Cross-posted at Scientopia and Racialicious.

Several years ago I took this photo of the posted dress code for Brothers Bar in Madison, Wisconsin.   As an alumnus, I can tell you that the relationship between the college community and the community at large was strained, as it is in many college towns.  The college community was, on average, better off economically than much of the non-college community, with greater (potential) educational achievement, and overwhelmingly white.  There was less mingling between the “town” and “gown” than we might expect by random chance, and some businesses tried to attract the latter exclusively.

This was the case with Brothers Bar. Brothers sits within a block of campus, they wanted to attract the college students but push away young “townies,” as they were derogatorily called.  Of course, it’s illegal to say “Poor Black people keep out,” so, instead, they use symbolic codes to warn especially Black members of the non-college community that they’re not welcome: no crooked hats, no skullcaps, headbands, or bandanas, and no sports jerseys.

An enterprising journalist sat outside Brothers Bar to see just how the dress code was enforced.  Not “strictly,” it turned out.  The people who were turned away were overwhelmingly Black.  Meanwhile, they let in students wearing UW sports jerseys and other Bucky the Badger-themed “athletic wear.”  So much for color-blindness, this was a racist dress code with no reference to color at all.

I was reminded of this incident when Stephen Wilson sent in photo of a similar dress code taken at Kelly’s in Kansas City.  Again we see racially-coded restrictions: the same no crooked hats rule, doo rags and bandanas are disallowed, as are hoods actually worn on the head (but not the preppy hoodies apparently), and “excessively” baggy clothes.

So, sure, Black people are allowed in these establishments, just not Black people “of a certain type.”  If they want to enter, they have to assimilate to white culture.  These dress codes seem to say:

Turn those hats on straight forward or straight back, pull up those pants, and take off whatever’s on your head!  It’s not that we don’t like Black people, we just prefer our Black people to defer to white standards.  See?  Not racist at all!  Cheers!

Lisa Wade, PhD is an Associate Professor at Tulane University. She is the author of American Hookup, a book about college sexual culture; a textbook about gender; and a forthcoming introductory text: Terrible Magnificent Sociology. You can follow her on Twitter and Instagram.

HAPPY AUGUST!

New Contributor:

First and foremost, Sociological Images is pleased to welcome Marty Hart-Landsberg to our team of Contributors!  Marty is a professor of Economics at Lewis and Clark College. He’s been blogging, excellently, at Reports from the Economic Front, and he brings much needed expertise and insight into economic issues. We’re so pleased that he’s joined us!

New Publications and Appearances:

Catch contributor Caroline Heldman talking about the debt ceiling debate on Fox Business Channel’s Follow the Money tonight at 10 p.m. EST.  Heldman appeared on The Factor, Neil Cavuto’s Show, The Hannity Show, Freedomwatch, Bulls & Bears, and Follow the Money 14 times last month.

I’m very excited to have a new publication out in the journal Ethnography. My first using ethnographic methods, the paper is an analysis of lindy hop (a social dance from the 1930s and ’40s) with which I argue that the habitus has liberating as well as conservative potential: The Emancipatory Promise of the Habitus: Lindy Hop, the Body, and Social Change. And there’re pictures!

I also wrote about 500 words on hook up culture on college campuses for the Canadian website, The Mark.  I argue that hook up culture isn’t bad, it’s just-as-bad and no worse than the rest of society.

Gwen and I will both be guest blogging at Scientopia for the next two weeks.  You can catch all the same material here, but check out Scientopia if you’re interested in

Finally, SocImages showed up on TIME and BoingBoing this week. Always a good time…

New Pages:

We’ve added an “Editors’ Pick” tab to our menu. Gwen and I will be slowly culling our favorite posts from the last four years and adding them.  We’re excited to be able to highlight our best and most well-received stuff.

We’ve also added a “For Instructors” tab.  We’ve got some stuff for you there already, but are also asking for volunteers to help make the site more useful to instructors. We’re especially excited about the possibility of putting together Course Guides that collect the best posts for common sociology courses. Check it out!

Party in Las Vegas:

The American Sociological Association is having its annual conference in Las Vegas this year.  We invite all of you to the Blogger Party at 4:30pm on Sunday, August 21st at the Seahorse Lounge at Caesar’s Palace. Come by and say “hello”!

Social Media ‘n’ Stuff:

This is your monthly reminder that SocImages is on Twitter and Facebook.  Learn more about your editors at my website and Gwen’s.  And a bunch of us are on twitter @lisadwade@gwensharpnv@familyunequal@carolineheldman, and @jaylivingston.

