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Just some of my favorite quotes from what I read this past week on tech&society:

If your kid comes out of the bedroom and says he just shut down the government, he should have an outfit for that

As people become brands, we expect not friendship from them but customer service

I’m left wondering why we’re typing so breathlessly, like we’re all skydiving into prom

Are 3D printers ontological white holes that produce reality from their printer heads?

My mental map was no match for the crisp precision of the iPhone’s…being in that place meant something different

TED is an insatiable kingpin of international meme laundering

The horrendous ramifications for privacy are obvious…yet they have not deterred anyone from using social media

drones are the most anthropomorphized of killing machines…so easily endowed with human subjectivity

the Amish are paradigmatically modern in that they have made the need to think about technology a defining feature of their culture

Spotify promises musical freedom through infinite choice and perpetual availability. So why do I feel like it’s a trap?

Recently I’ve started to wonder if certain friends of mine aren’t receiving kickbacks from the social music streaming service Spotify. I’ve started calling these friends the “Spotivangelists,” and have jokingly insisted that recruitment bonuses are the only reason they could possibly have for being so intent on getting me to sign up. What I’ll try to examine in this post, however, is not why my friends are so intent on getting me to join Spotify, but why I’ve been so intent on resisting. By rights, I should be some kind of Spotifanatic; music is a huge part of my life, and I discover almost all of my new music through friends. So why am I still holding out?

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Two RepRap Machines running during a demonstration at the Technoscience as Activism Conference. Photo Credit under CC Licence: David Banks

The price of 3D printers is plummeting. Like all complicated pieces of technology it is quickly moving from large, confusing, and expensive to small, simple and cheap. This year has been full of consumer-level 3D printers that are cheaper than some professional grade photo printers. Right now, these little things are capable of making plastic do-dads that are, admittedly, of lesser quality than some dollar store toys. But just like a magic trick, you’re not paying for the physical thing, you’re paying for the ability to do the trick. Design an object in a modeling software suite like SketchUp, convert it into some kind of printer-friendly format, and -so long as it is smaller than a bread box and made out of plastic- you can build whatever you want. 3D printers give an individual the ability to transform bits into atoms. In some ways it is a radical democratization of the means of production. For a fraction of the price of a car, someone can gain the ability to fabricate a relatively wide range of material objects. What are the implications for this new ability? What does it say about the relationship of atoms and bits? more...

Below is the full text of a two-part series that I wrote and posted last month

The body is a technology. One with political potentialities

In what follows, I delineate a language with which we can think about the body as technology, and in particular, politicized technology. We can do so, I argue, with Ernst Schraube’s conceptualization of technology as materialized action. I begin by laying out this theoretical framework. I then apply this conceptualization to the body, with a focus on body size. more...

Users in life boats brave Troll bay for the relative safety of the Reddit shores. Image Under CC License by Randall Munroe of XKCD

I made my digg.com account on March 15, 2007. I think I had an account before the current one because I clearly remember using Digg in high school, after I saw Kevin Rose demo the site on The Screen Savers. My enjoyment of that tech community, at the time, was so complete. It felt like my tribe. I dutifully listened to This Week in Tech and I am even willing to admit that I watched the bro-tastic video podcast associated with the site “Diggnation”. My late teens and early 20s were consumed with tech news and I loved every moment of it. The community fell off a cliff somewhere around 2008 as a few big users were banned for violating rules against scripting and gaming. The site hemorrhaged users through the last few aughts. By the summer of 2010, AlterNet reported on massive gaming and censorship by gangs of conservative Yahoo newsgroups. Within a month of the scandal, a terrible revision of the site crippled the service, causing day-long outages and spotty service. Now, the site has been sold for a mere $500,000 to a company called Betaworks. They plan on relaunching the site on August 1st after a massive overhaul. While a server might still point to digg.com, I know that it is not the site I grew up with and the Digg Diaspora has been cast to the edges of the internet. more...

Just some of my favorite quotes from what I read this past week on tech&society:

cupcakes match—& attempt to assuage—our cultural anxieties of the moment

The obsession with the Minority Report computer is a betrayal of everything that is human about computers

lets situate our Western New Aesthetic w/in its global context. What kinds of New Aesthetic are we blind to?

Each second, I observe friends on Facebook contributing to a shared space of disposable moments

I’m wondering, now, if machines are, by default, gender queer?

