Archive: Feb 2012

I’ve been incredibly lucky to have the pleasure of giving public lectures on hook up culture at several colleges and universities.  I draw on my research in these talks, but I also always give a shout out to Paula England, a sociologist who has collected tens of thousands of surveys from students at dozens of schools.   My talk would be a shadow of itself if I couldn’t draw on her excellent work.  Accordingly, I’m pleased to be able to feature England giving a presentation about what she has discovered about hook up culture.  I suspect that you’ll be surprised, no matter who you are:

For more on hook up culture, see my 3-minute appearance on MTV Canada or my 40-minute talk at Franklin & Marshall College (slideshow and transcript if you’d rather read).

Lisa Wade, PhD is an Associate Professor at Tulane University. She is the author of American Hookup, a book about college sexual culture; a textbook about gender; and a forthcoming introductory text: Terrible Magnificent Sociology. You can follow her on Twitter and Instagram.

This week in my gender class, we talked about gender and embodiment — that is, the way that men and women may experience our bodies differently, and how we train our bodies to signal gender differences just as much as the clothing and accessories we wear do. Men and women learn to use their bodies differently as part of their performance of masculinity or femininity; think of the difference in how men and women tend to hold cigarettes, how women are more likely to sit with their legs crossed (even if they’re not wearing skirts), and other ways in which we learn to use or position our bodies differently.

Lindsey sent in a link to an art project, Switcheroo, posted at Sincerely Hana that illustrates a number of topics related to gender. The project, by Hana Pesut, consists of (mostly) men and women exchanging outfits. In our gender binary, women have more flexibility to engage in some types of gender non-conformity; due to androcentrism, women may gain status by associating themselves with masculinity, while men generally only lose if they are perceived as feminine, a devalued status.

Not surprisingly, then, the images that stand out most in the collection are those with a man wearing clothing that is strongly coded as feminine. We’re not surprised that a woman would wear pants, but a man in a skirt or dress — that is, a man openly performing femininity — is still unusual in our culture and violates the cultural norm that masculinity might be good for everybody, but femininity is just for women.

In addition, a number of the photos illustrate gendered embodiment. When the men and women in the photos take on not just the other’s clothing, but also their postures, we can see how certain ways of holding or displaying our bodies are gendered — that we perceive them as feminine or masculine, and see them more often from one or the other gender.

It’s worth browsing the entire collection.

Gwen Sharp is an associate professor of sociology at Nevada State College. You can follow her on Twitter at @gwensharpnv.

Consumption:

Heteronormativity

Cross-Cultures

Gender

Race/Ethnicity

Lisa Wade, PhD is an Associate Professor at Tulane University. She is the author of American Hookup, a book about college sexual culture; a textbook about gender; and a forthcoming introductory text: Terrible Magnificent Sociology. You can follow her on Twitter and Instagram.

One of our readers sent in a Valentine’s Day card that came in a box of cards her 10-year-old received. The card reinforces the idea that pretty girls are high-maintenance; they’re materialistic and, implicitly, demanding or difficult — which they presumably get away with in exchange for being attractive:

For another example of cultural assumptions about pretty girls, and the idea that they play by a different set of rules, see our post on the “I’m too pretty to do math” magnet or t-shirt.

Zeynep P. sent in a commercial for Teleflora, a company that delivers flowers, that, as Zeynep points out, combines objectification with the explicit message that women exchange sexual favors for gifts from men:

The ad normalizes the idea that women would manipulate men with sex, and that men would expect that doing things for women (especially spending money on them) should result in sex. It’s a winner all around.

Gwen Sharp is an associate professor of sociology at Nevada State College. You can follow her on Twitter at @gwensharpnv.

Cross-posted at Montclair SocioBlog.

Being in the dominant majority allows you that comfort of not thinking.  People in that majority can assume that everyone shares their views, ideas, and even characteristics, and much of the time, they’ll be right.  “Flesh colored” in the U.S., sometimes even today, means the color of white people’s flesh.

White is the default race, the American race.  It’s easy to ignore that African Americans might not see those Band-Aids as flesh colored.  Similarly, Christianity is the default religion, and those who are in the majority can make those same flesh-colored assumptions.  Justice Scalia, for example, seemed unable to understand that the Jewish families of Jews killed in war might not feel “honored” by a cross placed on the grave of their son or daughter. (My post on this is here.)

The latest example:  this Hannukah card sent in South Carolina, presumably to Jews, by Rick Santorum’s local team.  First tweeted by political reporter Hunter Walker, it’s rapidly making the rounds of the Internet.

The Santorum team knew that Jews celebrate Hannukah.  But apparently they either did not know or did not remember that the New Testament is not part of Judaism and that Jews do not believe in the divinity of Jesus.  So those words from John — that those who follow Jesus “will have the light of life” — probably did not convey the intended effect of holiday warmth.

Cross-posted at Montclair SocioBlog.

It can take a while to find the right word.  But a mot juste may be crucial for framing a political issue. If you like the idea of men being able to marry men, and women women, what should you call the new laws that would allow that?

The trouble with “gay marriage” and even “same-sex marriage” is that these terms suggest – especially to conservatives – some kind of special treatment for the minority.  It’s as though gays are getting a marriage law just for them.

