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In our ongoing conversation about tracking “negatites” (what you might have but ended up not doing–this is a riff on Jean-Paul Sartre’s concept of the role of negation in human existence), I think we Cyborgologists may have hit on something. David’s post implied or begged the concept, I identified it, and Sunny explained how it relates to quantum physics. In a comment on Sunny’s post, David described this “Theory of Negatite Social Action (NSA, haha)” that we’re proposing as something “like the dark matter of social action.” I don’t know a lot about quantum physics, but I DO know a lot about political philosophy. So while I’m going to rely on y’all to fill in and/or correct me on the physics and big-data-tech side of things, I’m going to attempt to use some political theory to push these ideas forward and see where it takes us. Because this is genuinely an attempt (or an experiment, even), I’ve framed my post in the form of questions. Consider my answers provisional attempts at thinking through these questions.

1. Why do we care about negatites/dark social action? Why is it relevant now?

Here, I want to argue why I think explicit attention to negatites/dark social action is something that is likely to happen, if it isn’t already happening. There are two main motivations to monitor, track, and care about what people could but don’t do.  more...

Ever since it and I first became acquainted, I have been the sort of person who goes by strange made-up names on the Internet. That “ever since” is a long one, too: It begins in the fall of 1995, when my classmates and I returned to school to find not only that the dark room full of DOS machines had been swapped out for a bright room full of Windows boxes with Internet access, but also that we now had email accounts—something most of us didn’t have at home.

To our mostly pre-digital teenaged selves, email was clearly the Best. Thing. Ever.

My friends and I spent all of our free periods in the computer lab emailing each other, even though we went to a small school and so all saw each other every single weekday. We passed silly forwards around (like “100 Things to Do in An Elevator”), and had group conversations, and had long one-on-one conversations as well—often conversations that, for a whole range of reasons, would never have happened through in-person interaction. I spent some of the most intense, exciting hours of that school year in the computer lab, engaged with those machines (and through them, my friends) as if they were lifelines. more...

Here is a list of skills that, as a grad student at one time or another, I’ve been expected to have with absolutely no offered training whatsoever: more...

For many people, moving—especially to another city, state, or country, instead of just across town—is an opportunity to sort through (and likely, discard) possessions, in hope of making the impending relocation process less of an ordeal. I did this when I moved back to Massachusetts from California last February; I actually gave away more than 65 percent of my worldly possessions (by volume) before trading a two-bedroom house in West Oakland for a one-bedroom apartment in Cambridge. This pales in comparison, however, to what my parents are currently undertaking: After 28 years in the same house, they’re preparing to move across state lines next month. For them, July has so far been all about sifting through the accumulated sediment of so much time in one enclosed space; since this is the Internet age (and since my mom has access to a scanner), for me July has been all about a steady stream of emailed highlights from rediscovered family—and personal—history. more...

Laurie Penny’s great new piece about Manic Pixie Dream Girls (MPDGs) has me thinking about the role of women/femininity in the compositional structure of music, film, and other media.  Penny uses a narrative metaphor to explain the subordinate role of MPDGs in contemporary patriarchy: patriarchy expects and encourages women to ghostwrite or be, as Penny puts it, “supporting actresses” in men’s stories.  When women (such as Penny) craft their own autobiographies with themselves as the protagonist, this upsets both patriarchal conventions, and our aesthetic sensibilities, which have been trained to expect and enjoy these conventions.

But, especially in light of the finale of this past season’s Doctor Who (so, uh, need I say it: spoilers) I think the MPDG supports men’s/masculinity’s centrality–in other words, patriarchy–in specific ways, ways that are uniquely appropriate to the compositional logic of contemporary media.

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The British Channel Four series, Black Mirror, tells a series of disconnected stories taking place in what might be parallel worlds, in which technology is resolutely familiar, but always a bit uncanny. It is a show of this epoch, and of the insecurities and fears which tag along as we watch history unfold itself in front of us. In the same way that The Twilight Zone screened our nagging questions about Mutually Assured Destruction, space flight, and the lurking Other inside the suburban facade, Black Mirror delves into our doubts about social media, ubiquitous computing, surveillance society, and the justice of consumerism, as we struggle to comprehend the growing, always glitching, network around us. The show is, according to Wikipedia, quite popular in China, which might be all that you need to know. more...

I “Like” CNN on Facebook. Not because I enjoy getting the news on my Facebook feed (my friends do that) but because I love watching a bunch of people hate on CNN. As the above photo demonstrates, CNN tends to show its ass a lot. Asking your readers about the Royal Family’s baby on the 4^th of July, will undoubtedly piss off a dozen different demographics. It is constantly being called out for doing all of the things we know are wrong with American cable news. There are dozens, in some cases even hundreds, of comments about calling a revolution a coup, ignoring the important parts of stories, and generally missing the mark when it comes to stewarding and curating these weird things we generally call “national conversations.” I just want to know why CNN chooses to subject their brand to such public, naked criticism on a daily basis. more...

One problem with taking social problems and re-framing them as individual responsibility is that it ends up blaming victims instead of pressuring root causes. This mentality creates a temptation to, for example, respond to the NSA scandal involving the government tapping into Internet traffic with something like, “well stop posting your whole life on Facebook, then”. Or less glib is the point raised many times this month that the habit of constant self-documentation on social media has made possible a state of ubiquitous government surveillance. The brutality of spying is made both possible and normal by the reality of digital exhibitionism. How can the level of government spying be so shocking in a world where people live-tweet their dinner? Perhaps we should stop digitally funneling so much of our lives through Gmail now that the level of surveillance is becoming clearer. Sasha Weiss writes in The New Yorker that, more...

I start with a nota bene by saying that I do not self-identify as a “surveillance scholar” but given our current sociotechnical and political climates, the topic is unavoidable. One might even be tempted to say that if you aren’t thinking about state and corporate surveillance, you’re missing a key part of your analysis regardless of your object of study. Last week, Whitney Erin Boesel put out a request for surveillance study scholars to reassess the usefulness of the panopticon as a master metaphor for state surveillance. Nathan Jurgenson commented on the post, noting that Siva Vaidhyanathan (@sivavaid) has used the term “nonopticon” to describe “a state of being watched without knowing it, or at least the extent of it.” I would like to offer up a different term –taken straight from recent NSA revelations—that applies specifically to surveillance that relies on massive power differentials and enacted through the purposeful design of the physical and digital architecture of our augmented society. Nested within the nonopticon, I contend, are billions of “boundless informants.” more...

Earlier this month Geoffrey Miller (@matingmind), the now infamous professor of evolutionary psychology, punched out a really awful tweet. He said this:

His message is blaringly ironic, coming from a man who clearly lacked the willpower to think through the statement before making it public #truth. Although he later deleted the tweet, his followers had already created screen captures and sent the image into a spiraling journey of virality.

I don’t want to spend my post today harping on Miller’s particular indiscretion. Others have been busy doing just that, quite eloquently, for the past week and a half. Instead, I want to talk about Fatness as a moral stigma, and the ways in which Miller’s tweet first, exposed the moral nature of body size and in turn, offered Fat Activists an opportunity to publicly reject Fatness as a marker of immorality. This was facilitated, I argue, by the affordances of new technologies coupled with determined and conscientious social actors. more...