This website contains links to a lot of Census Bureau maps showing where different racial and ethnic groups (including White ethnics) are concentrated in the U.S. They also have “absence of” maps showing counties with less than 25 people from different racial grops, which are fascinating. They’re all available from the Census, but it’s nice to have them all collected here for easy access and comparison.
Blanca M. sent in this picture she took here in Las Vegas of a truck advertising Air Conditioning Technical Institute. The truck says “Hot City, Cool Career,” and then had this image on the side.
When you go to the website, you see a video (which I can’t embed, sorry) of a man driving up to a house in a sports car. A blonde woman comes out and gushes over the car. The man then says “Six months ago she wouldn’t have given me a second look. I had no job, no education, I was living with my parents.”
So apparently air conditioning tech school is appropriate only for men, and guarantees that you will make enough money to get the hot women you’ve always wanted. Aside from the clear objectification of women as sexual rewards for men, it reinforces the idea of women as opportunistic gold-diggers. It’s also an interesting perspective on how men should view relationships–that they should be perfectly happy to be with women who don’t like them for who they are, and who would presumably leave them if they lost their job or got a pay cut. As long as the woman’s hot, a guy is apparently supposed to be satisfied with the relationship and not worry about little things like whether his wife actually loves him–we reserve concerns about love and emotional closeness for women only.
Ok, so this isn’t an image, but it seemed like something our readers might be interested in, so I’m making an exception. Larry (of The Daily Mirror) sent in a link to this story in the New York Times about efforts by the European Union to discourage sex stereotyping in ads (I think another reader also sent in the link, but I’m afraid I’ve lost the email; if it was you, let me know and I’ll give you credit!). From the article:
The European Parliament has set out to change this. Last week, the legislature voted 504 to 110 to scold advertisers for “sexual stereotyping,” adopting a nonbinding report that seeks to prod the industry to change the way it depicts men and women.
Interestingly, the author of the article refers to the measure as “laughable as a gesture of political correctness.” Advertising industry leaders call into question the link between stereotypical images and actual discriminatory or problematic outcomes in actual life. It brings up a recurring issue cultural critics face–it can be extremely difficult to show that, say, sexualized images of women leads to any particular negative outcome. We may strongly believe that the ubiquitous presence of ads that show stereotypical gender roles reinforce them…but since we haven’t yet created a society similar to our own except without the stereotyping, it’s hard to isolate the effects of such cultural messages because we can’t compare what our culture would be like without them.
Here are the Red State Update guys talking about Toby Keith being a Democrat:
It might be useful for starting a discussion about the way country music is so associated with conservative politics and the Republican party today, and why we would be surprised that a guy like Toby Keith (who has proudly acknowledged smoking pot–liberal!–but also wrote the song “Courtesy of the Red, White, and Blue”–conservative!) would be a Democrat–what does that say about our ideas of what a Democrat (or Republican) must be or act like? You might contrast that with the number of country artists in the first half of the 20th century who were often progressive Democrats or (gasp!) even socialists. It’s pretty fascinating how much the politics associated with country music have changed, and how “obvious” it seems to people today that country musicians would be conservative, to the point that country music has in many ways become a symbol of conservatism (as opposed to “alt country,” which is often associated with a more liberal outlook*).
For an excellent discussion of the early political culture of the California country music scene, see Pete LaChapelle’s book Proud to Be an Okie: Cultural Politics, Country Music, and Migration to Southern California. Of course, I’m biased because it mentions Okies.
*If you don’t own any alt country, please go buy some Drive-By Truckers albums immediately. I’d start with “Decoration Day” and move on from there. Move! Now!
According to Sullivan, the text says, “You won’t be able to stop them (i.e. guys), but you can protect yourself. He who created you knows what’s best for you!”
Neither Z. nor I have been able to track down the origin of this image, which is supposedly a pro-hijab PSA, beyond what Sullivan provides as a source–I can’t find any evidence online of any first-hand accounts of people seeing it displayed anywhere or of what groups might be displaying it (the online references I’ve found make vague statements about it being from Egypt). I was really hesitant to post it, but it is available on the website of a major U.S. magazine, and I’m hoping maybe some of our readers might have information about the image–who put it out, if it’s actually on display anywhere, etc. If it is a real pro-hijab PSA (or even just a proposed one), it’s a great example of the way women are often portrayed as having responsibility for controlling and preventing men’s sexual advances, since men are believed to be incapable of controlling their own sexual desires. Whoever made it clearly uses that discourse about men, women, and sexual attraction; the question is, who created it?
While I was doing some online searching for it, I came upon the site Protect Hijab, a site dedicated to “the protection of every Muslim woman’s right to wear the Hijab in accordance with her beliefs and for the protection of every woman’s right to dress as modestly and as comfortably as she pleases.” Among other things, the site provides links to news stories about laws regarding hijab, including the interesting situations that come up when, say, the city of Antwerp (in Belgium) outlaws employees from wearing hijab (or any other symbol of religious or political affiliation) but then allows them to wear bandannas.
Then I came upon this video, which has the description, “A PSA Parody/Satire intended to protest the use of the veil by women. Ban the veil and ban the berqa. A Hijab is okay, however. Free Arab and Muslim women from male religious oppression.”