Back in February I went ahead and built myself a website highlighting, well, myself.  And I will admit to, on occasion, indulging my curiosity regarding how often it’s visited and what visitors are looking at.  So yesterday I was browsing the site stats and noticed that there was data on how often each clickable thing was clicked on, including images, tabs, links, and documents I’d uploaded; stuff like that.  I thought, huh, well I wonder?  Are people checking out my classes?  Downloading my journal articles? Are they interested in my public speaking!?  That’d be so cool!

Lo and behold.  The most clicked upon clickable thing on my website is the Sociological Images tab.  Yay!  The second most clicked upon thing?  My photograph.

This is kind of fascinating.  What drives people not just to look at my photograph, but to want to look at it up close?  What kind of information are they trying to glean, not from the articles I’ve written or material I teach, but from the gleam in my eye?  Is it “human nature” to want to see people you’re interacting with, even on the internet?  Is it the cultural imperative to have an opinion on what women look like?  Something else?

And if I’m going to speculate as to the motivations of visitors, I should ask myself the obvious questions.  Why did I upload photographs of myself at all?  Four of them!  Why do I think that it’s important to be embodied on, let’s face it, a website with a great deal of highly abstracted content?  Do I think it looks “professional”?  Do I think photographs make me more relate-able?  Am I bowing to the cultural imperative that women present their bodies for judgment?  I don’t know!

I didn’t think much of it at the time.

Lisa Wade, PhD is an Associate Professor at Tulane University. She is the author of American Hookup, a book about college sexual culture; a textbook about gender; and a forthcoming introductory text: Terrible Magnificent Sociology. You can follow her on Twitter and Instagram.


One thing I like about Anita Sarkeesian’s series, Tropes vs. Women, is that she doesn’t go for the obvious. Instead, she draws our attention to insidious and ubiquitous tropes that many of us have, nonetheless, never quite noticed before, exactly because they’ve simply become the water we swim in (e.g., the Manic Pixie Dreamgirl).

In this episode she reveals the Mystical Pregnancy trope, common in science fiction, in which women are involuntarily impregnated by aliens and monsters for nefarious and frightening purposes.  Following Laura Shapiro, she calls out writers and directors for using pregnancy as a form of “torture porn” and using women’s biological capacity as a plot device, meanwhile ignoring the real, non-fiction threats to women’s reproductive rights.

Lisa Wade, PhD is an Associate Professor at Tulane University. She is the author of American Hookup, a book about college sexual culture; a textbook about gender; and a forthcoming introductory text: Terrible Magnificent Sociology. You can follow her on Twitter and Instagram.

The U.K. has passed legislation aimed at reducing the amount of re-touching used in advertising. Sophie R., Dmitriy T.M., and my sister, Keely, sent a link to a news story about two ads, banned this week, for Lancome and Maybelline (both owned by L’Oreal).  The Advertising Standards Authority claimed that the ads were “misleading” and an “exaggeration.”  “On the basis of the evidence we received, the ruling stated, “we could not conclude that the ad image accurately illustrated what effect the product could achieve.”

The Authority, then, is enforcing a simple truth-in-advertising rule.  Still, it’s an impressive victory for activists against a very powerful corporation.  Then again, L’Oreal is getting a lot of attention from the news media (and blogs, erg) and these images are going up everywhere, for free.

Lisa Wade, PhD is an Associate Professor at Tulane University. She is the author of American Hookup, a book about college sexual culture; a textbook about gender; and a forthcoming introductory text: Terrible Magnificent Sociology. You can follow her on Twitter and Instagram.

Anders Behring Breivik has now joined the pantheon of homegrown domestic terrorists who have unleashed horror on their own countrymen. Sixteen years ago, Timothy McVeigh and other members of the Aryan Republican Army blew up the Murrah Office Building in Oklahoma City, killing 168 of their own countrymen and women. It was the worst act of domestic terrorism in our history, and, indeed, until 9-11, the worst terrorist attack of any kind in our history. We know what Norwegians are going through; as Bill Clinton said, we “feel your pain.”

As pundits and policymakers search for clues that will help us understand that which cannot be understood, it may be useful to compare a few common elements between McVeigh and Breivik.

Both men saw themselves as motivated by what they viewed as the disastrous consequences of globalization and immigration on their own countries. Breivik’s massive tome, 2083: A European Declaration of Independence, paints a bleak picture of intolerant Islamic immigrants engaged in a well-planned takeover of European countries in the fulfillment of their divine mission. His well-planned and coldly executed massacre of 94 of his countrymen was, as he saw it, a blow against the policies promoting social inclusion and a recognition of a diverse multicultural society promoted by the labor-leaning government.

