal), apparently, gives everyone else the right to exploit her sexuality, too. This is what it means to live in a society in which women are second-class citizens, specifically, the “sex class.”  Women’s bodies are public property. Women are supposed to display them in public for men’s pleasure.  If they do not, they lose: they are dykes, bitches, and ugly, fat, feminazi cunts.  If they do, they lose.

Thanks to Stephanie Hallett at Ms. magazine for the tip.

Lisa Wade, PhD is an Associate Professor at Tulane University. She is the author of American Hookup, a book about college sexual culture; a textbook about gender; and a forthcoming introductory text: Terrible Magnificent Sociology. You can follow her on Twitter and Instagram.

George H.W. Bush’s 1988 “Willie Horton” campaign ad is infamous for racializing fears of crime, encouraging stereotypes of African American men as violent and threatening. The ad is widely believed to have destroyed Michael Dukakis’s chances for winning the presidency, presenting him as soft on crime. It’s a classic example of race-baiting in political campaigns — ads that present racial/ethnic minorities as threatening. Jesse Helms took a different approach with his affirmative action ad, which draws on some Whites’ fears that they are losing out on jobs because of affirmative action.

This election cycle, a number of candidates have produced ads that clearly attempt to stoke and benefit from anti-Hispanic immigrant sentiment. Talking Points Memo posted a mailer sent out by the Yuma County, Arizona, Republican Party as part of its campaign against Democratic state Representative Rae Waters. One side shows a stop sign full of bullet holes and makes a link between immigrants and neighborhood crime:

SB 1070 is the controversial Arizona law that allows law enforcement officials to check the immigration status of people they have stopped for other violations if there is a “reasonable suspicion” they might be undocumented or not carrying the appropriate papers.

To drive the message home, the other side of the mailer contains an image of a blond child, looking a little disturbed, and again links opposition to SB 1070 to “drugs and violence”:

Here in Nevada, Senate candidate Sharon Angle is currently running this commercial that calls Harry Reid the best friend of “illegals,” who are “putting Americans’ safety and jobs at risk.”

The commercial ends with this image:

She has a second commercial that plays on the same themes:

In West Virginia, this ad against Nick Rahall, a Christian Lebanese-American, prominently displays the phrase “Arab Americans” (he chaired Arab Americans for Obama) while scary music plays in the background:

If you have other examples of racialized or anti-immigrant imagery in current campaign ads, let us know.

UPDATE: S. Elle let us know about this ad by Senator David Vitter, of Louisiana, which is very similar to the Angle commercials:

And kantmakm provided a link to this billboard outside Grand Junction, Colorado:

In the comments thread to a recent post presenting an image of Afghanistan that doesn’t focus on war, violence, and misery, a Reader by the name of “S” linked to a documentary called Afghan Star.  The film documents an American Idol-style competition, one that places contestants at risk of violence, but also engenders intense devotion from some Afghanis.  It reveals another side of Afghanistan that Americans typically do not see.

The trailer:

Thanks to Myaisha for catching the comment!

Lisa Wade, PhD is an Associate Professor at Tulane University. She is the author of American Hookup, a book about college sexual culture; a textbook about gender; and a forthcoming introductory text: Terrible Magnificent Sociology. You can follow her on Twitter and Instagram.

Allison M., Liz B., and G.Z. sent in a link to a post at Jezebel that highlights stereotypical female characters in movies and on TV. The image takes the form of a flowchart, created by Mlawski at Overthinking It (which is currently experiencing technical difficulties). Mlawski says, “Hollywood has a significantly harder time writing non-stereotypical female characters than male ones, so I made this chart to help out.” Click to enlarge, then hit “full size” at the bottom of the larger image to see an easily-readable version:

Of course, many of these characters wouldn’t be inherently problematic — men are often portrayed in one-dimensional roles, etc., and I personally adore Lucille Bluth — if it weren’t for the fact that they’re so pervasive compared to female characters shown as complex, interesting protagonists who aren’t either bitchy shrews or unfulfilled until they can find the right man/have a baby.

Also check out our post on the Bechdel Test.