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As Edward Snowden settles into his new life in Russia, and Facebook inc. faces accusations of providing information to government officials about protesters in Turkey, issues of privacy are on the lips, minds, and newsfeeds of many global citizens.

Citizens sit with the uncomfortable and now undeniable reality that we are being watched. That our own governments, in many cases, are doing the watching. And that the economic, social, and interactive structures makes this kind of surveillance largely impossible to avoid.

I have noticed an interesting trend as people work through what many view as an unfortunate inevitability of pervasive surveillance: the use of play as a form of resistance. To be sure, PJ Rey (@pjrey) is our resident Play Theory expert here at Cyborgology. I am an admitted novice to this line of theory. As such, I hope that those with greater expertise than I will supplement my wide-eyed sociological noticings with established or developing social theorists and their theories. more...

Robin Thicke’s “Blurred Lines” and Miley Cyrus’s “We Can’t Stop” have been two of the most controversial songs/videos in the last few years, so it’s not surprising that they performed together at this weekend’s 2013 VMAs. Thicke’s work has been widely criticized for its sexism, and Cyrus’s for its racism (Unsurprisingly, not nearly as much has been said in the white mainstream music/feminist media about Thicke’s cultural appropriation on BL…which is also going on, and also needs to be addressed.)

Is sexism-bating and racism-bating the new way for white artists to prove their edginess? In our supposedly post-feminist, post-racist society, is overt misogyny and racist cultural appropriation the new way to accomplish the sort of shocking “avant-garde” effect that used to be accomplished by more subtle means? Instead of “love and theft,” well, for lack of a better word, trolling? Instead of positively identifying with femininity and/or blackness (the “love” part of the equation), there’s just a pragmatic instrumentalization of them (no love, just the hustle)? more...

The easiest, laziest, most click-baitiest op-ed, trend video, or thing to scream at a bar right now is how, with today’s technologies, we are more connected but also more alone. Ooh. Zuckerberg has 500 million friends but it was never really a spoiler to say that Sorkin’s The Social Network ends with him sitting alone at a computer. Ooh. The Turkle-esque irony is just too good for it not to zeitgeist all over the place.

That argument should not be altogether dismissed but I am quite skeptical of where it’s so often coming from and how it’s articulated. This trend might be largely disingenuous, and by that I do not mean intentionally insincere but instead a sort of cultural positioning: we-are-connected-but-alone not only drips with that delicious ironic juxtaposition, it simultaneously props the person making the case as being somehow deeper, more human, more in touch with others and experience. more...

technology and society quotes from the past week.

“a religion based around getting Facebook Likes”

“Facebook has a ways to go before it catches up to coffee”

“it explicitly privileges communicative practices of speech and voice over text without justifying this gigantic assumption”

“I am now watching Twitter become morally depopulated”

“the only explanation for why, despite our technological capacities, we are not all working 3-4 hour days”

“you provide such a neat explanation of technological determinism that I can’t wait to share it with my undergrads“ more...

“We invoke one dualism only in order to challenge another. We employ a dualism of models only in order to arrive at a process that challenges all models. Each time, mental correctives are necessary to undo the dualisms we had no wish to construct but through which we pass. Arrive at the magic formula we all seek—PLURALISM = MONISM—via all the dualisms that are the enemy, an entirely necessary enemy, the furniture we are forever rearranging.”

– Gilles Deleuze and Félix Guattari in A Thousand Plateaus

On this blog and elsewhere, Nathan Jurgenson and many others argue against dichotomizing the online and offline (a perspective dubbed “digital dualism”) in favor of the more nuanced position that the interaction of the online and offline rather constitute an “augmented reality,” a new but nonetheless consistent and permeable lifeworld. The argument is interesting and probably accurate. However, for those of us who take dialectical thought seriously, it is unclear that this latter position gains in ontological nuance more than it loses in truth. If digital dualism merely critiques simplistic descriptions of the contemporary relationship between mediated and non-mediated social interaction, then it is fairly low-hanging fruit for those well-acquainted with the pitfalls of binary thinking. But what the augmented-reality perspective refuses to query is how and why the very idea of such new and alternative worlds is made naive, in principle and in advance of their emergence. more...

Let’s get the obvious out of the way: Elysium was trashy action flick. It sacrificed any pretense of plot or character development to maximize the number of fight sequences and explosions. It’s clearly geared toward the X-Men 7/J.J. Abrams crowd. However, Elysium does accomplish a few things worth considering:

1. It injects a class narrative into an action movie—a genre that has been intellectually moribund in recent decades.
2. It offers a revolution (as opposed to reform) narrative.
3. It envisions a dystopia arising more from state neglect than from state control.
4. It avoids technological reductionism.

(Note: Spoilers to follow) more...

In a recent post for Cyborgology, I attempted to both refine the concept of digital dualism and explain its connection to the set of arguments that constitute conservative thought. With respect to the former, I argued that “digital dualism” should refer strictly to those instances where a person attempts to establish a normatively-charged ontology based upon some technological category. Thus, a digital dualist might first posit that the world is divided between the “real” and the “virtual” (or perhaps the “offline” and the “online”) and then imbue these categories with normative value by judging the former to be superior to the latter (or vice versa). more...

“If it weren’t for all of you I would have lost my mind at my job.” Its a familiar refrain that I hear at lots of small conferences and, occasionally, on Twitter backchannels. Its an amazing compliment to hear that your weak tie with someone means so much, but its also an immensely troubling prospect. Hundreds (maybe thousands?) of highly trained professionals have serious misgivings about their professional associations, their home institutions, and maybe even their life’s work. I had heard variations on this theme most recently this past week when I helped out at the (really, really cool) Engineering, Social Justice, and Peace Conference hosted here in Troy, New York. The conference was attended by an array of people: engineers, educators, activists, and social scientists like myself. Some people worked in industry, others in academia, and a significant portion worked for NGOs like Engineers Without Borders. And again, I just want to reiterate: No single person said the exact phrase above, and I certainly don’t want to (mis)characterize any of the attendee’s personal feelings about their jobs or work. Rather, what I witnessed at ESJP is more accurately characterized as a feeling of “coming home.” Think of it as the positive side of the same disaffected coin. This anecdotal trend was in my mind when I read this Seattle Times article about social scientists finding new and inviting homes in tech companies. Are social scientists finding better intellectual homes in industry than in academia? Or am I connecting two totally separate phenomena? Is it just the pay? More to the point: can social scientists do more and better things for the world working in Silicon Valley than the Ivory Tower?
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