McVeigh also inveighed against both multinational corporate greed and a society that had become too mired in multiculturalism to provide for its entitled native-born “true” Americans. In a letter to the editor of his hometown newspaper, McVeigh, then a returning veteran of the first Gulf War, complained that the birthright of the American middle class had been stolen, handed over by an indifferent government to a bunch of ungrateful immigrants and welfare cheats. “The American dream,” he wrote “has all but disappeared, substituted with people struggling just to buy next week’s groceries.”

McVeigh and Breivik both sought to inspire their fellow Aryan countrymen to action. After blowing up the federal building – home of the oppressive and unrepresentative government that had capitulated to the rapacious corporations and banks — McVeigh hoped that others would soon follow suit and return the government to the people. Breivik cared less about government and more about the ruination of the pure Norwegian culture, deliberately diluted in a brackish multiculti sea.

For the past five years, I’ve been researching and writing about the extreme right in both the United States and Scandinavia. I’ve interviewed 45 contemporary American neo-Nazis, White Supremacists, Aryan youth, Patriots, Minutemen, and members of rural militias. I also read documentary materials in the major archival collections at various libraries on the extreme right. I then interviewed 25 ex-neo-Nazis in Sweden. All were participants in a government-funded program called EXIT, which provides support and training for people seeking to leave the movement. (This included twice interviewing “the most hated man in Sweden,” Jackie Arklof, who murdered two police officers during a botched bank robbery. Arklof is currently serving a life sentence at Kumla High Security prison in Orebro. To my knowledge, I’m the only researcher to date to have interviewed him as well as members of EXIT.)

I’ve learned a lot about how the extreme right understands what is happening to their countries, and why they feel called to try and stop it. And one of the key things I’ve found is that the way they believe that global economic changes and immigration patterns have affected them can be understood by looking at gender, especially masculinity. (Don’t misunderstand: it’s not that understanding masculinity and gender replaces the political economy of globalization, the financial crisis, or the perceived corruption of a previously pristine national culture. Not at all. But I do believe that you can’t understand the extreme right without also understanding gender.)

First, they feel that current political and economic conditions have emasculated them, taken away the masculinity to which they feel they are entitled by birth. In the U.S., they feel they’ve been emasculated by the “Nanny State” through taxation, economic policies and political initiatives that demand civil rights and legal protection for everyone. They feel deprived of their entitlement (their ability to make a living, free and independent) by a government that now doles it out to everyone else – non-whites, women, and immigrants. The emasculation of the native-born white man has turned a nation of warriors into a nation of lemmings, or “sheeple” as they often call other white men. In The Turner Diaries, the movement’s most celebrated text, author William Pierce sneers at “the whimpering collapse of the blond male,” as if White men have surrendered, and have thus lost the right to be free. As one of their magazines puts it:

As Northern males have continued to become more wimpish, the result of the media-created image of the ‘new male’ – more pacifist, less authoritarian, more ‘sensitive’, less competitive, more androgynous, less possessive – the controlled media, the homosexual lobby and the feminist movement have cheered… the number of effeminate males has increased greatly…legions of sissies and weaklings, of flabby, limp-wristed, non-aggressive, non-physical, indecisive, slack-jawed, fearful males who, while still heterosexual in theory and practice, have not even a vestige of the old macho spirit, so deprecated today, left in them.

Second, they use gender to problematize the “other” against whom they are fighting. Consistently, the masculinity of native-born white Protestants is set off against the problematized masculinity of various “others” – blacks, Jews, gay men, other non-white immigrants – who are variously depicted as either “too” masculine (rapacious beasts, avariciously cunning, voracious) or not masculine “enough” (feminine, dependent, effeminate). Racism, anti-Semitism, nativism, and homophobia all are expressed through denunciations of the others’ masculinity.

Third, they use it as a recruiting device, promising the restoration of manhood through joining their groups. Real men who join up will simultaneously protect white women from these marauding rapacious beasts, earn those women’s admiration and love, and reclaim their manhood.

American White Supremacists thus offer American men the restoration of their masculinity – a manhood in which individual white men control the fruits of their own labor and are not subject to the emasculation of Jewish-owned finance capital, a black- and feminist-controlled welfare state.

At present, I am working my way through 2083: A European Declaration of Independence, the 1,518 page manifesto written in London by Anders Behring Breivik (under the Anglicized name Andrew Berwick) in the months leading up to his attack. These same themes are immediately evident. (Quotes are from the document.)

(1) Breivik associates feminism with liberal, multicultural societies. He claims that feminism has been responsible for a gender inversion in which, whether in the media or the military, we see the “inferiority of the male and the superiority of the female.” As a result of this widespread inversion, the “man of today” is “expected to be a touchy-feely subspecies who bows to the radical feminist agenda.”