I’m always interested in things like this video because there is a tendency for groups with no connection to Islam to protest the hijab as a symbol of women’s oppression. This often occurs while the voices of Muslim women who argue that they don’t find the practice of hijab to be oppressive OR they have many other issues that are higher priorities are ignored or silenced. The statement “Ban the veil and ban the berqa. A Hijab is okay, however” also brings up some of the interesting aspects of attitudes toward hijab–who gets to decide what is oppressive? Why would, say, a veil be immediately and always oppressive but hijab (however the author was defining hijab) is “okay”?
Finally, I ran across this video, called “Top 10 Funniest Things a Muslim Woman Hears,” which presents 10 questions Muslim women often get about hijab/veils/scarves/etc.:
I like some aspects of this video–I’ve had Muslim students tell me they are asked these types of questions, some of which are clearly due to simply curiosity and lack of knowledge and others of which are rude. On the other hand, just like the previous video, this video is also constructing the practice of hijab, and the women who wear it, in a particular way–as something “obligatory” for Muslim women once they hit puberty. Clearly not all Muslims agree with this interpretation.
These could be really useful for a discussion of attitudes (both pro and con) toward the practice of hijab and the way it (or the version different groups portray of it) has become a symbol of Muslim (often defined as the equivalent of Arab) women’s oppression to some and of religious freedom and devout Muslim faith to others.
It could also be useful for a general discussion of whose voices are powerful in cultural conflicts. Who is speaking out against the presumed oppression of “Arab and Muslim women”? What is their interest in the issue–that is, is there a genuine concern about sexism and gender inequality, or is the issue of hijab a convenient avenue to express anti-Islamic sentiments? Which Arab/Muslim women are they claiming to speak for? Similarly, who is behind the pro-hijab activism? Are the voices of actual Muslim women represented? Do they play a role in the content of the message? To what degree do they represent the voices of (some groups of) Muslim women expressing their personal preferences and interests and to what degree is it an effort to pressure women to adopt hijab? Again, which Muslim women are they speaking for/to?
For other posts about hijab and other issues concerning Muslim women’s clothing, see here, here, here, here, and here. Also see these images of advice on modest clothing at Brigham Young University for a comparison.
Abby K. sent me a link to this New York Times article about the August issue of Vogue India. The issue has sparked controversy because of a fashion spread that shows poor Indians modeling extremely expensive brand-name accessories, such as this child modeling a Fendi bib that costs around $100 while being held by a woman prominently missing teeth:
Or this one of a barefoot man, also missing teeth, holding a Burberry umbrella that costs about $200:
From the article:
Vogue India editor Priya Tanna’s message to critics of the August shoot: “Lighten up,” she said in a telephone interview. Vogue is about realizing the “power of fashion” she said, and the shoot was saying that “fashion is no longer a rich man’s privilege. Anyone can carry it off and make it look beautiful,” she said.
I’m not sure where to even begin with this one. The objectification of the poor, who are used as props in a fashion magazine aimed at people very different from them? The oblivious discussion of the “power of fashion,” while ignoring the issue of how much these luxury items cost relative to average incomes in India? I’m especially struck by the way that the inability to spend $200 on an umbrella is no longer seen as a privilege because “anyone” can “carry it off”; it’s not about having $200 extra dollars, it’s about having the mindset to know you can carry these items and won’t make them look ugly or tacky, apparently. There’s a complete denial of privilege and power having anything to do with wealth, social stratification, or any inequality more consequential than some people maybe worrying that they won’t “make” fashion “look beautiful” (which in and of itself is an interesting idea–it’s not whether the fashion items make you look beautiful, it’s what you do for them).
Gwen Sharp is an associate professor of sociology at Nevada State College. You can follow her on Twitter at @gwensharpnv.
Brenda V.P. sent in this girls’ t-shirt, available here:
It hurts me, dear readers! It hurts!
Oh, holy hell. I was about to publish this and thought to myself, “at least there’s not a ‘future MILF’ shirt.” And then I thought, “Um…is there?” Oh, yes, there is (found here):
Why do we think these kinds of messages–hey, girls! You can grow up to be an objectified accessory!–are cute?
Thanks, Brenda. Thanks.
Gwen Sharp is an associate professor of sociology at Nevada State College. You can follow her on Twitter at @gwensharpnv.
This commercial I recently saw on Comedy Central for Progene male enhancement supplement warns men who are “not 20 anymore” that, without their product, they won’t be able to satisfy a woman.
Here’s a screenshot of a graph from the video which purports to show how men’s sexual performance declines with age:
Of course, we women “know it’s not your fault,” “it’s natural.”
Obviously you could could use this for a discussion of the increasing scrutiny men’s bodies are put under (much as women’s long have). But it’s also a good example of the way sex is often discussed; the implication here is that the only way to satisfy a woman sexually is to be able to have sex like a 20-year-old man, and the emphasis is clearly on penile-vaginal intercourse as the main source of sexual pleasure (though it does come with the handy DVD about the female orgasm). I might also use it when I talk about the ways we construct biology and treat some “natural” processes as inevitable and unalterable while attempting to change others.
For the unbelievers, I know this ad may very well look fake, but I swear to you I saw it on TV. Multiple times, because it was during a show I’d recorded, so I had the opportunity to rewatch it to my heart’s content.
Gwen Sharp is an associate professor of sociology at Nevada State College. You can follow her on Twitter at @gwensharpnv.
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Sociological Images encourages people to exercise and develop their sociological imaginations with discussions of compelling visuals that span the breadth of sociological inquiry. Read more…