Search results for banks

Visit msnbc.com for breaking news, world news, and news about the economy

Last Friday, Rachel Maddow reported (video clip above, full transcript here) that hundreds of citizens had suddenly started posting questions on the Facebook pages of Virginia Governor Ryan McDougle and Kansas Governor Sam Brownback. Their pages were full of questions on women’s health issues and usually included some kind of statement about why they were going to the Facebook page for this information. Here’s an example from Brownback’s page:

The seemingly-coordinated effort draws attention to the recent flurry of forced ultrasound bills that are being passed in state legislatures. Media outlets have started calling it “sarcasm bombing” although the source of that term is difficult to find. ABC News simply says: “One website labelled the messages ‘Sarcasm Bombing’ for the tounge-in-cheek [sic] way the users ask the politicians for help.” A few hours of intensive googling only brings up more headlines parroting the words “sarcasm bomb” but no actual origin story. These events (which have now spread to Governor Rick Perry of Texas as well) raise several important questions but I am only going to focus on one: Can we call Facebook a “Feminist Technology”? more...

I actually discovered it after the project was over. The duckies, the sports racers, world-wide sandwiches, and the ugly MySpace profiles were all finished projects that had been immortalized in this strange, eclectic mix of abruptly (but expertly) edited videos. I don’t remember how I found out about “The Show with Ze Frank,” but it was probably on the recommendation of some podcast host. The web site that housed all of the videos for “The Show” was very strange for two reasons- 1) it had rubber duckies of various sizes, colors, and shapes and; 2) It was not Youtube. Today, the site has undergone only minor changes. The proprietary video player has now been replaced with a blip.tv player and there’s a button on the right that allows you to “like” every video on Facebook. “The Show” drew thousands of viewers before Youtube was the go-to place for video on the Internet. The episodes were shared between dedicated fans while Facebook was only available to people with certain college email addresses. But what is, truly remarkable about “The Show” is that you have either stopped reading this and started watching your favorite videos all over again, or you have never heard of this before but the video above has instant resonance with you. It’s playful, but incredibly honest at the same time. It’s simultaneously goofy and sincere. It’s the ur comedy viral video show and after a very successful run on Kickstarter, it’s coming back. more...

From June 27-29 I will be hosting (throwing?) the Technoscience as Activism Conference in Troy, NY. We are currently accepting abstracts for conference presentations and workshop proposals through March 15th. The conference is sponsored, in part, through Rensselaer Polytechnic Institute’s 3Helix Program funded through the National Science Foundation’s GK-12 fellowship. The conference will focus on community-situated design and look for new approaches that interweave social justice and science/technology. Participants are also encouraged to submit full papers for potential inclusion in a special theme issue of the open-access journal PscyhNology. Conference participants will be expected to participate in both moderated panel sessions on the PRI campus as well as hands-on workshops held throughout the Troy community. There are two goals of this conference: 1) To facilitate the free exchange of ideas across multiple boundaries on the topic of technoscience as activism and; 2) offer an experimental alternative to the traditional role/format of academic conferences. This new experimental format includes active collaboration with the geographically-defined community that hosts the conference. more...

In my research on the Dutch banking system, it became clear that the banks are seriously worried about social engineering. These techniques, such as phishing and identity theft, have become increasingly common. No reason for concern, right? Surely, a system upgrade, some stronger passwords, or new forms of encryption and all will be well again. Wrong! When it comes to social engineering, trust in technology is deadly. The solution, in fact, cannot be technological; it must to be social.

The term social engineering has been around for decades, but in the last couple of years, it has been popularized by famous social engineer Kevin Mitnick.  In the book Social Engineering: The Art of Human Hacking by another famous social engineer, Christopher Hadnagy, social engineering is defined as “the act of manipulating a person to take an action that may or may not be in the ‘target’s’ best interest.” This may include obtaining information, gaining computer system access, or getting the target to take certain action. Kevin Mitnick pointed out that instead of hacking into a computer system it is easier to “hack the human.” While cracking the code is nearly impossible, tricking someone into giving it to you is often relatively easy. more...

A Review of Kevin Kelly’s What Technology Wants

Usually, I would not bother reviewing a book that has been out for over a year, but Kevin Kelly’s What Technology Wants complicates this blog’s ongoing discussion of public intellectuals and the translation of social theory into popular press books. Kelly claims to have read “every book on the philosophy and theory of technology.” If we are to take him at his word, and if we assume his own conclusions are based on (or are at the very least- informed by) that reading, we should seriously consider the overall quality of the corpus of Science and Technology Studies (STS) and related fields. As social scientists we must ask ourselves: If Kelly’s work can legitimately connect itself to the likes of Nye, Winner, and Ellul, and still produce a politically and morally ambivalent conclusion, are we failing to provide theoretical tools that lead to a better world? more...