(2) Breivik spends the bulk of the document playing off two gendered stereotypes of Muslim immigrants in Europe. On the one hand, they are hyper-rational, methodically taking over European societies; on the other hand, they are rapacious religious fanatics, who, with wide-eyed fervor, are utterly out of control. In one moment in the video, he shows a little boy (blond hair indicating his Nordic origins), poised between a thin, bearded hippie, who is dancing with flowers all around him, and a bearded, Muslim terrorist fanatic – two utterly problematized images of masculinity. 3:58 in the video:

(3) In his final “call to arms” and the accompanying video, he offers photos of big-breasted women, in very tight T-shirts, holding assault weapons with the word “infidel” on it and some Arabic writing, a declaration that his Crusader army members are the infidels to the Muslim invaders. 9:02 in the video:

This initial, if sketchy, report from Oslo, and Breivik’s own documents, indicate that in this case, also, it will be impossible to fully understand this horrific act without understanding how gender operates as a rhetorical and political device for domestic terrorists.

These members of the far right consider themselves Christian Crusaders for Aryan Manhood, vowing its rescue from a feminizing welfare state. Theirs is the militarized manhood of the heroic John Rambo – a manhood that celebrates their God-sanctioned right to band together in armed militias if anyone, or any governmental agency, tries to take it away from them. If the state and capital emasculate them, and if the masculinity of the “others” is problematic, then only “real” white men can rescue the American Eden or the bucolic Norwegian countryside from a feminized, multicultural, androgynous immigrant-inspired melting pot.

————————

Michael Kimmel is a professor of sociology at the State University of New York at Stonybrook.  He has written or edited over twenty volumes, including Manhood in America: A Cultural History and Guyland: The Perilous World Where Boys Become Men.  You can visit his website here.

Back when we were kind of obsessed with “man” and “woman” symbology — e.g., whether traffic lights ever include female figureshow stick figures tend to be male, unless they’re parenting, the weird world of default avatars, and also this interesting alternative symbol for disability — I had considered writing a post featuring the then-stewardess, now-flight attendant icon seen on airplanes.  Airplanes have a longer life than cars and, so, many of the airplanes operated by commercial companies still have the old stewardess icon: a friendly round head with a dress.  These were old planes though, I figured, so the post wouldn’t pack much of a punch. They were like that, back then, after all.

Lo and behold, MirandaB took a flight on Delta and snapped a photograph of an undeniably modern incarnation of the friendly round head:

Delta chose to use a digitally-skirted stick figure on its task screen.  Just to be clear, Delta still, in 2011, feels comfortable representing “flight attendants” as 100% female.  That’s a win with the language, a fail with the symbology.

According to the Bureau of Labor Statistics, women account for 81% of flight attendants, not 100% by a long shot.  But you can see why men might be reluctant to join their ranks.

Also in gender, sexism, and air travel: Sexism in Aviation, Then and Now, Selling Feminine Passivity, “Singapore Girls” and Emotion Work, and Fly the Unfriendly Skies.

Lisa Wade, PhD is an Associate Professor at Tulane University. She is the author of American Hookup, a book about college sexual culture; a textbook about gender; and a forthcoming introductory text: Terrible Magnificent Sociology. You can follow her on Twitter and Instagram.

This weekend I went to the Annenberg Space for Photography in Los Angeles to see the Beauty CULTure exhibit. The description of the show suggested a critical perspective on beauty:

Through different lenses focused on the body beautiful, the exhibition examines both traditional and unconventional definitions of beauty, challenging stereotypes of gender, race and age. It explores the links between beauty and violence, glamour and sexuality and the cost (in its multiple meanings) of beauty.

The exhibit, to be fair, included a 30-minute documentary that touched on several critiques: the socialization of children, the pressure felt by adult women, the role of capitalism, and sizism and racism in the industry (featuring Lauren Greenfield’s work on girl culture and weight loss camps and Susan Anderson on child pageants).

But the actual photographs in the exhibit overwhelmingly affirmed instead of challenged our beauty culture.  While the four images above, highlighted at the website, include an Asian woman, an older woman, and a picture of a child beauty pageant contestant designed to make us question how we raise children, the actual photographs were mostly conventionally-attractive, white, thin professional models glamorously outfitted, posed, and lit.  These photographs outnumbered those that included women of color, older women, “plus-size” women, and critical images (e.g., photos of cosmetic surgeries) by something like 10 to 1.  I didn’t leave feeling like I’d gained some perspective on the crushing pressure to be “perfect”; I left feeling like I’d flipped through a Cosmopolitan, awash in idealized images of female beauty, and more consciously aware of my deficiencies than when I arrived.

I say, skip it.

Lisa Wade, PhD is an Associate Professor at Tulane University. She is the author of American Hookup, a book about college sexual culture; a textbook about gender; and a forthcoming introductory text: Terrible Magnificent Sociology. You can follow her on Twitter and Instagram.