If you haven’t yet noticed (you’ve probably noticed), Facebook likes to appropriate features from competing apps and platforms. You can credit the demise of the old “[Name] is…” status update prompt, for instance, to the rise of Twitter. You may also recognize the “share” feature on your friends’ status updates from Tumblr; the place check-ins from Foursquare; the friend “lists” from Google+; the photo albums from Flickr (or any other photo sharing site); the photo filters from Instagram (back before Facebook bought Instagram outright); the vanishing images of Poke (that’s a newer Facebook app, not the older Facebook feature) from Snapchat; the “Music” app from Myspace (new or old); or even the “Work and Education” profile field from LinkedIn. Yes, that’s right: voracious media amoeba that it is, Facebook has even engulfed some of LinkedIn. Icky.

Yet in its seeming quest to digest and regurgitate elements from every digital social technology ever, Facebook most recently appropriated features not from a competing platform or app, but from the pre-Web-2.0 ‘sharing’ stalwart LiveJournal[i]. Remember the “Current Mood” field, and the various “Mood Theme” icons you could use to answer when you weren’t feeling up to free response? If you don’t already, you’ll soon have something similar in a new field on your Facebook status update prompt. Go into that new field and select “feeling,” and you’ll get to answer “How are you feeling?” with one of roughly 200 preset emoji/emotion combinations like it’s 2001 all over again. Your profile will then show something like the image above.

There are some significant differences between LiveJournal’s “Current Mood” field and Facebook’s new “feeling” icons, however, and these differences get at the heart of why—potentially cute/annoying emoji notwithstanding—talking about your emotions with the new Facebook feature is very different from talking about your emotions on LiveJournal. more...

At the beginning of the year, rumors were going around that the popular but relatively small citation software company Mendeley Ltd. was going to be purchased by the publishing giant Elsevier. TechCrunch ran a story and there were a few others but not much else came out of it. When I heard these “advanced talks” were taking place, I wrote an essay in which I said,

“When our accounts of reality are owned by profit-seeking organizations and those organizations control the very tools that help us exchange those accounts, we are in danger of losing something fundamental to the institution of science. Ideas should not end up behind prohibitively expensive pay walls, especially when so little of that money goes towards new scientific discovery.”

Today, Mendeley announced on their blog that their purchase by Elsevier was official. They also reassured existing users, “Mendeley is only going to get better for you.”

I’m very skeptical.  Back in January, I raised the question, “what is Elsevier going to do with Mendeley that warrants uninstalling it from you computer?” and hinted that the kind of criminal charges faced by the late Aaron Schwartz could become commonplace, if not easier to prove and litigate.  I also noted that Elsevier has been so malicious and aggressive in their search to control and subsequently monetize knowledge that it has inspired over thirteen thousand academics to sign a pledge saying they will not support Elsevier’s journals. They have supported SOPA, PIPA, and used to support the Research Works Act as well. Oh, and they support CISPA too. None of that has changed, and there’s still plenty to be done if Elsevier wants to gain the respect their new property once had. more...

In a recent post titled “Digital Dualism of the Real,” Nathan Jurgenson (@nathanjurgenson) wonders if there are several kinds of digital dualisms and, if so, how we should label them. I am a bit surprised by such a concern as I don’t consider digital dualism theory to be divisible or “splitable,” given that I started to develop it in my own way in France. I have found Nathan’s theory of digital dualism very useful; however, because this new idea of different kinds of digital dualisms appears to me as an unwanted consequence of the recent debate with Nicholas Carr, I would like in this post to help him further develop his theory and make it even stronger. That’s why I will start my reflection here by coming back to Carr’s arguments, in order to deconstruct them in greater detail. Because, unfortunately, I think they all are false.

In a post published on his blog only two days before the Theorizing the Web conference, Nicholas Carr is trying to invalidate the digital dualism critiques coming from the Cyborgology’s blog authors. We can wonder why a Pulitzer Prize nominee author of influential books translated into more than 20 languages is so interested in the digital dualism theory. It is easy to answer that: Carr is clever enough to detect that a new generation of digital scholars is developing very strong ideas. And, because he is targeted by them as a digital dualist, he is compelled to attempt to demonstrate the contrary. But he is wasting his time. What are the main objections of Carr? more...

Data Based is a weekly Cyborgology feature producing original, insightful, and fun data visualizations.

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“There’s a strong, specifically technocratic conflation between efficiency and good in Silicon Valley”

“Drones date online, but drones don’t think about it the way that humans do”

“The Work of Art in the Age of the Internet”

“We have a billion folks using our services now, and we want to get to 3 or 5 billion one day”

“Throughout Zuckerberg’s talk, people and Facebook friends were used interchangeably“

“there is general, assumed agreement on what social media is even as there is significant doubt as to whether society exists”

“There’s a stereotypical Pinterest user and I can’t escape the feeling that it is what I have become”

“The Like button tears aside this veil to reveal the cloying, pathetic, Willy Lomanesque need of marketers to have their brands be well-liked”

Nathan is on Twitter [@nathanjurgenson] and Tumblr [nathanjurgenson.com]. more...