“I must rule with eye and claw — as the hawk among lesser birds.”

-Duke Leo Atreides in Book 1: Dune

Over a week ago, Twitter announced a new censorship policy, stating that it would comply with any “valid and applicable legal request” to take down tweets. The announcement came just as we were still digesting Google’s unified privacy policy and were still debating the (now confirmed) rumors that Facebook was releasing an IPO. Twitter has since been applauded, denounced, and dissected by a variety of scholars, media critics, and business leaders. In this post I will give a brief summary of the controversy, briefly weigh in with a commentary of my own, and conclude with a discussion of what all this means for theorizing online social activity.

more...

The words and ideas we use to make sense of the Web owe as much to science fiction (particularly, the cyberpunk genre) as they do to the work of technicians or to rigorous scientific inquiry. This by no means a bad thing; the most powerful of such literary works call upon our collective imagination and use it to direct society to prepare for major transformations looming on the horizon. William Gibson’s (1984) Neuromancer was, no doubt, one such work. Neuromancer features  the exploits of a “console cowboy” (i.e., a computer hacker) named Case, who travels across a dystopian world serving a mysterious employer. The work is notable for popularizing the term “cyberspace,” which Gibson coined a couple years earlier in a short story called “Burning Chrome.”

In Neuromancer, Gibson described cyberspace as a”consensual hallucination” and more specifically: “A graphic representation of data abstracted from the banks of every computer in the human system. […] Lines of light ranged in the nonspace of the mind, clusters and constellations of data.” Rather than just staring into a computer screen, hackers “jack in” directly interfacing with these visual representations of data in their minds. The images described here are reminiscent of those portrayed in movies such as Tron (1982),  Hackers (1995), and, to a lesser extent, The Matrix (1999). more...

Why successful black guy is successful: The socio-cognitive side of humor

Having read Jenny Davis, David Banks and PJ Rey on internet memes, I felt compelled to share my creative grain of sand on this peculiar ‘web-based’ construct. I often wonder why memes are funny. The simplicity of memes is deceiving: e.g., a Spartan image, often featuring only the face or upper body of a person or animal, and a kitsch colored background that would make Warhol think you’re on acid. Add two rows of parallel text above and below and presto! –  You have created funny. Is it really that easy? I would generally think (and hope) that humor is a complex phenomenon, that answering  “why is this picture of a cat funny to me?” requires invoking some esoteric philosophical or psychological terminology. I decided to do some research.

One of my favorite memes of all times is “successful black guy”. This is successful black guy explained by know your meme: “an image macro series featuring a Black man dressed in business attire and a witty one-liner satirizing the stereotype of young African American male as street hustlers or gangsters who only care about cars, money and ho’s. The humor is mostly derived from the intentional line break in mid-sentence, with the top line impersonating a black male stereotype (EX: I Got the Best Ho’s) and the bottom line suddenly falling flat in character (EX: Out in My Tool Shed). more...

[SPOILER ALERT: details about the first episode of Sherlock“A Study In Pink” are discussed below. The ending is not totally given away, but major story details are revealed.]

A few weeks ago, I challenged Kurt Anderson’s claim that cultural progress and innovation had stagnated in the last twenty years. Anderson, I contend, has ignored new mediums (the Internet), re-invented genres (hip-hop, electronic music), and new cultural stereotypes (geek chic, hipsters). But what ties all of these things together is the central thesis that consumer technologies are just as much cultural artifact as clothes or music. No where is this more obvious and brilliantly executed than in BBC One’s updated interpretation of the Sherlock Holmes mysteries. Set in present day London, “Sherlock” is a reinterpretation of the most famous Holmes mysteries and does an excellent job of translating the Victorian source material into a modern drama. That translation includes dress, idiomatic expressions, and vehicles- but it also includes cell phones, restrictions on smoking, and the War on Terror. Sherlock is a uniquely 21st century show that could not have taken place in the early 2000s or the 90s. more...

It seems as though Congress, having grown tired of pissing off large swaths of the country, are now opting to write bills that anger a very particular group of people. Almost a month ago, on December 16, 2011, California Republican Congressman Darrel Issa introduced the “Research Works Act” which would kill government-assisted open-access journals. As PJ said before, journals (especially the closed private ones) are the dinosaurs of academia and as Patricia Hill Collins later noted, more...