At last, the gay marriage forces seem to have come up with a term that invokes not special treatment but a widely-held American value that’s for everyone – equality.  A bill in  New Jersey has been in the news this week, mostly because Gov. Christie says he will veto it.  The bill is a “marriage equality” law.

The governor is in a bit of a squeeze.  As a Republican with ambitions beyond New Jersey’s borders, he can’t very well be for gay marriage.  But if his opponents can frame the matter their way, he now has to come out against equality.  Which is why the governor continues to refer to the issue as “same-sex marriage.”*

It’s like “abortion rights” or even “women’s rights.” A phrase like that might rally women to your cause, but if you want broader support, you need a flag that every American can salute.  I’m not familiar with the history of abortion rights so I don’t know how it happened, but those who want to keep abortion legal have managed to frame the issue as one of freedom to choose.   They have been so successful that the media routinely refer to their side as “pro-choice.”   To oppose them is to oppose both freedom and individual choice, principles which occupy a high place in the pantheon of American values.

It’s not clear that the “marriage equality” movement has been similarly successful, at least not yet.  I did a quick Lexis-Nexis search sampling the last week of the months January and July going back to 2007.  I looked for three terms: “same-sex marriage,” “gay marriage,” and “marriage equality.”

The general trend for all three is upwards as more legislatures consider bills, with big jumps when a vote becomes big news – that blip in July 2011 is the New York State vote.  But the graph can’t quite show how “marriage equality” has risen from obscurity.  That first data point, July 2007, is a 4.  Four mentions of “marriage equality” while the other terms had 25 and 50 times that many.  As of last week, “gay” and “same sex” still outnumber “equality,” but the score is not nearly so lopsided.

Here is a graph of the ratio of “equality” to each of the other two terms.  From nearly 1 : 20 (one “marriage equality” for every 20 “gay marriages”) the ratio has increased to 1 : 3 and even higher when the discussion gets active.

If the movement is successful, that upward trend should continue.  When you hear Fox News referring to “marriage equality laws,” you’ll know it’s game over.

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* Christie is usually politically adept, but he’s stumbling on this one.  He referred to a gay legislator as “numb nuts” (literally, that might not necessarily be a liability for a politician caught in a squeeze).   Christie also said that he’s vetoing the bill so that the matter can be put on the ballot as a referendum – you know, like what should have happened with civil rights in the South.  

I think people would have been happy to have a referendum on civil rights rather than fighting and dying in the streets in the South.

Several critics, including Numb Nuts, responded that, yes, Southern whites would have been happy to have civil rights left up to the majority.  African Americans not so much.  (If you’re looking for an illustration of Tocqueville’s “tyranny of the majority,” the post-Reconstruction South might be a good place to start.)  The analogy is obvious – race : 1962 :: sexual orientation : 2012 – even if it was not the message the governor intended.

(source: Google Images)

Since the inception of the Gaga machine, her message has been to love yourself, flaunt your difference, be you in a conformist youth culture. As a 20-year-old struggling for an alternative sexual expression to “sexpot”, my interest was piqued. She was young and raw, full of a singular energy that demanded attention, with a decent set of pipes… so what was the catch? The catch was the patriarchal bargain.

A patriarchal bargain, as Lisa Wade wrote in a previous post, is:

…a decision to accept gender rules that disadvantage women in exchange for whatever power one can wrest from the system. It is an individual strategy designed to manipulate the system to one’s best advantage, but one that leaves the system itself intact… Don’t be too quick to judge; nearly 100% of women do this to some degree.

Even Lady Gaga.

Gaga, as weird and anti-Britney Spears sexy as she is, still exhibits sexiness that appeals to the male gaze. At times, it is positively pornographic. That is Lady Gaga’s patriarchal bargain. Despite bucking traditional rules of femininity with innovative fashion elements, she upholds contemporary standards of beauty and sex appeal. Her method is achieved through the use of palatable distractions: telephones as headwear, shamelessly poisoning ex-lovers, and dancing in flawless skeleton makeup. Give ‘em the old razzle dazzle and they won’t even notice that she’s a skinny white woman gyrating in underwear.

Bad Romance:

Telephone:

Throughout her body of work there is a thread of what we know all too well:  ass-shaking, barely-there nudity and conspicuous consumption, just in an offbeat fashion. Gaga is bonkers, but Gaga is sexy. Gaga is political and outspoken, Gaga is skinny and [often] blond.  Indeed, “Mother Monster” may uplift her fans because of her affinity for oddness, but lest we forget, she is a lady and must inhabit the flesh that adheres to gender norms and restrictions, she reminds us:

“I would rather die than have my fans see me without a pair of heels on. And that’s show business.”

If you want to ride the ride, you have to pay the price.  And that price is patriarchy.

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Sonita Moss is a 2010 graduate of the University of Michigan with a B.A. degree in Sociology and French & Francophone Studies. Sonita hopes to receive her PhD in Sociology with a focus on the intersections of gender, race, and beauty. Whilst she prepares for the GRE, she occasionally updates her blog, Deconstructed Beauty.

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