AUDI’s e-sound essentially turns the automobile into a rolling instrument for playing the sound of the engine

the modes of constraint operating through [the Web] are material, while liberation is semiotic

the flight path of a digital artifact never fully stops unfolding, so the range of possibility is never fully formed

typewriters alter the physical connection between writer and text

It doesn’t matter if anyone actually sees your status update; it’s indeterminacy that drives our anxieties about the unknown and unknowable futures of our digital artifacts.

In the last part of my recent essay “A New Privacy,” I described documentary consciousness as the perpetual (and frequently anxiety-provoking) awareness that, at each moment, we are potentially the documented objects of others. In this post, I use a friend’s recent ‘Facebook debacle’ as a starting point to elaborate on what documentary consciousness is, how it works, and whether it can be diminished or assuaged by the fact that “nobody… wants to see your status update from 2007.” I draw on Brian Massumi’s distinction between the possible and the potential to help explain why documentary consciousness entails “the ever-present sense of a looming future failure,” whether anyone reads that old status update or not.

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Writing Tools and the Instrumentalist Conception of TechnologyMy recent article in The Atlantic, “The Philosophy of the Technology of the Gun,” is provocative in part because it suggests tools like guns might have more power of us than meets the eye. Given widely held views about autonomy (e.g., the notion that “guns don’t kill people, people kill people”), this alternative way of looking at things can cause anxiety, especially when misunderstood and translated into terms like those offered by the first commenter, “Guns are magic mind control machines.” The article presented an account of how humans relate to technology, and to further illuminate those relations, I’ll briefly revisit media theorist Friedrich Kittler’s take on Friedrich Nietzche’s use of the typewriter. Like my gun essay, this analysis challenges the “instrumentalist” conception of technology.

In Gramophone, Film, Typewriter, Kittler contends more...

We fetishize the Exotic Other. We expect hir to save us, yet s/he remains ‘matter out of place.’

“Otherness” has long been a concern of social scientists. It refers to those who are marked, set-apart, excluded, or included with qualification. Those who fail to fit into normative conceptions of belongingness are treated, unsurprisingly, as though they do not belong. They are a polluting force, an intruder, an outsider. In this post, we discuss the dual nature of Otherness and the Othered subject, as they must navigate a social space in which they are either excluded or fetishized, but never fully integrated. We exemplify this dual nature with a discussion of new Yahoo CEO Marissa Mayer—a tech industry power player marked with femininity, amplified by pregnancy. We begin with a theoretical discussion of Otherness.

 The Dirty Other

As suggested by Sigmund Freud and Marry Douglas, “Dirt is matter out of place”; it threatens the integrity of boundaries—moral, aesthetic, symbolic, experiential and otherwise.  The removal or neutralization of dirt is not an easy matter for its methods of contamination are many.  The most effective method of contamination occurs within and through fantasy.  Case in point, the non-normative Other acquires her pollution powers from the fantastic projections of “Normals.”  But in analyzing the non-normative Other, we find that not all dirt is abject.  Rather than demonstrating the power of horror, dirt may acquire the quality of seduction, indulgence and exotic profundity.  Of course, Kristeva notes that the abject—while maintaining its horrifying quality—is the sight of fascination.  Although such a stipulation is relevant to the present discussion, we may note that said fascination need not coincide with horror.  For example, the “out of place” position of non-normative others facilitates the fantastic lure of systemic escape, reparation or atonement.  After all, that which is not dirt: the normative, the systemic, the homogenized, carries the weight of morality and social judgment.

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Just some of my favorite quotes from what I read this past week on tech&society:

why is it that speculative art & fiction is the only means of confronting & thinking about surveillance culture?

Within the digital arena, however, the [dead] body is mummified in the encasing of social media and the face these platforms maintain for the dead

Kickstarter is just another form of entertainment. It’s QVC for the Net set

the desire of theory always involves a dimension of universalism

beautiful books become consumable objects that describe the taste of the reader who proudly displays them

What does it mean to feel empathy for a twitter feed?

we are attuned not only to possibilities of documenting, but also to possibilities of being documented

consumers are consumed with consumption, take pleasure from pleasure, desire to desire and want to want

Comic-Con protesters call cyberpunk doorway to demonic possession